“The Red Arrow Has Not Been Seen in The Mark in All My Years.” Rohan Receives The Call for Aid From Gondor. The Importance of Strong Ritual.

The Return of the King by J.R.R Tolkien (Harper Collins) pp. 781-783

The arrival of Hirgon, the messenger of Denethor, is one of those beautiful set pieces beloved of story tellers and story hearers of the Middle Ages. Those who know the story through Peter Jackson’s films will remember how the message comes to Rohan by means of lit beacons upon the mountain tops, It is a beautiful scene as the message seems to leap from one mountain to another, but a message of such import requires more than the efficiency and speed of lit beacons. It requires the power that can be conveyed only by ritual, by due ceremony.

We will live in an age that has been, in many ways, de-ritualised. Because we do not require rituals as entry points to significant aspects of life, such as long term relationships, it is easier to do without them altogether, In many ways one can understand, and sympathise with, the critique of the way in which past generations abused those rituals and the institutions they underpinned. I think of the forced marriages within my own family history and the story of unhappiness that followed, an unhappiness that continued for generations, and I do not blame the generation of my children for their caution in either entering an institution that has been socially enforced and the rituals that underpinned that institution. I also regret the commercialisation of the ritual of marriage and the sense that in order to marry a couple and their family will have to spend a considerable sum of money to fulfil social expectations. But when the ritual connected to marriage is drained of all its potency something of great import is taken from the institution and the life that the institution is meant to sustain. Perhaps we might say that we have forgotten that marriage exists for the sake of human flourishing and that human flourishing does not exist for the sake of institutions, even those as important as marriage,

But let us return to the scene in which Hirgon, the messenger of Denethor, appears at the camp of the Rohirrim bearing the Red Arrow. We note the pride with which he holds himself even as he pays all due respect to the King of Rohan and to the people that he leads. He is the servant of the Steward of Gondor, a mighty lord. We note also the importance that the King of Rohan attaches to Hirgon’s mission.

“The Red Arrow!.. The Red Arrow has not been seen in the Mark in all my years! Has it indeed come to that?”

The Red Arrow is the visible and outward sign of an inner reality. It serves to remind Théoden of the oath made by his mighty ancestor, Eorl, to Cirion, the Steward of Gondor, at the tomb of Elendil, that in return for the gift of the land of Calenardhon he and his descendants would always come to the aid of Gondor in its need. And we also note that Gondor has never abused this oath. As Théoden himself declares, “The Red Arrow has not been seen in the Mark in all my years!” Denethor was not in the habit of seeking the aid of his closest ally as a matter of course, such as the fight for the crossing of the Anduin at Osgiliath for example. He asks for it now at Gondor’s greatest need, but not before.

So Hirgon kneels before the King of Rohan and declares his mission.

“Gondor is in great need. Often the Rohirrim have aided us, but now the Lord Denethor asks for all your strength and all your speed, lest Gondor fall at last”

There will be some negotiation. Rohan’s pride requires it. Théoden cannot and must not be taken for granted even though it is already his intention to come to the aid of Gondor. When he rides into battle he needs everyone of those who follow him to do so willingly and so each one of them needs to know that their lord does also and that he is held in the highest honour by Gondor and not regarded as a mere vassal. Perhaps certain alliances of our own time would be the stronger if the most powerful of their members were to remember this.

All of this is made the stronger by the enacting of strong ritual. Those who stand by their king see how he is treated by Gondor and how he in turn treats the messenger of Denethor. They see the respect with each addresses the other, and that story will be passed between every warrior who gathers to make the ride to Minas Tirith and will give strength to each one of them. That is what strong ritual is able to give.

“I Am Forgetting Them!” Merry Thinks of Frodo and Sam in The Midst of His Loneliness.

The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 774-775

It has been three days since Aragorn, Legolas and Gimli, and the Grey Company, departed from the Hornburg and early in the day Aragorn begins his great ride across Gondor towards the port of Pelargir in order to come to the aid of its defenders who have been attacked by the Corsairs of Umbar. Following him are “shapes of Men and of horses, and pale banners like shreds of cloud, and spears like winter-thickets on a misty night”. The Dead have come to fulfil the oath that once they made and then broke to Isildur.

And on that same day, at evening, Théoden arrives with his company at Harrowdale, a deep valley amidst mighty mountains. He will rest there that night; the last rest that he will take before he leads the Rohirrim on their great ride to Minas Tirith and the battle that will take before its walls on the Pelennor Fields. The thoughts of all have turned to what lies ahead and a silence has fallen upon the host. Meriadoc Brandybuck of the Shire has ridden that day just a few paces behind the king, and he too has ridden in silence.

Not that the whole journey from the Hornburg has taken place in silence. Merry has enjoyed the hospitable company of the king, sharing tales with him of the doings of the Shire and listening to tales of the deeds of Rohan. But despite Théoden’s gentle courtesy Merry has always felt lonely, aware of the “insupportable weight of Middle-earth” surrounding him, longing for the comforts of home, and thinking of his friends.

“He wondered where in all this strange world Pippin had got to; and what would become of Aragorn, and Legolas and Gimli.” They have been his company since their merry meeting amidst the wreck of Isengard and they are the first to come to his mind and to his heart.

But suddenly the thought of others comes to him “like a cold touch on his heart”. Merry has remembered Frodo and Sam, and he realises that it has been some time since he has done so. His thoughts have first been filled with his own plight and then with those who have been with him along the way. He is ashamed that he has not given the attention of his heart to those with whom he first left the Shire. “And yet they are more important than all the rest of us. And I came to help them.”

I do not think we should blame Merry for not thinking about Frodo and Sam. So much has happened to him since they parted company two weeks earlier at Parth Galen, violently sundered by the attack of the orcs who slew Boromir and who took both he and Pippin prisoner. Two weeks must feel like two years to him given the intensity of his experience, and the immensity of all that lies before him requires all the attention that he can give even though he has little idea of what the next days will bring. But that feeling, that “cold touch on his heart”, does the work that it was intended to do. It returns the attention of his heart to Frodo and Sam at just the moment it needed to do so. For it was early in the morning of that same say that Frodo and Sam left the stronghold of Henneth Annûn in the company of Gollum in order to begin the next stage of his journey to Mordor, bearing the Ring and the hopes of the world.

Perhaps Merry has needed the silence of that day’s ride down into Harrowdale in order to clear enough space in his heart to think of more than just of himself. This is one of the values of silence. Like the experience of most of us when we find ourselves in silence, Merry’s mind has been filled with himself, with thoughts and feelings. Most of the time, and for most of us, we are unaware of what we think and feel. Those thoughts and those feelings simply happen to us. But sometimes enough space is created for another level of awareness to be experienced. We become aware of what we are thinking and aware of what we are feeling. And then sometimes, in those quiet times, we may feel something like Merry’s cold touch, something that draws our attention away from ourselves and away from our usual patterns of thought. It is good that we stop to give such moments our full attention, to lean into the unexpected touches of our hearts. They enlarge our hearts and connect us to people and places who need our attention. We do not know what effect it had, for good, for Frodo and Sam. It isn’t given to us to know such things. There would be too much temptation to manipulate things if we did. But for those of us who try to pray, such moments call us consciously to place someone into the hands of God.

“Then She Fell on Her Knees, Saying: ‘I Beg Thee!” Éowyn is So Desperate That She is Prepared to Humiliate Herself.

The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 767-768

It is a grievous thing to witness the humiliation of a proud woman as Legolas and Gimli do the humiliation of Éowyn before Aragorn. I do not know whether Tolkien deliberately draws our attention to this contrast, but shortly after the scene in which Éowyn falls to her knees before the man who has, to her mind at least, rejected her, we read of Arod, the horse who has borne both Legolas and Gimli, standing before the door that leads to the Paths of the Dead, “sweating and trembling in a fear that was grievous to see”. In both cases it is the witnesses that grieve. Legolas and Gimli, proud sons of lords of their people, grieve to see a daughter of the king’s brother, casting aside her dignity in a last and utterly desperate attempt to persuade Aragorn to take her with him to Gondor and the battle. It is a grievous thing for those who hold honour dear to see such a thing. And we see the Dúnedain of the North, for whom the bond between themselves and their horses is a precious thing, grieved to see a horse bereft of its dignity.

Dignity and honour are things precious to us. As we leave the innocence of our childhood behind and begin to enter our adulthood, we do the work of creating a persona. I still remember my first night in a dormitory in an English boarding school, a boy who was fourteen years old, lying in bed with the sleeping forms of four other boys in the beds round about me, making conscious choices about the person I felt I needed to be if I were to be accepted by my fellows. I was no longer going to be the child that had slept in my parents’ home among my younger brothers and sisters just the night before, I had begun the process, quite literally, of re-inventing myself, and presenting a person of dignity to the world, worthy of the world’s respect, was central to that project.

Wise people have said that no-one should give their Self away until they have a Self, strong enough, secure enough, to be able to give. Until that moment comes then it is right and proper that the primary task of each person is to build a strong Self. This is the task in which Éowyn is now engaged and until now she has undertaken this task in acts of service as has been expected of a woman of her status among her people. While for other women among the Rohirrim this has meant serving a household, for her it has meant serving a king. And while others may have regarded such a position as being worthy of honour, for her it has become merely another form of servitude. Later, when she lay near to death in the Houses of Healing in Minas Tirith, Gandalf spoke truly of her in these words:

“Who knows what she spoke to the darkness, alone, in the bitter watches of the night, when all her life seemed shrinking, and the walls of her bower closing in about her, a hutch to trammel some wild thing in?”

So, as she kneels in desperation before the man she thinks of as her last hope of freedom from her shrinking existence, as she casts aside her dignity and merely asks for pity, we see a woman for whom the creation of a strong Self amidst the choices that seem to lie before her is an impossibility. She will make one more attempt to recover something of that dignity when she asks Théoden to allow her to ride to Minas Tirith among the Rohirrim, but when he refuses her request, she takes the matter into her own hands, going in the disguise of a man, knowing that her abilities as a horsewoman are such that she can match any one of them. And she will reach a place in the battle where she will perform a deed that no man could have done, a deed that will be one of the turning points of the battle.

All of this will be a part of her journey towards Selfhood. The words that she speaks in desperation into the darkness as her life shrinks about her, the words that she cries out to Aragorn in desperation before he takes the Paths of the Dead, her appeal to Théoden to let her ride with the Rohirrim to Minas Tirith, her action in going with the riders in the disguise of a man, her battle with the Witch-king of Angmar on the Pelennor Fields, her meeting with Faramir in the Houses of Healing, all of these are stages on her road to Freedom, her road to Selfhood. Such a road can never be a transition from one success after another. The authentic road will always be a road downwards before it can be an upward path.

“Welcome, My Lords, to Isengard!” The Doorwardens of Isengard Greet Théoden as He Comes to The Fortress of Saruman.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 716-729

The pages that follow Gimli’s beautiful description of the Caves of Aglarond comprise a long slow journey into the unknown. One might think that Théoden and his company might ride with a light heart after their great victory over the hosts of Isengard but we have already seen the much vaunted plainness of manner of the men of Rohan when Aragorn, Legolas and Gimli first met them upon the grassy plains while hunting Merry and Pippin as the Uruk-hai were taking them to Isengard. An occasion when Éomer’s men simply dismissed the strangeness of the three companions as an expression of their wildness. And now, as they encounter the strangeness of the forest that has moved from Fangorn to Helm’s Deep the company who accompany their king descend into an unhappy and, occasionally, frightened, silence.

At one point Théoden and Gandalf speak together about the nature of stories that are told only to children and we will return to this in more detail next week reflecting in particular on Tolkien’s famous lecture on Fairy Tales but now I will only note that, while Théoden’s sense of wonder is gradually awakened during the ride to Isengard, he does not share this experience with his men. At last as they approach the outer fortifications of Isengard the growing sense of grim bleakness accompanied by menace seems complete.

This mood begins to shift subtly and gradually as they perceive that “the power of Saruman was overthrown”. The doors of Isengard “lay hurled and twisted on the ground. And all about, stone, cracked and splintered into countless jagged shards, was scattered far and wide, or piled into ruinous heaps.”

The riders gaze upon the ruin of Isengard in uncomprehending silence but then become aware that within its midst there are two small grey-clad figures lying upon the rubble at their ease and that beside them there are “bottles, bowls and platters… as if they had just eaten well, and now rested from their labour.” One of the figures seems to be asleep while the other “leaned back against a broken rock and sent from his mouth long wisps and little rings of thin blue smoke.”

Of course we have just met Merry and Pippin once again taking their ease as soldiers will after battle with whatever is available to them. We last saw the young hobbits with Treebeard on the night before the Ents’ assault upon Saruman when he was wondering if they were all going to their doom, whether it might be “the last march of the Ents”. And now the battle is done and victory won and all the tension is released.

And not just for Merry and Pippin. Soon all the company who are with Théoden and Gandalf are laughing too. It is as if the young hobbits have gently escorted the Riders from their shared experience of gathering gloom and mute incomprehension into something quite different and much more pleasant.

I can think of few better examples of bathos, that swift descent, sometimes of the sublime to the ridiculous, sometimes of the uncanny to the familiar, sometimes of the terrifying to the safe, than this. From the ending of the battle at Helm’s Deep to the encounter with the hobbits there are some twenty pages in my edition of The Lord of the Rings and throughout those pages the mood is as I have described it above. At no point does Tolkien relent in his creation of this feeling of anxious, fearful incomprehension. Not until the bubble is burst by two young hobbits. And who better within all Tolkien’s legendarium to take us into a world that is less fearful and gentler than hobbits.

Except for the Riders of Rohan hobbits also belong to the world of folktales and fairy stories. But unlike the dwimmer-craftiness of wizards (Gandalf included) or the terrifying silent presence of the Huorns of Fangorn hobbits are not to be thought a threat. Most of the time, indeed, they are anxious not to appear such. This lack of apparent threat does of course lead to the downfall of the greatest tyrants of this age. Tyrants always seem to fall to those who they have underestimated. But now the young hobbits do as they are most at their ease in doing. They gently help a group of men descend from a state of heightened anxiety and foreboding to a gentler place. While infuriating the friends who lay down all their dreams and ambitions even their lives in pursuing them across Rohan. But that we will return to on another occasion.

“Forth Eorlingas!” Tolkien and The Restoration of The Heroic in Warfare.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 682-691

It is important at the outset of these thoughts on warfare in The Lord of the Rings to note that from the arraying of Aragorn, Legolas and Gimli in gear of warfare before the gates of Edoras to the final victory over the hosts of Isengard before Helm’s Deep there are only twenty-seven pages in the Harper Collins edition of The Two Towers. Compare that to the amount of time devoted to the battle in Peter Jackson’s film of the same name and even before we think about the battle at all we see that this Hollywood action movie treats warfare very differently to the way in which Tolkien does.

Tolkien’s personal experience of warfare was very different to that of the armies who fight in his great story. Harold MacMillan, who was the British Prime Minister in the late 1950s and early 1960s was a fellow officer to Tolkien at the Battle of the Somme in 1916 on whose first day the British army lost 60,000 men killed and wounded. MacMillan was himself one of the wounded and spent several hours hiding in a shell hole and reading Aeschylus in Greek to distract himself from the pain before before being found by British soldiers. In a letter of the time he wrote that “perhaps the most extraordinary thing about a modern battlefield is the desolation and emptiness of it all… One can look for miles and see no human being. But in those miles of country lurk (like moles or rats, it seems) thousands, even hundreds of thousands of men, planning against each other perpetually some new device of death. Never showing themselves, they launch at each other bullet, bomb, aerial torpedo, and shell.

It was a shell that hit and wounded MacMillan as he led an advance of his men towards the German lines. I quote these lines in a reflection upon Tolkien because they describe with dreadful eloquence the experience of warfare shared by soldiers of both sides in that dreadful conflict and contrast so starkly with the language that Tolkien uses to describe the ride of the Rohirrim to Helm’s Deep. Not that Tolkien ignores the horror of war. Théoden describes the hosts of Isengard as they advance “burning as they come, rick, cot and tree”. But he also writes of the beauty of a host of men about to ride out in defence of their homes and families.

“At the gate they found a great host of men, old and young, all ready in the saddle. More than a thousand were there mustered. Their spears were like a springing wood. Loudly and joyously they shouted as Théoden came forth.”

Tolkien profoundly understood the contrast between the desolate horror that MacMillan described and the heroic language that he used in his own descriptions of battle. Indeed he expressed that contrast in his distinction between the orcs of Mordor and Isengard and, for example, the Riders of Rohan. While the armies of Saruman and of Sauron use all the devices available to them of industrial warfare, the Rohirrim ride into battle carrying spear and sword; and Tolkien’s account is full of acts of individual heroism on the part of the defenders of Helm’s Deep while their enemies are faceless.

What Tolkien achieved in The Lord of the Rings was a restoration of humanity in the brutal and faceless experience of warfare that he knew and which MacMillan described. This means that he is a genuinely modern writer whose war literature can be included alongside A Farewell to Arms by Ernest Hemingway or Robert Graves Goodbye to All That. But whereas Hemingway and Graves seek, with great success, to express the experience that MacMillan describes, Tolkien does something quite different. He attempts a kind of redemption of the brutal experience of warfare by restoring the heroic to it. While he understood the experience that Wilfred Owen described in speaking of “these who die as cattle” he restores to those who die a human face and personal heroism.

But I must end where I began. Tolkien never sought to glorify war in his writings. This is perhaps best and most explicitly expressed by Faramir who is a warrior by necessity and not by choice and, of all the characters in The Lord of the Rings speaks most in Tolkien’s own voice.

“War must be, while we defend our lives against a destroyer who would devour all, but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.”

“His Hand Met Hers and He Knew that She Trembled at The Touch”. The Beginning of the Story of Éowyn and Aragorn.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 677-683

It was at the doors of Meduseld that Aragorn first declared himself and his high lineage. Háma, the door warden had commanded that no weapon be brought into the hall and Aragorn had questioned whether Théoden had the authority to demand this of him.

“It is not clear to me that the will of Théoden, son of Thengel, even though he be lord of the Mark, should prevail over the will of Aragorn, son of Arathorn, Elendil’s heir of Gondor.”

Aragorn had already declared his lineage to Éomer when they first met on the plains of Rohan and doubtless when Éomer had made defence of his mission to intercept and destroy the company of orcs that were crossing the plains he had spoken of this but if he had then Wormtongue would have dismissed Éomer’s report as the deranged words of some vagabond wandering across Théoden’s lands. But Éowyn would have heard these words and would have seen the mighty warrior who had stood before her uncle in his hall as Gandalf had performed his act of healing and as she saw with her own eyes the transformation of a broken man into a king ready to lead his men to war.

Éowyn has had to live a secret life. Indeed, so secret has it been that when Théoden’s men ask that one from the House of Eorl should lead the people to the defences of Dunharrow he has no idea who they mean. She has been almost invisible to him simply being there to tend to his needs as he descended into decrepitude.

Later in the story as Éowyn lies in the Houses of Healing in Minas Tirith Gandalf will speak of that secret life. Éomer will show that he too was unaware of what lay within his sister’s heart, saying that it was because of Aragorn that she had given way to despair even though he knew that Aragorn bore no blame for this. But Gandalf corrected him.

“My friend… you had horses, and deeds of arms, and the free fields; but she, born in the body of a maid, had a spirit and courage at least the match of yours. Yet she was doomed to wait upon an old man, whom she loved as a father, and watch him falling into a mean dishonoured dotage; and her part seemed to her more ignoble than that of the staff he leaned on.”

Tolkien has received considerable criticism over the years about the apparent invisibility of women in his stories. Peter Jackson’s decision to make Arwen an active character in The Fellowship of the Ring giving her the part that is played by Glorfindel in the book is in many ways a response to this criticism. I remember my own surprise when Arwen appeared in the story as a warrior who would resist the Nazgûl but I quickly realised why Jackson would make this choice and accepted it. But the character of Éowyn is no response to criticism. She is Tolkien’s creation and Gandalf’s words show that Tolkien fully understood both the richness of her character and also the injustice of the way in which women had been treated through history in life and in story. In a warrior culture, which Rohan is, it is perhaps inevitable that women would be expected to be servants to men who would be those warriors. But Éowyn has undoubtedly learned skill in arms, perhaps because she was a member of the royal house, perhaps because it amused the teachers of the arts of war to teach this eager young princess. She may have been invisible to Théoden but not to others.

“She is fearless and high-hearted,” Háma says to Théoden when he asks that Éowyn should lead the people to Dunharrow. “All love her. Let her be as lord to the Eorlingas, while we are gone.”

Háma may have seen something of what Éowyn truly was but she herself felt the dishonour of her position; to be a mere serving girl in a house of little honour. So it was that when Aragorn appeared in her life he represented something that she longed for. Aragorn put it this way himself in speaking to Éomer.

“In me she loves only a shadow and a thought: a hope of glory and great deeds, and lands far from the fields of Rohan.”

Éowyn has been doomed to live a life in shadows until now but like her uncle she too will come to embrace life in all its joy and sorrow. But unlike Théoden, who was restored to himself in a single day, her journey to wholeness will first lead her to false hope in the form of the heir of Isildur and to despair when that hope is taken from her.

“Where Now The Horse and The Rider?” Aragorn Sings of The Brevity of Human Life.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 660-665

After a hard and weary crossing of the plains of Rohan Gandalf and his three companions arrive at the feet of the White Mountains and to Meduseld, the hall of Théoden amidst the courts of Edoras. Legolas is the first to see them clearly and Gandalf asks him to describe what he can see.

“I see a white stream that comes from the snows,” he said. “Where it issues from the shadow of the vale a great hill rises upon the east. A dike and mighty wall and thorny fence encircle it. Within there rise the roofs of houses; and in the midst, set upon a green terrace, there stands aloft a great hall of Men. And it seems to my eyes that it is thatched with gold.”

As the road draws near to the gates of Edoras it passes under many grassy mounds covered with white flowers. These are the barrows in which the kings of Rohan lie. There are sixteen of them, “seven mounds upon the left, and nine upon the right”, and the first was raised 500 years before this time. To Legolas it is but a little while but to the Riders of the Mark this seems so long ago “that the raising of this house is but a memory in song, and the years before are lost in the mist of time.”

There are many barrows in England, none of which are made beautiful by Evermind. They are thousands of years old and “lost in the mist of time” and yet to Legolas this would still be but a little while.

This contrast between the immensity of time itself and the brevity of each human life within it is one of the major themes within Tolkien’s works. Elves and Men feel this contrast in different ways but both feel its sadness. Elves are immortal unless they suffer violent death and yet they live amidst change and decay. The three Rings that Celebrimbor forged in the Second Age and hid from Sauron were an effort to mitigate the effects of Time. They have done much good and Gandalf himself bears one of them, using it secretly to warm human hearts wherever he goes, but they are ultimately a futile effort to prevent what is inevitable. And for humankind, while they feel deeply the immensity of time they feel also how short each life within time is doomed to be.

Aragorn has been here before. In the days of his lonely wanderings in Middle-earth after learning from Elrond his true identity as the heir of Isildur and Elendil he served both the Steward of Gondor and the King of Rohan, preparing in hope for the day on which he would claim the throne. Thanks to the way in which he has inherited the longevity of the Númenorians he has already lived a long life by the time he returns to Edoras. He is older than Théoden and none of the people who now live in Rohan have any memory of him from the days of Thengel, Théoden’s father. In his time among the Rohirrim he mastered their language and now he begins to sing from the Lay of Eorl, words “laden with the sadness of Mortal Men”.

Where now the horse and the rider? Where  is the horn that was blowing?
Where is the helm and the hauberk, and the bright hair flowing?
Where is the hand on the harpstring, and the red fire glowing?
Where is the spring and the harvest and the tall corn growing?
They have passed like rain on the mountain, like a wind in the meadow;
The days have gone down in the West behind the hills into shadow. 
Who shall gather the smoke of the dead wood burning, 
Or behold the flowing years from the Sea returning?

Tolkien draws here from the poetry of the people who created kingdoms in England after the departure of the Romans in 410 A.D. Like the Rohirrim they felt the brevity of life deeply, the tragedy of what it is to be human, to be aware of the immensity of time and space, of the possibility of the eternal, and to know that life is too short to explore the potential of all this. He knew the story that St Bede recounted in his history of the English people, of Bishop Paulinus standing before the King of Northumbria and telling him of the Christian faith. And of how, after Paulinus had finished speaking that Coifi, the high priest replied and spoke of how to be human is to be like a bird in winter flying from the dark and storm outside the hall of the King and enjoying, for a brief moment, the light and warmth within before returning again to the cold and dark outside. “So man appears on earth for a little while,” Coifi concludes, “but of what went before this life, or what follows, we know nothing.”

And so the scene is set for the encounter between the travellers and Théoden in Meduseld, upon whom, with the malicious aid of Wormtongue, this tragic sense of life lies so heavily.

“That is Shadowfax. He is The Chief of The Mearas, Lords of Horses”. Gandalf Must Reach Edoras Swiftly.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 657-659

Aragorn need do no more choosing. At least not for a while. Gandalf has bidden him not to regret the choice that he made in the valley of the Emyn Muil and to go to Edoras and to Théoden in his hall where he is needed.

“The light of Andúril must now be uncovered in the battle for which it has so long waited.”

And so on the edge of the forest and the plains of Rohan Gandalf gives a long whistle, “clear and piercing” and soon the companions hear the whinny of a horse and soon the sound of hooves also.

“There are three,” said Legolas, gazing over the plain. “See how they run! There is Hasufel, and there is my friend Arod beside him! But there is another that strides ahead: a very great horse. I have not seen his like before.”

Readers will remember how, on the night before they had entered Fangorn in search of Merry and Pippin, Saruman had come to the camp in search of news of what had happened to the band of orcs that he had sent in search of the Fellowship and of hobbits in particular. He chased Arod and Hasufel away but soon Legolas and Gimli heard a sound that mystified them. They had expected to hear the cries of frightened horses but heard joy instead. For what they heard was their horses meeting Shadowfax, their lord.

“That is Shadowfax,” said Gandalf. “He is the chief of the Mearas , lords of horses, and not even Théoden, King of Rohan, has ever looked on a better. Does he not shine like silver, and run as swiftly as a swift stream?”

Gandalf first met Shadowfax after he escaped from his captivity in Isengard, borne by Gwaihir, lord of eagles, to Edoras. Gandalf had tried to warn Théoden about Saruman but he was not listened to. Théoden told Gandalf to choose a horse and to depart and Gandalf chose Shadowfax who had never been ridden before.

The Rohirrim had long had a close relationship to horses, closer than any other people in Middle-earth. Tolkien based this people upon the English who dwelt in this land before the Norman conquest of 1066. The language that he created for them was closest to Old English, a language that he taught in Oxford. But Tolkien gave the Rohirrim something that the ancient people of England never had, a mastery of horses. For although the warrior elite of England could ride the mass of the people who would make up the army in time of war could not. The army of England was essentially an infantry force and in 1066 it had to fight two battles against invading forces. The first against Harold Hadrada of Norway was fought at Stamford Bridge in the north of England and the second, just a few days later, was fought against a Norman army under William the Conquerer near Hastings on the south coast. The Normans won the battle decisively and William became king. Tolkien believed that the imposition of the French language as the language of the new rulers of England and the relegation of English to the language of the peasantry destroyed the indigenous mythology of England. He also believed that a key factor in the English defeat was the lack of any effective cavalry in the English army and the use of cavalry by the Normans. As a consequence he not only gave horses to the Rohirrim but built an entire culture around this. The Rohirrim were the horse lords.

I know little about horses myself but have long admired them and I live in an area of England with a strong tradition of horse riding and horse racing. I spent many hours watching my daughters learn to ride as they grew up and observed the bond that can develop between horse and rider at close quarters. This bond is very deep indeed between Gandalf and Shadowfax. We see him ask permission of him and Arod and Hasufel to carry the four companions to Edoras.

“Gandalf caressed him. ‘It is a long way from Rivendell, my friend,’ he said, ‘but you are wise and swift and come at need. Far let us ride now together, and part not in this world again!’

“Do We Walk in Legends or On The Green Earth in Daylight?” The Riders of Rohan Encounter Dreams of Legend Springing Out of the Grass.

The Two Towers by J.R.R Tolkien (Harper Collins 1991/2007) pp.558-565

As Aragorn, Legolas and Gimli continue their weary and hopeless march across the plains of Rohan in pursuit of the orc host that have taken Merry and Pippin captive they become aware that a band of horsemen is moving swiftly towards them back down the very trail that they are following. The horsemen are Rohirrim, riders of Rohan. Aragorn describes them to his companions.

“They are proud and wilful, but they are true-hearted, generous in thought and deed; bold but not cruel; wise but unlearned; writing no books but singing many songs, after the manner of the children of Men before the Dark Years.”

The companions decide to wait for the riders to come to them and Aragorn greets them as they ride by. Wrapped about in their cloaks of Lothlórien it seems to the riders that they have sprung from the grass itself and what follows is a tense encounter that almost ends in disaster. For Tolkien in this scene brings us into the heroic world of the North in which honour has more meaning than even life itself and most certainly of a life, or existence, in which honour has been lost. So Gimli is ready, almost eager, to die for the sake of the honour of Galadriel, the lady of Lothlórien, when he feels that it has been slighted by Éomer, who leads the company of riders.

Aragorn is able to avert the disaster but then, in the manner in which he announces himself, brings us all back into the very stuff of legend.

“I am Aragorn son of Arathorn, and am called Elessar, the Elfstone, Dúnadan, the heir of Isildur Elendil’s son of Gondor. Here is the Sword that was Broken and is forged again! Will you aid me or thwart me? Choose swiftly!”

So Tolkien deliberately mingles the stuff of legend with the stuff of ordinary life and invites his readers to make the same kind of choice that Aragorn demands of the Rohirrim. For Tolkien not only makes the Rohirrim the people who would have heard tales like that of Beowulf which would have been told in the halls of their lords in the early middle ages, but he also makes them a very modern people for whom a story like Beowulf that might be one that stirred them when they were young but which would have been consigned to the pleasant, but private, world of fantasy when they grew up. For real life with its duties can, for the modern person, only be lived with stuff that can be touched, smelt, heard, seen or tasted. The life of the imagination might give a moment of pleasure amidst the grim reality of ordinary life but it can never be regarded as real.

This division between that which is heroic and that which is ordinary is one that Aragorn suggests is false. When the rider who stands beside Eomer scoffs at Aragorn’s mention of halflings Aragorn’s response is not to the rider but to his Lord. The Rider dismisses the mention of halflings as “old songs and children’s tales out of the North”. And then he asks, “Do we walk in legends or on the green earth in the daylight?”

“A man may do both,” said Aragorn. “For not we but those who come after will make the legends of our time. The green earth, say you? That is a mighty matter of legend, though you tread it under the light of day!”

I say that Aragorn addresses Eomer because, as far as the Rider is concerned, Aragorn is simply speaking nonsense that does not deserve attention. He, and his fellows, are the spiritual kin of Cervantes’ Sancho Panza, the sensible though devoted servant of Don Quixote. While Don Quixote tilts at windmills Sancho Panza does all that he can to keep his master out of trouble. Modern readers side with the servant yet wish, secretly, that they could live in the lost enchanted world of the master. Aragorn argues that it is possible to do both as he presents himself as a representative of the world of legend amidst the world of the sensible.

As far as the Riders are concerned the strange creatures who have sprung from the grass are merely “wild men”, but Eomer heard the rhyme that Boromir spoke when he came to Edoras, the rhyme that spoke of halflings as well as the blade that was broken. Eomer knows that he needs to pay closer attention to Aragorn’s words even if he does not understand them. Perhaps there is more to what Aragorn is saying than mere tilting at windmills.

Eomer Prepares for a Good Death in Battle.

After the fall of the Lord of the Nazgûl and the death of Théoden the battle upon the Pelennor Fields flows one way and then another. It is Prince Imrahil of Dol Amroth who leads a charge from the city to come to the aid of the Rohirrim, led now by Éomer, but even with their forces combined upon the field and with their great skill in battle upon horseback the sheer number of their foes is ultimately too great and Éomer prepares to make a final stand. For this he has been long prepared since first hearing the songs of his people in the halls of Théoden. His spiritual formation has been made there and he knows that what is expected of him is to make a good death with his face turned towards his foes and with his men about him. He plants his banner upon a hillock and laughs as he cries out,

Out of doubt, out of dark to the day’s rising I came singing in the sun, sword unsheathing. To hope’s end I rode and to heart’s breaking: Now for wrath, now for ruin and a red nightfall.”

And the song-makers will take the deeds of the day, the hewing of Forlong the Fat with axes as he fights on alone and unhorsed, and the trampling to death of Duilin of Morthond and his brother beneath the terrible feet of the mûmakil, and they will make them beautiful. Tears will flow as the great songs are sung once more and pride rekindled in the hearts of the people. The Rohirrim will know that they are a great people and boys will know, as they grow to manhood, that the worst thing that they could possibly do is to bring shame upon the memory of their ancestors. And so we recall once again the satisfaction that Théoden feels, even as life ebbs from his body, that he can face his forefathers without shame, that what has happened upon this terrible day can be spoken of with pride alongside the great deeds of the past.

It is a bad thing to rob someone of their pride. It is something that might be done by a mighty person who does not fear the power of their enemies, who seeks to display their own greatness by means of humiliation, but resentment will always lead to deeds of revenge and memories forged by bitterness are long. I like to think that the victors at the Pelennor Fields gave as much attention to enabling their foes to retain their pride as they did to winning the battle. It is a wise lord who knows how to make peace even as they must, in time of need, know how to make war.

There are some who in describing the times in which we live have named them an age of anger. They show how resentment, born of felt humiliation, is felt by growing numbers in a world in which a small number seek to gather as much power and wealth for themselves as possible at the expense of the rest of humankind. The powerful may for the time being be able to contain the angry by means of the security apparatus but we see that even the highest walls cannot keep all anger at bay. Our leaders and we whom they lead need to consider how we can allow those who regard themselves as our enemies to withdraw from conflict with pride. If we do not do this then we and our children may have to pay a great price for our pride and their humiliation.