Morgoth

“Farewell! Maybe Thou Shalt Find Valimar.” Galadriel’s Beautiful Farewell to The Fellowship of the Ring.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 367-369

Farewell! Namárië! This is the last word spoken by Galadriel as the three boats that hold the members of the Fellowship float down the Silverlode to its confluence with the Anduin and so away from the earthly paradise of Lothlórien, into the empty lands beyond and all the adventures that lie before each one of them; adventures that lie before their feet but which they cannot know except as they take each step of the way.

I have always imagined this scene as depicted in the still from Peter Jackson’s film that I have included above, but Anna Kulisz gives me an entirely new perspective as I stand with Galadriel bidding farewell to the Fellowship and farewell too, though I cannot know it yet, to Lothlórien.

Galadriel’s farewell is a song that she sings to them in “the ancient tongue of the Elves beyond the sea”, in Quenya, a language spoken both by the Noldor of whom Galadriel is a Queen and by the Vanyar. It is the language that Gildor and his party speak in the Shire when they meet Frodo, Sam and Pippin at the beginning of their journey and it is a language of which Frodo has little knowledge. But, as T.S Eliot wrote on the subject of language, communication goes deeper than understanding, and in a documentary on Eliot’s poem, The Wasteland, the comment is made that it is the music of Eliot’s language that communicates before any understanding of the text. Perhaps it is to this that Tolkien refers when he speaks of “the way of Elvish words” that they remain “graven” in Frodo’s memory.

Throughout the years of her long sojourn that “have passed like swift draughts of the sweet mead in lofty halls beyond the West” Galadriel has spoken with her husband and with her people in Sindarin, the language of the Elves who never made the journey to Valinor, but now she pours out her heart in the language of her own people. For Galadriel has long nurtured a divided heart in which, as we read of her in Unfinished Tales “there dwelt in her the noble and generous spirit of the Vanyar, and a reverence for the Valar that she could not forget.” But there has also lain within her the part that she played in the rebellion of Fëanor and the Noldor, when although she opposed Fëanor in the kinslaying of Alqualondë nevertheless she still went with her people to Middle-earth against the command of the Valar and at the end of the First Age refused the pardon that the Valar extended to all who had been a part of the rebellion of Fëanor but had fought against Morgoth. As Tolkien says of her in Unfinished Tales “she had dreams of far lands and dominions that might be her own to order as she would without tutelage”. It was these dreams that began to take shape in her heart in the form of a thought as to what she might do if ever the Ring of Power might fall within her reach.

It was this thought, born of her ancient dreams, but dreams perhaps and even thoughts that had lain dormant through her long practice of the rejection of evil, a practice aided by Nenya the Ring of Adamant, that suddenly returned to her with almost overwhelming force when Frodo offered her the Ring at the episode of her mirror. But Tolkien tells us, when the moment of testing came “her wisdom was full grown and she rejected it, and passing the last test departed from Middle-earth for ever”.

That was to be her final destiny but at this moment, the moment of her singing her farewell song to the Fellowship, she has no knowledge of the pardon that she will receive and so all that they (and we also) can hear is her heartbreaking lament and her longing.

“Now lost, lost to those from the East is Valimar! Farewell! Maybe thou shalt find Valimar. Maybe even thou shalt find it. Farewell!”

I have not been able to find an ascription to the artist who created this image of Valimar in the Undying Lands.

Was it to Frodo most of all of that company to whom she sang those words? It is Frodo, amongst all of them, that the longing for healing and of peace is strongest, a longing revealed in his dreams in the House of Tom Bombadil and a longing revealed, perhaps also, in the graving of Galadriel’s song upon his memory. These words stay within his heart upon every step of his journey to Mordor and maybe they become, against even his conscious thought, a lode star beyond the “end of all things” in the Cracks of Doom in Orodruin that will carry him, along with the faithful and loving service of Sam, both to that terrible moment and beyond it also. Maybe Frodo will find it.

“It Was Well Given!” Gimli Takes Delight in Frodo’s Mithril Coat and in Thorin Oakenshield’s Giving.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 326-328

Aragorn is anxious to put as much distance as possible between the Company and the eastern gates of Moria before darkness falls. He is sure that they will be pursued by orcs and so he pushes his companions to keep going. But in the fight in the Chamber of Mazarbul both Sam and Frodo were wounded and Frodo by a troll’s spear thrust that, as Aragorn put it, “would have skewered a wild boar”. At first the flow of adrenaline in battle enabled them both to forget their wounds and after that the fall of Gandalf drives everything from mind, heart and body, but as the weariness of the day continues so their hurts begin to claim attention.

“I am sorry, Frodo!” Aragorn cries. “So much has happened this day and we have such need of haste, that I have forgotten that you were hurt; and Sam too.”

So it is that at last Frodo’s hidden mithril coat is discovered. The Company has discussed it once before while in Moria when Gandalf spoke of how it was mithril that always drew the Dwarves back to their ancestral home.

Bilbo gives Frodo the coat of mithril.

“Mithril! All folk desired it. It could be beaten like copper, and polished like glass; and the Dwarves could make of it a metal, light and yet harder than tempered steel. Its beauty was like to that of common silver, but the beauty of mithril did not tarnish or grow dim.”

It was one of Tolkien’s many achievements in The Lord of the Rings to create something that our imaginations are capable of conceiving and yet does not exist. He saw his work as that of a sub-creator and the word, “sub” was of vital importance here. He chose deliberately to place himself under the Creator in absolute distinction from Morgoth, and later Sauron, who in failing to create anything independently of Ilúvatar would only mar, mock or corrupt. The orcs were the saddest fruit of this desire to create in envy of Eru but one might argue that there were other works such as the corruption of Númenor that were just as unhappy. And here we might note that unhappiness was always the fruit of their work. Was there ever a time when they pursued happiness as a goal in and of itself? Perhaps in the earliest days but in all the history of Arda the works of Morgoth and then of Sauron and their followers are acts of despair. All they can do is to achieve control and thus reject happiness.

Not so Gimli. Readers of Tolkien’s works know how prone the Dwarves were to avarice. The desire of Thorin Oakenshield for the Arkenstone of Erebor almost destroyed the achievement won by the slaying of Smaug. That any gifts were given at all at the ending of The Hobbit seemed unlikely at one point but when at the last gifts were made they were indeed kingly as Gimli put it when he learned that Bilbo had been given a mithril coat by Thorin before he died. In Gimli’s eyes the knowledge that Thorin had given such a gift only made him the greater for great kings made great gifts in all worlds until modern times. And when Gimli finally saw the mithril coat upon Frodo his admiration and reverence only grew.

“But it was well given!”

The Caves of Aglarond. The shape and light beautifully evoked by Hannah Joy Patterson.

Later Galadriel will speak praise of Gimli and his understanding of wealth when she says of him that his hands “shall flow with gold” and yet over him “gold shall have no dominion”. It is not that Gimli has no concept of the idea of the price of things. He quite happily states that Frodo’s mithril coat is worth more than the entire value of the Shire but it is beauty that is the true ruler of Gimli’s heart. His greatest work after the War of the Ring was the creation of what artists would now call an installation in the Caves of Aglarond, a true act of subcreation made from crystal, the shaping of caverns and of light. And the gift that he will treasure most will be three tresses of the hair of Galadriel that he will wear next to his heart within a jewel that he has crafted himself.

Gimli asks for three tresses of Galadriel’s hair.

Elrond Tells of How An Eagerness for Knowledge Allowed Sauron to Ensnare the Elven-smiths of Eregion.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.236-239

It was the Elven-smiths of Eregion who gave Sauron the knowledge that he required to forge the One Ring. It was not that Celebrimbor was an ally to Sauron in his desire for the mastery of Middle-earth but that and his co-workers failed to perceive the true motives of the one they knew as Annatar. At this stage of his career Sauron was able to appear in a fair guise. That is one reason why Celebrimbor was deceived. But much more importantly he was deceived because of what he shared in common with the one who would become his deadly foe. He like Sauron had an eagerness for knowledge and this is what lead to his ultimate ensnaring.

An imagining of the friendship between Celebrimbor and Sauron/Annatar

Or so Tolkien the narrator relates that Elrond affirms in his speech to the Council in Rivendell. And I think that we must assume that Tolkien agrees with what Elrond says here for in saying this Elrond confirms the way in which the story of Sauron is told throughout the legendarium, the complete works of Tolkien regarding his mythical world. Sauron is always presented as a character who desires order and control above everything and what is always necessary if anyone is to achieve order is to possess knowledge. Without the possession of knowledge order is an impossibility.

The artist, Kapriss, imagines the shared desire for knowledge that leads to the forging of the Rings of Power

It was th desire for order that led Sauron first to admire Melkor who was to become Morgoth and then to follow him. After the Fall of Thangorodrim and the judgement of Morgoth by the Valar Sauron was at first willing to submit to the overwhelming logic of a greater power. At least he was willing in theory. The Valar demanded that he present himself in person in Valinor in order to receive their judgement but he never came. Was this because this presentation of himself was to be a voluntary act on his part and not one that would be brought about by force? And was his ever hardening rebellion caused (in his own mind at least) by the realisation that the Valar would never enforce their will upon Middle-earth? I think that we have to affirm that the answer to both of these questions is a resounding yes.

For Sauron the patience of the heavenly beings, the Valar to whom the One entrusted the rule of Arda (the earth) at the beginning of time was a sign of the frailty of divine lordship. For most of the second and the third ages of Arda it seemed as if the Valar had little interest in Middle-earth, leaving it more or less to its own devices. The only realities that Sauron perceived were the power of Númenor and of the great Elven kingdoms of Middle-earth. Of course he fully came to understand that there was a limit to his power when he encouraged Númenor to invade the Deathless Lands and so brought down upon himself the wrath of Illuvatar but nothing changed his mind about the apparent indifference of the Powers to Middle-earth. After all what d he did perceive in order to change his mind apart from the Eagles of Manwë, Lord of the Valar, and the arrival of the Istari, the wizards, most of whom proved either to be ineffective or open to corruption?

The Arrival of the Istari

But what of Celebrimbor and the Elven-smiths of Eregion? In what way can we say that they too shared at least something of Sauron’s perception of reality? In what way did this perception enable Sauron to ensnare them? Firstly we have to say that Sauron fully owned his perception whereas Celebrimbor did not do so. Thus one was the ensnarer while the other was ensnared; and second is that the Noldorin smiths ruled by the grandson of Fëanor also desired knowledge in order to achieve control and in their case this meant a control that would enable the preservation of beauty. Sauron may have desired mastery and order for their own sake and he may have had no interest in the preservation of beauty but in his belief that the knowledge that Sauron was offering him could enable him to preserve the beauty of an ordered world Celebrimbor proved himself a fellow traveller to Sauron’s world view.

A Elbereth Gilthoniel. Pray for the Wanderer. Pray for Me. The Hymn to Elbereth in the Hall of Fire in Rivendell.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.231,32

As Frodo and Bilbo depart the Hall of Fire in order to enjoy some quiet talk together they hear “a single clear voice” rise in song. It is a hymn to Elbereth, the Lady Varda of the Valar, Queen of the Blessed Realm of Valinor, Elentári, Queen of Stars, and it is a song of praise and an expression of longing. 

O Elbereth Starkindler
White glittering, slanting down sparkling like a jewel, 
The glory of the starry host!
Having gazed far away 
From the tree-woven lands of Middle-earth, 
To thee, everwhite, I will sing,
On this side of the Sea,
Here on this side of the Ocean. 

O Elbereth Starkindler, 
From heaven gazing afar, 
To thee I cry now beneath the shadow of death! 
O look towards me, Everwhite!

And so the mood in the hall moves from merriment to longing. And if merriment is an expression of contentment, of being happy just where we are then this hymn tells us that those who sing it long to be somewhere else entirely. The gaze of the elven singer looks out from this place of peace to the stars above, the same stars to which the Elves first looked as they awoke in Middle-earth. The name that the Valar gave them was, Eldar, the people of the stars, for at their beginning, Elbereth/Varda “began a great labour, greatest of all the works of the Valar since their coming into Arda. She took the silver dews from the vats of Telperion, and therewith she made new stars and brighter against the coming of the Firstborn; wherefore she whose name out of the deeps was time and the labours of Eà was Tintalle, the Kindler… Queen of the Stars”.

It was for fear of Melkor/Morgoth, dweller in the dark of Middle-earth, that Elbereth kindled the stars in the sky, fear that awakening in darkness the Elves would meet first its lord and worship him, bowing down before his great might, part in fear and part in admiration. And her labour was not in vain for as they awoke from sleep they gazed first upon those stars “and have revered Varda Elentári above all the Valar”.

An Imagining of The Evening Star

Throughout their long history the Elves have looked upwards towards the starlight and westward to the Queen of Heaven. As in all the stories of the children of Ilúvatar, of both Elves and Humankind, immortal and mortal, the simplicity of this gaze is soon lost. The Valar, led by Oromë, the hunter, set out to find the firstborn and to lead them to safety in the Blessed Realm, but some never complete the journey, lingering among the beauty of what they know while others, the Noldor, followers of Fëanor, tire of a life of absolute safety and obedience in the realm their angelic lords and return to Middle-earth to freedom, glory and ultimately, for most of them, destruction. But the feeling expressed in this hymn to Elbereth is of a longing, a cry “beneath the shadow of death” that has been woven in the very fabric of their being from the moment of that first gaze upwards, a gaze both from eye and heart.

The Awakening of the Elves by Ted Nasmith

The language of this hymn is Sindarin, the language of the Grey-elves, the Elves who never came to Valinor and yet the longing is as deep as it is among those of the Noldor who survive the terrible wars in Beleriand in the First Age, the exiles from the Blessed Realm like Galadriel and at the very end of The Lord of the Rings all these stories will be brought together when Frodo sings the old walking song, the song of the road one last time, and almost in response the hymn to Elbereth will be taken up once more by Gildor Inglorien, by Elrond and by Galadriel as they make their last journey into the West across the Sea.

Gildor Inglorien and the High Elves at the beginning of the story and its end

This is my last of a series of meditations meditation upon Frodo’s words, “It seemed to me to fit somehow”. On the next day, which we will take up from next week, Elrond will gather together a great council whose task it will be to decide what to do with the Ring of Power that Bilbo found beneath the Misty Mountains and which Frodo has brought into Rivendell. As we have seen in these last weeks none of the events that have led to this moment are in any way random and disconnected but all are a part of the great story that flows onward to the “one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Ilúvatar” at the end of all things. This is how everything fits somehow. Frodo has caught a glimpse of this story to which he belongs but which he can never explain.

And a final note upon my title. Some of you will have recognised the words there as from the great hymn, “Ave Maris Stella”, Hail Queen of Heaven, the Ocean Star, a hymn that Tolkien knew very well indeed. In the echo of this hymn in the song of the Elves we pray for Frodo the wanderer and ourselves also.

Faramir Remembers “Númenor that was”

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I am on a holiday with my wife in the county of Pembrokeshire in west Wales, the county in which my father in law was born and grew up. I am sitting in a pub with a glass of ale at my hand. I do not wish to write something new this week and so I decided to republish an old post in the hope that I would get some new readers for it. Do let me know what you think. When I first wrote this it was the first of three posts on “Númenor that was”, “Elvenhome that is” and “That which is beyond Elvenhome and will ever be.” Why don’t you read all three.

“We look towards Númenor that was, and beyond to Elvenhome that is, and to that which is beyond Elvenhome and will ever be.”

Faramir looks westward with Frodo and Sam

So says Faramir to Frodo and Sam motioning to them to stand with himself and his men facing westwards into the setting sun at the refuge of Henneth Annûn before they sit to eat. And in this simple action the people of Gondor recollect both their history and their identity day by day.

They remember the peril that Eärendil “ventured for love of the Two Kindreds” at the end of the First Age of the Earth. For when the forces of Morgoth had all but overthrown the kingdoms of the Elves and Men in Beleriand Eärendil had journeyed to Valinor to plea for the mercy of the Valar in their uttermost need, and mercy was granted to them. They remember how Morgoth was overthrown and in punishment was “thrust through the Door of Night beyond the Walls of the World into the Timeless Void”. They remember how Elros and Elrond, the sons of Eärendil, were granted a choice that none had ever been offered either before nor since. The Valar offered to them either to live as one of the deathless that was the destiny of the Elves upon the Earth or to choose mortality that was the destiny of Humankind. And they remember how Elrond chose the destiny of the Elvenkind and so came to live in Rivendell in Middle-earth and how Elros chose mortality and was granted as gift for himself and his people the great isle of Númenor in the Western Seas just within sight of Valinor.

The Shores of Númenor by Izzi Saeta Cabrera

They remember how at first their ancestors lived in contentment with the choice that Elros had made and the land that had been granted as gift; but how, even as their power grew, they grew envious of those that were deathless, coming to see their own mortality as a punishment laid upon them by the Valar who they now regarded as tyrants. This discontent and envy grew and festered over many years even as their might grew. Indeed, we might say, unease and power seemed to grow in equal measure. Eventually so great was that power that they were able to overthrow and make prisoner Sauron even after he had forged the One Ring and had made Barad-dûr in Mordor the heart of his dominions within Middle-earth. But their victory over Sauron was achieved, not as a rejection of his darkness but in envy of his power and so, even as a prisoner, Sauron was able to make that envy grow directing it now against the Valar. Eventually with Sauron’s encouragement they assaulted Elvenhome itself believing that if they could conquer it they would achieve the immortality that they desired, that it was the land itself that somehow granted to its people their deathlessness. But a great wave arose that destroyed the fleets and even the Isle of Númenor and so it is that when Faramir and his men stand in silence they remember “Númenor that was”.

The Fall of Númenor

But even as the faithlessness of the kings of Númenor and those that followed them comes to mind every time the people of Gondor stand before they eat so too does the memory of those who were faithful at great cost to themselves. For among the people of Númenor there were those known as Elf-friends who still loved the Valar and were content with the choice of Elros. When the fleets of Númenor sailed in assault upon Valinor they refused to go with them and the great wave that destroyed Númenor carried Elendil, his sons, Isildur and Anárion and all their peoples, in nine great ships to the shores of Middle-earth where they founded the kingdoms of Gondor and Arnor.

All this is called to mind as the peoples of Gondor remember “Númenor that was”, and it is a memory of gift, of choice, of growing discontent and envy that led to unfaithfulness and also to the faithfulness of Elendil and his people, the Elf-friends. And each time they do this they know that they themselves are the fruit of this story and how they too must live.

In this week’s reflection we have remembered  “Númenor that was” and perhaps it has caused us to think of our own discontents with our lives and what has been given to us and what it might mean for us to be faithful even as were the Elf-friends. Next week we shall think with Faramir and his men of “Elvenhome that is” and all that comes to mind as they gaze towards it.

Old Man Willow. O Hobbits, Take Care Where You Sleep!

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The Fellowship of the Ring by J.R.R Tolkien (HarperCollins 1991) pp 108-116

The hobbits have to make their way through the Old Forest in order to rejoin the East-West road through Eriador. Their intention is to throw the Black Riders off their scent and so to arrive safely in Bree. There, or at least so they hope, they will meet up with Gandalf and so journey on to Rivendell together.

Well, that is their intention anyway, but first they have to get through a forest that clearly regards them with dislike or worse. “They all got an uncomfortable feeling that they were being watched with disapproval, deepening to dislike and even enmity”.

The Old Forest by Alan Lee

The Old Forest was all that was left in Eriador of the great primeval forest of the Elder Days. When Merry and Pippin meet Treebeard in the forest of Fangorn later in the story he tells them that “there was all one wood once upon a time from here [Fangorn] to the Mountains of Lune”.

“I do not doubt,”says Treebeard, “that there is some shadow of the Great Darkness lying there still away north”, and it is the Darkness, the time of the dominion of Morgoth, in the First Age of the World, of whom Sauron was merely a lieutenant that led even a part of the natural world to fall under its dominion.

We should not blame the hobbits too much for their unwariness. Life until now has taught them so little of the dangers of the world. But they should not have fallen asleep with their backs to the trunk of Old Man Willow, the heart of the hostility of the Forest. Falling asleep in the wild can either be an opening into wonder or danger. I read just the other day of an explorer of the wild who fell asleep on a warm summer day in the woods and awoke to find a female Roe Deer gazing at him just a few inches from his face. Their encounter lasted only a few seconds before the deer ran off into the undergrowth but it left him with a sense of peace and wonder that stays with him to this day. I once climbed down with a companion into a gorge a little below the Victoria Falls on the Zambezi river. This was in the days before it was possible to navigate the gorges in inflatable craft and so we had this place to ourselves. At the bottom of the gorge he wandered off to look around and I fell asleep in the stifling heat of the afternoon with my back to a rock. I awoke to find myself surrounded by a troop of baboons who were eyeing me with great curiosity. I stayed quite still and looked back at them. What would have happened next I do not know for my companion returned, startled the troop and they ran away. Like the explorer and the deer my brief connection with wild things has never left me.

To be awoken by a gentle deer is one thing. It is a little more uncertain to be awoken by a troop of baboons and I sometimes wonder what was going to happen next if my companion had not returned. But Old Man Willow wishes nothing but harm for the hobbits. He tries to drown Frodo in the Withywindle river and to entrap Merry and Pippin within himself. Only Sam seems to be alert to his malice. The first time in The Lord of the Rings in which he is ahead of the others. But the great adventure seems to be at an end on the very first day beyond the borders of the Shire until a song of utter carefree joy alerts Frodo and Sam to the rescue that is about to come to them.

So do take care where you fall asleep. You may avoid danger that way. But there again you may avoid wonder too. To be open to wonder it seems that you have to be open to danger as well. At least that is what the hobbits discover. They fall into danger but wonder is bounding down the path towards them.

Wonder bounds down the path towards the hobbits

The Eagles of Manwë Praise the Faithfulness of the People of Minas Tirith.

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Last week I promised to continue the love story of Faramir and Éowyn but I ask you to permit me to make you wait one week more before we return to it. Last week we thought about the great wave that seemed to threaten the end of all things and yet brought a joy that was both entirely unlooked for and which brought tears to those who were pierced by it. Now all the people in the city learn what has brought such joy for,

“Before the Sun had fallen far from the noon out of the East there came a great Eagle flying, and he brought tidings beyond hope from the Lords of the West, crying:

Sing now, ye people of the Tower of Anor, for the Realm of Sauron is ended for ever, and the Dark Tower is thrown down.”

I hope that discerning readers will have noticed that Tolkien is careful about the use of capital letters for nouns in his work. In an earlier post on this blog we saw it in his use of the word, Pity, and so here Tolkien uses it to draw our attention to the importance of the noun that is capitalised. In the sentence that I quoted above there are four nouns that receive a capital letter, a sign that this is a sentence of particular importance, but the one that I want to focus on is the word, Eagle.

This is no ordinary Eagle. For one thing the Eagle sings in human speech and comes to Minas Tirith as the herald of the free peoples of Middle-earth. For another this Eagle was one of those who came to the climactic battle before the Black Gate. This Eagle is a descendant of those that Manwë, the lord of the Valar, sent to Middle-earth in the First Age to be his messengers. Their task was to keep watch on Morgoth, who was Sauron’s lord, and to do this they built their eyries on the peak of Thangorodrim itself, the very mountain beneath which Morgoth built his fortress of Angband.

They have kept their watch faithfully through long ages and from time to time, at crucial moments, they have intervened directly in the affairs of the free peoples. They carried Beren and Lúthien from Angband, the party of Thorin’s dwarves from the trees in which they were trapped by orcs and wargs, Gandalf from the Tower of Orthanc when he was held captive by Saruman and later carried him from the mountain top after the great battle with the Balrog and finally they attacked the Nazgûl at the Battle of the Black Gate.

It is thus no coincidence that it is an Eagle of Manwë that is the herald of the fall of Sauron. The faithfulness of the Eagles speaks to the faithfulness of Minas Tirith.

“Sing and rejoice, ye people of the Tower of Guard, for your watch hath not been in vain.”

Just as the armies of the West were drawn into the story of Frodo and Sam at the Field of Cormallen so that it became their story too so all who have remained in the city as the host went to battle are brought into the story of the faithful vigil of the ages. The boys who play with Bergil, son of Beregond of the Guard of the Tower, the women who Ioreth of the Houses of Healing tells of the first coming of the king to his city, all become part of the story of the faithful watch.

The 16th century English theologian, Richard Hooker, once wrote, “How are the people to know they are faithful unless their captains tell them?” Faithfulness will lie at the very heart of the civilisation that is born with the downfall of Sauron and the return of the King and the story of faithfulness with which the new age begins will dignify every man, woman and child to whom the captains tell it. It is this act of giving dignity to the people that is one of the central tasks of the captain whether a parent, teacher, chief executive, president or king. Any who fail in this task are not true captains.

  

Sauron and Frodo and Sam Show Us Two Different Relationships to Darkness

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Frodo and Sam begin the last stage of their journey. A fifty mile walk, or stagger, that Sam estimates will take a week because of Frodo’s condition. There is only one path that they can take and that is the main road from the Black Gate to Barad-dûr itself. It ought to be bustling with traffic and it usually is. But not now. Now there is a strange quiet and so Frodo and Sam are able to take the direct road to the mountain.

Tolkien tells us why.

“Neither man nor orc now moved along its flat grey stretches, for the Dark Lord had almost completed the movement of his forces, and even in the fastness of his own realm he sought the secrecy of night, fearing the winds of the world that had turned against him, tearing aside his veils, and troubled with tidings of bold spies that had passed through his fences.”

In other places Tolkien tells us that after the fall of Morgoth, the first Dark Lord, at the end of the First Age, Sauron submitted for a little while to the authority of the Valar. Sauron had been Morgoth’s chief lieutenant in the wars of the First Age, second to him in power but not in malice and his brief submission was a recognition of the greater power of the Valar but when their command to him to go to Valinor for judgement was not enforced and when he perceived that there was no lordship in Middle-earth but rather a kind of anarchy he began to try to make himself its lord.

There is no time here to reflect upon the history of the Second Age but we could remember that this was the age of great Elven kingdoms and Durin’s great kingdom of Moria, of Khazad-dûm, as well as the age of Númenor and the glory of Men. For a time Sauron appeared to be an ally to them all but always he was plotting his own rise to supreme power chiefly through the forging of the Rings of Power that he would bind and rule through the One Ring.

This was always his desire but with the desire came also a fearfulness. Sauron may have sometimes miscalculated his power but the experience of failure made him cautious. There is one thing missing that will make his triumph complete and that is the Ring itself. He will risk everything in order to regain it but his fear is that either Aragorn, the heir of Isildur, who once cut the Ring from his hand, or Gandalf the Maia, now wealds the Ring against him. Their forces may be small but he fears them nonetheless and the change in the wind just at the moment of triumph and those spies…

In other words Sauron is always in search of the ever elusive experience of total and perfect control, always anxious about everything and anything that could be a threat to that experience. Eventually this will mean anything that has its own will. Only that which is entirely enslaved and that has no longer any capacity for freedom will allay his anxiety. Until that time comes he requires darkness and secrecy to protect himself. When that time comes there will be only darkness.

Sauron has spent millenia seeking this certainty. Frodo and Sam have learned, in just a few short years, that such certainty is impossible. Sauron is the ultimate example of one who in seeking to save his own life loses it. Frodo and Sam walk freely into a darkness knowing that it is likely that they will lose their lives. Indeed Frodo fully expects that he will lose his life and it is possible that by this point he even looks forward to death as a kind of release. For Frodo and Sam the darkness, an experience that they have not chosen yet, in so far as they are able, they have embraced, is the road to life, both to the world that they will save and to themselves.

This is the difference between them. For Sauron the darkness is a defence that will ultimately prove futile. For Frodo and Sam the darkness is something that they feel they must embrace and will lead to life.

O Dayspring, Come and Enlighten Those in the Shadow of Death

/ stephencwinter / 4 Comments

When Frodo raises the star glass and cries out, “Hail, Eärendil, O Brightest of Stars!” he invokes a history of which, with Sam, he is now a major part. Throughout the history of Arda (the earth) there has been a war against the Light that began with Morgoth and now continues with his lieutenant, Sauron. The light of the Silmarils captured in the star glass once blazed forth from Morgoth’s iron crown after he stole them from Fëanor, their maker. One now shines out in the heavens at morning and at evening in the ship, Vingilot, with “Eärendil the mariner sat at the helm, glistening with dust of elven-gems, and the Silmaril was bound upon his brow”. We see it still today and know it as Venus, the Morning Star and the Evening Star.

Eärendil carried the Silmaril back across the seas to the Undying Lands and brought too the prayer of the peoples of Middle-earth to the Valar for mercy. For Morgoth had reduced them to ruin and, perhaps worse even than this, the sons of Fëanor, bound by a terrible oath to their father not to allow the Silmarils to fall into the hands of anyone even a friend, attacked Eärendil’s people and destroyed their homes. Eärendil, even as he bore this sorrow in his heart, prayed too for the sons of Fëanor when he came before the Valar.

Why do I tell this story even as Frodo holds the Star Glass before Shelob? It is because of the place of mercy in the whole of Tolkien’s great story. Tolkien said of Morgoth that “to him that was pitiless the deeds of pity are ever strange and beyond reckoning”. All through Tolkien’s tale it is such deeds that undo the enemy. Why is Frodo’s cry effective?  It is because of the pity of Eärendil. It is because of the pity of Bilbo. It is because of the pity of Galadriel who gave the glass to Frodo. We do not stand because of our own deeds but because of all who have come before us.

In his poem on the Advent antiphon, O Oriens,  Malcolm Guite makes this point exactly. Oriens is the Morning Star, the Dayspring, the herald of grace and of hope. Guite quotes from Dante’s Paradiso at the heading of his poem when Dante tells us that he saw “light in the form of a river”. The story of light is a river in which we, by grace and mercy, now stand.

“Dante and Beatrice are bathing in it now, away upstream…  so every trace of light begins a grace in me, a beckoning. ”

Once again we remember Frodo’s dream in the halls of Elrond in Rivendell; a dream that ended with the sound of Bilbo telling the story of Eärendil. And we begin to understand that we too receive so much from the mercy of others and that every act of mercy that we perform today is a gift to people yet unborn. We stand here because of the prayers of others before us. Others stand today and will stand in times to come because of our prayer and our acts of mercy.