“It Was Sam’s First View of a Battle of Men Against Men and He Did Not Like It Much.” Tolkien Brings His Memories of War to His Great Tale.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.858-865

Sam is already battle hardened standing by Frodo at the attack of the Nazgûl at Weathertop, at the attack of wargs near the doors of Moria and again within Moria at the Chamber of Mazarbul when orcs and trolls assailed the Fellowship. It is not battle itself that affects him so deeply, that realisation that someone is your enemy and wishes you harm, wishes even to kill you, it is, as the English poet Wilfred Owen put it, “the pity of war” that touches his heart when the Rangers of Ithilien ambush the Men of Harad as they march northwards to the Black Gate of Mordor.

War in the trenches of the First World War of 1914-18

There are few passages within The Lord of the Rings that have the feel of the war literature of the 20th century as this one. Here we are reminded, if we need it, that Tolkien was writing a novel of his century and not a mere pastiche of medieval heroic literature. Tolkien was himself a veteran of the war in the trenches in France and took part in the Battle of the Somme that began on the 1st of July 1916 in northern France and during which a million men were either killed or wounded. The memory of that battle still casts a shadow over western Europe over a hundred years after it took place. My father gave us very little education in any deliberate sense; most of what I learned from him I did by observation rather than because he told it to me, but he was anxious to tell us of the horror of war and how a war in Europe should never be repeated. He himself was a veteran of the Normandy landings of June 1944 and his father of the naval Battle of Jutland of May 1916 and the memory of war played an important part in my education.

The capture of Frodo and Sam by Faramir and his men takes place just before the ambush begins and it is a measure of Faramir, the captain of war, that he does not treat his captives as mere irrelevances in the face of the serious matters of killing and being killed. In the few moments available to him he allows Frodo to tell his story before assigning two of his men to guard them. As they wait for battle to begin Mablung and Damrod speak of their leader and the respect in which they hold him. “He leads now in all perilous ventures,” they tell Frodo and Sam, and they are proud to follow him.

Faramir the Captain by Anke Eissman. Note how relaxed most of his men are. He is in charge and they don’t need to worry about what they have to do.

Tolkien gives us no overview of the battle that follows. We see it through Sam’s eyes, listening to the sound of steel against steel or metal cap, like the sound of “a hundred blacksmiths all smithying together”. We feel the terror as an oliphant charges straight towards them, veering away from them at the very last moment and we see a young warrior of Harad fall dead at their feet. Through all this their main ambition is to survive. Doubtless if battle had overtaken them they would have fought bravely but heroic deeds are not their first concern. This too is true to Tolkien’s memories of the trenches and of modern warfare.

The moment when Sam looks at the dead warrior is deeply moving. We are not shown war from the perspective of the war historian or the general in the staff room. We see it through the eyes of one man alongside other men. “It was Sam’s first view of a battle of Men against Men, and he did not like it much. He wondered what the man’s name was and where he came from; and if was really evil of heart, or what lies and threats had led him on the long march from his home; and if he would not really rather have stayed there in peace”.

Robert Runcie, Archbishop of Canterbury between 1980 and 1991, was a tank commander during the Second World War, winning the Military Cross, the second most important medal for valour that can be offered to the British Armed Forces for rescuing one of his wounded men from a crippled tank while under heavy enemy fire. He was greatly criticised by politicians for expressing sympathy and compassion for Argentine soldiers after the Falklands War of 1982. What moved him to speak of his pity was his memory of an incident in which his tank took out a German tank in battle and how, as was required of him, he checked to see if there were any survivors. He remembered looking into the tank and the dead young men within it and thinking of their mothers, wives and girlfriends who would never see them again. It was a Sam Gamgee moment and it remained with him for the rest of his life.

I haven’t found a photograph of Robert Runcie from the Second World War. You can tell that this is a photo of a British tank on show for the “top brass”, senior British officers, not one in the heat of battle.

“It Was Well Given!” Gimli Takes Delight in Frodo’s Mithril Coat and in Thorin Oakenshield’s Giving.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 326-328

Aragorn is anxious to put as much distance as possible between the Company and the eastern gates of Moria before darkness falls. He is sure that they will be pursued by orcs and so he pushes his companions to keep going. But in the fight in the Chamber of Mazarbul both Sam and Frodo were wounded and Frodo by a troll’s spear thrust that, as Aragorn put it, “would have skewered a wild boar”. At first the flow of adrenaline in battle enabled them both to forget their wounds and after that the fall of Gandalf drives everything from mind, heart and body, but as the weariness of the day continues so their hurts begin to claim attention.

“I am sorry, Frodo!” Aragorn cries. “So much has happened this day and we have such need of haste, that I have forgotten that you were hurt; and Sam too.”

So it is that at last Frodo’s hidden mithril coat is discovered. The Company has discussed it once before while in Moria when Gandalf spoke of how it was mithril that always drew the Dwarves back to their ancestral home.

Bilbo gives Frodo the coat of mithril.

Mithril! All folk desired it. It could be beaten like copper, and polished like glass; and the Dwarves could make of it a metal, light and yet harder than tempered steel. Its beauty was like to that of common silver, but the beauty of mithril did not tarnish or grow dim.”

It was one of Tolkien’s many achievements in The Lord of the Rings to create something that our imaginations are capable of conceiving and yet does not exist. He saw his work as that of a sub-creator and the word, “sub” was of vital importance here. He chose deliberately to place himself under the Creator in absolute distinction from Morgoth, and later Sauron, who in failing to create anything independently of Ilúvatar would only mar, mock or corrupt. The orcs were the saddest fruit of this desire to create in envy of Eru but one might argue that there were other works such as the corruption of Númenor that were just as unhappy. And here we might note that unhappiness was always the fruit of their work. Was there ever a time when they pursued happiness as a goal in and of itself? Perhaps in the earliest days but in all the history of Arda the works of Morgoth and then of Sauron and their followers are acts of despair. All they can do is to achieve control and thus reject happiness.

Not so Gimli. Readers of Tolkien’s works know how prone the Dwarves were to avarice. The desire of Thorin Oakenshield for the Arkenstone of Erebor almost destroyed the achievement won by the slaying of Smaug. That any gifts were given at all at the ending of The Hobbit seemed unlikely at one point but when at the last gifts were made they were indeed kingly as Gimli put it when he learned that Bilbo had been given a mithril coat by Thorin before he died. In Gimli’s eyes the knowledge that Thorin had given such a gift only made him the greater for great kings made great gifts in all worlds until modern times. And when Gimli finally saw the mithril coat upon Frodo his admiration and reverence only grew.

“But it was well given!”

The Caves of Aglarond. The shape and light beautifully evoked by Hannah Joy Patterson.

Later Galadriel will speak praise of Gimli and his understanding of wealth when she says of him that his hands “shall flow with gold” and yet over him “gold shall have no dominion”. It is not that Gimli has no concept of the idea of the price of things. He quite happily states that Frodo’s mithril coat is worth more than the entire value of the Shire but it is beauty that is the true ruler of Gimli’s heart. His greatest work after the War of the Ring was the creation of what artists would now call an installation in the Caves of Aglarond, a true act of subcreation made from crystal, the shaping of caverns and of light. And the gift that he will treasure most will be three tresses of the hair of Galadriel that he will wear next to his heart within a jewel that he has crafted himself.

Gimli asks for three tresses of Galadriel’s hair.