Faramir is a true man. That does not mean that his journey is complete. He has far yet to go and much still to learn and he will be tested to his very limits and beyond them; but the four great masculine archetypes, the king, the warrior, the magician and the lover are all possessed by him in a mature manner and yet he is not possessed by any of them. He lives in a time of war in which the very survival of his people is uncertain, indeed improbable and it is hard to blame his people for honouring the warrior above all else. Faramir is a mighty warrior who leads his men bravely in battle and yet he tells Frodo: “War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the men of Numenor.” And even the city is not to be defended at any cost but that we will think about next week.
Faramir has learned to ask the question that only those who have achieved maturity are able to ask. “What is this for? What does this serve?” The immature are dazzled by the brightness and sharpness of the sword, by the flight of the arrow as it speeds toward its mark and, above all, by the glory of a mighty warrior whom they long to emulate. Boromir, great warrior though he was, was one such man. His desire was that in achieving victory for his people he would be the hero of the story. To be the hero is the natural desire of the young man in the first half of life and we can hardly blame Boromir for what is natural. But such a desire can also be dangerous and in Boromir it led to his attempt to take the Ring from Frodo justifying his treachery in his claim that only in using the Ring against Sauron could victory be guaranteed. When a warrior refuses to accept the authority of the true king harm will come of that rebellion. Boromir’s rebellion cost him his life though much good came from the way in which he acknowledged his guilt and sought to right the harm he had done.
Faramir, by contrast, does not seek glory for himself but for the city of Numenor and even that glory is not the power that she will have over others but it is “her memory, her ancientry, her beauty and her present wisdom.” Such maturity does not diminish his might in battle (which is the mistake that the immature make about this kind of wisdom) but it does understand the purpose of might aright. Power is not a good or an evil in and of itself. It can only become a good when those who wield it learn that it does not exist for its own sake but in order to achieve a good that is higher than itself. It is not wrong to seek or achieve success in a career, to build a successful enterprise or to win a beautiful bride. Such desire can only do harm when it becomes an end in itself; when the car is loved for its swiftness and glamour alone, the house for its size, the success of the enterprise for the glory it gives to the one who created it, the beauty of the bride for the envy aroused in other men. When we learn to ask “Whom does this serve?” then we will be mature. We will be whole.
6 thoughts on “Faramir Teaches Us to Ask: “Whom does This Serve?””
I do very much love your blog. Keep writing!
You’ve taken something seemingly complex, here, and reduced it to essentials in a wonderful way. Whom does this serve, indeed.
I took the idea from Richard Rohr’s book on the myth of the Holy Grail where the central and transformative question is “Whom does the Grail serve?” It struck me that Faramir exemplifies that principle wonderfully.
Hmm, I’ve not read that, but it sounds intriguing.
The title is “Quest for the Grail” by Richard Rohr. He has written a lot about men’s spiritual journeys that I have found very helpful.