I recently co-authored a piece published in a magazine and was enormously impressed by the artwork created by the house artist. I respond to what other people write by writing. He responded by creating artwork and did two things. He displayed his understanding of our work and he communicated it to others so as to deepen their understanding too. I was deeply impressed. As I say in my response to Earthoak’s comment on Emily Austin’s piece I think she uncovers real depth through her choice of images and the masterstroke of using pipesmoke to weave them together.
As guest editor I can freely say, one of the many delights of this blog is Brenton’s brilliance in finding and selecting examples of book covers of works under discussion, post after post. But today we have the exceptional delight of reading the inside story of how a contemporary artist and designer, Emily Austin, went to work and became the maker of the cover of The Inklings & King Arthur. However discerning your enjoyment of it is already, I warrant it will be deepened and increased, as mine was, by reading this.
David Llewellyn Dodds, Guest Editor
I had about 36 hours to come up with a cover proposal for The Inklings and King Arthur.
When I found out about the contest (via editor Sørina Higgin’s posts on Twitter), my husband Ryan and I were away from our Indiana home, en route to watch the total solar eclipse in…
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