The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 326-328
Aragorn is anxious to put as much distance as possible between the Company and the eastern gates of Moria before darkness falls. He is sure that they will be pursued by orcs and so he pushes his companions to keep going. But in the fight in the Chamber of Mazarbul both Sam and Frodo were wounded and Frodo by a troll’s spear thrust that, as Aragorn put it, “would have skewered a wild boar”. At first the flow of adrenaline in battle enabled them both to forget their wounds and after that the fall of Gandalf drives everything from mind, heart and body, but as the weariness of the day continues so their hurts begin to claim attention.
“I am sorry, Frodo!” Aragorn cries. “So much has happened this day and we have such need of haste, that I have forgotten that you were hurt; and Sam too.”
So it is that at last Frodo’s hidden mithril coat is discovered. The Company has discussed it once before while in Moria when Gandalf spoke of how it was mithril that always drew the Dwarves back to their ancestral home.
“Mithril! All folk desired it. It could be beaten like copper, and polished like glass; and the Dwarves could make of it a metal, light and yet harder than tempered steel. Its beauty was like to that of common silver, but the beauty of mithril did not tarnish or grow dim.”
It was one of Tolkien’s many achievements in The Lord of the Rings to create something that our imaginations are capable of conceiving and yet does not exist. He saw his work as that of a sub-creator and the word, “sub” was of vital importance here. He chose deliberately to place himself under the Creator in absolute distinction from Morgoth, and later Sauron, who in failing to create anything independently of Ilúvatar would only mar, mock or corrupt. The orcs were the saddest fruit of this desire to create in envy of Eru but one might argue that there were other works such as the corruption of Númenor that were just as unhappy. And here we might note that unhappiness was always the fruit of their work. Was there ever a time when they pursued happiness as a goal in and of itself? Perhaps in the earliest days but in all the history of Arda the works of Morgoth and then of Sauron and their followers are acts of despair. All they can do is to achieve control and thus reject happiness.
Not so Gimli. Readers of Tolkien’s works know how prone the Dwarves were to avarice. The desire of Thorin Oakenshield for the Arkenstone of Erebor almost destroyed the achievement won by the slaying of Smaug. That any gifts were given at all at the ending of The Hobbit seemed unlikely at one point but when at the last gifts were made they were indeed kingly as Gimli put it when he learned that Bilbo had been given a mithril coat by Thorin before he died. In Gimli’s eyes the knowledge that Thorin had given such a gift only made him the greater for great kings made great gifts in all worlds until modern times. And when Gimli finally saw the mithril coat upon Frodo his admiration and reverence only grew.
“But it was well given!”
Later Galadriel will speak praise of Gimli and his understanding of wealth when she says of him that his hands “shall flow with gold” and yet over him “gold shall have no dominion”. It is not that Gimli has no concept of the idea of the price of things. He quite happily states that Frodo’s mithril coat is worth more than the entire value of the Shire but it is beauty that is the true ruler of Gimli’s heart. His greatest work after the War of the Ring was the creation of what artists would now call an installation in the Caves of Aglarond, a true act of subcreation made from crystal, the shaping of caverns and of light. And the gift that he will treasure most will be three tresses of the hair of Galadriel that he will wear next to his heart within a jewel that he has crafted himself.