Pippin sits with the brave and kind, Beregond, at an embrasure in the walls of the citadel while they break their fast together. Pippin speaks a little of his journeys but more than this he wishes to hear of the story of Minas Tirith. And so he learns of the brief moment of hope when the young Denethor retook the ancient city of Osgiliath, but how the Nazgûl came and robbed them of whatever hope they might have had.
So Beregond turns to Pippin and asks him, “And, Master Peregrin, do you see any hope that we shall stand? ”
Where does hope come from? Pippin looks about him at the walls of the city and the citadel, “The towers and brave banners, and the sun in the high sky.” The towers and banners are symbols of the proud history of Gondor standing ever in the vanguard against the darkness, reminding all who stand beneath them of the day when the armies of Elendil and Isildur and the last great alliance overthrew Sauron before his gates. And the sun in the sky is a reminder of that which lasts beyond the lives of even the longest lived in Middle-earth. But nearer still is the shadow that creeps towards them. Pippin looks “at the gathering gloom in the East,” and thinks of the “the orcs in the woods and the mountains, the treason of Isengard, the birds of evil eye, and the Black Riders even in the lanes of the Shire- and of the winged terror, the Nazgûl.” All of these he has experienced personally and no shutting of the eyes or of any gate, however mighty, can make that experience go away or make it less real. The powers of darkness are real and Pippin knows that only too well. Denethor knows that too and here we receive a hint of how he has sought to confront them. Beregond tells Pippin of Denethor’s sitting alone in his high chamber bending “his thought this way and that” searching “even the mind of the Enemy, wrestling with him.”
Later we will learn that Denethor has learned to use one of the Palantir, the seeing stones of Númenor, even as Saruman did. Unlike Saruman the vision of the growing darkness does not lead him to treachery but it did lead him to despair.
And here we see the contrast to Gandalf as we thought about last week. It is not the long intense gaze into the dark that leads to treachery or despair. Gandalf too has wrestled with the dark and so too has Galadriel. They have no illusions about its might. But along with the gaze into the dark has come also a deep and long contemplation of the good, the beautiful and the true. On their journey to Minas Tirith Gandalf told Pippin of how he longed to gaze into the mind of the greatest of artists, Fëanor the maker of the Silmarils, but unlike Fëanor he does not desire their possession. To possess adds nothing to who he is. He wishes to commune only with the beauty of Fëanor’s creation and with the maker himself. Such contemplation and such communion lead to an enlivening and as we saw when we thought of Gandalf’s laughter last week, to an abiding joy.
In the New Testament it is the writer to the Hebrews who puts this best of all. He speaks to his fearful readers first of the great heroes of their faith as a source of courage and then speaks of Jesus, “who for the joy that was set before him endured the cross, despising the shame”. It is the contemplation of the joy that sustained Jesus and the writer to the Hebrews calls upon his readers to learn to look through Jesus’ eyes. Pippin may not yet be able to see the same joy that Gandalf can but he can see Gandalf and for now that is enough. We must do whatever we can to make the same connection. We might start with inspiring people around us and learn what sustains them.