Frodo

Frodo and The Ring

/ stephencwinter / 14 Comments

For a few minutes Sam and Frodo are able to rest in their happiness in finding one another again but soon the reality of their situation begins to take hold of them and at the heart of that reality lies one thing above all; and that is the Ring.

When Sam had found Frodo’s seemingly lifeless form lying beside the path after Shelob’s attack he took the Ring and so kept it from Shagrat and Gorbag and ultimately from Sauron himself. For a little while he felt the lure of the Ring imagining himself a great hero but soon saw the fantasy for what it truly was, as a deception that would lure him into the grip of one far greater than he.

The Ring searches out the deepest desire of the one who holds it and then twists it to its own enslaving ends. It is not even necessary to hold the Ring to feel its power. It is enough that there is something in the world that can grant you everything that you desire if only you can possess it. For Gollum the desire is merely fish every day and revenge on all who he perceives to have done him harm. For Boromir the desire is to be the liberator of his people from the shadow of their enemy and to be loved and admired by all. Even the best of desires is capable of being perverted. When Gandalf praises the pity of Bilbo he also recognises that the way of the Ring to his own heart would be by pity.

In what way is Frodo corrupted as the journey continues? We never hear the kind of speech from him as we do from Boromir. Frodo is a true hobbit and not much given to the making of speeches (Bilbo is an exception!). He hears far more than he ever speaks. One thing that he does speak of is his desire to “save the Shire”. As with Boromir, and with Gandalf also, his desire is noble. He also has a deep sense of having been given a task to fulfil, a mission to achieve. He did not claim the mission to destroy the Ring at the Council of Elrond as if it were somehow his right. When he spoke it was as if another voice had spoken through him. His offering of himself for the task came with the deepest reluctance.

The Ring has few footholds into Frodo’s heart unless it is by way of possession itself. Perhaps that is why he sees his kinship with Gollum and pities him. When Sam reluctantly returns the Ring to him Frodo sees him “changed before his very eyes into an orc again, leering and pawing at his treasure, a foul little creature with greedy eyes and slobbering mouth.” Frodo has entered the mean world of the orc and it is horrible.

What is essential at this unhappy moment is that it does not lead to the kind of struggle to the death as it did with Sméagol and Déagol long before. Sam gives up the Ring to Frodo while Frodo himself repents of his accusations against Sam. Both are left devastated by the exchange but their relationship remains firm. Even at the very moment when Frodo sees Sam as a thief the perverted vision does not take possession of him. He remains aware that what he thinks he sees is not real.

“What have I said? What have I done? Forgive me! After all you have done. It is the horrible power of the Ring.”

This ability to step away from the horrible fantasy and to see it for what it is is essential. It saves both of their lives. Frodo must have had practice in being able to step away from his initial reaction to the actions of others and to be able to see that his reaction was not something inevitable and ungovernable but something that he could choose. And he retains enough independence from the Ring to be able to see its power. For the time being it is enough.

Sam Finds Frodo in the Tower of Cirith Ungol

/ stephencwinter / 4 Comments

I was rather charmed last week when I found that my post on Sam’s song in the Tower of Cirith Ungol was “liked” by some fellow bloggers who write about beauty and fashion. Such affirmation both amuses and, slightly, impresses my daughters (23 and 19) who find it difficult to associate their ageing father with such a world. At first I could noty understand why I was attracting such interest but then I realised that I had tagged my post with the word, beauty, as I reflected on Sam’s spiritual journey, quoting C.S Lewis when he said that we do not wish merely to see beauty but to bathe in it. Just in case any of these bloggers have decided to return this week I offer my prayer for them that they will eventually find the Beauty that transcends all of the beauty that we seek here upon the earth.

Those who know The Lord of the Rings well will know that this is Sam’s journey in the story. It begins with Sam lamenting the passing of the Elves from Middle-earth as Ted Sandyman jeers at him, and when Gandalf tells him that he will go with Frodo when Frodo leaves the Shire part of his joy lies in the possibility that he might see Elves.

Throughout the journey Sam deepens his appreciation of beauty as he first meets the company of Gildor Inglorion within the boundaries of the Shire itself and then stays in Rivendell and Lothlórien. But his most profound encounters with beauty are in the darkest places; the Star Glass of Galadriel in the darkness visible of Shelob’s Lair, the song that he finds within himself in the Tower of Cirith Ungol that is given to him at the moment of despair. And there will be one more on the deathly plains of Mordor that is yet to come.

And one day Sam will see the Beauty that transcends even these moments and will recognise it (and the Beauty will not be an it but a thou) to be what he was always seeking. The thou will be both a homecoming and also an invitation to go deeper and ever deeper.

But Sam has been nourished by another guiding light that does not contradict but deepens his longing for beauty. Sam is guided by his love for Frodo. This transcends the social divide that exists between them and it survives Frodo’s descent into darkness that takes place as he falls under the power of the Ring as they approach Mount Doom, the place of its forging. Nothing can diminish Sam’s love and it is this which has carried him into the orc fortress overcoming all his fear and finally brings him to Frodo’s prison at the very pinnacle of the tower.

And so he finds him at last.

” ‘Frodo! Mr. Frodo, my dear!’ cried Sam, tears almost blinding him. ‘It’s Sam, I’ve come!’ He half lifted his master and hugged him to his breast.”

Sam’s love for Frodo is such that words like master and servant no longer have any meaning for him. If Frodo were to treat him in a demeaning manner Sam would still love Frodo, not out of some slavish desire to somehow gain his approval, but out of an unquenchable desire for Frodo’s wellbeing.

The theologian, Elizabeth Wyschogrod, once wrote that the saint is marked by “a wild desire for the beautitude of the Other”. I do not think that we need to feel any embarrassment in ascribing this quality to Sam. Just as in his longing for beauty Sam will eventually find the Thou that both includes all that he has ever desired and utterly transcends it so too will Sam find in the same Thou all that he has ever loved, and will ever love, without having to make distinction between them. In the Thou there will be but one equal love and yet each of Sam’s loves will be utterly fulfilled and utterly transcended. Sam’s moment of ecstasy in his finding of Frodo will never diminish his love for Rosie Cotton or Elanor or any of his children even though as he grows in love he will for a time find himself torn in two between them.

But just now we will leave him in his ecstasy of joy, free from all growing pains, as he holds Frodo in his arms for a brief moment before the journey has to go on.

 

Sam Gamgee Sings in the Tower of Cirith Ungol

/ stephencwinter / 8 Comments

I struggled for some time with the title of this week’s blog post. I hope that what I write will show you why and if you think that you might have a better title then please offer it as a comment. I would love to hear from you. I have chosen the simplest title that I can think of. It is simply a description of what happens. Sam sings and he does so in the Tower of Cirith Ungol.

Immediately that seemingly simple statement should make us stop in wonder. The tower is an orc fortress on the border of Mordor, once a part of a ring of fortifications built by Gondor at the height of its power in order to watch over the land that had been taken from Sauron at the great battle in which the Ring was taken from him. As Gondor’s power waned it was taken from them by the Lord of the Nazgûl. And from that day one can only imagine that the kind of song that would have been sung in that place would have harsh and cruel like the song the goblins of the Misty Mountains sing as they carry their Dwarf captives through its tunnels in The Hobbit.

Sam sings because he is in despair. He is searching for Frodo amidst the carnage of the battle that the orcs have fought over Frodo’s mithril coat and he cannot find him. He hopes that if Frodo is able to hear him sing then he might be able to make some kind of reply.

And so he tries to think of something that Frodo might be able to respond to, perhaps a child’s song from the Shire or something that Bilbo used to sing, but it is no use. And then something wonderful happens. Words and music come to him that evoke the achingly beautiful struggle of life against the power of death.

“In western lands beneath the Sun the flowers may rise in Spring…”

I said earlier that the simple statement that Sam sings in the tower should make us stop in wonder. It is not just that he sings that is wonderful but what he sings. The words that come to him seem to have journeyed, perhaps from the Shire in springtime, perhaps from the Undying Lands themselves. The image of beech trees crowned with Elven-stars is one of such beauty that only a true poet could possibly have created it. By this point of the story we know that Sam is a poet. The verse that he composes in honour of the fallen Gandalf in Lothlórien tells us that he is a poet but this is something of a higher quality even than that.

What do we make of this? I want to suggest this. Great artists speak of a work of art not so much as something that they have created themselves but as something that they discover. So Michelangelo’s Pietà is found within the block of marble from the Carrara quarry. So the opening bars of the slow movement of Vaughan Williams’ 5th Symphony seem to have come from a country that, at best, we can only glimpse and that we long for. An artist can only do this work of finding if she or he gives long hours, even years, of practice to the perfection of their art. And yet what is created is never merely the sum of that practice. The work is always something found , something given. 

C.S Lewis, who shared much of Tolkien’s understanding put it this way in his 1941 sermon, The Weight of Glory. 

“We do not want merely to see beauty… we want something else which can hardly be put into words- to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it.”

I think that those words capture the essence of Sam’s spiritual search. We can only guess at how he nourished it in his heart on the long journey. I am sure that he did nourish it because words like this could not have come otherwise nor the music either. They are an invasion of Mordor that cannot be resisted and they do their work. Frodo is found!

Snaga knows that he is up against a Power much greater than he is.

/ stephencwinter / 13 Comments

Until I began to think about writing this post I had never wondered how it was that Snaga managed to be one of only two orcs left alive in the Tower of Cirith Ungol (the other being Shagrat) after the fight over Frodo’s mithril coat. To be honest I had never really thought much about Snaga at all. But as I thought about this part of the story I began to see that Snaga is one of life’s survivors until, that is, he thinks himself safe enough to strike out at Frodo with a whip. Until that point I think that Snaga managed to stay out of the trouble. As he tells Shagrat he sees it “through a window”. There is more than one way to be an orc. One is to be a warrior thug like Gorbag bullying your way to the top until you meet your match as he does in Shagrat. Another is to be a mean sneak with a keen nose for danger and how to stay out of it, a bigger version of Gollum you might say. You take whatever you need to survive, prepared to murder, if necessary, but you let the Gorbags and the Shagrats get their way. It is safer that way.

And that is where Snaga helps us to understand something that has been happening ever since Frodo raised the Star Glass of Galadriel in the darkness of Shelob’s Lair. A Power has entered Mordor, Snaga can sense it, and he is afraid.

If we recall some of the events since that moment it will help us to see what is happening. In raising the Star Glass Frodo brings the light of a Silmaril into Shelob’s endless night. In defeating Shelob in battle Sam finds a strength to do something that no one has done before. When Sam raises the phial of Galadriel before the hideous malice of the Watchers he feels “their will waver and crumble into fear”. And when Snaga confronts Sam on the tower steps it is not a small frightened hobbit that he meets but “a great silent shape, cloaked in a grey shadow, looming against the wavering light behind; in one hand it held a sword, the very light of which was a bitter pain, the other was clutched at his breast, but held concealed some nameless menace of power and doom”.

The menace, of course, is the Ring, but this is not the Power that has entered Mordor. We saw that the Power is not the Ring last week when Sam was tempted to claim it and to challenge Sauron. The Ring is trying to return to its master and will betray Sam. Sam realises this. “He’d spot me pretty quick, if I put the Ring on now, in Mordor.” The Power can use the menace of the Ring as it does to terrify Snaga but its purpose is not the same as the purpose of the Ring. If it was then it would have succeeded in betraying Sam and returning to Sauron.

No, the Power that has entered Mordor is something that Snaga can sense and is afraid of but it is not something that he can understand and nor  even can his master, the Dark Lord. Snaga has spiritual insight of a kind but only the kind that knows about power over others. Such a spiritual insight knows about exercising power over those who are weaker or submitting to those whose power is greater. It knows it well because it has practiced that spirituality for a long time. But it knows nothing about Goodness, Beauty, Truth, Mercy or Pity because it has rejected all of these for the sake of gaining power over others. The gospels call it gaining the world but losing your soul.

It is Goodness, Beauty, Truth, Mercy and Pity that have entered Mordor keeping company with two small hobbits who have done the simple act of laying down their lives for their friends. No one has greater love than this. No one who has rejected Love can ever grasp it. And only those who have chosen the way of humility in the way that Frodo and Sam have done can keep company with this kind of Power.

 

 

Sam Gamgee Finds Strength to Resist The Ring.

/ stephencwinter / 16 Comments

To cry out, “I’m coming Mr. Frodo!” is one thing. Most of us have made promises in a moment of passion that we have regretted later in the cold light of day. It can be one of the bravest things that we ever do in life to keep such a promise long after the initial ardour has gone.

For Sam reality strikes home very soon as he looks out across the plains of Mordor beyond its mountainous defences towards Orodruin, the very mountain that he and Frodo have been trying to reach. It is clear that the task that lies ahead is way beyond his strength and ability. And to enter the Tower of Cirith Ungol is just as impossible. Unless…

There is one thing that he holds that might enable him to defeat his enemies and that is the Ring. Even as he ponders the possibility, “Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad-dûr.” Observant readers will note that there no place for Frodo in this fantasy. That is the nature of the Ring. Those who possess it have no heart room for any but themselves. Sam’s fantasy reminds us of Boromir’s, the desire to be the hero of the story and not to share that with anyone else. A moment later and we are reminded of Gandalf and Galadriel and the desire to do good.

“And then all the clouds rolled away, and the white sun shone, and at his command the vale of Gorgoroth became a garden of flowers and trees and brought forth fruit.”

It is a beautiful vision and who is better qualified than Sam to achieve it? Of course when Frodo offered Galadriel the Ring in Lothlórien it was Sam who encouraged her to take it and to put things right. Surely it is the desire of all good people to want to put things right and an obstacle to belief in God for many whose desire is to do good that God does not seem to be interested in putting things right. Well, not as interested as Sam Gamgee and people like, well, me…

Then Tolkien offers us all wise counsel as he describes the inner debate within Sam. It is striking how strong Sam is at this moment as he resists the Ring. Such strength does not come in the moment of crisis for the one who has done no inner work. When Sméagol murdered Déagol in order to take the Ring for himself we are not aware of any inner conflict. Sam’s inner work comprises two spiritual disciplines, one consciously practiced and delighted in, the other so long practiced that he is hardly aware of it even being a moral choice. The one is Sam’s love for Frodo. We noted that Sam’s fantasy had no place for Frodo but as soon as Sam becomes even half aware of this he sends the fantasy packing. The other is more complex, even controversial, and Tolkien calls it “his plain hobbit-sense”.

Sam’s upbringing has had two major influences. One has been the kindness of Bilbo who drew him into the world of imagination and delight. To have received such an invitation has been the greatest joy in Sam’s life and his love for Frodo is an act of gratefulness made deeper by all that they have endured together. The other influence has been the ungentle and highly critical voice of the Gaffer. It is a voice that comes to mind at those points in the story when Sam wants to berate himself for some mistake. The Gaffer’s guiding principle in life is to be satisfied with his lot although it also means defending his small territory, the garden at Bag End and his role in keeping it, with all the strength that he can muster.

Perhaps Sam needed both voices in his head and in his heart. They give him strength in his “hour of trial”. Perhaps too they give us a greater appreciation of what we may have regarded as negative influences as well as thanksgiving for all the love that we have received in our lives.

Sam Gamgee Finds Simplicity at the Tower of Cirith Ungol

/ stephencwinter / 8 Comments

Some people think that simplicity means having less of everything; just a few clothes and other possessions in a dwelling with little furniture. They are partly right because simplicity may lead to a life that does not carry too much about upon its back but Sam Gamgee teaches us true simplicity at the Tower of Cirith Ungol.

Not that this was ever his intention. He would rather regard it as being above himself to set himself up as a teacher to “wise folks such as yourselves”. No he never intended to be a teacher. He just finds himself in a place that he never intended to be and must do what he can. It is as… well… as simple as that.

It is over a year on this blog, that is a conscious seeking for wisdom from The Lord of the Rings, since we were last with Frodo and Sam. We spent a year journeying with them from the Emyn Muil, meeting first with Gollum, their strange guide, who took them across the Dead Marshes to the impassable Black Gate of Mordor before persuading them to take another way, a secret way, into Mordor. On that way Gollum betrays them by leading them into the lair of Shelob, a terrible monster in spider form, and although Sam gloriously drives her away Frodo receives a terrible wound from her sting that leaves Sam to believe that he is dead. His heart broken Sam takes the Ring from Frodo and is beginning to set himself to fulfilling the mission that Frodo was given at the Council of Elrond, to take the Ring of Power to the fires in which it was created and to destroy it, but no sooner has he made his choice than a company of orcs come across Frodo’s body. They announce that Frodo is not dead but only poisoned, as is the way with spiders, so that they can eat their prey alive when they wish to do so. Sam is helpless as the orcs carry Frodo into the tower and shut him out.

What can Sam do? This is the simplicity that he is granted at this moment and Tolkien puts it in this way. “He no longer had any doubt about his duty: he must rescue his master or perish in the attempt.”

This is not the kind of simplicity that someone chooses when they wish to make a lifestyle change, when some decluttering needs to take place. This is the simplicity chosen by someone when the one they love is stricken suddenly by a terrible illness and from that moment nothing else matters more to them than to care for them. Or more happily it is the simplicity of a man as he sees his bride enter the church and prepares himself to promise to love and to cherish her until death parts them.

The poet, T.S Eliot, describes this as “a condition of complete simplicity, (costing not less than everything)” that is faith. The philosopher, Søren Kierkegaard describes it as willing just one thing. And Sam himself has not always achieved this simplicity. When he first set out upon his journey he wanted to go with Frodo but he also wanted “to see Elves!” When that wish is fulfilled right at the very beginning Frodo asks him if he still wants to carry on. And when later he sees, in the mirror of Galadriel, the destruction of the Shire that Saruman and his bandits carry out he is torn between going back to sort things out and going on with Frodo. And he will not always know this simplicity. Right at the end of the story when he realises that Frodo is going to leave the Shire he tells Frodo that he is “that torn in two” as he ponders losing Frodo and leaving his new bride and family behind.

True simplicity is first and foremost given to us as a gift. It is rarely a comfortable gift because of what receiving it will cost (not less than everything) but the freedom that accompanies it points us more truly than any other experience to what it means to be fully alive. There is almost a hint of joy in Sam’s voice as his love for Frodo rises above all other thoughts and forgetting his peril he cries aloud: “I’m coming Mr Frodo!”

 

The “Hopeless Journey” of the Armies of the West.

/ stephencwinter / 15 Comments

A few days after the great battle the armies of the West gather once more upon the Pelennor Fields in order to march towards the Morannon, the same Black Gate that Frodo and Sam saw upon their journey to Mordor and realised was impossible to enter. Tolkien describes the march as a “hopeless journey”, one that must end in inevitable defeat and death, and this begins to weigh upon the hearts of the young soldiers.

For those who have lived their lives in the far provinces of Gondor and of Rohan, Mordor has been but a name only, albeit a dark and fearful one, now it is a living nightmare that is beyond their comprehension. Aragorn treats them with mercy, allowing them to withdraw and to fulfil a mission that they can comprehend. They are to recapture the island of Cair Andros that lies within the waters of the Anduin.

The rest of the army continue and so reach the impregnable defences of the Dark Land. There they encounter the Lieutenant of the Tower of Barad-dûr who plays a game of negotiation while torturing them by presenting to them items taken from Frodo when the guard of Cirith Ungol found him by the road leading from Shelob’s Lair. A coat, a cloak and a sword.

A hopeless journey ends in a hopeless battle as the full might of Mordor and its allies breaks upon the small brave army arranged upon two hills before the gate. Peregrin Took, now truly the “valiant man” that Gandalf presented to the defenders of Minas Tirith just a few short days before, falls beneath the vast body of a Troll that he has just slain in defence of Beregond, his friend. Even though the last words that he hears before he slips out of consciousness are that “The Eagles are coming!” Pippin is sure that his story is come to an end and so too is the story of all that he cares about.

How do we keep going without hope? Tolkien often returns to this question in The Lord of the Rings. It was a major theme in the story of the pursuit of the orcs who had captured Merry and Pippin at the Falls of Rauros when the Fellowship was broken. Aragorn knows that he is likely to fail in his attempt and so all that he has hoped for through his life will fail too. The hope that he has nourished that he will restore the honour and the fortunes of his people, the Dunedain of the West, a hope that is enshrined in the very name his mother gave to him, Estel, as she lay dying; the hope that he will restore the kingdom of Gondor; and the hope that he will win the hand of Arwen in marriage, all this is lain down in a task that is impossible.

At all points within the story hope is understood as something greater than simply that what a particular character is trying to achieve will be successful. Success, of course, is desired, but it is not the thing that is most important. Even the destruction of the Ring itself is not the thing that matters most. When we return to the story of Frodo and Sam’s journey through Mordor we will come to a moment when Sam glimpses a star, perhaps the Silmaril in the heavens that is beyond the grasp of Sauron. And as he sees it he understands that “in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”

This is the difference, Sam understands, between hope and defiance. Defiance is brave and we saw it when we thought about Éomer preparing for a good death in battle before Minas Tirith. Hope goes far deeper and knows that there is a reality that is far greater than my part in the story and yet, somehow, will include us too in a way far beyond our comprehension but not beyond our love.

The journey is hopeless in so far as there is no expectation of a successful end to it. But true hope goes deeper than expectation. It is grounded in love for that which is highest and that enables us to keep going until the end.

 

The Boldness of the One Necessary Deed

/ stephencwinter / 12 Comments

For a few moments before they take what rest they can Gandalf and Pippin speak together of the debate with Denethor and Faramir. For Pippin the question that is uppermost in his mind is whether there is any hope for Frodo, any hope for any of them? Gandalf’s reply is to take Denethor’s words and to make them his own.

“There never was much hope,” he answered. “Just a fool’s hope, as I have been told.”

And even this hope, slender as it is, is shaken by news that Frodo and Sam seek to enter Mordor by way of Cirith Ungol and guided by Gollum.

But then Gandalf begins to give a little substance to his hope. The substance comprises two hobbits and their treacherous guide, a foolish hobbit gazing into the Seeing Stone of Orthanc drawn by his own curiosity, and a captain, “bold, determined, able to take his own counsel and dare great risks at need” who challenges Sauron in the very same stone. All are bold deeds, even that of Pippin’s foolish act but they amount to very little. Of themselves they will win no battles. Of themselves they cannot withstand the armies of Mordor.

But it is the boldness that exposes both Sauron’s desire and his fear. His desire we know. He desires the Ring and he desires the power that the Ring can bring him. We know that Sauron has become reduced to little more than the sum of his desire. He is no more than a bigger version of the hungry Gollum. “Eat fish every day!” When we saw that desire in Gollum we found it pathetic, even sadly laughable. Somehow when such desire is allied to power it seems to have a semblance of dignity but it is in essence the same thing, both entirely destructive and ultimately empty.

And because Sauron of his own prideful choice can see all reality only in terms of scale, “who or what is bigger or smaller than he is?”, he has a strange and fearful vulnerability. The foolish boldness of Frodo and Sam is something that does even enter his calculations. The Council of Elrond declared that at the very outset of Frodo’s mission. It is an action that is beneath even his contempt and certainly outside of his understanding. No one who possesses the Ring could possibly do so with the intention of not using it, even destroying it! This is the weakness that Frodo and Sam expose.

But there is also something that Aragorn’s boldness exposes and that is his fear. All things seek to hide from Sauron. Until now even Aragorn has done so. Now he challenges him face to face, the heir of Isildur displaying Narsil, the sword that once took the Ring from Sauron’s finger, reforged. This alone brings doubt into Sauron’s mind but it is connected to something else and that is to Pippin’s foolishness. Sauron has seen the face of a hobbit, associating it with the fall of Saruman. Does the heir of Isildur possess the Ring? And so he launches his attack just a little too soon.

What hope Gandalf can find in this remains slender. All that he can offer to Pippin at the end in response to Pippin’s anxiety about Gollum is one of those proverbs that can mean either one thing or another. You take your choice. But Gandalf takes his leave of Pippin with a firm “Good night!” and his determination is renewed.

Such boldness is what is meant by the story that Jesus told in the Gospels of the man who on finding the treasure in the field goes away and sells all that he has in order to buy the field. At that moment there remains no more place for calculation only for the deed. This does not mean that such recklessness becomes the determining principle for every action. There is a place for caution and for prudence especially when care for others is concerned but happy is the one who listens so carefully that they know that all caution must be set aside for the one necessary deed.

 

On Gandalf and His “Fool’s Hope”.

/ stephencwinter / 13 Comments

Denethor is right!

I never thought that I would be saying this but I seem to have no choice. In the last few weeks on this blog we have been thinking about the weaknesses in his character but especially in the debate following the piece I wrote entitled https://stephencwinter.com/2016/10/27/he-would-have-brought-me-a-mighty-gift-denethor-and-the-ring/ I was strongly challenged by The Joviator to rethink my view of Denethor. I do hope that you can read that debate and the excellent piece that The Joviator wrote on his own blog http://www.idiosophy.com/2016/11/denethor-as-tragic-hero/. I have decided to start by turning away from my own judgement of Denethor and to take what he says of Gandalf seriously. And if I decide still to follow Gandalf it will be for reasons entirely other than my judgement of Denethor’s motives.

“What then is your wisdom?” said Gandalf.

“Enough to perceive that there are two follies to avoid. To use this thing is perilous. At this hour, to send it in the hands of a witless halfling into the land of the Enemy himself, as you have done, and this son of mine, this is madness”

“And the Lord Denethor what would he have done?”

“Neither. But most surely not for any argument would he have set this thing at a hazard beyond all but a fool’s hope, risking our utter ruin, if the Enemy should recover what he lost.”

Let us set aside Denethor’s judgement of Frodo for the moment. It is precisely because Faramir did not judge Frodo to be witless but a figure of some greatness that he chose to aid his mission and not to bring him to Minas Tirith. But Denethor regards his son to be as foolish as Gandalf and so we cannot use our knowledge of Frodo as a defence for the course of action decided at the Council of Elrond. Frodo is as much involved in the fool’s hope as everyone else at the Council. If he is witless then so too are they.

In order to read The Lord of the Rings properly we need to agree with Denethor. Frodo’s mission is impossible. Even if the Fellowship had not been sundered at the Falls of Rauros and Aragorn and Boromir, Legolas and Gimli had been at Frodo’s side on the journey to Mount Doom it would have remained impossible. When Gandalf describes Cirith Ungol and the Morgul Vale as cursed places one is tempted to ask what other route he would have counselled Frodo to take? Each one would have been as impossible as the next and the likely outcome of all that the Ring would fall into Sauron’s hands.

And in order to read The Lord of the Rings properly we need to leave behind the heroic tale that Peter Jackson tells. There we see that “even the smallest” can be heroes and that is an inspiring thought. In his telling of the story it is the heroism of Frodo and perhaps even more of Sam that stands in contrast to the weakness of Faramir and the cowardice of Denethor. It is that heroism that is the axis upon the whole story turns and each character is judged by whether they support or oppose it.

Tolkien tells a story that is profoundly different and it recalls words that St Paul writes to the Corinthians in the New Testament when he says that “God foolishness is wiser than human wisdom and God’s weakness is stronger than human strength.” (1 Corinthians 1.25) The foolishness and weakness to which Paul points is the cross and the proclamation of the cross. The death that Jesus dies alone, betrayed, abandoned is a foolishness and a weakness that shapes all reality. Paul says it himself that Christ crucified is “the power of God and the Wisdom of God”.

The Lord of the Rings is set in a world that has not known the Gospel message of God becoming one of us. That is what makes it different from C.S Lewis’s Chronicles of Narnia in which Aslan is a participant in the stories. But it is a world that is shot through with the wisdom and power of which Paul speaks. In it we see that reality is shaped by the Cross. The Lord of the Rings knows it as Providence  showing that there is a hidden Power at work in the world greater than any other that meant Frodo to have the Ring. Gandalf’s Yes to this Providence is indeed a Fool’s Hope but I am on the side of his foolishness and against the wisdom of Denethor.

 

Father and Son: Denethor and Faramir

/ stephencwinter / 4 Comments

Dressed in the livery of the Tower of the Guard, Pippin is hardly noticed as he enters the Chamber with Faramir and Gandalf as they come to speak with Denethor. He stands behind Denethor’s chair as befits his servant and so he is able to watch Gandalf and Faramir as Faramir gives his report to his father.

As we have learnt in recent weeks, Pippin sees with his heart and soul when Faramir reveals that he has met Frodo and Sam Pippin looks at Gandalf’s hands, “white they seemed now and very old, and as he looked at them, suddenly with a thrill of fear Pippin knew that Gandalf, Gandalf himself, was troubled, even afraid.”

Gandalf is afraid, and we will think more about this in another post on this blog, but Denethor is angry. He is angry, even beside himself with rage, because Faramir has chosen, not to bring Frodo and the Ring to Minas Tirith but to allow him to continue his journey to Mordor. Faramir has chosen to disobey his father.

“I know you well. Ever your desire is to appear lordly and generous as a king of old, gracious, gentle.”

As far as Denethor is concerned, that which made Pippin’s heart goes out to Faramir in love is mere play acting. Faramir is playing the part of a gracious lord. We can imagine that from childhood Denethor delighted in his warrior son, Boromir giving him praise even though it was Faramir who was more like his father in wisdom and insight. Does this suggest that Denethor secretly despised his own qualities and wished that he had those that Boromir displayed? I think that it does. After all, when Aragorn served Denethor’s father, Ecthelion, in disguise under the name of Thorongil, Denethor was jealous of him. Aragorn too displayed the warrior qualities that Denethor aspired to.

Aspiring to certain qualities that he perceived himself as lacking, learning to despise the ones that he had, Denethor even comes to believe that Faramir is merely acting. Here too we can see that Denethor has learned, himself, how to play a part. He is the same age as Aragorn and yet he is an old man sitting in his chair in the tower. It is one thing to play a part in our youth. In order to make our way in life we may even have to present ourselves for a time in a manner that others will respect and, perhaps, even admire; but as we grow older and our energy diminishes the effort required to play our chosen part begins to take its toll. Our lives lose the joy and spontaneity that comes when we are freely our true selves. In place of that joyous freedom comes both hardness and anger. The anger is directed at all who seem to display, naturally, the qualities that we desire. And when that person is someone close to us, especially when that person is a son to an embittered father that anger goes very deep indeed.

We can see why in the face of such hostility Faramir turned to Gandalf as a father. In Gandalf Faramir saw one who said a, Yes, to his true self. Under Gandalf’s loving and approving gaze Faramir, just as Aragorn did, was able to grow into his true self and to flourish. That is what true fathering does. It is not that the son has to find a self that is acceptable to the father. That is what Denethor desired of his sons. To find an acceptable self is just as destructive of the true self, of what we might also term as the soul, as is the rebellious self.

That is why we probably need others to be fathers to our sons. Sometimes we are just too close to be able to give them the freedom that they need to flourish. Perhaps that is where the old wisdom of godfathers comes from. It is a wise father who knows when to give way to another to provide what he lacks.

Denethor cannot do that. He needs to control and so his unhappy relationship to his son will play itself out to its tragic conclusion. Of that need to control we will see more next week when we think of Denethor and the Ring.