“You Cannot Pass.” Gandalf Confronts The Balrog at The Bridge of Khazad-dûm.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.310-323

At the end of their journey through Moria the Company are pursued by orcs and trolls and then, worst of all, by a Balrog, one of the most terrible servants of Morgoth, a survivor of the Elder Days, that had hid from the wrath of the Valar in the depths of the Misty Mountains until it was disturbed by dwarves delving ever deeper in search of mithril in the Mines of Moria. For this is Durin’s Bane. This is why the dwarves have always failed to return to their ancient kingdom and why Balin and his companions had finally fallen after early success in their attempt to regain their ancestral home.

Not knowing the true identity of his foe Gandalf has attempted to turn back its power and has exhausted himself in the process. Now he stands alone on the Bridge of Khazad-dûm knowing that unless he overthrows his enemy the Quest of the Ring and the lives of all the Fellowship are at an end.

“The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.”

Alan Lee depicts the battle on the Bridge of Khazad-dûm. Note how all the light comes from Gandalf and not from the Balrog.

It is at this moment of crisis, of deepest need, that Gandalf reaches down into the innermost depths of his being, of his soul, there to find his true self.

“‘You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.'”

Those who are careful readers of Tolkien will have become used to certain aspects of his style as a writer. Things such as the way that he uses capital letters in certain nouns and his use of exclamation marks. They will notice that the sentence, “You cannot pass”, does not end with an exclamation mark neither at the moment when Gandalf first speaks to the Balrog nor when he repeats these words. In other words Gandalf does not shout. This is not a challenge of a warrior to his foe. It is a simple statement of reality.

The reality is that of the world in which Gandalf and the Balrog both stand. The Balrog is, even in its terrible power, a creature of the shadow, not of the flame in whose light all the works of evil are no more than shadow, even its fire. In his excellent study of the spiritual vision of J.R.R Tolkien, Stratford Caldecott describes the Secret Fire, “the flame of Anor” as “Tolkien’s term for the distinctive creative power of Eru. It is God’s ‘secret’, for only God can truly create ex nihilo (from nothing). For Tolkien the fire represents life, love and creativity, the wisdom and love of God that burns at the heart of the world and sustains it in existence- it is a willed emanation from the creative energy of God’s own self; it is the life of God shared with the world” (Secret Fire by Stratford Caldecott, Darton, Longman and Todd, 2003, p107).

Anna Kulisz wonderfully imagines the Ainulindalë and the Secret Fire at its heart.

This is what Gandalf serves, what Morgoth lusted after in order to possess for himself but could never attain except as a gift freely offered by Eru to all who, like Gandalf, offer their lives in free service to him. Morgoth and his terrible servants, like the Balrog and like Sauron himself, could never possess the fire because they could never serve. The fire that they wield is mere shadow and it is to the Shadow that Durin’s Bane must return. It cannot pass.

Tolkien expresses this wonderfully as the Balrog responds to Gandalf’s words. “The fire in it seemed to die, but the darkness grew.” And so begins their mighty struggle upon the Bridge of Khazad-dûm to which I will return next week.

Gandalf Gives Light in the Dark of Moria. Matt Stewart’s fine depiction of the Servant of the Secret Fire.

What Was Gandalf?

When we read the story of the journey of Frodo and Sam into Mordor we noted that he did so through the voice of Sam. Now he tells the story through Pippin and later he will do so through Merry. It is Pippin who watches Gandalf and Denethor wrestling with one another.

“Pippin saw a likeness between the two, and he felt the strain between them, almost as if he saw a line of smouldering fire, drawn from eye to eye, that might suddenly burst into flame.”

Pippin’s first reaction as he gazes at them both is that Denethor is the more kingly and that he is older.  In fact Denethor is only one year older than Aragorn and yet Denethor is indeed old while Aragorn is at the height of his powers. Both are descended from the race of Númenor and yet the story of Númenor runs more truly in Aragorn and this is not just because he is descended from Elendil and Isildur.

Pippin begins to see this as he gazes at them. Denethor may look more kingly and yet “by a sense other than sight Pippin perceived that Gandalf had the greater power and the deeper wisdom and a majesty that was veiled. And he was older, far older.”

Pippin is growing up. He is beginning to see things as they really are. In the New Testament this is called the discerning of spirits. Pippin still thinks of himself as a boy and when he meets Bergil later in the day he will feel the relief of not being among the mighty any longer but whether he wishes it or not he is leaving childhood behind. Thankfully he will carry the best of childhood with him as Gandalf did when he played with fireworks in the Shire at Bilbo’s party. The best of adults never lose it. There is a playfulness about them that travels along with the seriousness. In some like Tom Bombadil it is very strong indeed. In characters like Saruman and Denethor it has been lost almost entirely. In Théoden it is found through his brief friendship with Merry.

“What was Gandalf?” Pippin asks. Tolkien never quite reveals the mystery of one of his greatest characters. He tells us that the wizards, the Istari, first came to Middle-earth after the first thousand years as the darkness begins to grow once more. Their task is to encourage the free peoples of Middle-earth to resist it, each doing so in their own particular way. But what they were before this we are not told. When Gandalf confronts the Balrog at the Bridge of Khazad-dûm he declares that he is “a servant of the Secret Fire, wielder of the  flame of Anor.” In his excellent book on Tolkien’s spiritual vision, Secret Fire, Stratford Caldecott speaks of the fire as Tolkien’s term “for the distinctive creative power of Eru” that represents “life, love and creativity, the wisdom and love of God that burns at the heart of the world and sustains it in existence- it is a willed emanation from the creative energy of God’s own self; it is the life of God shared with the world.” This is the fire that Melkor/Morgoth seeks for himself but he cannot find it “because it is with Ilúvatar”. Even Morgoth’s own existence is dependent upon God and so is Sauron’s and all who serve him. Thus they cannot create and can only mar as is most terribly true of the orcs who are twisted forms of the Elves the most beautiful of God’s creatures.

This is what Gandalf serves and yet it is, as Pippin realises, veiled. And that is the nature of love and of grace. It has to be veiled if it is to inspire courage and goodness in others and not to overwhelm them or force them to behave in a particular way thus taking away their freedom. There is nothing veiled about Saruman who seeks the admiration of others. And just like Pippin we have begun to learn wisdom when we stop looking for greatness in the obvious and begin to see it in the hidden and in the veiled.