“There Was No Laughter, and No Song or Music”. The Fellowship of the Ring Leaves Rivendell.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 269-274

In the appendices that conclude the final part of The Lord of the Rings Tolkien outlines the key events in his great tale in strict chronological order, a valuable tool for those who want to know what each member of the Company was doing on each day, especially after the breaking of the Fellowship that takes place at the end of the first volume. And there, on page 1066 in my Harper Collins edition, in a brief sentence of heartbreaking terseness, we read these words:

December 25 The Company of the Ring leaves Rivendell at dusk.

Leaving Rivendell at dusk

The preceding pages have been autumnal in mood as preparation is made for last farewells. Gradually the days have shortened and leaves have fallen and it is Bilbo’s poem on old age that sets the tone best. But it is not in autumn that the Fellowship finally departs into the wild but at the very dead of winter. On December 25th in fact. And, as in all Tolkien’s writing, this is no mere accident, even as the dating of the Feast of the Nativity of Christ is no mere accident. I will leave it to scholars to write about this but everyone in northern climes, who has participated in the feast that we call Christmas, arriving at church in the hour before midnight to welcome the birth of the Saviour, will know that it falls upon the day on which the sun first begins its long journey northward and the day is just a few seconds longer than it is at the winter solstice.

Not that it feels any longer. If we are brave enough to avoid the temptation to surround ourselves with artificialilty, with warmth and bright light then, like Aragorn at the beginning of the great journey, we might sit with our head bowed to our knees. But Aragorn knows that the great crisis of his life is about to begin, the days that all his adventures have been preparing him for. Only he, and Elrond too, know that it is only as King of Gondor and of Arnor that he can ever wed Arwen. It is one thing to live in a hope whose possible fulfillment seems to lie in the future; it is another matter entirely when that hope comes within your grasp and yet still feels like an impossibility.

Tolkien, like all his generation in England, would have remembered the bands and cheering crowds that sent the young men of every community in the land across the sea to France in the Great War of 1914-18. Is he deliberately contrasting the departure of the Company with those memories of festivity? “No laughter, and no song or music”. There is only one member of the Company who wishes to have his departure marked by music and that is Boromir who carries his great war horn by his side.

‘”Loud and clear it sounds in the valleys of the hills,” he said, “and then let all the foes of Gondor flee!” Putting it to his lips he blew a blast, and the echoes leapt from rock to rock, and all that heard that voice in Rivendell sprang to their feet.”

Perhaps it is Boromir who reminded Tolkien of the young men among his contemporaries who marched forth to battle with smiles upon their faces and brave music sounding in their ears and then died in their thousands and tens of thousands in the mud of Flanders.

Laughter and Song and Music

Gimli the dwarf, as befits his people, is not given to displays of courage as is Boromir, but he is deadly serious about the taking of oaths. Elrond wisely counsels him against doing this. He cannot know what lies ahead and if he had sworn an oath binding him to Frodo then he could not have gone with Aragorn and Legolas in their pursuit of the orcs who were to take Merry and Pippin and all that was to come of that choice. But Elrond’s words to him contain a hidden prophecy of Gimli’s own moment of crisis, of judgement.

“Let him not vow to walk in the dark, who has not seen the nightfall.”

Did Gimli recall these words when he feared to follow his companions upon the Paths of the Dead at Dunharrow?

“Books Ought to Have Good Endings”. Bilbo and Frodo Speak Together of Euchatastrophe and Dyscatastrophe.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 265-267

As a young person I used to read practically everything that I could lay my hands on. Books were not such common things back in the 60s and early 70s as they are now. There was not the market for children’s and young people’s literature and consequently I was forced to read books that were intended for older readers and many of them had sad endings. Some of them had terrible endings, the kind that shook my sense of safety in the world. I can still feel the memories of reading the ending to Thomas Hardy’s Tess of the D’urbervilles, and the moment when Lear staggers onto the stage bearing the body of Cordelia in the play that bears his name. I felt his Howl! Howl! Howl! in my own body then and that memory still lingers physically. Such experiences had a major impact on my passage from childhood to adulthood and created, I hope, a deepening sensitivity towards the suffering of others.

But now I find myself to be increasingly in agreement with Bilbo. “Books ought to have good endings. How would this do: and they all settled down and lived together happily ever after?” To such an ending I want to say a resounding, Yes! If I possibly can.

Stories ought to have good endings! Bilbo the story teller.

In my work as a parish priest I find myself in the company of people as they narrate their stories and the stories of the people that they love. The Church of England still has a role in this country in the way that people want to tell their life stories and so in the past week I have been with young couples preparing to marry and for two couples, I have shared the day on which they declare their love for one another to their families, friends and the communities in which they have grown up. And I have shared the gathering of a family from all parts of the country as they honoured a grand old French lady of 96 as she was laid to rest in an English country churchyard with the husband that she lost 50 years ago and I shared the grief of a woman at the funeral of her husband, knowing that as an almost palpable presence in the crematorium chapel she also carried the loss of her son who died earlier this year from Covid 19. Perhaps it was in part the shaping of my inner life through reading that has taught me to listen to these stories intently and, over the years, to develop a reverence for ordinary life. Perhaps too, it was those early visceral responses to the stories that I read that has shaped my listening to and participation in the lives of others. My whole being has soared into the heavens with joy in this past week and it has plunged into dark places in communion with the people with whom I have shared it.

For me there is a story that enables me both to bear this joy and sorrow and that is the universal story told in the liturgies of the funeral and marriage services of my church. My task as the story teller in the lives of the people who come to church on these days is to hold both their story and the universal story together in a way that gives the highest honour and reverence that I can possibly give to both and so when I invite a couple to love and cherish one another until they are parted by death or when I declare the great promise of the sure and certain hope of the resurrection through Christ I deliberately and purposely lay aside all my doubts and the simple reality that I am speaking of mysteries that far surpass anything that I will ever understand. It is not my business to intrude into their lives or into the great story of which the liturgy speaks.

But there needs to be somewhere that I can go to afterwards and here I find myself resonating with Sam Gamgee’s question to his fellow hobbits and to Gandalf, “And where will they live? That’s what I often wonder.” Sam is reflecting upon the simple fact that he does not know how the story is going to turn out. Will they succeed in their task or will the Dark Lord conquer? What he does not know is that he is prophesying regarding Frodo’s story. There will be nowhere for Frodo to live even though he will save the Shire for his own people.

Where will they live? Frodo arrives at a far green country under a swift sunrise.

Tolkien makes wise use of the word, good, in this passage. Good endings to stories and good days in Rivendell with meals, words and songs in which the hobbits take pleasure. As they do so “health and hope” grows strong within them again. The red star low in the southern sky is an ever present reminder of the threat that lies ahead of them all but how they need the “virtue of the land of Rivendell” to enable them to face all that lies ahead.

Tolkien’s own imagining of the Good Land of Rivendell

“What of The Three Rings of The Elves?” Can They Be Used Against Sauron?

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 260-263

When Celebrimbor and Sauron (in his guise of Annatar) studied and then created the Rings of Power during the Second Age of Arda there were three rings made by Celebrimbor alone over which Sauron had no influence. Seven rings were made for the dwarves and nine for humankind. The dwarves proved to be of stubborn stuff and so even when Sauron was wielding the One Ring “to rule them all” these rings and their bearers did not fall under his sway. So began the long unhappy history of Sauron’s search for the rings of the dwarves which ended in Dol Guldur when Sauron took the last of them from Thráin.

The Three Rings of the Elves

The rings given to human lords brought them swiftly under the domination of the Dark Lord. The dwarves were always true to their essential nature, loving the things that they made, implacable both in friendship and enmity, but humankind was always constrained by their mortality in a very particular way. The very brevity of a human life meant that a choice had to be made. It still does. Some would look beyond the confines of their mortality and so live in hope accepting their fate while entrusting themselves to that which lay beyond them. So Aragorn said to Arwen at the end of his life, “We are not bound for ever to the circles of this world, and beyond them there is more than memory”. Or, as in the heroic world of the Rohirrim, they would laugh in the face of despair even as they confronted their own deaths, as did Éomer when it seemed certain to him that he would die in the Battle of the Pelennor Fields. Or, as with the Dunlendings, there was a dull, grim and embittered spirit, a nation of “Gollums”, ever resentful of perceived slights at the hands of others. Or, as with the people of Bree, the spirit and wisdom of Ecclesiastes, “Enjoy life with the wife whom you love, all the days of your life which you have been given under the sun, because that is your portion in life and in your toil at which you toil under the sun”. The hobbits were perhaps closest in spirit to them.

But for the Númenorians and their descendants, the ones who had come closest to Valinor and the immortality of the Elves, there was for many a growing sense that mortality was a curse that had been imposed upon them and one that they should strive to overcome. It was nine lords from among such as these who seized the opportunity given to them in Sauron’s gift of rings and who learned that immortality as a mere extension of existence is an intolerable burden, a curse rather than a blessing.

The Nazgûl. Wraiths and Wrath

The Rings of the Elves were not made by Sauron but by Celebrimbor alone although these rings could not have been made without the craft that they had learned together. Perhaps Celebrimbor had some secret suspicion of Sauron or, more likely, the desire like Fëanor before him to make something that was his and his alone, but they were not made for “strength or domination or hoarded wealth, but understanding, making and healing, to preserve all things unstained”. As with the Elves themselves, but as an intensification of who the Elves were, they were bound to the earth itself in joy and in sorrow. In the healing of the hurts of the earth and in the preserving of its beauty they brought great joy. If only we could find the earthly paradises of Rivendell or Lothlórien in our world today or even the Shire as Sam Gamgee was to remake it using Galadriel’s gift; or perhaps such places would best be kept hidden from us as we would probably spoil them by turning them into tourist destinations. Could you imagine some kind of “Lothlórien-world”?

Tim Catherall’s Imagining of Lothlórien

There is a sense in which the three rings of the Elves were used against Sauron. Elrond’s healing power, Galadriel’s adamantine resistance and, above all, Gandalf’s unresting work in warming hearts in a world ever growing cold, all of these fruits of the Elven Rings meant that Sauron had been kept at bay for long years but now as Sauron bent all of his might and malice in the task of the conquest of Middle-earth the rings of the Elves could no longer resist him nor could the combined strength of its free peoples. At the last there could only be one choice that could be made and that was as Elrond counselled the destruction of the Ring.

“Now I Can Take a Night’s Rest, The First Since I Have Forgotten When”. Gandalf is Able to Rest Even While Riding The Storm.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 254-258

The words in this week’s title come in the midst of a passage that is moves at a ferocious pace. From the moment in which Saruman has Gandalf confined to the pinnacle of Orthanc to the moment in which Gandalf apologises to Frodo for failing to keep his promise Tolkien takes us upon a journey that covers most of the western lands of Middle-earth and some east of the Misty Mountains too.

The journey begins with honest Radagast, keeping his promise to gather news and to send it to Gandalf in Isengard, a promise that he keeps even as he rides towards his home in Mirkwood. The Eagles of Manwë, Lord of the Valar, fly over many lands observing “the gathering of wolves and the mustering of orcs” and the ferocious pursuit search for the Ring by the Nazgûl. Gwaihir, the Windlord, takes Gandalf from his prison and carries him to Edoras and the hall of Théoden, King of Rohan, where Gandalf takes a horse, the mighty Shadowfax, who takes him hundreds of leagues even as Frodo and his companions rest in the house of Tom Bombadil and then have their misadventure in the Barrow Downs and their night at The Prancing Pony in Bree.

Ted Nasmith depicts Gandalf’s escape from Orthanc upon Gwaihir

Gandalf arrives in Bree upon the very same day in which the hobbits had set off towards Rivendell with Aragorn and upon receiving this news from Barliman Butterbur with joy he decides to rest.

I have always enjoyed the moment in which Gandalf lays Butterbur’s beer “under an enchantment of surpassing excellence”. Apart from the obvious and enticing pleasure of excellent beer it is a moment in which we gain an insight into his character. Gandalf does not live at a great height in some remote and, to others, inaccessible place. In recent weeks we have poked fun at Saruman’s “high and lonely destiny”. Gandalf, the grey pilgrim, is as much at home in an inn at Bree, smoking his pipe and savouring the pleasure of good beer, as he is amongst the great. Not only does he enjoy simple pleasures for their own sake he also understands their importance in the wider scheme of things. Places of hospitality play a key role in the whole story of The Lord of the Rings. Without them the Ring could never have been taken to Mordor. All along the East-West road through Eriador from Rivendell to Bree to the Shire to the Grey Havens lie such places, places in which the giving of welcome is something that is prized. Such welcome is a inner disposition, an enjoyment of the stranger as well as those who are familiar. And, of course, there are the places along the road that are less known, where unexpected hospitality is given; places like Woodhall and Farmer Maggot’s farm, Crickhollow and Tom Bombadil’s cottage. It is because of the spirit of hospitality that the Quest of the Ring is ultimately successful and Gandalf has spent long years nurturing this spirit.

Places of hospitality in a cold world

Gandalf is a warmer of hearts. He is the bearer of Narya, the ring of fire but this is not external to his character but merely an intensification of it. When Cirdan gave Narya to Gandalf and not to Saruman it was because of a recognition that he was the right bearer of such power. There are other uses that fire can be put to than the warming of hearts. Gandalf saw such uses as a prisoner in Orthanc in Saruman’s “pits and forges”. Places in which creatures are merely put to temporary use, in which shelter is a necessity required to enable production. Later Merry and Pippin will enjoy the hospitality of Isengard but will do so as a spoil of war and not as a freely given gift.

Merry and Pippin enjoy the unintended hospitality of Isengard

That Gandalf does not come to a place like The Prancing Pony in Bree as a figure of terror as do the Nazgûl is because he has chosen not to do so, a choice that he has made over and over again throughout the long and hidden years. That Aragorn and the hobbits are able to enjoy Butterbur’s hospitality too is the fruit of this choice and why Gandalf is able to sleep, albeit briefly, before returning to the great struggle.

Many Defeats and Many Fruitless Victories. Elrond Tells His Story to The Council.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 236-239

How do we judge the value of an historical event or of a lifetime? Those of us who can remember them will recall the events of 1989 in Europe, the fall of the Berlin Wall, and a thesis by the American political scientist, Francis Fukuyama, in 1992 which he entitled, The End of History and The Last Man, in which he argued that the free-market capitalism of the western powers and their associated liberal democracies might signify the end point of humanity’s sociocultural evolution and become the final form of human government. For the western nations 1989 acts as a high point of optimism in their history and a year in which everything seemed to be possible. Fukuyama caught the spirit of that year with his thesis but now, a little over thirty years later, it seems to be very much of its time. Fukuyama now argues that alongside the political events of 1989 the emerging dominant cultural theory was postmodernism with its profound pessimism regarding the human project and that this undermined all that took place in that year.

Imagine Elrond giving a lecture on the geo-political history of his long life to the Council gathered together in Rivendell on that October morning in the year 3018 of the Third Age of Middle-earth. One thing that a political theorist would observe almost immediately would be its complete lack of anything that they would expect, that is a theory. Elrond has no theory but only a story. A story of thousands of years in which he has been intimately involved since the last part of the First Age. It is given to Frodo to speak on our behalf here.

“I thought that the fall of Gil-galad was a long age ago.”

The Fall of Thangorodrim by Steve Black

As a pupil of Bilbo Baggins Frodo probably already knows this but someone has to speak for the rest of us who come to the story for the first time in complete ignorance and so we are grateful to him for his willingness to do so.

If Elrond has no political theory neither does he have any doubt as to where righteousness lies. He has no doubt that Sauron and Sauron’s master, Morgoth, before him are utterly evil. He has little, if anything, to say about the peoples of Middle-earth with whom the descendants of the Eldar and of Númenor have had to do. The Easterlings, the Haradrim, the Dunlendings, the wild men of the Druadan Forest play little part in his story except as foes, largely of Gondor. This is not to say that such questions are never addressed in The Lord of the Rings. Faramir in particular speaks of his wish that the wisdom of Númenor and its descendants should be offered to the peoples of Middle-earth not as a means to dominate through cultural superiority but “beautiful as a queen among other queens… not feared, save as men may fear the dignity of a man, old and wise.” That such wisdom is praiseworthy is not something that is questioned. There is no suspicion of narratives here.

Elrond does not share the optimism of Faramir regarding the renewal of Númenor nor, as we shall see, Boromir’s pride as a son of that people. He sees the history of Middle-earth through the eyes of the Firstborn and so he speaks of fruitless victories. “Never again shall there be any such league of Elves and Men; for Men multiply and the Firstborn decrease, and the two kindreds are estranged.” Although he remembers the overthrow of Thangorodrim and the fall of Morgoth and although he remembers the overthrow of Sauron upon the slopes of Orodruin when Isildur cut the Ring from Sauron’s finger, he sees each of these events through the eyes of the decline of his people and the diminishment of the beauty that they have given to the earth.

The Last Alliance of Elves and Men by Jenny Dolfen

And yet Elrond does not give way to his pessimism. He knows truth and goodness and the beauty that harmonises them both. He knows the sacrifice of his father, Eärendil, and of his grandsires, Beren and Lúthien and he will betray neither of these sacrifices nor those who offered them. He may not know what lies ahead for good or ill but he knows what he must do. He must do all that he can to end the threat of Sauron for ever.

Isildur resists Sauron at Orodruin by Alan Lee

Here is The Hobbit, Frodo Son of Drogo. The Council of Elrond Begins.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 233,234

Surely every action that Elrond takes and every word that he speaks tells that he knows that there can be but one outcome to the council that he has called to take place on the day after the feast and Frodo’s recovery from his wound. The feast itself, held in Frodo’s honour, at which he is seated at the table of highest honour; the seat at Elrond’s very side at the Council and the words with which Elrond announces him to the gathering all point to the central role that Frodo is going to have to play in the story.

“Here, my friends, is the hobbit, Frodo son of Drogo. Few have ever come hither through greater peril or an errand more urgent.”

Alan Lee’s Depiction of The Council of Elrond

Elrond must not impose his will upon the Council. The deliberations must be, as that word implies, deliberate. Every part of the story that has led each member to be there that morning must be told and must be heard. And every teller of the story and every one who hears and who deliberates must be granted honour. Elrond is the one who will chair the debate because he is Lord of Rivendell, of Imladris, because he has played so central a part in the long history that on this day will reach its climax and because of his lineage; but he knows that unless every single person gathered there is prepared to give their assent to the decision that will conclude the discussion all will be in vain.

For gathered together on this day are representatives of all the free peoples of Middle-earth. elves of every kind, dwarves, the descendants of Númenor, and most surprisingly of all, hobbits. Some of them are well aware of their dignity and their right to be parties to the decisions that will be made. Glorfindel, mighty hero of the conflicts of every age, one who lives at once, and has great power, in the worlds of both the Seen and the Unseen; and Boromir, Son and Heir to the Steward of Gondor, ruler of the greatest of all the kingdoms of humankind, these know their dignity. So too do Galdor of the Grey Havens and Erestor of Rivendell, high in the counsels of their lords. Others who have gathered there represent peoples whose essential dignity is perhaps more contested. Gloín from the dwarf kingdom of Erebor, the Lonely Mountain, and his son, Gimli, are of an ancient people who have played their part in the history of Middle-earth but who have always kept themselves apart, making alliances from necessity rather than desire. And Legolas, son of Thranduil of the woodland realm in Mirkwood, is described here as strange, surely here drawing upon the older meaning of that word as one who is a stranger whether by accident or by choice. Like the dwarves of the Lonely Mountain Thranduil and his people have kept apart from the great alliances except, as in the Battle of the Five Armies, by necessity.

The Battle Under the Mountain by Matt Stewart

And last, and most certainly until that day, least among the free peoples of Middle-earth, are the hobbits. The dwarves and the elves of the woodland realm, both peoples at the fringe of the great story, know Bilbo because of his part in the events that led to the fall of Smaug and the great victory at the Battle of the Five Armies, but to the descendants of Númenor and to the High Elves, hobbits have not been of any importance. Even Aragorn and Glorfindel might be forgiven for regarding them as being completely out of their depth in events too great for them to comprehend or to be a part of. After all, their main knowledge of hobbits has come from the need to rescue them from danger. Only Gandalf has really made it his business to get to know hobbits and this interest has largely been regarded as an eccentric curiosity on his part.

Is it through Gandalf that Elrond has changed his mind about hobbits? Surely it is that, that and his acquaintance with Bilbo and his wise perception of the events that have led to this moment, and so it is that with emphasis, addressing each one present, he introduces Frodo as the hobbit, as one who has come to Rivendell heroically, through great peril and on the most urgent of errands. Thus he addresses Gloín, Legolas and Boromir, all travellers from afar who have come upon errands themselves. Frodo is at the centre of the Council and Frodo will be its outcome.

The Centre of the Council

“Aragorn Insisted on My Putting in a Green Stone.” The Importance of Hope in The Lord of the Rings.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.227-231

Bilbo’s verses, chanted in the Hall of Fire in Rivendell, the house of Elrond have gone remarkably well. Remarkably well because Elrond is the son of Eärendi, the hero about whom Bilbo has sung. A number of commentators have remarked upon the ambiguous reception that the Elves give to Bilbo’s efforts and the way in which they seem to dismiss mortals comparing them to sheep. They ignore the fact that Eärendil was himself a mortal, a mortal who married an elven princess, Elwing the daughter of Dior and grandchild of Beren and Lúthien, and great-grandchild of Thingol and Melian of Doriath. They ignore the fact that the history of mortals and elves are so closely woven together and that Aragorn, like Elrond, is a descendant of Eärendil and Elwing.

Aragorn himself clearly feels this tension, chiding Bilbo for treading upon a subject that is well above his head but he makes one suggestion concerning Bilbo’s verses and that is that he should put in “a green stone”, seeming “to think it important”.

And it is important. For this stone is the Elessar, the Elfstone. In the history of Galadriel and Celeborn, recorded in the Unfinished Tales we read this:

“There was in Gondolin a jewel smith named Enerdhil, the greatest of that craft among the Noldor after the death of Fëanor. Enerdhil loved all green things that grew, and his greatest joy was to see the sunlight through the leaves of trees. And it came into his heart to make a jewel within which the clear light of the sun should be imprisoned, but the jewel should be green as leaves.”

The Elfstone, the Elessar, by John Howe

This stone was given by Enerdhil to Idril, the daughter of Turgon, king of Gondolin and she in her turn gave it to her son, Eärendil. And even in these few words we discern a lineage for the Elessar that is entirely different to that of the Silmarils of Fëanor or, for that matter of the Ring of Power. For from the moment of its making the story of the Elessar is one of gift. Enerdhil gives it to Idril and gives it without condition. He does not seek to possess the one who receives his gift. By contrast the story of the Silmarils is one of theft and power. Morgoth steals the jewels from Fëanor and when Beren and Lúthien take one of the jewels from Morgoth’s crown the heirs of Fëanor never cease from their efforts to regain it no matter what the cost, either to themselves or others.

Thus the Elessar is always a sign of hope. “It is said,” so we read in Unfinished Tales, “that those who looked through this stone saw things that were withered or burned healed again or as they were in the grace of their youth, and that the hands of all who held it brought to all that they touched healing from hurt.” And so it passes from Idril to Eärendil, her son, who takes it with him into the west in his quest to seek aid for Middle-earth from the Valar. At last, and Tolkien spoke of two ways in which this might have happened, it passes to Galadriel, either through Gandalf who brought the stone with him from Valinor or through Celebrimbor, the maker of rings who was deceived by Sauron into giving him the means by which the Ring of Power was forged at the Cracks of Doom. Whichever tale you choose the Elfstone remains a gift and so at last Aragorn comes to Lothlórien with the Fellowship fleeing from Moria and Galadriel gives the stone to him as they part.

“She lifted from her lap a great stone of a clear green, set in a silver brooch that was wrought in the likeness of an eagle with outspread wings; and as she held it up the gem flashed like the sun shining through the leaves of spring.”

Galadriel Gives Aragorn the Elfstone by Gred and Tim Hildebrand

We do not read of the influence of the stone upon Aragorn in the rest of the story. We know that Galadriel had given the stone to Celebrian, her daughter and that through her it passed to Arwen. Did Aragorn know that Arwen had possessed the stone, the very stone that Eärendil had once worn? Was it this connection that caused him to insist that Bilbo included the Elfstone in his verses? Was Aragorn, in his own way, reminding the son of Eärendil that he too was intimately linked to this story? Aragorn will be crowned the King Elessar and he will bring healing to Middle-earth just as the prayer of Eärendil did so at the end of the First Age. At this point of the story on the eve of the Council of Elrond all there is is hope but it is enough.

The Voyage of Eärendil. Hope against Hope.

Eärendil Was a Mariner. The Story That Seems to Fit Somehow.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 227-30

Frodo gradually emerges from “a dream of music that turned into running water, and then suddenly into a voice”. And the voice is that of Bilbo chanting verses.

Eärendil was a mariner 
that tarried in Arvernien;
he built a boat of timber felled
in Nimbrethil to journey in;
her sails he wove of silver fair,
of silver were her lanterns made,
her prow was fashioned like a swan, 
and light upon her banners laid. 



Eärendil The Mariner by Ted Nasmith

And so begins the longest poem in The Lord of the Rings. A poem that links the story both to The Silmarillion and to the moment in 1914 when first Tolkien began to conceive his legendarium, the moment in which his heart was captured by the beauty of some lines from an Anglo-Saxon poem.

” Eala earendel, engla beorhtast, ofer middangeard monnum sended…”

“O, Earendel, brightest of angels, sent to men above Middle-earth…”

Eala Earendel

The poem was entitled, Christ ,or The Advent Lyrics and as soon as we read the word, Advent, we know that these words are an expression of profound longing, a cry from the darkness of our prison, a longing for freedom and for peace.

The poem continues, “You come yourself to illuminate those who for the longest time, shrouded in shadow and in darkness here, reside in the everlasting night- enfolded in our sins, they have had to endure the dark shadows of death.”

It all fits because the tale that Bilbo tells in his poem is one of deliverance from darkness. Eärendil journeys from Middle-earth to Valinor to plead for aid against Morgoth who has conquered all. Gondolin has fallen. Nargothrond has fallen. Doriath has fallen. All that was most beautiful has been lost for ever.

But that is not all. The darkness does not belong to Morgoth alone. The sons of Fëanor, bound by the oath that they swore to their father in their grief and fury, attack Arvernien seeking for the Silmaril, seized from the very crown of Morgoth by Beren and Lúthien Tinúviel. Even the reverence in which the memory of Beren and Lúthien is held is not enough to restrain the revenge required by this oath. But Eärendil still goes to Valinor seeking mercy for all and Manwë, Chief of the Valar, of the Ainur, the makers of the Music, allows this one emissary to enter the Undying Lands. Eärendil, the great intercessor, brings aid to Middle-earth in its darkest hour. “The looked for that cometh at unawares, the longed for that cometh beyond hope.”

And Eärendil will come once more in The Lord of the Rings in Shelob’s Lair, when in his darkest moment, in darkness visible as death bears down upon him, Frodo holds high the star-glass of Galadriel in which the light of the Silmaril is held and cries out, “Aiya Eärendil Elenion Ancalima!” Hail Eärendil, Brightest of Stars! The very same Advent cry that Tolkien read in 1914 and which captured his heart.

Aiya Eärendil Elenion Ancalima

“It all seemed to me to fit somehow.”

The sense in which the story fits, both in the Hall of Fire in Rivendell and in Shelob’s Lair in Mordor is that Frodo has been drawn into the age-old longing of the Children of Ilúvatar for a light that will never go out, that darkness can never overcome.

“O Morning Star! Come and Enlighten those who dwell in darkness and the shadow of death”.

“O Oriens…Veni et inlumina sedentes in tenebris et umbra mortis”.

Those who sit at ease are not in need of deliverance. The story that seems to fit somehow is the age long story of the prisoner in darkness. Bilbo and then Frodo are drawn into this story. Bilbo becomes a member of Thorin Oakenshield’s party. Frodo sets off into the wild with his three companions. Both are linked together by the finding of the Ring of Power. Both are linked together too by a desire for adventure. Soon all who have been drawn into this story, all who have been brought to Rivendell at this moment, at the coming of the Ring and the Ringbearer, will gather together to take counsel for the deliverance of Middle-earth. And once again the prayer of Eärendil will be made by those who sit in darkness and the shadow of death.

“Don’t Adventures Ever Have an End?” Frodo, Bilbo and the Ring in the Hall of Fire.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 223-26

After the feast concludes Frodo and the whole company make their way, following Elrond and Arwen, to the Hall of Fire, a place which, except on high days “usually stands empty and quiet” and where people come “who wish for peace, and thought”; and it is there that Elrond brings Frodo and Bilbo together, much to their mutual delight.

The Hall of Fire

Frodo discovers that Bilbo had sat with Sam at his bedside through much of the days in which he had lain, close to death, as the sliver of the Morgul blade, wielded by the Witch-king of Angmar, worked its way slowly towards his heart. And Frodo also learns that Bilbo has not been at the feast. Indeed that Bilbo is now old and is content to be alone with his own thoughts in this quiet place, composing a poem that he will perform before the assembled company before all retire to their rooms and dwelling places.

Bilbo and Frodo in the Hall of Fire

Little has the capacity to stir Bilbo now; except for one thing.

“Have you got it here?” he asked in a whisper. “I can’t help feeling curious, you know, after all I’ve heard. I should very much like just to peep at it again.”

Bilbo, of course, is speaking of the Ring, and there follows a brief period which, for Frodo, and then for Bilbo as well, is one of the most distressing that he has known. Frodo finds himself looking at “a little wrinkled creature with a hungry face and bony groping hands”. The parallel with Gollum is all too clear for those who know the story. This is what the Ring does to those who have possessed it. This is what they are reduced to. Hungry and groping. They become spiritually ravenous and never satisfied. And except in degrees of power there is no distinction between Sauron, Gollum and, for a moment at least, Bilbo too. Each is reduced to the desire to consume all and everyone, “One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them.”

In Bilbo’s case the triumph of his desire for the Ring is but momentary. Perhaps his distance from the Ring over many years and perhaps even the fact that he gave it up freely, albeit with a little help from Gandalf, enables Bilbo to master his craving; but for that moment the absolutely evil potential of the Ring mars the great love that Bilbo and Frodo have for one another and it even reduces the serene gathering of the company in the Hall of Fire in Rivendell, a place where at one moment Frodo wondered if people were ever ill, to an unhappy silence.

That moment passes as Frodo puts the Ring away but the distress that Bilbo feels as he realises, maybe for the very first time, the power that the Ring has over him and the burden that his beloved Frodo has to bear is heartbreaking.

“Don’t adventures ever come to an end?”

How does one portray Bilbo as hungry and groping?

And with this thought the whole entirety of Tolkien’s legendarium is brought together. And so too is the entirety of human history of the mythical world of which each one of us is a part. By myth we speak here of the age long need to find meaning in the age long sequence of events that have constituted the history of the cosmos ever since the Big Bang (as far as we know) and, in particular, the need to find meaning in the story of ourselves ever since we first emerged into consciousness in Africa long ago. Or not so long in comparison with the whole. This is the story told in the Music of the Ainur, and we will return to this next week. The story told in Tolkien’s creation myth, a story that the wise know is not about the manufacture of a clock that is then more or less left to its own devices, but one to which the divine is intimately connected at all times and in all places. Bilbo and Frodo are both a part of the one great adventure as are we. Does this adventure ever end? The Music of the Ainur reaches a sublime conclusion, but there is a beyond. There is always a beyond. But what that is is known only to the One.

The Feast at Rivendell. Frodo is Seated at Elrond’s Table Amongst the Great.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 220-223

If we are to understand the true significance of the feast that takes place on the evening after Frodo first awakes in Rivendell then we need to understand it as if it is a great state occasion. Elrond does not preside in his great chair at the end of a long table upon a dais every day. This is an occasion of real significance.

Peter Xavier Price imagines Gandalf, Elrond and Glorfindel at the Feast

There are many reasons why they should hold such a feast, says Gandalf to Frodo. “I am one good reason. The Ring is another: you are the Ring-bearer. And you are the heir of Bilbo, the Ring-finder.”

So we learn much in just a few words about the reasons why, in the world of Elrond and of the wise, honour is granted. There will be royal halls later in the story where Gandalf will be received with no honour at all. And Frodo, and to some degree, Bilbo too, regard themselves as those to whom all these events have simply happened. Frodo knows that he never sought the Ring. The Ring sought him out. But the court of Elrond in Rivendell is no meritocracy. As Gandalf said to Frodo at Bag End when Frodo asked why he had been chosen to bear the Ring, “Such questions cannot be answered… You may be sure that it was not for any merit that others do not possess: not for power or wisdom, at any rate.”

Frodo is not honoured because he is one of the great. He is honoured because he has been chosen and it is the choice that must be honoured. But there will soon come a time when Elrond will declare that Frodo is among the great and that will be because he will accept the burden that has been laid upon him. That we will think about in a few weeks time.

As Frodo sits nervously among the great at table he sees Gandalf, Elrond and Glorfindel close by, revealed in their glory. Tolkien draws upon all his wordcraft to convey think to us and so doing achieves far more than any picture. And so he says of Elrond that his face was “ageless, neither old nor young, though in it was written the memory of many things both glad and sorrowful.” As we read those words it is not a picture that we see. Tolkien tells us nothing about the shape of Elrond’s nose or mouth, for example. What we see, we see by means of the thoughts of our hearts, and those who know the prayer to which I allude will also know that those thoughts must be cleansed before they can enable us to see clearly.

Peter Jackson imagines Elrond, Lord of Rivendell

So it is that Tolkien shows us that Frodo is learning to see. Later Galadriel will make reference to the keenness of Frodo’s sight. Gandalf, Elrond and Glorfindel are among the immortals and unlike ourselves whose appearance is shaped by factors both inward and outward over which we only have some control, they are able to convey the truth of who they are. Glorfindel is “fair and young and fearless and full of joy. Gandalf has an aged face with eyes “like coals that could leap suddenly into fire”. And Elrond, neither young nor old seems venerable “as a king crowns with many winters, and yet hale as a tried warrior in the fullness of his strength.” Later when Aragorn, Legolas and Gimli encounter Gandalf they are not sure if it is he that they see or Saruman.

As a maia, an order of angelic being to which both Sauron and Saruman also belong, Gandalf has power over how he is able to appear; but this power can also be lost. In seducing Celebrimbor into teaching him the craft required to make the Ruling Ring Sauron was able to appear fair. After he seduced Númenor into its catastrophic act of rebellion he lost that power and could only be the Dark Lord thereafter. And when Saruman dies “the long years of death” are revealed in his hideous face. Gandalf remains faithful to his order’s obedience to Ilúvatar and so conveys both wisdom and strength in the face that others can see.

All this Frodo is able to see because his sight grows keen and his eye is innocent. He does not yet know that he is able to see what others cannot.

Kappriss imagines Sauron the Seducer before the Fall of Númenor