Galadriel’s Gift

“I Do Not Love The Bright Sword For Its Sharpness, Nor the Arrow For Its Swiftness, Nor The Warrior For His Glory.” Faramir Speaks of War.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 874-878

Faramir is a warrior. When Éowyn first meets him in the Houses of Healing in Minas Tirith after the Battle of the Pelennor Fields she assesses him shrewdly as a warrior herself, “bred among men of war, that here was one that no Rider of the Mark could outmatch in battle”.

Anke Eissman shows us Faramir the man of war who longs for peace on his first meeting with Éowyn who is a warrior who does not yet know that there is contentment to be found in peace.

But Faramir does not love war or the way of the warrior. After the War of the Ring and after he marries Éowyn of Rohan he will devote his life to the arts of peace. Together with his bride he will restore the land of Ithilien to its former beauty. Later in his encounter with Frodo and Sam Faramir will say of the Shire, “Your land must be a place of peace and content, and there must gardeners be in high honour”.

Faramir would be a gardener himself, not an industrial scale food producer, one who reduces the land to compliant submission with pesticides and chemical fertilisers, but one who would allow the land to find its true wildness in which the growing of food would take its natural place. In essence he would be one who would re-unite the Ents and the Entwives, if that were possible, working as a sub-creator to make a land where both could live at peace with one another. When Treebeard met Merry and Pippin and learnt of the Shire he commented that it was a land that the Entwives would love. The Ents would love the Old Forest, a land in which the hobbits felt themselves to be alien. Is there a land where both could live together in harmony?

“Come back to me and say my land is best.” The Ents and the Entwives as depicted by Luca Bonatti.

But here we must return to the reality of war. Faramir is now a warrior by necessity. Mordor has already seized control of Ithilien and Faramir and his men are operating behind enemy lines. And they would take the rest of Gondor too and then land by land the rest of Middle-earth also. Mordor is an empire that would make the whole earth its slave, that would make it like Mordor itself. So, as Faramir puts it himself, “War must be, while we defend our lives against a destroyer who would devour all”.

So Tolkien was not a pacifist in an absolute sense, one who regards war as unjustified in all cases, even that in which an enslaving enemy seeks to devour a peaceful land. But neither Tolkien, nor Faramir, love war for its own sake.

“I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Númenor; and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom. Not feared, save as men may fear the dignity of a man, old and wise.”

This is a theme that runs throughout all Tolkien’s works. That the arts of peace are superior to the arts of war. We remember the last words that Thorin Oakenshield said to Bilbo as he lay dying after the Battle of the Five Armies. “If more of us valued food and cheer and song above hoarded gold it would be a merrier world.” And yet, as Aragorn says at the Council of Elrond, the northern lands of which the Shire is one would have known little of peace unless they had been defended. “What roads would any dare to tread, what safety would there be in quiet lands, or in the homes of simple men at night, if the Dúnedain were asleep, or were all gone into the grave?”

The death of Thorin Oakenshield by Abe Papakien.

So Tolkien never quite resolves the question of how much must a land and its people be prepared to defend themselves against potential threat, and perhaps it can never be fully resolved. So Faramir must be a warrior by necessity even though he longs to practice the arts of peace. And perhaps this is where we must leave the debate for now. Perhaps Faramir gives us a sense of how to live with this tension. He is trained for war and yet longs for peace, He is unyielding in war as he showed in the battle against the Haradrim in which we first met him and yet he is gentle in all his dealings with the hobbits who are now his prisoners. Such a tension requires a hard practice and discipline. The fruit of that discipline is the man who now speaks his heart to Frodo, one of the greatest of all Tolkien’s creations.

“I Think The Rope Came by Itself- When I Called.” The Rope From Lórien Makes Us Think of Unexpected Lights in Dark Places.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 789-798

There comes a point in Frodo and Sam’s efforts to descend the steep eastern slopes of the Emyn Muil when they scramble down a gully to a point where Frodo thinks they might be able to escape the hills altogether. He is just making his way down to a ledge some way below when a cry sounds in the sky above them. It is a Nazgûl and so terrible is the sound out in the wild that Frodo puts his hands to his ears and finds himself sliding down the face of the hills to another ledge below the one that he had originally intended to reach.

For a moment Frodo is blinded and terribly shaken and Sam does not know how he will reach him. He begins to brave the descent that Frodo has just made rather precipitously when Frodo stops him.

“Wait! You can’t do anything without a rope.”

And suddenly Sam remembers the coil of rope that he has carried all the way from Lothlórien; a gift of the Elves of that land.

“Never travel far without a rope!” said the Elf who had given it to Sam. “And one that is long and strong and light. Such as these. They may be a help in many needs”

The rope that Sam has carried in his pack is about 30 ells in length or about 110 feet, quite long enough to get them both down to the ground below. Although the rope seems to be so slender that it could not possibly bear their weight it turns out to be very strong. It also turns out to have other qualities. When Sam lowers it to enable Frodo to scramble back up to the point at which he fell the rope shimmers in the dark in such a way as to dispel his temporary blindness. And the rope has a further quality. When Frodo and Sam finally reach the bottom of their descent and realise that they cannot bring the rope with them Sam mournfully gives it a farewell tug. To his surprise and chagrin it falls into his hands. Frodo breaks into mocking laughter remarking on the quality of Sam’s knot.

Frodo is not convinced of Sam’s knot knowledge or the quality of his rope

“I may not be much good at climbing, Mr. Frodo,” he said in injured tones, “but I do know about rope and about knots. It’s in the family, as you might say.”

They check the rope to see if it had frayed but found it completely whole. Sam has complete faith both in the Elven rope and also in his own skill with knots and at the last he declares, “Have it your own way, Mr. Frodo… but I think the rope came of itself- when I called.”

And Sam is right. That is exactly what happened. And with this Sam is beginning to learn a relationship to things that is a form of wisdom, a wisdom that the Elves of Lothlórien have developed over many years. To the Elves all things that we tend to treat as mere tools, mere objects, have a kind of consciousness. We see this with lembas, the waybread that at this point in the story is the only food that Frodo and Sam have. We remember that when Merry and Pippin escaped from the orcs they noted that lembas “does put heart into you. A more wholesome sort of feeling, too, than the heat of that orc draught.” And later in the story we will see what the Phial of Galadriel can do in the darkest place.

Perhaps Sam puts the Phial of Galadriel to better use than Frodo.

At first Sam is inclined to call this quality a kind of magic, Elven magic. But he is learning that he also has the ability to evoke a kind of aliveness in things just as the Elves do and just as great craftsmen and women do. This evocation is a deep form of attentiveness. The patience to wait until the inner life of a thing reveals itself. Eventually Sam will use this attentiveness through Galadriel’s gift to him, the little box of dust that he will use to heal the Shire after Saruman’s scouring of it. Through that dust and Sam’s particular use of it the babies born in the year after will be especially beautiful and the beer especially good.

All of these things are expressions of the way in which dark places can be transformed. Ordinary things like rope, food and dust are found to have a real presence but we must pay them sufficient attention in order to find that presence and to allow it to transform our lives.

Rose Cotton picked a good husband! Sam brings the beauty of Lothlórien to the Shire.

“I Have Never Heard You Speak Like This Before.” Gimli Speaks to Legolas of The Glittering Caves of Aglarond.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 708-715

I once had the privilege of visiting Leonardo da Vinci’s masterpiece, The Last Supper, in the refectory of Santa Maria delle Grazie in Milan. Most visitors are only allowed to remain for fifteen minutes before they have to leave and so I could not spend the time that I would have liked in its presence. And while I was there I learned that the master would sometimes spend an entire day just looking at what he was creating before making a choice of what he should do next.

As I display this I realise how far short this image falls of the wonder of da Vinci’s masterpiece.

Gimli would have understood him. Or at least I might say that it would have been the Gimli who had been in the presence of Galadriel in Lothlórien. Indeed as Gimli speaks to Legolas of what he has seen in the caves at Helm’s Deep he uses but one simile in his description. He speaks of how light glows through marble “translucent as the living hands of Galadriel.” For Gimli her beauty alone in all his life’s experience is sufficient to liken and enhance the wonder that he has just seen.

Gimli and Legolas have just been through a terrible battle and when Gimli first emerges from the caves in company with Éomer and Gamling and their men their first thoughts are to take pleasure in the fact that they are both still alive making light of this as soldiers often do. Then it is time for rest and Gimli makes no mention of the experience that will eventually give him his life’s work until he and Legolas are on their way in Théoden’s company to parley with Saruman in Isengard. Their journey begins their having to pass through the wood of Huorns who surround them and while Gimli is afraid Legolas is filled with wonder and announces to his friend that when the war is over he wishes to visit the remote dales of Fangorn in which the Huorns live.

At this Gimli speaks at last.

“There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dream-like forms; they spring up from from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come.”

The Glittering Caves of Aglarond by Ted Nasmith

Legolas is deeply moved by Gimli’s words. “I have never heard you speak like this before,” he tells him. And he promises his friend that if they come safely through the perils that lie ahead that he will go with Gimli to see the caves. As long as Gimli is willing to go with him into the depths of Fangorn.

There are those who have pondered the Grail myth that had such a hold upon the medieval European imagination and which seems to be speaking to us once more in this time who discern that there are two distinct experiences of the Holy Grail in the hero’s journey. The first that often comes in the first part of life awakens longing but does not transform. The second comes later in life when the hero has been through much suffering and sorrow and is now ready to see the Grail in a way that transforms them. We do not know what experiences Gimli might have had of truth, beauty and goodness in his early years although surely his capacity to perceive the transcendent beauty of the caves must have been formed in part by such early experiences. But we do know that when he arrived in Lothlórien he had just been through Moria, through Khazad-dûm, that had held such meaning for him as for all dwarves, and had found it to be a place of darkness. It was Galadriel’s welcome that reawakened love within him and which prepared him for the caves. Now he is able to see their beauty and, as Galadriel foretold, not wish to possess and exploit them but to work with them as an artist might work with stone, finding within it the form that always dwelt there.

Is it merely coincidence that Tolkien gave what is possibly the most beautiful speech in The Lord of the Rings to a Dwarf, one of the most problematic of all his sub-creations? I would argue not. At their worst dwarves display some of the meanest characteristics of the human soul, only capable of looking at anything with a view to profit from it. Moria was destroyed because of the awakening of the Balrog through greedy delving after mithril. The Caves of Aglarond will not be treated in this fashion. Gimli and his people will tend them as Leonardo da Vinci tended his masterpiece. Perhaps in this manner they point a way to us to be truly human.

“Lockbearer, Wherever Thou Goest My Thought Goes With Thee.” Galadriel Sends Messages to Gimli, Aragorn and Legolas.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 652-657

Back at Eastertide I wrote about the mighty battle upon Celebdil between Gandalf and the Balrog of Moria when it appeared to any who might look upward “that the mountain was crowned with storm”. If any would like to read what I wrote then please click on Gandalf the White in the tags below. At the battles end Gandalf threw his enemy down “and he fell from the high place and broke the mountain-side where he smote it in his ruin”.

Alan Lee’s magnificent depiction of the battle between Gandalf and the Balrog of Moria.

Gandalf died then and returned to the invisible realm for a time but was “sent back” to finish his work upon earth. It was upon the peak of Celebdil that Gwaihir the Windlord, mighty servant of Manwë in Middle-earth found him and carried him to Lothlórien for healing. And it was from Lothlórien that he came to Fangorn to be reunited with Aragorn, Legolas and Gimli.

Gandalf brought messages from the Lady Galadriel for the three companions. Were there messages for the other members of the Fellowship? We never find out. Only three are ever revealed. Did Galadriel see the breaking of the Fellowship from afar in a way that Gandalf did not? Here I ask my readers to follow me as I imagine what may have happened. I have no authority in the text for what I am about to write but I think that this might be true to the character of Galadriel as she is portrayed in The Lord of the Rings.

We go back to the giving of gifts as the Fellowship departed from Lothlórien on their journey down the Anduin. There we remember that her attention was given largely to Frodo and Sam and then to Aragorn. Simple, though still beautiful, gifts were given to Boromir, Merry, Pippin and Legolas and then last of all she turned to Gimli.

“And what gift would a Dwarf ask of the Elves?”

Gimli asks a strand of Galadriel’s hair to treasure.

At first Gimli declares himself satisfied merely to have looked upon the Lady of the Galadhrim and to have heard “her gentle words”, following here the conventions of courtly love in a way that both surprises and delights Galadriel. Later we will see these same conventions from the Middle Ages in the wooing of Éowyn by Faramir when he tells her that even were she “the blissful Queen of Gondor” he would love her. But then Gimli does ask a gift from Galadriel’s hand and it is for a single strand of her hair “which surpasses the gold of the earth as the stars surpass the gems of the mine”.

None of the portrayals of Dwarves in all Tolkien’s works are able to prepare us for this moment; most certainly not the portrayal of Thorin and his companions in The Hobbit when Thorin’s avarice almost leads to a battle which would have been catastrophic not just for the characters in that story but the whole history of Middle-earth. Gimli’s encounter with Galadriel has awakened something within his soul that has lain dormant, possibly all his life long. He learns that it is possible to love without needing to possess. Galadriel recognises this when she tells him that his hands “shall flow with gold” but that over him ” gold shall have no dominion”.

So great was Galadriel’s surprise and delight that she ponders her meeting with this Dwarf thereafter, a meeting that begins to heal the long animosity between Elves and Dwarves that stretches back to the wars of the First Age in Beleriand. And here I imagine that as she ponders she thinks of Gimli and Legolas together and their growing friendship. She knows that Frodo and Sam are beyond her aid now except for the gift she gave to Frodo. Merry and Pippin she is content to allow to journey on although she would be delighted by all the good that they share and cause in their adventures. And Boromir causes anxiety within her heart. Did she know that Aragorn would be with Legolas and Gimli? Not perhaps in the precise way in which Gandalf finds them in Fangorn but she both guesses that they would become sundered from Boromir and that the Hobbits might journey on together. Certainly in her message to Aragorn she makes it clear that she foresees for him a very particular journey and very particular companions.

So for Gimli there is given the very simple message that she thinks of him and that is enough. Gimli is ready for the next part of the story as he swings his axe in delight.

“What Gift Would a Dwarf Ask of The Elves?” Galadriel Gives Three of Her Golden Hairs to Gimli.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 365-367

Galadriel has prepared gifts for every member of the Company except for one and that member is Gimli the dwarf. Readers of my blog will remember that when the Fellowship first came to Caras Galadhon after the terrible events at the bridge of Khazad-dûm Celeborn was at first angered that a Balrog, Durin’s Bane, had been disturbed in Moria and that he was angry with Gimli, blaming him for this and even for the fall of Gandalf. Long years of division, suspicion and even hatred between Dwarves and Elves were recalled. Celeborn was a child of Doriath, a secret kingdom of the Elves of the First Age in Beleriand and did not forget the killing of Thingol, its king, by Dwarves after the making of the Nauglamir, a wonderful necklace that contained a Silmaril, the one taken by Lúthien from the crown of Morgoth.

“What gift would a Dwarf ask of the Elves?”

It was Galadriel who persuaded Celeborn to put aside his anger and to welcome Gimli into Lothlórien but surely the very fact that she has no gift prepared for him shows that she too is undecided about what kind of relationship she has with this dwarf. “What gift would a Dwarf ask of the Elves?” she asks him. There is no doubt that she wishes to heal a long hurt, not least because she knows that unless all the foes of Sauron stand together they will fall before him, but she does not know how this will be achieved.

“It is enough for me to have seen the Lady of the Galadhrim, and to have heard her gentle words.”

The gentle words were, of course, Galadriel’s words to Celeborn that he should not repent of his welcome to Gimli but also her speaking of sacred names in his own language. He had “looked suddenly into the heart of an enemy” and seen there “love and understanding”. It was a moment that changed him for ever which does not mean that the change is the creation within himself of a quality that had never existed within him but that something has been awakened that hitherto lay dormant.

Galadriel is delighted by Gimli’s answer, her heart goes out towards him and she bids him make a request of her. She wishes to be generous and to heal the ancient enmity but she is entirely unprepared for the request that Gimli will make. Just as Frodo, when in complete innocence, offered the Ring to Galadriel and so exposed desires within her that she had, perhaps, hidden even from herself, so Gimli too, with the same innocence, touches something that has long lain hidden within her.

Gimli asks for nothing but he names a single strand of Galadriel’s hair “which surpasses the gold of the earth as the stars surpass the gems of the mine.” Gimli cannot know that he is not the first to have made such a request of her, and that ages long before, Fëanor himself asked three times for a tress of her hair. Fëanor’s request was bold but not courteous. His desire was not just for her hair but for herself and she had refused him. Fëanor was one who wished to possess and Galadriel had perceived this darkness within his heart. Gimli, on the other hand, wishes only to love in pure devotion and so she gives him not only one strand but three, recalling the three times that Fëanor had made his request and the three times that she had refused him.

Elena Kukova imagines the beautiful hair of Galadriel.

Galadriel unbraids a tress of her golden hair that holds the light of Laurelin and Telperion, the ancient trees of Valinor that Morgoth destroyed, and places three hairs in Gimli’s hands. “I say to you, Gimli son of Glóin, that your hands shall flow with gold, and yet over you gold shall have no dominion.”

Galadriel has been shaken to the very core of her being by the coming of the Fellowship to her land. She had expected that it would mean the end of Lothlórien just as she said to Frodo and she was prepared for this. What she had not expected was that in receiving them her Self would be revealed to herself. She is forced to become vulnerable in a way that she could never have anticipated. We will think about this when we look at her last song in a few weeks time. My belief is that her vulnerability will lead her, not to despair, but to hope. And so it does in all of us.

“There Will Be Few Gardens in Middle-earth That Will Bloom Like Your Garden”. Galadriel’s Gift to Sam Gamgee.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.365-367

Last week we thought about the gift that Galadriel gave to Aragorn at her parting from the Fellowship. To Boromir she gives a belt of gold. To Merry and Pippin belts of silver with clasps wrought “like a golden flower”. They will put these clasps to good use later in the story when they are captives of the Uruk-hai of Isengard. And to Legolas she gives a bow “such as the Galadhrim used, longer and stouter than the bows of Mirkwood”. Legolas will put his gift to good use in the adventures that lie ahead for him.

To Sam she gives a very particular gift and one that is very close to her own heart.

Edward Beard Jnr imagines the giving of Galadriel’s gift to Sam.

“‘For you little gardener and lover of trees,’ she said to Sam, ‘I have only a small gift.’ She put into his hand a little box of plain grey wood, unadorned save for a silver rune upon the lid.’Here is set G for Galadriel,’ she said; ‘but it may also stand for garden in your tongue. In this box there is earth from my orchard, and such blessing as Galadriel has still to bestow is upon it. It will not keep you on your road, nor defend you against any peril; but if you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.'”

Galadriel may speak of her gift to Sam as small and in doing so she is kind to him, not wishing to overwhelm him, but in many ways the gift she gives is hardly less significant than the one she gave to Aragorn. If for Aragorn the green stone was a symbol of his kingly destiny, for Sam her small gift is a symbol of all that she has sought to preserve in Middle-earth. It is “a glimpse far off of Lórien”.

We saw when Sam was in Cerin Amroth how he saw in “sunlight and bright day” something more elvish than he had ever heard tell of, and how this had surprised him, thinking that Elves were for the “moon and stars”. Indeed, so moved was Sam by all that he saw and felt that he described his experience as being “inside a song”. Haldir responded by saying that Sam could feel the power of the Lady of the Galadhrim. Galadriel is a woman of the morning, of spring and summer, and in the beauty of Lothlórien she has made a land that expresses all that she is. Later in the story, at the wedding of Aragorn and Arwen, Éomer and Gimli will partake of chivalric dispute over whether Galadriel is the most beautiful woman in Middle-earth or not. Éomer will choose Arwen Evenstar over Galadriel and Gimli will say that Éomer has chosen the beauty of the evening over that of the morning.

Eleniel captures morning upon Cerin Amroth.

Galadriel has seen something of her own spirit in Sam and that Sam, too, is a man of the morning. This is why he will be so important to Frodo in the journey to Mount Doom. Even after the Ring has gone to the Fire and it seems that it is the end of all things Sam will choose the possibility of hope by taking Frodo to a place away from the lava flows. And when Saruman lays waste to the Shire in revenge for his own fall it will be Sam who will use Galadriel’s gift, not only to make his own garden like Lothlórien, but to make the whole Shire a “glimpse far off of Lórien”. The effects of Galadriel’s blessing will perhaps surpass her own imagination. If her heart is now filled with thoughts of fading and ending, Sam’s heart is always filled with thoughts of making. He sees hope and healing beyond the wasteland.

Sam Gamgee healing the hurts of the world.

“Take The Name That Was Given to You. Elessar, the Elfstone of the House of Elendil.” The Gift of Galadriel to Aragorn.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 364-367

At last the feast on the green lawn near the meeting of the Silverlode and the Anduin draws to a close and it is time for partings. Galadriel speaks to the Fellowship.

“We have drunk the cup of parting,” she said, “and the shadows fall between us. But before you go, I have brought in my ship gifts which the Lord and Lady of the Galadhrim now offer you in memory of Lothlórien.”

As we shall see in the next few weeks these gifts differ greatly in significance depending upon the role that each member of the Fellowship will play in the story that is about to unfold and, in the case of Gimli, the gift will be one that he will choose himself, a token of a relationship that has been sundered for so long that its future is still uncertain. But the first gift is given to Aragorn and expresses a relationship that goes far back into history.

The Giving of the Elfstone to Aragorn by Greg and Tim Hildebrandt

Readers of The Lord of the Rings will remember that when Bilbo chanted his Song of Eärendil in the House of Elrond that he remarked that Aragorn “insisted on my putting in a green stone”, and Bilbo does, though never knowing the reason why. Bilbo simply puts an emerald onto the breastplate of Eärendil and leaves it at that but here in this scene in Lothlórien we finally learn of its true importance.

“‘Maybe this will lighten your heart,” said Galadriel;”for it was left in my care to be given to you, should you pass through this land.’ Then she lifted from her lap a great stone of a clear green, set in a silver brooch that was wrought in the likeness of an eagle with outspread wings; and as she held it up the gem flashed like the sun shining through the leaves of spring. ‘This stone I gave to Celebrian, my daughter, and she to hers; and now it comes to you as a token of hope. In this hour take the name that was foretold for you, Elessar, the Elfstone of the house of Elendil!”

John Howe depicts the Elfstone, Elessar

The story of the green stone in Tolkien’s legendarium took many forms over the years but in every source it was given first to Idril, daughter of Turgon, the founder and king of Gondolin, the hidden city and one of the great Noldor kingdoms in Beleriand in the First Age of Arda. Idril fell in love with Tuor, son of Huor, lord of one of the great houses of the Edain, the mortals who made alliance with the Elves in their great struggle against Morgoth. Turgon allowed Idril and Tuor to marry and Idril gave birth to Eärendil, the mighty hero who prevailed upon the Valar to come to the aid of Middle-earth as it lay prostrate before the might of the Dark Lord. Eärendil was the father of Elros and Elrond, and Elrond the father of Arwen Evenstar.

“Their eyes met”. Jenny Dolfen depicts the first meeting of Idril and Tuor in Gondolin.

Idril and Tuor survived the fall of Gondolin and were able to rally the exiles of that city in the Havens of Sirion but when Tuor reached old age he took ship into the West with Idril and she gave the Elfstone to Eärendil with the words, “The Elessar I leave with thee, for there are grievous hurts to Middle-earth which maybe thou shalt heal.”

It is this power to heal that lies at the heart of the significance of Galadriel’s gift to Aragorn and this power is revealed in the prophetic words that she speaks to him in the giving of the gift. A prophecy, in its deepest meaning, is the revelation of a truth, one that lies hidden until the word is spoken. So just as the Elfstone of Idril and of Eärendil has lain secret in the care of the women who Aragorn names in his thanks to Galadriel for her gift and her words so too has the secret of the healing of Middle-earth through the heir of Eärendil, Elendil and Isildur, the one who is named Elessar, the embodiment of the true nature of the stone, who even as the stone is pinned to his breast is revealed in his kingly glory.

“What of The Three Rings of The Elves?” Can They Be Used Against Sauron?

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 260-263

When Celebrimbor and Sauron (in his guise of Annatar) studied and then created the Rings of Power during the Second Age of Arda there were three rings made by Celebrimbor alone over which Sauron had no influence. Seven rings were made for the dwarves and nine for humankind. The dwarves proved to be of stubborn stuff and so even when Sauron was wielding the One Ring “to rule them all” these rings and their bearers did not fall under his sway. So began the long unhappy history of Sauron’s search for the rings of the dwarves which ended in Dol Guldur when Sauron took the last of them from Thráin.

The Three Rings of the Elves

The rings given to human lords brought them swiftly under the domination of the Dark Lord. The dwarves were always true to their essential nature, loving the things that they made, implacable both in friendship and enmity, but humankind was always constrained by their mortality in a very particular way. The very brevity of a human life meant that a choice had to be made. It still does. Some would look beyond the confines of their mortality and so live in hope accepting their fate while entrusting themselves to that which lay beyond them. So Aragorn said to Arwen at the end of his life, “We are not bound for ever to the circles of this world, and beyond them there is more than memory”. Or, as in the heroic world of the Rohirrim, they would laugh in the face of despair even as they confronted their own deaths, as did Éomer when it seemed certain to him that he would die in the Battle of the Pelennor Fields. Or, as with the Dunlendings, there was a dull, grim and embittered spirit, a nation of “Gollums”, ever resentful of perceived slights at the hands of others. Or, as with the people of Bree, the spirit and wisdom of Ecclesiastes, “Enjoy life with the wife whom you love, all the days of your life which you have been given under the sun, because that is your portion in life and in your toil at which you toil under the sun”. The hobbits were perhaps closest in spirit to them.

But for the Númenorians and their descendants, the ones who had come closest to Valinor and the immortality of the Elves, there was for many a growing sense that mortality was a curse that had been imposed upon them and one that they should strive to overcome. It was nine lords from among such as these who seized the opportunity given to them in Sauron’s gift of rings and who learned that immortality as a mere extension of existence is an intolerable burden, a curse rather than a blessing.

The Nazgûl. Wraiths and Wrath

The Rings of the Elves were not made by Sauron but by Celebrimbor alone although these rings could not have been made without the craft that they had learned together. Perhaps Celebrimbor had some secret suspicion of Sauron or, more likely, the desire like Fëanor before him to make something that was his and his alone, but they were not made for “strength or domination or hoarded wealth, but understanding, making and healing, to preserve all things unstained”. As with the Elves themselves, but as an intensification of who the Elves were, they were bound to the earth itself in joy and in sorrow. In the healing of the hurts of the earth and in the preserving of its beauty they brought great joy. If only we could find the earthly paradises of Rivendell or Lothlórien in our world today or even the Shire as Sam Gamgee was to remake it using Galadriel’s gift; or perhaps such places would best be kept hidden from us as we would probably spoil them by turning them into tourist destinations. Could you imagine some kind of “Lothlórien-world”?

Tim Catherall’s Imagining of Lothlórien

There is a sense in which the three rings of the Elves were used against Sauron. Elrond’s healing power, Galadriel’s adamantine resistance and, above all, Gandalf’s unresting work in warming hearts in a world ever growing cold, all of these fruits of the Elven Rings meant that Sauron had been kept at bay for long years but now as Sauron bent all of his might and malice in the task of the conquest of Middle-earth the rings of the Elves could no longer resist him nor could the combined strength of its free peoples. At the last there could only be one choice that could be made and that was as Elrond counselled the destruction of the Ring.

“Where Am I, and What is the Time?” Frodo Awakes in the House of Elrond.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.213-219

I think that I shall be spending the next few weeks with Frodo and Gandalf in the flat ceilinged room with “dark beams richly carved” in the House of Elrond. This is partly because there are few feelings more pleasant than to awaken safely in a comfortable bed after a time of trial. Frodo is so well rested that he has no desire to do anything other than to continue in that state. At first he is so content just to be that he has little or no curiosity about his whereabouts but at last he speaks aloud and says,

“Where am I, and what is the time?” he said aloud to the ceiling.

“In the House of Elrond, and it is ten o’clock in the morning,” said a voice. “It is the morning of October the twenty-fourth, if you want to know.”

Where am I and what is the time?

And that is another pleasure for me. Few people tell the time, ‘o’clock’, anymore and it is a pleasure to hear that word. But it is a greater pleasure to hear the voice in my head and imagination of the one who speaks in reply to Frodo’s question, for it is Gandalf, and just like Frodo I am always delighted when Gandalf turns up. All my life I have sought the company of men like Gandalf. I have liked many older men but I have met few elders, few truly wise old men. O truly fortunate Aragorn, to have been fathered by two such men, by Elrond and by Gandalf, but then Aragorn was being prepared to become a king, to be the father of his people.

Frodo too has been prepared for a great task and both Bilbo and then Gandalf have been fathers to him. And please note that none of the men mentioned here were biologically fathers to either Aragorn or Frodo. That is a relatively simple task, accomplished in a few moments. To be a father like Gandalf is the work of long years and requires much wisdom. Fascinatingly, in the baptism service of the Anglican Book of Common Prayer of 1662, the priest addresses only the godparents and not the birth parents. If only we had more godparents like Gandalf or Elrond or Bilbo today, men or women who are teachers of wisdom.

Frodo and Gandalf Speak Together

In a relatively brief conversation Frodo and Gandalf will say much to each other and their speech will be of great importance. That is another reason why I will gladly spend a few weeks thinking about what they say. They will speak of Frodo’s journey, of Aragorn and the Rangers of the North, of Frodo’s close shaves with death, or with something worse even than death, and with his healing by the skill of Elrond, and they will speak of the danger that lies ahead for all the free peoples of Middle-earth. There will be much for us to think about. But here I will end with a thoughtful speculation on Gandalf’s part as he looks upon the hobbit who appears to be healed.

“Gandalf moved his chair to the bedside, and took a good look at Frodo. The colour had come back to his face, and his eyes were clear, and fully awake and aware. He was smiling, and there seemed to be little wrong with him. But to the wizard’s eye there was a faint change, just a hint as it were of transparency, about him, and especially about the left hand lay outside upon the coverlet.”

What can the wizard see that is hidden from those who cannot see as he can? Does this hint of transparency denote Frodo’s journey towards becoming a wraith as was the intention of the one who left the splinter of the Morgul blade within his body? Gandalf ponders this and other possibilities.

“To what he will come in the end not even Elrond can foretell. Not to evil, I think. He may become like a glass filled with a clear light for eyes to see that can.”

Two kinds of transparency are considered here. One is that shared by the ringwraiths who have rejected their bodies in return for a miserable form of immortality. The other about which Gandalf ponders must surely remind Tolkien’s readers of the glass that Galadriel will give to Frodo in Lothlorien that contains the light of the Silmaril borne by Eärendil in the heavens a light in dark places “when all other lights go out”.

A Light When All Other Lights Go Out

Sam Gamgee Remembers a Gift to Heal the Hurts of the World.

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As always, Saruman underestimated the capacity of those that he made his foes to undo the harm that he sought to do to them, and he greatly underestimated the power of good in the world. In many ways the final chapter of The Lord of the Rings is a celebration of  that goodness. And the goodness is given graciously and abundantly.

I ended last week’s reflection on the death of Saruman lamenting one who, in Wordsworth’s words, “laid waste his powers”, meaning Saruman, and then hinted at one who, in his labours to restore the Shire discovered power that had lain hidden deep within him. Of course I am speaking of Sam Gamgee.

It is typical of Sam that he gets down to work straight away to remove all traces of Saruman’s malign influence upon the Shire and to begin to restore it “as it ought to be”. Sam finds many willing helpers. Perhaps some hobbits might have been ashamed of their failure to stand up against the invaders and wished to make amends. There might even have been some among the more willing collaborators who might wish to do so also. Let us hope so. Tolkien does not tell us.

But it isn’t until Sam begins to ponder the destruction of the trees and how it might only be his great-grandchildren who might see the Shire as he once knew it to be that he remembers the gift that Galadriel gave him in Lothlórien. It is a box of plain grey wood with no decoration save a single silver G rune set upon it.

“If you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.”

When Sam at last remembers Galadriel’s gift it is typical of him at this stage in his life that he is more afraid of making wrong use of it than he is confident in his power to use it well. It is Frodo who rightly encourages him saying, “Use all the wits and knowledge you have of your own, Sam… and then use your gift to help your work to help your work and better it.”

It is a fundamental principle of faith and of life that grace perfects nature and so it is with Sam here. It is not that Sam had to start the work in order that the grace given in Galadriel’s gift could build upon it. It is that the person that Sam has always been in potential is now revealed in the grace given to him through the gift.

Galadriel saw Sam’s greatness in his vocation as a gardener. That he was one who could turn a wasteland into a place of abundance. Her gift allowed Sam to discover that in himself. Perhaps Gandalf caught a glimpse of that greatness when he caught Sam by the hair and dragged him through the open window into the sitting room at Bag End. Gandalf may have spoken of punishment in sending Sam with Frodo but the punishment would have been Frodo’s if Sam had been a fool. Gandalf sees enough of what Sam will become to choose him for the great adventure.

Frodo’s challenge to Sam’s wits and knowledge proves sufficient. Sam travels the Shire doing his work. He plants saplings everywhere and places a grain of Galadriel’s gift by each one. He plants the little silver nut that the box contained in the party field at Hobbiton. And then he stands at the Three-Farthing Stone and casts what remains of the earth into the air “with his blessing”.

The result is wonderful and the year 1420 is a “marvellous” year. Even the children are extraordinarily beautiful, the beer becomes a thing of legend and the silver nut proves to be a mallorn, a wonder of the world. Sam’s faithful journey with Frodo, even after seeing the vision of destruction in Galadriel’s Mirror, is rewarded. Perhaps it is his father, the old curmudgeon, the Gaffer, who puts it best. “It’s an ill wind as blows nobody any good… And All’s well as ends Better!”

Sam discovers a greatness and a power within himself, perfected by grace, that  Saruman squandered. Saruman’s soul became the very wasteland that he took pleasure in making. But goodness is the stronger as Sam reveals in his labours.

 

The artwork this week is by Edward Beard Jnr