The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 783-784
When Merry is awakened at dawn after the coming of the Herald of Gondor he wonders why he has been called by the King in the middle of the night.
“Flinging on some clothes, Merry looked outside. The world was darkling. The very air seemed brown, and all things about were black and grey and shadowless; there was a great stillness. No shape of cloud could be seen, unless it were far away westward, where the furthest groping fingers of the great gloom still crawled onwards, and a little light leaked through them. Overhead there hung a heavy roof, sombre and featureless, and light seemed to failing than growing.”
The coming of the cloud from Mordor is one of the most terrible images of The Lord of the Rings, symbolising as Sauron intended it to do, his absolute intention to rule over all things. For while the cloud has a practical purpose in that it provides a cover for the orcs who will make up the main body of Sauron’s army, and who dislike, even hate the brightness of the sun, it also displays the Dark Lord’s totalising intent, his desire to “bring them all, and in the darkness bind them”. He wishes to rule over all things, even the weather of the world.
The date is the 10th of March, “The Dawnless Day”, the day upon which the host of Minas Morgul sets forth to war in Gondor led by the Lord of the Nazgûl, the Witch-King of Angmar. It is the first day of Pippin’s brief service of the Steward of Gondor, a day upon which he is arrayed in the livery of the White Tower. It is the day upon which Merry is told by Théoden that he will not be riding with the Rohirrim to Minas Tirith, but that he is to remain in Rohan; but it is the day upon which Eowyn arrays him for battle. It is one of the darkest days of the whole story.
But it is a day that brings a great simplicity to the mind and heart of Théoden. For when Hirgon had asked him to bring all his strength to Minas Tirith and to come as swiftly as he can he had replied with caution, knowing that his rear needed defence against attack and that his advance guard needed to proceed with care. These are all the usual and necessary precautions that any general must take in order to reduce as much, if possible, any unnecessary losses, and to take thought for the security of what lies behind him as well as what lies before. But one set of circumstances takes away all reason for caution and that is the circumstance in which all choice is taken away except for the choice to throw everything away in one last desperate action. We call it the moment in which we have nothing left to lose, and Théoden knows that this moment has come.
“So we have come to it in the end,” he said: “the great battle of our time, in which many things will pass away. But at least there is no longer any need for hiding. We will ride the straight way and the open road and with all our speed.”
Théoden has come to that moment that is the “condition of complete simplicity”, as T.S Eliot named it in his Four Quartets. It is the moment that is expressed in Christian thought by the cross, the moment when everything has to be given away, even life itself. As Eliot himself continued in his poem, it is a condition that “costs not less than everything.” Théoden knows that he has come to that moment, the moment in which darkness seems to have triumphed completely, and so he gives everything of himself and of his people.
But even at this moment of the most terrible simplicity there is something deeper at work that almost no-one is able to see in this darkness. For it is on this day on which Frodo comes with Gollum and Sam to the Crossroads and begins his own intentional journey into the dark. It is there that he sees the statue of the fallen king, defaced by the obscene graffiti of the orcs, and sees it crowned with a circlet of wildflowers, and it is at that moment that the sun dips beneath the darkness from Mordor and illuminates the scene that Frodo can see. And as he gazes upon this beauty he cries out, “They cannot conquer forever!”
Perhaps he is the only one to experience such a moment of illumination even as the sun disappears, but what he sees, if only for a moment, is what Eliot goes onto say after speaking of the terrible condition of “complete simplicity”.
And all shall be well and
All manner of thing shall be well
