The Lord of the Rings

Sustained by a Longing for Beauty

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“The wizard leapt upon the horse’s back. Aragorn lifted Pippin and set him in Gandalf’s arms, wrapped in cloak and blanket.

‘Farewell! Follow fast!’ cried Gandalf. ‘Away, Shadowfax!’

The great horse tossed his head. His flowing tail flicked in the moonlight. Then he leapt forward, spurning the earth, and was gone like the north wind from the mountains.”

Shadowfax’s mighty leap evokes the great leap of faith that Gandalf now takes. All plans, for the time being at least, are put aside. There can only be action and Gandalf rides for Minas Tirith with Peregrine Took who is now a part of Gandalf’s baggage. The rest of the company will follow soon after. They will not wait for the dawn. All are swept up into the same necessary deed.

In last week’s posting we reflected on the preparation that we can take in order to be ready and able to take the leap of faith when required to do so. There is no certain or necessary connection between our preparation and the ability to do the deed. We may do all the preparation necessary but when the deed must be done or the sacrifice made we may draw back. In Christopher Tolkien’s collection of his father’s unpublished writings, Unfinished Tales, Gandalf speaks of Bilbo’s longing for adventure before the events recorded in The Hobbit. Gandalf wishes to recruit Bilbo for the quest with some foresight that he may play a vital role in it but when he meets him he is disappointed:

“For Bilbo had changed, of course. At least he was getting rather greedy and fat, and his old desires had dwindled down to a sort of private dream. Nothing could have been more dismaying than to find it actually in danger of coming true!”

We all know that the whole history of Middle-earth turns on the moment when Bilbo the fat and rather frightened hobbit runs down the path to join the dwarves on their quest but how easily all might have come to nothing and worse than nothing. Gandalf may have sustained himself through long years by meditating on the glory that he longs to see restored in Middle-earth, a glory that still survives in Rivendell, the Grey Havens, in Lothlorien and also by a slender thread in Gondor but it is Bilbo’s dwindling private dream that proves to be decisive. Gandalf cannot accomplish anything without the participation of a greedy, fat hobbit.

What unites Bilbo’s private dream and Gandalf’s profound meditations is that both are focussed on the glory. Gandalf gives us a hint of his dreams when he tells Pippin that if he had the Palantir he would wish to “look across wide seas of water and of time to Tirion the Fair, and the unimaginable hand and mind of Feanor at their work while both the White Tree and the Golden were in flower.” Bilbo has “a love of tales and questions about the wide world outside the Shire” and a desire to see Elves just as Sam Gamgee did years after. Both Bilbo and Gandalf are called by a longing for beauty to risk all to preserve it in the world. For Gandalf this longing has been a conscious discipline sustained throughout his long pilgrimage in Middle-earth; for Bilbo it is a longing that is awakened within him almost against his will. But however the longing for beauty was awakened and sustained Sauron could not be overcome without both Gandalf and Bilbo.

And what of ourselves? To what adventures might our longings lead us? To what great leaps of faith?

Wait not for the Dawn!

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One of the greatest illusions from which we can suffer is the belief that life works out as a consequence of our strategies and plans. We believe that if we can get the strategy right we will get the outcome right. But life rarely works out that way. As British prime minister, Harold MacMillan once said when asked what he feared most, “Events, dear boy, events”.

After the encounter with Saruman at Isengard the company begin to make a steady progress back towards Helms Deep. It is when they make camp after the first day’s travel that an entirely unexpected event changes the story completely. Pippin had been the first to reach the Palantir, the Seeing Stone of Orthanc, after Wormtongue, ignorant of its purpose, tried to drop it from a high window onto one of his enemies below. From the moment Pippin touched the Stone he wished to look more closely at it but when he did so he encountered the one person that anyone using it was able to see, Sauron the Dark Lord. And so for the first time Sauron looked upon a hobbit, the creature he had wanted to see ever since he first heard the name of Bilbo Baggins and learned that a hobbit possessed the Ring of Power that he made and then lost in battle at the end of the Second Age over three thousand years before.

Immediately Gandalf knows that everything has changed, that Sauron will believe a hobbit to be held by Saruman in Isengard and that it is Saruman who still holds the Stone of Orthanc, for it is by this means that they have communicated while Saruman has fallen into treason and betrayal. “That dark mind will be filled now with the voice and face of the hobbit and with expectation,” says Gandalf. Any belief that Gandalf had that there might be still some time to make preparation has gone; and when a moment later a Nazgul flies overhead, one of Sauron’s mightiest servants, making his way to Orthanc to confront Saruman there. Gandalf’s response is immediate.

“The storm is coming. The Nazgul have crossed the River! Ride, ride! Wait not for the dawn! Let not the swift wait for the slow! Ride!”

Gandalf sweeps up Pippin and rides with him upon Shadowfax, the swiftest steed of the age. They must go to war at Minas Tirith, the great citadel of Gondor, and they will reach it before anyone else.

Events, coming suddenly upon Gandalf, have changed everything, requiring a leap of faith with no guarantee of the outcome. All he knows is that everything must be risked upon one venture. All must be at the battle and give all in the battle. Nothing can be kept in reserve.

There will be times in our own lives when all must be risked in such a manner. How can we be ready when such a time comes? As we have seen we cannot determine when the moments of crisis will come in our lives and that it is an illusion to believe that we can exercise control over them. What we must do is to live our lives in such a manner that will prepare us to act just as Gandalf does when such moments come. The tradition of the Christian faith calls such moments the coming of the Kingdom when all comes to judgement, when all must be ventured upon a leap of faith. It is the tradition of this faith that “the Law leads us to Christ”,  that if we are to be ready for the Kingdom we must develop a life of disciplined waiting. Simone Weil called this disciplined waiting, “Forms of the Implicit Love of God” and said it can be expressed in three ways, by love of neighbour expressed in acts of justice, by love of the order and beauty of the world and by love of religious practice. Each of these, she said, can prepare us for the Kingdom that is at hand, the moment of crisis to which all our lives will come.

Gandalf, Aragorn, Legolas, Gimli, Merry, Pippin, Théoden and Eomer have all come to the great crisis of their lives and they must venture their lives upon it. How they will acquit themselves will be determined by the preparation that they have made for this moment.

An Agent of Saruman or a friend to Treebeard

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Treebeard has learnt sympathy during the long years of his sojourn in Middle-earth. On learning from Gandalf that Saruman has refused to leave Orthanc he says:

“So Saruman would not leave?… I did not think he would. His heart is as rotten as a black Huorn’s. Still, if I were overcome and all my trees destroyed, I would not come while I had one dark hole left to hide in.”

“No,” said Gandalf. “But you have not plotted to cover all the world with your trees and choke all other living things.”

For Saruman had indeed dreamed and plotted to cover the world and to rule over it. Many have commented that it was the creeping spread of industrial Birmingham in the English Midlands into the Worcestershire countryside where Tolkien grew up that inspired much of the story of The Lord of the Rings. Tolkien grew up in the village of Hall Green. I know this now as a suburb of Birmingham that lies well within the modern city boundary a few miles to the north of my own home. I can well see how he would have seen this encroachment as an invasion.

My own home lies still within the Worcestershire countryside. As I write this on a frosty February morning I can detect the first signs of approaching Spring about me. Soon I will see swans, ducks, moorhens and coots marking out their territories in the waters around my home and soon after I will see them raising their young once more. I have made the acquaintance of an angler who sits patiently by the waters through the warmer months of the year. I say acquaintance for like most anglers he is a marsh wiggle by nature and keeps himself to himself but he is ready to share his wisdom as long as I don’t disturb him from more important matters. The best time to talk is at the end of the day when he is about to make his way home. He has taught me where the kingfishers will make their nest and, for me, most exciting of all, where he has seen an otter and her cub, something not seen near here for many a year. And he knows the difference between the native otter and the pernicious foreign mink so I believe in his sighting. One day…one day… I hope to see an otter near my home myself.

I think that Tolkien would have loved the country near my home. Indeed he probably knew it himself. And yet if I walk towards the small town near where I live it is not long before I reach a major highway that cuts through the heart of the county. I have written before about my early morning walks through woodland with my dog in the autumn and winter darkness. What I have not mentioned is the noise of traffic from the highway. The dark of the woodland is real thanks both to the trees themselves and to a high embankment that lies between them and the road but so too is the noise.

I have developed a form of prayer for my daily walks with my dog and more and more I feel that the place in which I pray is a part and a vital part of the prayer. It is not some simplistic expression of “all that is green and living is good and all that is asphalt is bad”. I am too much implicated by own participation in the modern world to be able to do that without being justly called a hypocrite. But it is right that my prayer should happen at this point of tension in the woodland by the highway in which I do not know how much I am an agent of Saruman or a friend to Treebeard. Last year a group of folk planted the land between the woodland and the highway with hundreds of young saplings. That was a fine deed. Perhaps by supporting it I can offer something to Treebeard and to the Worcestershire man who created that character and in whose Shire I still live.

Freely We Serve Because We Freely Love

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So Saruman is defeated and Pippin turns to Gandalf and asks, “What will you do to him?” .

“I? Nothing!” said Gandalf. “I will do nothing to him. I do not wish for mastery.”

And so we see once more the contrast between Gandalf and Saruman, the one who lives “in terror of the shadow of Mordor,” yet “will not serve” but “only command”. In previous postings I have compared Saruman to Adolf Hitler, not suggesting that Tolkien based Saruman upon Hitler, but arguing that spiritually they are kin. I will offer one more character to whom I believe both to be related and that is the figure of Satan in Milton’s Paradise Lost.

“Better to reign in Hell, than to serve in Heaven,” is now one of the most famous lines from Paradise Lost and it is perhaps a sign of our time that many believe such a sentiment to be praiseworthy, a declaration of freedom from a divine tyranny that would keep us infants and deny us the divine fire as it did to humankind before the heroic sacrifice of Prometheus.

Praiseworthy it may be to stand in defiance of tyranny, whether such be divine or human, but in creating the character of Saruman and the character of Gandalf, Tolkien shows us both the true nature of divinity and the defiance that seeks to reign in despite of the majesty of God.

All who have read The Lord of the Rings will have noted a marked absence of divine intervention in the story unless we count Gandalf’s comment that Frodo was “meant to have” the Ring. Even Frodo is given freedom either to accept the task that is given to him or to reject it and the task is not at its beginning to take the Ring to Mordor but only to the temporary safety of Rivendell. Those who have read The Silmarillion will know that Tolkien had a sense of divine purpose in the mythology that he created but they will also know that Middle-earth is from the very beginning a sphere of freedom and that the divine purpose is always shrouded in mystery. Tolkien never tries to explain the mystery of the immortality of the Elves nor the mystery of human mortality and although he shows in the myth of the Music of the Ainur that there will be a wonderful conclusion to the story he never tries to tell us what it is. The Lord of the Rings is a story,not of metaphysical speculation, but of doing the necessary deed.

And the reason for this is that as a story-teller Tolkien takes the side, not of Saruman, the one who would reign in Hell rather than serve in Heaven, but of Gandalf, the one who does not wish for mastery. Saruman will have a certain ending to the story if he can, one in which he alone will reign. He may begin with words about a higher purpose but he will end with tyranny. For we know that Satan’s brave words of defiance are intended for himself alone. He will not share his reign in Hell so as to set us free and the purpose of the rest of us is to help him achieve his freedom at the price of our own enslavement.

We thought about that last week in the posting about spiritual guides. Gandalf will lead us down the hard road of joyful responsibility, doing the task that is at hand, until we find true freedom. As Milton wrote elsewhere in Paradise Lost:

“Freely we serve
Because we freely love, as in our will
To love or not; in this we stand or fall.”

Saruman and Gandalf on Choosing the Right Spiritual Guide

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This is the second week of my holiday with my wife, Laura, and we have been exploring the beautiful countryside of West Wales together, the land in which her father was born and brought up, the son of farming people in the county of Pembrokeshire. Last week I reposted a piece that I wrote about Faramir on the memory of Númenor that I originally wrote in August 2015. This week I want to repost a piece that contrasts Gandalf and Saruman from the per5spective of spiritual guidance. Until the Covid 19 lockdown began in March here in England I spent about a day a week sitting in my living room at home with different people offering such guidance. I am still trying to do this as best as I can in these challenging times. I was struck that Saruman and Gandalf are models of two very different types of spiritual guide and, believe me, I have met both. Tell me what you think when you read this. I would love to hear from you. And I will see you again next week under the sign of The Prancing Pony in Bree.

Two weeks ago I wrote about Saruman and Gandalf as the spiritual guides of our day trying to show how Saruman had come to put his trust in the exercise of power through things that are made for indeed the thing he desired most was the Ring, the ultimate expression of power and Sauron’s greatest work. If our spirituality is a description of that which we desire most and that which we make the ground of our being then Saruman and those like him are indeed spiritual guides.

“What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among the dogs?” he screams in fury when Théoden rejects his offer of peace.

In other words Saruman is a spiritual guide who seeks to convince us that we need his power and that without him we can do nothing of any significance. It is a guidance that seeks to convince us that we are not worth very much. It is a guidance that plays upon our lack of self-worth and our sense of unworthiness. It is a guidance that works with the Dunlendings who are his allies in the war against Rohan. The Dunlendings, near neighbours of Rohan, have long nursed a sense of grievance against the Rohirrim and grievance is another fuel that spiritual guides like Saruman use.

Gandalf plays no such games. Often his friends express their conviction that they can do no nothing without him but he does nothing to encourage them in that belief. He is the pilgrim who has spent long years journeying from place to place among the free peoples of the Middle-earth seeking to help those who live there find courage within themselves to resist evil that they might not believe even exists. He does this with Frodo, helping him find the courage to take the journey to Rivendell bearing the Ring. He does this with Théoden, helping him to emerge from his inner darkness and confront the danger that threatens his people. If Saruman seeks to make others dependent upon him, Gandalf seeks to help others find strength within themselves.

We would do well to consider our own spiritual guides and make the right choice of them. On one hand there are the experts, the gurus, who “know” what we need and who “know” that we need them. They believe in their own expertise and also our weakness and our need of them. Such a culture of the “expert” shapes a certain kind of education and a certain kind of religion. On the other hand there are those who challenge us to think for ourselves and help us to take responsibility for our own lives. They do not try to hide the price that we will have to pay if we do seek to live the responsible life but they also demonstrate that the truly responsible life is also the truly joyous life and that the truly joyous life is also the truly responsible life.  And this life is the life that is truly free!

Saruman Still Fails to Get the Joke!

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The stage is set and Saruman stands at a balconied rail above the heads of his foes ready to address them, appearing as “a kindly heart aggrieved by injuries undeserved.” And so he begins to weave his magic over those who stand beneath him until Gandalf laughs and “The fantasy vanished like a puff of smoke.”

“Saruman, Saruman!” said Gandalf still laughing. “Saruman, you missed your path in life. You should have been the king’s jester and earned your bread, and stripes too, by mimicking his counsellors.”

Those who know the story well will remember that much happened between the moment that Saruman first appears upon the balcony, wreathed in shadow and ever changing colour and the moment when Gandalf laughs at him and the spell is finally broken. They will remember that Saruman tried to persuade first Théoden and then Gandalf to ally with him and how the company who had ridden to Isengard with their king were convinced that either one or the other would submit to Saruman’s persuasive powers so reasonable did his words appear to be. Even his words of contempt for Rohan seemed to them to be deserved and we shall return to that in a later blog, but at the end all is revealed as Tolkien shows us as “Fantasy”.

Those who have seen Der Untergang (Downfall) the remarkable film about the last days of Hitler will know the power of fantasy. As the Soviet forces enter Berlin Hitler still gives orders to armies that no longer exist and his anger against his staff who cannot carry out his orders still has power to frighten them. And they are right to be frightened because the SS still carry out orders of execution against those who know that resistance is futile and refuse to fight on. Hitler believes his own fantasy until the very end and still has the power to persuade others to join him in his belief. We might even argue that he had that power from the very beginning, that the Nazi enterprise was always a fantasy.

Gandalf’s laughter demonstrates the most powerful weapon that exists against such fantasies. When that which we fear or admire is displayed to us for our ridicule then it no longer has the same power over us. Hans Christian Anderson’s tale, “The Emperor’s New Clothes” is one tale that demonstrates the power of laughter over fantasy, J.K Rowling’s Ridikulus Charm demonstrated by Remus Lupin in Harry Potter and the Prisoner of Azkhaban is another. In the first tale the crowd believe the myth of the magical new clothes until a boy cries out that the Emperor is, in fact, naked; in the second the members of Harry Potter’s class are taught how to laugh at their own fears embodied in certain people or creatures and so dispel their power. We do not need to be able to do magic to learn how to do the same with the embodiments of our own fears.

Sadly Der Untergang shows us that fantasy, however far-fetched, has the power to do great harm. In The Lord of the Rings, as we shall see, Saruman still retains some power to do harm himself. Our laughter cannot protect us from all that fantasy can do to us but it can give us great strength to resist that power. Gandalf shows to all that Saruman’s power is broken and when we do see him again it is at the head of a band of cut-throats and thieves. That is for another day. On this day, if I may presume to mix our tales, we learn, with Gandalf and Remus Lupin, to stand against those who make us afraid with our laughter and our cry of Ridikulus!

   

Saruman and Gandalf: The Spiritual Guides of our Day

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Soldiers everywhere have a clear sense of priority and Tolkien, drawing on his memories of the trenches of the First World War, knew that well. The sharing of news, unless that news requires immediate action, must always follow after food and some rest. So it is that it is only after they have feasted together and smoked in companionable silence that Merry and Pippin begin to tell the tale of the Fall of Isengard and the revenge of the natural world against the world of the machine.

“An angry Ent is terrifying,” said Merry. “Their fingers and their toes just freeze onto rock; and they tear it up like bread-crust. It was like watching the work of great tree-roots in a hundred years, all packed into a few moments.”

Saruman at first is utterly bewildered by an attack that he never anticipated so it is the bewildered wizard that the hobbits first encounter and they are not impressed.

“His wizardry may have been falling off lately, of course; but anyway, I think he has not much grit, not much plain courage alone in a tight place without a lot of slaves and machines and things, if you know what I mean. Very different from old Gandalf. I wonder if his fame was not all along mainly due to his cleverness in settling at Isengard.”

I want to suggest here that Saruman stands as a warning to the West in our own time. As Aragorn says of Saruman, the West was once as great as our fame made us. Our “knowledge was deep” our “thought was subtle” our “hands marvellously skilled”. But we have come to put our trust in the things that we have made and in the armies of slaves who keep us. Our food is grown by workers paid hardly enough to survive, the temples of Mammon in our great cities cleaned by people who disappear into the shadows once their work is done. Meanwhile we fantasise about artificial intelligence and the development of robots and in our right to live as if the whole of creation exists simply in order to serve us. Like Saruman in his speech made to Gandalf when he imprisoned him in Orthanc we “approve the high and ultimate purpose: Knowledge, Rule, Order” believing ourselves to be numbered among the great who must by right be the beneficiaries of this “purpose”.

In Saruman and Gandalf Tolkien offers us two contrasting spiritual journeys. The one, a journey towards the destruction of humanity both in body and in soul, a journey towards the ultimate victory of Mordor; the other, a pilgrimage made in service of all who seek true freedom not just for themselves but for all peoples, knowing as Augustine said: “What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men”.  And knowing, as all pilgrims do, that each place where we lay our heads can never be permanent, however long we may remain there, but only a brief rest along the way. The pilgrim knows that to build our own Isengard is a fantasy at best and at worst the creation of a slave’s imitation of Barad-dur. The pilgrim knows that our true rest lies only at the end of the journey and that all other rests are respites gratefully received when they come but to be left behind before they become temptations. And the pilgrim knows as Augustine prayed in his Confessions “You have made us for yourself, O Lord, and our hearts are restless until they rest in you.”

On Hearing The Music of the Ainur

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Those who have been reading my Blog that seeks to distil wisdom from The Lord of the Rings will know that I have been reading the text carefully and then reflecting upon what I find there. I happen to think that Tolkien was a man of profound insight. I also think that he was an explorer and that what he discovered in his creation often surprised him. So it is that what we find when we read his work is not a carefully worked out philosophy imposed upon a narrative structure although Tolkien’s Christian faith is a springboard that is absolutely necessary for his explorations. Tolkien genuinely did not know in advance what his characters would do as the story developed. I think that is the reason why it took him so long to write his work. And perhaps one of the reasons why The Lord of the Rings speaks so powerfully to the modern mind is that none of its characters is capable of, or presumes to speak, authoritatively of God or the ultimate mystery of being and of life. You get the impression that Gandalf may know more than most but he does not tell. All that we learn from him is that there is a mystery that gives meaning to all that each character in the story chooses to do.

It was back in January 2013 that I wrote about Frodo in the halls of Elrond of Rivendell. At that time I wrote the Blog on my website http://stephenwinter.net/page6.htm#131194 and in that posting wrote about Frodo’s “dream of music that turned into running water, and then suddenly into a voice”. Music is Tolkien’s metaphor for the unfolding of history, one that he unfolds most fully in the first chapter of The Silmarillion, The Music of the Ainur. The Ainur are the angelic beings whose task it is to work with God (Ilúvatar) in the governing of his creation. I do not think therefore that Frodo’s “dream of music” is an accidental detail in the story. He connects for a moment with the Great Music and also with the Great Story for the voice that he hears as he emerges from the dream is Bilbo’s as he chants his own telling of the tale of The Voyage of Eärendil that is chapter 24 of The Silmarillion. Later when he takes the Ring at The Council of Elrond Frodo declares his own Yes to the Music and the Story. He cannot himself control the story to which he says Yes although because he bears the Ring of Power he is tempted to believe that he has the capacity to do this but he is carried by the story and by the music from the moment of choosing until the fulfilment of the choice at the Cracks of Mt Doom.

At the ending of one year and the opening of another I wanted to return to this story in Rivendell from my reflections at the ruined gates of Isengard. For we cannot drift aimlessly through life as if there were nothing to be discovered, no commitments to be made. When I started writing this Blog I intended to reflect on composers and writers who I believe to have made a connection to the Great Music and the Great Story and if my readers are interested then I will try to do so next week before returning to Isengard and to Aragorn, Legolas and Gimli as they are reunited with Merry and Pippin. Here I will just say that if 2015 is to be fruitful then it will be because of the commitments we make to the Music and the Story. If we are true to the wisdom of The Lord of the Rings then we will not seek to make authoritative statements about the Mystery but in our own commitments we will seek it out. It is because of his search that Frodo hears the music and the story in the halls of Elrond, that Merry and Pippin meet the Ents in the forest of Fangorn, that Gimli finds understanding in the words of Galadriel and heart breaking beauty in the caves of Aglarond. If we remain true to our own search then we too will find such wonders. You may remind me that I should not forget Frodo and Sam in Shelob’s lair or Merry and Pippin as prisoners of the orcs for if we are true to our Yes then our journey will take us to such places as well but what it will not be is some aimless and meaningless drifting. It will be a true adventure of Joy and Sorrow. We will be men and women who are fully alive.

Gimli Teaches Us The Importance of Seeing

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After the victorious ending of the Battle of Helm’s Deep Gandalf takes Théoden and a small company with him to go to Isengard and for the first time since the sundering of the Fellowship at the Falls of Rauros the pace of the story is able to slacken somewhat. The pursuit of the orc company who seized Merry and Pippin, the rush to Edoras and the battle that followed all lie behind and many and great dangers lie ahead, but for a brief time Legolas and Gimli have time to look about them and to wonder.

Both of them are drawn to those things that delight them most. For Legolas this means all that grows in the earth and he wonders at the Ents and the trees that they tend; and for Gimli this means the earth itself and the wondrous caves of Aglarond that he has just encountered.

Legolas is drawn to the ancient wonder that dwells within the Forest of Fangorn that we thought about when Merry and Pippin escaped from their captors and met Treebeard in Fangorn. Immediately he wants to know, to understand and to communicate: “They are the strangest trees that ever I saw…and I have seen many an oak grow from acorn to ruinous age. I wish that there were leisure now to walk among them: they have voices, and in time I might come to understand their thought.”

And in this we remember that Treebeard told the hobbits that it was Elves who first taught speech to the Ents. It is Elves who long to commune with all living things and to draw them into their own beatitude, their own state of blessing, that all creation might find its own voice and thus speak with the One.

But if Legolas is moved by his delight in the living forest he is outmatched in this by his good friend Gimli. The three pages in The Lord of the Rings in which Gimli describes the Glittering Caves of Aglarond are among the most beautiful in the whole work and Tolkien gives this beauty to a dwarf! Even Legolas declares, “I have never heard you speak like this before.” I wish I had space to quote them in full but I will just have to encourage you to read them for yourself. Just one section must be quoted and that is Gimli’s response to Legolas’ concern that Dwarves might mar the natural beauty of the caves in their greed for gain.

“No, you do not understand,” said Gimli. “No dwarf could be unmoved by such loveliness. None of Durin’s race would mine these caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap- a small chip of rock and no more, perhaps, in a whole anxious day- so we could work…”

As we read these words they call to mind Leonardo da Vinci working in this way on his great fresco of The Last Supper at the Convent of Santa Maria delle Grazie in Milan. It is said that he would spend whole days just looking at his work as it unfolded and doing nothing. Imagine describing such a way of working in an appraisal interview!

What we see described here at this brief moment of rest in the story is the fruit of intense seeing and then the using of the language of seeing. Tolkien gives to these two friends the roles of artist and poet. And why do so at this moment in the story? Is it perhaps to make the contrast with Saruman, the man whose mind is full “of metal and wheels”, who we are about to meet face to face, even greater? Or is it to show that these heroes are more than just warriors and are only warriors at all at greatest need? Surely at the least he shows us that his warriors are first of all great lovers and that it is because of this that their prowess in battle can bring forth good. Tolkien will return to this later in the story in his reflection on the contrast between the brothers, Boromir and Faramir, but we will leave this part of the story, perhaps, contemplating our own need to train our ability both to see and to learn to describe what we can see.

Aragorn Abandons Himself to Providence

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The attack on Helm’s Deep and its fastness, The Hornburg, is relentless and eventually Saruman’s forces stand on the verge of victory and at the darkest hour Aragorn finds Théoden fretting in the prison of his fortress.

“Had I known that the strength of Isengard was grown so great, maybe I should not so rashly have ridden forth to meet it, for all the arts of Gandalf. His counsel seems not now so good as it did under the morning sun.”

But Théoden is not about to shrink into the shrivelled creature that Gandalf had found in Meduseld just a few short days before. The work that Gandalf did in liberating him from Wormtongue’s grip has been too thorough and Théoden resolves to make a final charge upon his enemies and calls upon Aragorn to join him.

“Maybe we shall cleave a road, or make such an end as will be worth a song- if any be left to sing of us hereafter.”

And Aragorn resolves to ride with him.

Ever since Gandalf returned to Aragorn, Legolas and Gimli in the Forest of Fangorn, Aragorn the man of doubt has become the man of resolve. For in that moment Aragorn chose to follow Gandalf, the man who has passed even through death itself, without reserve. https://stephencwinter.wordpress.com/2014/02/12/you-are-our-captain/

This was not always the case. In the early stages of their journey Aragorn and Gandalf debated about the wisest road for the company to take. Gandalf wished to take them through Moria and eventually they went that way though against the counsel of Aragorn. And when Gandalf fell in battle against the Balrog it seemed that Aragorn was right. But being right did not give him confidence and thereafter he was wracked by doubt at every step. His decision after the death of Boromir and the capture of Merry and Pippin at The Falls of Rauros to follow the young hobbits was one taken without hope. Aragorn was sure that he and his friends were likely to die in the forest and he abandoned his dream of claiming the throne of Gondor and Arnor and with that the hand of Arwen. But when Gandalf returns Aragorn no longer fears anything, not even death itself. He is sure even in the darkest moment at Helm’s Deep that Gandalf will keep his promise to return to them but that certainty does not prompt him to hide in The Hornburg. He will honour Théoden’s courage in choosing to attack his foes.

In essence from the moment of reunion in Fangorn Aragorn abandons himself to Providence. Such an abandonment is not to some blind unfeeling fate. To be abandoned to Providence is a commitment to the Supremacy of the Good and is wonderfully liberating and energising.

The Thirteenth Century German mystic, Meister Eckhart, wrote: “When you have emptied yourself of your own self and all things and of every sort of selfishness, and have transferred, united and abandoned yourself to God in perfect faith and complete amity then everything that is born in you, external or internal, joyful or sorrowful, sour or sweet, is no longer your own at all, but is altogether your God’s to whom you have abandoned yourself.”

So it was that Eckhart could say, “I never ask God to give himself to me: I beg him to purify, to empty me. If I am empty, God of his very nature is obliged to give himself to me.” Aragorn never asked to be emptied but this is what has happened to him and even though Tolkien never names God explicitly in The Lord of the Rings Aragorn receives a glory in the moment of his final abandonment that will sustain him through all the days that lie ahead.