Hope

“I Have Spoken Words of Hope. But Only of Hope. Hope is Not Victory.” Gandalf Looks to The Future.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 652,653

The moment is about to come when Gandalf will lead Aragorn, Legolas and Gimli to Edoras and to Meduseld, Théoden’s golden hall in the realm of Rohan. At that moment the story will leap forward once again even as Gandalf and the three companions leap forward borne by Shadowfax and the horses that ran from the camp on the night before Aragorn and his friends entered Fangorn. But just before this great leap there has been a pause, a drawing of breath, as Gandalf speaks of how things stand at this point in the story. And there is also the conclusion of a theme that has run through the story ever since he fell in Moria in the battle at the bridge of Khazad-dûm.

Aragorn speaks to his grief-stricken companions.

It was Aragorn who spoke then to his grief-stricken companions.

“Farewell, Gandalf!” he cried. “Did I not say to you: if you pass the doors of Moria, beware? Alas that I spoke true! What hope have we without you?”

And then he added words that would both drive him on yet hang around his neck like the mariner’s albatross in Coleridge’s great poem:

“We must do without hope,” he said. “At least we may be avenged. Let us gird ourselves and weep no more! Come! We have a long road, and much to do.”

To do without hope. To carry on without any sense that at the end of the long road there will be a completion of the taskdone. To carry on because that is what must be done and for no other reason.

And step by step, from the emergence of the Fellowship from the dark of Moria “beyond hope under the sky” until the reunion “beyond all hope” in the forest of Fangorn Aragorn has journeyed hopelessly.

Now hope is restored. Surely with Gandalf beside them once more there is hope they will triumph. But Gandalf speaks once again of their hope of victory.

“I have spoken words of hope. But only of hope. Hope is not victory. War is upon us and all our friends, a war in which only the use of the Ring could give us surety of victory. It fills me with great sorrow and great fear: for much shall be destroyed and all may be lost. I am Gandalf, Gandalf the White, but Black is mightier still.”

I am Gandalf the White but Black is Mightier Yet.

To follow a road hopelessly is a courageous act for it is to do what must be done simply because the deed is right and not for any sense that a reward of some kind might lie at the road’s ending. We might compare the way in which Aragorn and his companions journey onward from Moria to the journey that Thorin Oakenshield and his company make to the Lonely Mountain in Tolkien’s The Hobbit. There, we might say, a part of what sustains hope upon the journey is simply not to think too much about its end, upon the dragon that must be faced and overcome. The dwarves and their hobbit companion go from obstacle to obstacle thinking of nothing more than how to deal with each one as it comes until at the secret door into the mountain Thorin informs Bilbo that the time has come for him to do his job without any sense of how this is to be accomplished. Hope of treasure certainly drives them forward but in another sense they also travel without hope because hope of success lies too close to fear of failure and death in the flames of Smaug. It is best not to think either of success or failure.

Aragorn has also put aside all thoughts of triumph or disaster, only focusing on whether the deed is just or not. But now Gandalf is returned and his hope rekindled. Gandalf does not counsel that they should do without hope. Indeed he tells Legolas that he should go “where he must go and hope”. But he warns them that hope is not victory.

I am reminded of the grim and rather frightening deputy head at my school who, when he would lead prayers at the start of the day, would do so with these words of St Ignatius Loyola. They seem to have been written in very much the same spirit that Gandalf displays here.

“Lord Jesus, teach us to serve you as you deserve. To give and not to count the cost, to fight and not to heed the wounds, to labour and not to seek for rest, to give and not to seek for any reward save that of knowing that we do your will.”

To labour and not to seek for rest. Yonatan Ayala depicts the labour of the three hunters in their journey across the plains of Rohan.

“The Choice Was Just and It Has Been Rewarded”. Why Did Aragorn Choose to Pursue Merry and Pippin?

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 646-653

When Aragorn chose, with Legolas and Gimli, not to follow Frodo and Sam but to go across Rohan in pursuit of the orc band that had taken Merry and Pippin to Isengard it was a brave choice but also one of despair. When he had set out from Rivendell with the rest of the Fellowship his purpose was to fulfil his destiny. Through all that was to lie ahead of him, whether war in Minas Tirith or a journey with the Ringbearer to the Cracks of Doom, he would claim the throne, both of Gondor and Arnor, and he would claim Arwen, daughter of Elrond, to be his bride. For Elrond had told him that only the king, both of Gondor and Arnor, could marry his daughter.

Aragorn longs for his beloved.

Perhaps it was always a desperate hope but, step by step, he was determined to pursue his hope right to the very end. But then Gandalf fell in battle against the Balrog in Moria and his hope was dashed. Not even when Galadriel gave him the green stone of his ancestors, borne by Eärendil himself was his hope truly rekindled. Not even when she said: “Take the name that was foretold for you, Elessar, the Elfstone of the house of Elendil!”

So it was that when the Company was attacked at Parth Galen and Boromir fell and Merry and Pippin seized by orcs Aragorn chose to pursue them. Until that moment he had felt that he had two choices. Either he would go with Boromir to Minas Tirith and play his part in the defence of the city or he would go with Frodo to Mordor and there to do all he could to try to destroy the Ring. He felt in his heart that it was his duty to go with Frodo, especially after the fall of Gandalf, but that same heart longed to go to Gondor where his destiny lay.

Aragorn choosing at a moment of sorrow and despair. Inger Edelfelt depicts the scene.

All this was taken from him at Parth Galen. Boromir fell in battle seeking to defend Merry and Pippin and Frodo set out for Mordor taking Sam with him. What little hope remained to him that he might yet fulfil his destiny was taken from him. What lay ahead was what he knew was a fruitless task. He would pursue the orc band that had taken the young hobbits across the plains of Rohan and probably die in an attempt to free them. The pursuit took him to the Forest of Fangorn where he even wondered whether he might starve to death alongside the companions that he had tried to rescue.

And then he met Gandalf in the very place in which he expected to die beyond all hope. On the one hand he is filled with joy as hope is rekindled. On the other hand he wonders what the vain pursuit of Merry and Pippin was for.

Gandalf speaks to him.

“Come, Aragorn son of Arathorn!” he said. “Do not regret your choice in the valley of the Emyn Muil, nor call it a vain pursuit. You chose amid doubts the path that seemed right: the choice was just and it has been rewarded. For so we met in time, who otherwise might have met too late.”

Aragorn chose a path that that was utterly alien in nature to the dark forces ranged against him. For they saw all things and all creatures as objects merely to be used for their own purposes. This was true from Sauron and Saruman right down to the meanest of orcs. He chose to lay down his life, his dreams and deepest longings, in the service of two figures that seemed to be of little more value than lost luggage. Gandalf describes the choice as just. Aragorn acted justly in choosing to serve the weak. And he speaks of reward. He speaks of a sense that reality itself rewards such choices. Sauron and Saruman would dismiss such talk as mere sentimental drivel and typical of the weakness of people like Gandalf, a weakness that deserved to be swept away. Gandalf, and Aragorn too, have placed their bets upon an entirely different reality. They believe in a universe that is just; not an impersonal even an implacable thing. And, says Gandalf, the choice is rewarded. The universe approves an act of justice and of mercy.

The universe approves the actor justice and mercy. Aragorn would die for Merry and Pippin. Anke Eismann depicts the young hobbits lost in the forest.

An End to Hope, Maybe, But Not to Toil. Aragorn, Legolas and Gimli Pursue the Orcs of Isengard Across the Plains of Rohan.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 547-558)

Three times the sun rises upon the chase of Aragorn, Legolas and Gimli, the three hunters, as they pursue the orcs of Isengard first through the foothills of the Emyn Muil and then across the plains of Rohan. The hunters have run many miles and yet have come no closer to their enemies and their goal, their longing to find and then rescue Merry and Pippin from their captors. Among Men, Dwarves and Elves they have done a deed that will rightly be accounted mighty but the orcs have hardly rested by day or by night.

Hope, what little hope that they had, is fading.

“For many hours they had marched without rest. They were going slowly now, and Gimli’s back was bent. Stone-hard are the Dwarves in labour or journey, but this endless chase began to tell on him, as all hope failed in his heart.”

The “hopeless” journey of the three companions across Rohan. Alan Lee depicts the pursuit and those who are pursued.

There have been moments when faint glimmers of hope have been rekindled in their hearts. The green smell, as Legolas puts it, of the wide grasslands, lifts their spirits for a time. And there is the discovery of hobbit footprints and the broach of an elven-cloak. “Not idly do the leaves of Lórien fall,”says Aragorn. It is a sign that at least one hobbit was still alive when the orc company passed that way. Aragorn thinks it was Pippin. But as the hunters begin to realise that they are coming no closer to their quarry so hope fails.

“Not idly do the leaves of Lórien fall”, as depicted by Dante 2060.

Aragorn never had much hope. He does not even think that what they seek to do has much significance within the great story in which he is a part. At one point he looks southwards across Rohan to the White Mountains that are the northern border of Gondor and in song he yearns to be there.

O Gondor, Gondor! Shall Men behold the Silver Tree,
Or West Wind blow again between the Mountains and the Sea?

And then there is a moment in which Gimli longs for a light such as Frodo bears to guide them in the dark.

“It will be more needed where it is bestowed,” said Aragorn. ‘With him lies the true Quest. Ours is but a small matter in the great deeds of this time. A vain pursuit from its beginning, maybe, which no choice of mine can mar or mend. Well, I have chosen. So let us use this time as best we may.”

So continues Aragorn’s long reflection upon the question of hope that began with the fall of Gandalf in Moria. I say that it began there but perhaps it is more true to say that his whole adult life has been a reflection, a meditation upon this theme. Even the very name, Estel, that was given to him by his mother means Hope. And not hope as in the sense of crossing one’s fingers and trusting to luck but in something that goes much deeper. The Elven king, Finrod Felagund, sought to explain this deeper sense when he says that estel “is not defeated by the ways of the world, for it does not come from experience, but from our nature and first being. If we are indeed the Eruchin, the Children of the One, then He will not suffer Himself to be deprived of His own, not by any Enemy, not even by ourselves.”

Aragorn has sought to embody estel within himself in his long years of service in Gondor, in Rohan, and as the leader of the Rangers of the North. Always he has held before him his longing for personal happiness in his desire to marry Arwen. And he has sought to be the expression of hope for his people, for the fading remnant of Númenor in the North and for the brave but beleaguered defenders of freedom in Gondor. But now he feels that he has been seperated from this hope. The fall of Gandalf has affected him deeply but, so too, has Frodo’s decision to leave the Company and to make the journey to Mordor without them. Aragorn realises that he no longer has any part to play in that journey. He may be determined to rescue the young hobbits or die in the attempt. He may be certain that what he has chosen is right. But he is bitterly aware that he has been pushed, as it would seem, to the margins of the story. For him the loss of hope is not just about whether they will be able to rescue Merry and Pippin but about the sense of destiny that has given him meaning throughout his life. We might say, to use the language of Finrod Felagund, that his sense of hope, of estel, has been founded, not upon a belief that Illuvatar will not leave himself bereft of his children within the world, but upon something much more personal, that he, Aragorn, will be the bearer of that hope. Now, as he begins his pursuit on the third morning after the breaking of the Fellowship that hope is gone and all that remains is toil.

Aragorn at the Argonath. Can he fulfil the hope of his people?

“It is I That Have Failed. Vain Was Gandalf’s Trust in Me.” Aragorn’s Despair at The Breaking of the Fellowship.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 537-540

“Alas!” said Aragorn. “Thus passes the heir of Denethor, Lord of the Tower of the Guard! This is a bitter end. Now the Company is all in ruin. It is I that have failed. Vain was Gandalf’s trust in me. What shall I do now? Boromir has laid it on me to go to Minas Tirith, and my heart desires it; but where are the Ring and the Bearer? How shall I find them and save the Quest from disaster?”

The Death of Boromir by Anke Eissmann

Boromir is dead, having fallen in the attempt to protect Merry and Pippin from the Uruk-hai of Isengard, and Aragorn kneels in despair beside his body. At the moment when he makes this speech he knows nothing of the whereabouts of any other member of the Fellowship. Boromir died before he could tell Aragorn whether Frodo and Sam were captured along with the young hobbits and he does not even know where Legolas and Gimli are. For all intents and purposes it seems that the Quest has failed and that all hope has died.

Aragorn does not know it yet, but this, for him, is the lowest and the darkest point of the story. From the moment when the Company was defeated in its attempt to cross the Misty Mountains beneath Caradhras and the decision was taken to attempt the journey through Moria Aragorn has been an inner pathway downwards to this place. It seems clear that he had some kind of foresight of Gandalf’s fall in Moria even before the battle at the Bridge of Khazad-dûm. Apart from the speech that he makes to the Fellowship in the dark of the Mines in order to raise their faltering morale he remains silent and a little distant. The next speech that he makes is to a grief stricken Company who have come through Moria but are themselves in despair at the loss of their guide. “We must do without hope, ” he says to them, and there is little doubt then that he has lost his own.

When, at last, the Fellowship reach the refuge of Lothlórien, Frodo descends from the hill of Cerin Amroth to find Aragorn “standing still and silent as a tree”, and hears him say, “Arwen vanimelda, namarië!” These are words of longing and of farewell as Aragorn bids his own farewell to any hope that he might achieve happiness in this life.

At the last parting from Lothlórien Galadriel reminds Aragorn of his mighty lineage and gives to him “the Elessar”, the green stone that Idril, the daughter of Turgon of Gondolin gave to Eärendil, her son, with the words, “there are grievous hurts to Middle-earth which maybe thou shalt heal”. Galadriel reminds Aragorn that he holds this story of healing as heir of Gondolin and of Eärendil, as rightful King of Gondor and of Arnor, and sends him upon his journey down the Anduin with this declaration ringing in his ears. When the boats of the Fellowship pass through the Argonath Aragorn greets his mighty ancestors as one who has come to claim the inheritance that is his but soon after comes the sundering and now he is alone amidst the wreckage of all his hope, both for personal happiness and for the world.

The Hildebrandt brothers depict the moment when Galadriel gives the Elessar to Aragorn.

Boromir dies with the horn of Gondor and his sword in his hand. Despite his own sense of failure Boromir dies a hero’s death in a way that both he and his warrior people understand. Such a death for them is a good death, offered in despite of despair. But at the very moment in which Boromir was fighting his last battle Aragorn was running first up, and then, down Amon Hen first in vain search for Frodo and then in vain attempt to come to Boromir’s aid. All is vain and Aragorn carries this sense in his unhappy heart even as he kneels beside Boromir. As those who know the ending of the story we know that this is Aragorn’s lowest point but he does not know this. For him it seems that a door is opening that bears the words that Dante reads above the gate of Hell. “Abandon all hope you that enter here.” There is no comfort that can be offered to Aragorn. Not yet. We must simply wait with him in silence.

Abandon all hope. Inger Edelfelt depicts Aragorn’s despair.

“I Only Said I Think I Shall Come.” Life With and Without Gandalf.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) p.266

I have long been drawn to the figures of old men in literature and have wanted to spend time in their company. As a small boy I read and re-read T.H White’s The Once and Future King and the scene that gave me the greatest pleasure was that in which the Wart (the young King Arthur) comes across Merlin in a clearing in the Forest Sauvage for the very first time and you just know that life is never going to be the same again and it is going to be good. Then a few years later I settled down with Frodo by the open window of his study to smoke a pipe with Gandalf and was content. Years later I read the Harry Potter stories to my daughters and found that the attraction had not gone. I was never happier than in the scenes with Albus Dumbledore and when there seemed to be some distance between Harry and Dumbledore I felt an old familiar ache and longing inside. And perhaps one of the most significant and vivid dreams in my life ended, almost uniquely, in perfect resolution when I knelt before an old man who I identified as the Pope in order to receive his blessing. I could even smell the fragrance in the air at that moment of perfect peace and harmony.

Alan Lee’s sublime imagining of Merlin and the Young Arthur together in Merlin’s study. Can anything be more perfect?

I am not sure that I ever quite met the elder that I was looking for and at the age that I have now reached the opportunity to do so is receding but the longing has not gone. It’s just that I begin to realise that I am going to have to find this father within myself and not in a figure that I am likely to meet. Maybe that is the meaning of my dream. A dream that I think was given for my whole life and not just for a moment within it.

During these weeks of the summer I have been writing about some bigger themes in The Lord of the Rings before turning to The Two Towers in the autumn and I have begun to think about both the presence and the absence of Gandalf in the story. My readers may remember that I wrote a piece entitled “We Must Do Without Hope” back on December 11th 2021 https://stephencwinter.com/2021/12/11/we-must-do-without-hope-the-company-go-on-after-the-fall-of-gandalf/ as Aragorn takes command of the Company after the catastrophe of the fall of Gandalf in Moria. These words are almost a title for the early chapters of The Two Towers as Aragorn, Legolas and Gimli pursue Merry and Pippin and their orc captors across the plains of Rohan towards the Forest of Fangorn. Again and again Aragorn reflects both upon hope and its absence. Surely he knows that to free the young hobbits is a hopeless task against so numerous a foe, as Éomer tries to convince him, but he continues with grim resolution until at last in the forest he meets Gandalf once more. From that moment onwards he is a man transformed.

Meeting Gandalf in Fangorn Forest

And we see the same reaction from Frodo when Gandalf announces to the hobbits, “I think I shall come with you.” Indeed, Tolkien writes, “So great was Frodo’s delight at this announcement that Gandalf left the windowsill, where he had been sitting, and took off his hat and bowed. ‘I only said I think I shall come. Do not count on anything yet.'”

Gandalf’s presence is so important that it gives huge confidence, energy and hope to all around him. When the Company are attacked by wargs near the western gate of Moria Sam is given hope as he says, “Whatever may be in store for old Gandalf, I’ll wager it isn’t a wolf’s belly.”

And then comes the moment when Gandalf falls at the Bridge of Khazad-dûm and for a time at least all hope is gone. Eventually Gandalf is restored to the Fellowship, for all at least except two. For Frodo and Sam have to go on alone step by step to the Cracks of Doom bearing the burden of the Ring and without even the sustaining thought that Gandalf is out there somewhere fighting on their behalf. It is worth pondering the fact that they, alone among their fellows, achieve their quest entirely without this source of strength and of hope. They know the loneliness of being a grown up and what strength they are able to find must be found within.

Frodo and Sam alone in Mordor

“Take Off the Ring!” Frodo’s Inner Struggle Upon Amon Hen.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 391-392

It all begins because Frodo has to flee from Boromir wearing the Ring in order to do so. Frodo climbs up the slopes of Amon Hen and finally reaches its top.

“He saw as through a mist a wide flat circle, paved with mighty flags, and surrounded with a crumbling battlement: and in the middle, set upon four carven pillars, was a high seat, reached by a stair of many steps.”

A beautiful depiction of Amon Hen by Woodhouse

The high seat upon Amon Hen has always been a place set apart for reflection, an expression of the belief that if only we can get high enough, if only we can somehow rise above all the chaos that surrounds us, we will achieve a kind of clarity and will know what we must do. But in all the long years since first the seat was placed upon this hill top by the men of Númenor there has never been a moment like this. No-one has been able to see as Frodo does because no-one has sat upon the chair while wearing the Ring.

And what Frodo sees is war. “The Misty Mountains were crawling like anthills; orcs were issuing out of a thousand holes. Under the boughs of Mirkwood there was deadly strife of Elves and Men and fell beasts. The land of the Beornings was aflame; a cloud was over Moria; smoke rose on the borders of Lórien.”

And last of all, and perhaps inevitably, Frodo’s gaze is drawn towards the place in which the Ring was forged and the tower in which its master dwells: “wall upon wall, battlement upon battlement, black, immeasurably strong, mountain of iron, gate of steel, tower of adamant, he saw it: Barad-dûr, Fortress of Sauron. All hope left him.”

A fascinating, almost surreal, depiction of the struggle upon Amon Hen by Joel Marriner.

It is at this moment that Frodo becomes aware that someone is searching eagerly, voraciously, for him, for the Ring that he is now wearing; and that this creature, whose very being has become an embodiment of desire, so entire, that if the thing that he longs for were to cease to exist there would be nothing left of him but a memory of what he once was, will find him. And it is at this moment too that he becomes strangely aware of a familiar voice telling him to take off the Ring.

“Take it off! Take it off! Fool, take it off! Take off the Ring!

The struggle lasts only for a moment but during that time the whole fate of Middle-earth lies, literally, in the balance. Frodo is held, “perfectly balanced” between the Voice and the Eye. If Sauron is able to find him, to identify exactly where he is, then he will regain the Ring at last and darkness will fall.

Crucially, this moment is resolved when Frodo becomes “aware of himself again” as one who is free to choose and he takes off the Ring. “Then all the sky was clean and blue and birds sang in every tree.”

Frodo is not only able to think for himself again but he is able to achieve a clarity of purpose that all his seeing could never give him. Not that the vision that he has been given upon Amon Hen has been of no value for it has enabled him to see that he cannot put his trust in any power outside of himself because every power is as nothing compared to the power that resides within Barad-dûr. All that he has is the Self who is able to make this choice, the choice to go alone to Mordor.

The problem with hope is, as T.S Eliot puts it in his Four Quartets, is that “hope would be hope for the wrong thing.” There is no hope for Frodo in Minas Tirith because, for all its courageous beauty, it cannot stand at the last before the power that is rising against it. All that he has is himself and the choice that he made at the Council of Elrond to take the Ring to the Fire though he did not know the way. As Eliot puts it, following his teacher, St John of the Cross, we come to the point in which all hope has been stripped away and there we find, as Frodo does, that “the darkness shall be the light, and the stillness the dancing”.

“Wait without hope, for hope would be hope for the wrong thing”. A depiction of Minas Tirith.

“Arwen Vanimelda, Namarië!” What does Aragorn say to Arwen at Cerin Amroth?

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The Fellowship of the Ring by J.R.R Tolkien (HarperCollins 1991) pp.341-343

In last week’s post we entered Frodo’s inner world of longing, of his heart’s desire, but he is not the only one who, upon this sacred hill of Cerin Amroth, goes deep within his own soul and there for a brief moment becomes that longing, his own sehnsucht. As Frodo descends the hill he finds Aragorn there, “standing still and silent as a tree”. In his hand Aragorn is holding a flower of elanor and he is “wrapped in some fair memory”.

So intensely does Aragorn enter his memory that, for a moment, he becomes the man that he was in this place, so many years before. Frodo, whose own inner sight is now so keen, sees the “grim years” removed from Aragorn’s face and once again he seems “clothed in white, a young lord, tall and fair”. Those who have read the story of Aragorn and Arwen that is told in an appendix at the end of The Return of the King will remember that this is exactly how Aragorn appeared when he and Arwen stood on this very spot and pledged their love to each other.

“Clothed in white, a young lord tall and fair”. Matthew Stewart depicts the betrothal of Aragorn and Arwen.

Aragorn is the young lord, tall and fair, standing before Arwen in that moment, but he is also entirely present in this moment within a story whose ending he cannot see. And it is in this moment, as well as that, that he speaks aloud.

“Arwen vanimelda, namarië!”

Tolkien chooses here not to translate the words, spoken in Quenya, the language of the High Elves of the West. Those who really know languages, as he did, know that translation is a dangerous affair. Albert Schweitzer, the great German scholar of the nineteenth and twentieth centuries, used to speak to English speaking audiences from time to time but although he could speak English perfectly well he always chose to speak in German and with an English translator because he felt that he needed his first language in order to speak most truly and meaningfully. Aragorn is a true son of Númenor, the heir of Elendil, the elf friend, and lord of the Dunedain, the men of the west who have remained true to this story. He speaks now aloud from the deepest place within his heart to the one who holds that heart forever.

Tolkien does not translate these words here but he does translate one of the words a little later in the story.

Namarië.

His translation there is of Galadriel’s song that the Fellowship hear just before they part from her. We will think about that song on another occasion but here it is enough to say that Tolkien translates the word as farewell. So is Aragorn bidding farewell to his beloved, the fairest beloved that he addresses in the word, vanimelda? Is this a goodbye, an adieu, a last ‘God be with you’? In one sense it is but I want to think about this farewell in a certain way, a way that I think emerges from a reading of Aragorn’s story from the failure to cross the Misty Mountains in the pass below Caradhras and Gandalf’s decision to go through Moria.

At this point there is a sense in which Aragorn loses hope. By this I do not mean that he gives in to despair, that he gives up, but that whatever sense that he had, that Frodo would succeed in his mission and that his deepest longing, his longing for Arwen, would be fulfilled has gone. In the pages ahead we will read of Aragorn and hope on a number of occasions and each time it will be in the sense that he must do without it. He must carry on until the end of his road wherever that leads simply because he must, because he has promised to do so. The German mystic of the middle ages, Meister Eckhart, coined a word (German is a wonderful language for doing such a thing!) that probably translates best as farewelling. For him this meant the purest form of detachment in which the soul chooses to refuse attachment to anything less than God. Aragorn does not have such faith in God, not in Eckhart’s Christian sense anyway, but this most heart rending of passages in all of Tolkien’s works ends by leaving open such a possibility.

“Here my heart dwells ever, unless there be a light beyond the dark roads that we must still tread, you and I.”

Unless there be a light.

I have not found any artwork about the scene from The Fellowship of the Ring at Cerin Amroth that really satisfies me. This still from the scene in the camp below Weathertop is a beautiful expression of Aragorn’s longing.

Postscript

I have written before about the love story of Aragorn and Arwen and if you wish to read these posts please click on the tags, Aragorn and Arwen, and The Love of Aragorn and Arwen, below this week’s post. And if there are any scholars of Tolkien’s languages reading this please leave a comment below. I would love to learn from you, and others who have been touched by what I have written about this week.

A final thought. My own feeling is that the best translation into English of Aragorn’s words is “Arwen, O fairest beloved, farewell.” Do others agree or would you put it differently?

“We Must Do Without Hope”. The Company Go On After The Fall of Gandalf.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 321-324

How do we carry on after the catastrophe has happened? The journey of the Fellowship through Moria has taken them at last to the terrible climax at the Bridge of Khazad-dûm. Gandalf has broken the bridge upon which both he and the Balrog confronted one another and then,

“With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasping vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.”

“Fly you Fools!”

All in the briefest of moments the Company experience the terrible juxtaposition of relief at the fall of their deadly foe and then sheer horror as they witness in total helplessness the fall of Gandalf into the dark. At that moment it is Aragorn who is able to lead them all away from what remains a deadly danger out from Moria into the bright sun beyond its doors where grief overcomes them all.

The Fellowship Are Overcome By Grief

And so they stand in the strange unreality of a sunlit day after the dark, and the yet stranger unreality of being alive after they have lost one whom they have all loved, who presence has seemed to them to have been one of the few certainties in a world that is in constant flux; one whose very existence has enabled them to give shape to that world. It is Aragorn again who finds words to express this.

“‘We must do without hope,’ he said. ‘At least we may yet be avenged. Let us gird ourselves and weep no more! Come! We have a long road, and much to do.'”

This begins a thread that runs through the narrative of the next part of the story and is associated most with Aragorn. It is the theme of hope, the loss of hope and how to continue after hope has gone. Ever since the debate between Gandalf and Aragorn took place about which way the Company should cross the Misty Mountains Aragorn has been gripped by an inner sense that if they were to go through Moria something terrible would happen to Gandalf. All through the journey in the dark he has remained separate from the others, breaking his silence only at a moment when it seemed that doubt would take hold of them all. Might it be said that this inner sense, this foresight, has in some way prepared him for this moment? Might it be said that that all through Moria he has begun to live without Gandalf, who has been guide, even father to him?

“Did I not say to you: if you pass the doors of Moria, beware? Alas that I spoke true! What hope have we without you?”

The Fellowship must continue their journey, not because they have hope that they will succeed but simply because they have a task to fulfil. The Ring must go to the Fire. What part each one of them will play in this is not yet clear. Only upon Frodo has the obligation to complete the task been laid by the Council and Sam will go with him because that is who Sam is. The point will come in the journey when each member of the Company will have to make their own choice about what they must do and as this point is reached for most of them the choice will become harder to make. Only Boromir will be certain about what direction the Fellowship must take and at the last it will be his certainty that will enable, even force, Frodo to make his choice and the attack by the Uruk-hai will force the choice of the others. But what they will all have to do will have to be done without the hope that Gandalf gave them, that sense that whatever happened there would be someone to sort everything out. It has been wisely said that we know for certain that we are grown ups when we know that our parents are not going to come to rescue us from whatever predicament we have got ourselves into. That realisation can be catastrophic in nature and for some it comes too soon in life. Only time will tell whether it has come too soon for the Fellowship of the Ring.

Many Partings. An Elegy for a World that is Passing.

/ stephencwinter / 18 Comments

“The world is changing: I feel it in the water, I feel it in the earth, and I smell it in the air.”

Many readers will recognise these words as coming from the introductory sequence to Peter Jackson’s films of The Lord of the Rings. In the film these words are given to Galadriel and they set the scene for the story that is to be told. Tolkien gives the words to Treebeard and they come near the end of the story when Treebeard meets Galadriel and Celeborn at Isengard. It forms part of a narrative of farewells. The bitter parting of Elrond and Arwen; the parting between Merry and Éowyn and Éomer and now the parting between Treebeard, Celeborn and Galadriel. If Merry’s farewell to Rohan and, in particular, to Éowyn with whom he shared so much and achieved so much, belongs to the poignant but normal shape of human lives, the partings of Elrond and Arwen and of Treebeard, Celeborn and Galadriel belong to the passing away of an age, indeed in Tolkien’s legendarium, a passing away of three ages. The mythological world that Tolkien spent a lifetime in creating is drawing to its close and the historical world that is our normal experience is beginning.

Of course there is no clean break between the two. Aragorn, who is the founding king of this new world, belongs to both. He understands his descent from Eärendil who was father to Elrond of Rivendell and he grew up himself in Elrond’s house. Arwen of Rivendell is his wife and queen and the elves of Thranduil’s realm in the green wood aid Faramir and Éowyn in the resoration of Ithilien while the dwarves of Erebor aid Aragorn and Arwen in the restoration of Minas Tirith and Treebeard and the Ents help to restore the forest around the land that Saruman spoilt, but each of these peoples are passing away until all that is left of Faerie is that sense that one is sometimes given in a woodland glade or a by a stream in a mountain glen of a memory of a presence from long ago, of a memory that is not your own, and a longing for something that you seem to recognise and yet is not a part of your story at least as far as you can tell.

There are moments when I long to try to do as Lucy does in C.S Lewis’s Prince Caspian and to try to reawaken the trees but I am aware that I do not live in Narnia but in the world of That Hideous Strength in which Merlin is forbidden from doing as Lucy was commanded to do in Narnia by Aslan. Just like the community of St Anne’s, of Logres in Britain, my task is to live faithfully in my own time and to await the age that is to come, seeking to keep alive the hope to which Ransom and his companions bear witness.

What is clear in Tolkien’s tale is that his faithful witnesses do not know what lies ahead. Elrond’s parting from Arwen is bittern for it “it should endure beyond the ends of the world”. When Treebeard says “I do not think we shall meet again”, Celeborn replies: “I do not know, Eldest” but Galadriel says: “Not in Middle-earth, nor until the lands that lie under the wave are lifted up again. Then in the willow-meads of Tasarinan we may meet in the Spring.”

Galadriel, of all the major figures of the mythological world, has hope of a restoration at the end of all things that is also a springtime of all things. Beleriand and maybe Númenor also, lands that lie under the floods that ended the First and the Second Ages will rise again. It is Galadriel who perhaps most clearly recognises that her world is passing away and who knows that if a memory of that world, the mythology of England that Tolkien sought to create, is to remain, then it is Aragorn, the King Elessar, who will keep the memory alive. As we have seen it is Galadriel who encourages the growing love between Aragorn and Arwen,  something that breaks Elrond’s heart, and Galadriel who gives Aragorn the Elessar stone to remind him of the hope that he is. She, like Arwen, says her yes in faith and hope and love to the world that is to be.

 

We Are Not Bound For Ever to the Circles of the World, and Beyond Them There is More Than Memory. The Death of Aragorn and Arwen.

/ stephencwinter / 8 Comments

When Arwen made her choice it was with the greatest of men standing before her in his glory. It was Aragorn that she chose even as she bade the twilight farewell. But Elrond knew that the day would come at the ending when her choice would seem hard.

The years of Aragorn’s life were long beyond that of his people. He was a Númenorean in whom the blood of kings ran true “yet at last he felt the approach of old age and knew that the span of his life-days was drawing to an end, long though it had been.”

This was the point in his existence at which Ar-Pharazôn, the last king of Númenor, sought to grasp hold of immortality for himself by launching an invasion of the Undying Lands. He believed that the Valar withheld the gift of immortality from Men and gave it to Elves maliciously. Indeed he believed that his own mortality and death was a kind of punishment. And although the followers of Elendil rejected Ar-Pharazôn’s rebellion, in the years of Gondor’s decline they too did all that they could to extend their lives. It was Pippin who gazed in wonder at the great stone city of Minas Tirith even as it was falling into decay with empty houses in every street. “They were silent, and no footsteps rang on their wide pavements, nor voice was heard in their halls, nor any face looked out from door or empty window.”

So Aragorn reaches the moment in life in which a choice must be made. He could choose the sullen resentment of Gondor in its long decline and do all that lay within his considerable power to extend his existence for as long as possible. Or he might even choose the way of rebellion as did Ar-Pharazôn or the Witch King of Angmar. But he chooses to embrace his mortality and not to rail against it.

When Arwen realises that she is about to lose Aragorn she suddenly understands the bitterness of Ar-Pharazôn and pities him. “If this is indeed, as the Eldar say, the gift of the One to Men, it is bitter to receive.”

Aragorn recognises that this is the greatest of tests but he bids her not to be overthrown at it who renounced both the Shadow and the Ring long before. “In sorrow we must go, but not in despair. Behold! we are not bound for ever to the circles of the world, and beyond them is more than memory.”

In the early years of the church the Fathers taught that the life of faith begins with the renunciation of despair. This is the great renunciation that opens the way for the daily embrace of goodness, beauty and truth. It is a way that looks the reality of our mortality full in the face and chooses not to be afraid. It is a dying before we die but it is a choice to live. It is the choice not to hold onto life until it becomes stretched out thin. Théoden made this choice when he stepped out of his chair in which he had been withering away and embraced life after the manner of his glorious ancestors. Gollum, on the other hand,  chose the misery of endless existence. Denethor expressed his despair through suicide trying to take Faramir with him. Aragorn turns his face courageously to his mortality and trusts the One who calls him. He does not know what lies ahead. He does not know his own destiny but trusts that love and goodness have the last word.

Arwen is heartbroken at her loss and she is not so sure. Yet she too embraces the mortality that was her choice laying herself to rest on the hill of Cerin Amroth where she chose Aragorn long ago. In a comment on last week’s blog post Tom Hillman suggested that Arwen’s choice might open the door for her people to a destiny that lies beyond the circles of the world. It is a beautiful thought that seems to me to be in keeping with a divine consummation that will unite all things earthly and heavenly. Faery will enrich Humanity and Humankind will open the way to Faery. Of course Tolkien was looking forward to the Incarnation in his great legendarium. The tale of Aragorn and Arwen points to this more than any of his tales. It is a tale of sorrow but not despair and it draws us into its hope even as Arwen’s last words to Aragorn are the calling of the name of his youth, “Estel, Estel!”

Hope! Hope!