Saruman and Gandalf: The Spiritual Guides of our Day

Soldiers everywhere have a clear sense of priority and Tolkien, drawing on his memories of the trenches of the First World War, knew that well. The sharing of news, unless that news requires immediate action, must always follow after food and some rest. So it is that it is only after they have feasted together and smoked in companionable silence that Merry and Pippin begin to tell the tale of the Fall of Isengard and the revenge of the natural world against the world of the machine.

“An angry Ent is terrifying,” said Merry. “Their fingers and their toes just freeze onto rock; and they tear it up like bread-crust. It was like watching the work of great tree-roots in a hundred years, all packed into a few moments.”

Saruman at first is utterly bewildered by an attack that he never anticipated so it is the bewildered wizard that the hobbits first encounter and they are not impressed.

“His wizardry may have been falling off lately, of course; but anyway, I think he has not much grit, not much plain courage alone in a tight place without a lot of slaves and machines and things, if you know what I mean. Very different from old Gandalf. I wonder if his fame was not all along mainly due to his cleverness in settling at Isengard.”

I want to suggest here that Saruman stands as a warning to the West in our own time. As Aragorn says of Saruman, the West was once as great as our fame made us. Our “knowledge was deep” our “thought was subtle” our “hands marvellously skilled”. But we have come to put our trust in the things that we have made and in the armies of slaves who keep us. Our food is grown by workers paid hardly enough to survive, the temples of Mammon in our great cities cleaned by people who disappear into the shadows once their work is done. Meanwhile we fantasise about artificial intelligence and the development of robots and in our right to live as if the whole of creation exists simply in order to serve us. Like Saruman in his speech made to Gandalf when he imprisoned him in Orthanc we “approve the high and ultimate purpose: Knowledge, Rule, Order” believing ourselves to be numbered among the great who must by right be the beneficiaries of this “purpose”.

In Saruman and Gandalf Tolkien offers us two contrasting spiritual journeys. The one, a journey towards the destruction of humanity both in body and in soul, a journey towards the ultimate victory of Mordor; the other, a pilgrimage made in service of all who seek true freedom not just for themselves but for all peoples, knowing as Augustine said: “What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men”.  And knowing, as all pilgrims do, that each place where we lay our heads can never be permanent, however long we may remain there, but only a brief rest along the way. The pilgrim knows that to build our own Isengard is a fantasy at best and at worst the creation of a slave’s imitation of Barad-dur. The pilgrim knows that our true rest lies only at the end of the journey and that all other rests are respites gratefully received when they come but to be left behind before they become temptations. And the pilgrim knows as Augustine prayed in his Confessions “You have made us for yourself, O Lord, and our hearts are restless until they rest in you.”

On Hearing The Music of the Ainur

Those who have been reading my Blog that seeks to distil wisdom from The Lord of the Rings will know that I have been reading the text carefully and then reflecting upon what I find there. I happen to think that Tolkien was a man of profound insight. I also think that he was an explorer and that what he discovered in his creation often surprised him. So it is that what we find when we read his work is not a carefully worked out philosophy imposed upon a narrative structure although Tolkien’s Christian faith is a springboard that is absolutely necessary for his explorations. Tolkien genuinely did not know in advance what his characters would do as the story developed. I think that is the reason why it took him so long to write his work. And perhaps one of the reasons why The Lord of the Rings speaks so powerfully to the modern mind is that none of its characters is capable of, or presumes to speak, authoritatively of God or the ultimate mystery of being and of life. You get the impression that Gandalf may know more than most but he does not tell. All that we learn from him is that there is a mystery that gives meaning to all that each character in the story chooses to do.

It was back in January 2013 that I wrote about Frodo in the halls of Elrond of Rivendell. At that time I wrote the Blog on my website http://stephenwinter.net/page6.htm#131194 and in that posting wrote about Frodo’s “dream of music that turned into running water, and then suddenly into a voice”. Music is Tolkien’s metaphor for the unfolding of history, one that he unfolds most fully in the first chapter of The Silmarillion, The Music of the Ainur. The Ainur are the angelic beings whose task it is to work with God (Ilúvatar) in the governing of his creation. I do not think therefore that Frodo’s “dream of music” is an accidental detail in the story. He connects for a moment with the Great Music and also with the Great Story for the voice that he hears as he emerges from the dream is Bilbo’s as he chants his own telling of the tale of The Voyage of Eärendil that is chapter 24 of The Silmarillion. Later when he takes the Ring at The Council of Elrond Frodo declares his own Yes to the Music and the Story. He cannot himself control the story to which he says Yes although because he bears the Ring of Power he is tempted to believe that he has the capacity to do this but he is carried by the story and by the music from the moment of choosing until the fulfilment of the choice at the Cracks of Mt Doom.

At the ending of one year and the opening of another I wanted to return to this story in Rivendell from my reflections at the ruined gates of Isengard. For we cannot drift aimlessly through life as if there were nothing to be discovered, no commitments to be made. When I started writing this Blog I intended to reflect on composers and writers who I believe to have made a connection to the Great Music and the Great Story and if my readers are interested then I will try to do so next week before returning to Isengard and to Aragorn, Legolas and Gimli as they are reunited with Merry and Pippin. Here I will just say that if 2015 is to be fruitful then it will be because of the commitments we make to the Music and the Story. If we are true to the wisdom of The Lord of the Rings then we will not seek to make authoritative statements about the Mystery but in our own commitments we will seek it out. It is because of his search that Frodo hears the music and the story in the halls of Elrond, that Merry and Pippin meet the Ents in the forest of Fangorn, that Gimli finds understanding in the words of Galadriel and heart breaking beauty in the caves of Aglarond. If we remain true to our own search then we too will find such wonders. You may remind me that I should not forget Frodo and Sam in Shelob’s lair or Merry and Pippin as prisoners of the orcs for if we are true to our Yes then our journey will take us to such places as well but what it will not be is some aimless and meaningless drifting. It will be a true adventure of Joy and Sorrow. We will be men and women who are fully alive.

Gimli Teaches Us The Importance of Seeing

After the victorious ending of the Battle of Helm’s Deep Gandalf takes Théoden and a small company with him to go to Isengard and for the first time since the sundering of the Fellowship at the Falls of Rauros the pace of the story is able to slacken somewhat. The pursuit of the orc company who seized Merry and Pippin, the rush to Edoras and the battle that followed all lie behind and many and great dangers lie ahead, but for a brief time Legolas and Gimli have time to look about them and to wonder.

Both of them are drawn to those things that delight them most. For Legolas this means all that grows in the earth and he wonders at the Ents and the trees that they tend; and for Gimli this means the earth itself and the wondrous caves of Aglarond that he has just encountered.

Legolas is drawn to the ancient wonder that dwells within the Forest of Fangorn that we thought about when Merry and Pippin escaped from their captors and met Treebeard in Fangorn. Immediately he wants to know, to understand and to communicate: “They are the strangest trees that ever I saw…and I have seen many an oak grow from acorn to ruinous age. I wish that there were leisure now to walk among them: they have voices, and in time I might come to understand their thought.”

And in this we remember that Treebeard told the hobbits that it was Elves who first taught speech to the Ents. It is Elves who long to commune with all living things and to draw them into their own beatitude, their own state of blessing, that all creation might find its own voice and thus speak with the One.

But if Legolas is moved by his delight in the living forest he is outmatched in this by his good friend Gimli. The three pages in The Lord of the Rings in which Gimli describes the Glittering Caves of Aglarond are among the most beautiful in the whole work and Tolkien gives this beauty to a dwarf! Even Legolas declares, “I have never heard you speak like this before.” I wish I had space to quote them in full but I will just have to encourage you to read them for yourself. Just one section must be quoted and that is Gimli’s response to Legolas’ concern that Dwarves might mar the natural beauty of the caves in their greed for gain.

“No, you do not understand,” said Gimli. “No dwarf could be unmoved by such loveliness. None of Durin’s race would mine these caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap- a small chip of rock and no more, perhaps, in a whole anxious day- so we could work…”

As we read these words they call to mind Leonardo da Vinci working in this way on his great fresco of The Last Supper at the Convent of Santa Maria delle Grazie in Milan. It is said that he would spend whole days just looking at his work as it unfolded and doing nothing. Imagine describing such a way of working in an appraisal interview!

What we see described here at this brief moment of rest in the story is the fruit of intense seeing and then the using of the language of seeing. Tolkien gives to these two friends the roles of artist and poet. And why do so at this moment in the story? Is it perhaps to make the contrast with Saruman, the man whose mind is full “of metal and wheels”, who we are about to meet face to face, even greater? Or is it to show that these heroes are more than just warriors and are only warriors at all at greatest need? Surely at the least he shows us that his warriors are first of all great lovers and that it is because of this that their prowess in battle can bring forth good. Tolkien will return to this later in the story in his reflection on the contrast between the brothers, Boromir and Faramir, but we will leave this part of the story, perhaps, contemplating our own need to train our ability both to see and to learn to describe what we can see.

Aragorn Abandons Himself to Providence

The attack on Helm’s Deep and its fastness, The Hornburg, is relentless and eventually Saruman’s forces stand on the verge of victory and at the darkest hour Aragorn finds Théoden fretting in the prison of his fortress.

“Had I known that the strength of Isengard was grown so great, maybe I should not so rashly have ridden forth to meet it, for all the arts of Gandalf. His counsel seems not now so good as it did under the morning sun.”

But Théoden is not about to shrink into the shrivelled creature that Gandalf had found in Meduseld just a few short days before. The work that Gandalf did in liberating him from Wormtongue’s grip has been too thorough and Théoden resolves to make a final charge upon his enemies and calls upon Aragorn to join him.

“Maybe we shall cleave a road, or make such an end as will be worth a song- if any be left to sing of us hereafter.”

And Aragorn resolves to ride with him.

Ever since Gandalf returned to Aragorn, Legolas and Gimli in the Forest of Fangorn, Aragorn the man of doubt has become the man of resolve. For in that moment Aragorn chose to follow Gandalf, the man who has passed even through death itself, without reserve. https://stephencwinter.wordpress.com/2014/02/12/you-are-our-captain/

This was not always the case. In the early stages of their journey Aragorn and Gandalf debated about the wisest road for the company to take. Gandalf wished to take them through Moria and eventually they went that way though against the counsel of Aragorn. And when Gandalf fell in battle against the Balrog it seemed that Aragorn was right. But being right did not give him confidence and thereafter he was wracked by doubt at every step. His decision after the death of Boromir and the capture of Merry and Pippin at The Falls of Rauros to follow the young hobbits was one taken without hope. Aragorn was sure that he and his friends were likely to die in the forest and he abandoned his dream of claiming the throne of Gondor and Arnor and with that the hand of Arwen. But when Gandalf returns Aragorn no longer fears anything, not even death itself. He is sure even in the darkest moment at Helm’s Deep that Gandalf will keep his promise to return to them but that certainty does not prompt him to hide in The Hornburg. He will honour Théoden’s courage in choosing to attack his foes.

In essence from the moment of reunion in Fangorn Aragorn abandons himself to Providence. Such an abandonment is not to some blind unfeeling fate. To be abandoned to Providence is a commitment to the Supremacy of the Good and is wonderfully liberating and energising.

The Thirteenth Century German mystic, Meister Eckhart, wrote: “When you have emptied yourself of your own self and all things and of every sort of selfishness, and have transferred, united and abandoned yourself to God in perfect faith and complete amity then everything that is born in you, external or internal, joyful or sorrowful, sour or sweet, is no longer your own at all, but is altogether your God’s to whom you have abandoned yourself.”

So it was that Eckhart could say, “I never ask God to give himself to me: I beg him to purify, to empty me. If I am empty, God of his very nature is obliged to give himself to me.” Aragorn never asked to be emptied but this is what has happened to him and even though Tolkien never names God explicitly in The Lord of the Rings Aragorn receives a glory in the moment of his final abandonment that will sustain him through all the days that lie ahead.

Legolas and Gimli teach us about the Mystery of a Person

“No common recipe for children’s stories will give you creatures so rooted in their own soul and history as those of Professor Tolkien- who obviously knows much more about them than he needs for this tale.” So wrote C.S Lewis in his anonymous review of The Hobbit in a 1937 edition of The Times Literary Supplement. Lewis himself knew perfectly well that Tolkien knew far more about his creations than was required for The Hobbit for he was privy to his friend’s labours in the creation of a world that had already taken the best part of a quarter of a century.

What this means is that every character in Tolkien’s work has a depth that is almost unique in literature. For not only do we have the development of a character within each of his books but also the way in which each character has been shaped by a particular history, not just their own but that of their people, and not just of their people but the way in which their people’s history has interacted with a greater one.

So it is that Legolas and Gimli bring to each of their actions within The Lord of The Rings the kind of depth that any person brings when they walk into our lives. However, they may bring that depth but we may not ever perceive it because we choose not to make the effort to do so. Equally it is possible to read the stories of Legolas and Gimli within The Lord of the Rings as just being there to make up the numbers in the Fellowship or to set in some kind of relief the bigger figures in the story, such as Aragorn. Of course it is one of the features of all of our lives to set each other’s stories in relief. It is a humble and humbling feature of our lives that in relation to the story of an Other we may only be comic relief for example, but this kind of shallow reflection of one another is all too common. Tolkien does not make that mistake and in his description of the Battle of Helm’s Deep in which Legolas and Gimli’s participation does have comedic elements we know that both bring with them a long history with orcs and with one another that makes some sense of their counting game.

Gimli will not have forgotten that his father, Gloin was once the prisoner of Legolas’ father, Thranduil of Mirkwood. Dwarves keep long scores of wrongs done to them and their forebears. And Elves who have the longest memories of all would remember betrayals by Dwarves that went back to The First Age of Middle Earth and the wars with Morgoth of Angband. So it is that when Legolas and Gimli stand and fight together we know that a profound act of healing and reconciliation has taken place that that belongs not only to the pages of The Lord of the Rings but also other stories too.

We do not have the time to tell these stories now. I hope there may be other occasions when we are able to return to them. What we can see now is that all our stories are a mysterious weaving of personal and greater histories, of character and of archetype, of word and of flesh. We do wrong to ourselves and to one another when we reduce ourselves and one another to merely the personal or merely the greater. Gimli is not just a Dwarf nor Legolas just an Elf. I am not just English. Actually I know I am not just English because through my great grandparents on my mother’s side I am part Irish and through my great grandparents on my father’s side I am part Italian. But I cannot be reduced even to that bigger story, there are so many other layers too. I am a mystery even to myself and always will be. And if I am to do due honour to others then I am not permitted to reduce them to some small part of my own tale. They are far too big, far too mysterious for that. I must seek to give them the worthship to which they are due.

A Meditation on a True King

The Riders of Rohan ride for two days towards the Fords of Isen where the remnant of the army that had been commanded by Theodred, son of Théoden, until he fell, still strive to hold out. They are met by a messenger who counsels them to go no further.

“Where is Eomer?” he cries, “Tell him there is no hope ahead. He should return to Edoras before the wolves of Isengard get there.”

The whole mood is one of despair and the arrival of Eomer makes no difference to this. But then Théoden rides forward and speaks to the messenger.

“I am here,” he says. The last host of the Eorlingas has ridden forth. It will not return without battle.”

And with those words everything is transformed. The messenger falls to his knees “with joy and wonder”. No new hope has been given. The likely end to this story is still death for them all and the end of Rohan and yet despair has gone because the King has come to his people. What until that moment had been expectation of a meaningless death is now full of meaning. We know that the title of the last volume of The Lord of the Rings was The Return of the King and that it refers to Aragorn and his return to Gondor; but it could equally refer to Théoden and his return to his own people, the Rohirrim. The return of the King always brings transformation.

In their study of the masculine psyche, King, Warrior, Magician, Lover Robert Moore and Douglas Gillette write, “The mortal man who incarnates the King energy or bears it for a while in the service of his fellow human beings, in the service of the realm (of whatever dimensions), in the service of the cosmos, is almost an interchangeable part, a human vehicle for bringing this ordering and generative archetype into the world and into the lives of human beings.” In other words it is the energy that matters more than the person. If Eomer were the king as he will be later then his arrival would be enough. He would incarnate the King energy just as Théoden does now. What matters is that the energy must be incarnated by a true king who gives his life in service of the people, the realm, the cosmos. When that happens a life giving order comes to the world.

This is what distinguishes a true from a false king. The false king, as Moore and Gillette say, is either a tyrant or a weakling. The Rohirrim go to war with Saruman, the tyrant, the false king, who can only impose order by force and fear and whose rule will always take life and not give it. Even the instruments of the tyrant must ultimately be a denial, a mockery, of life. In The Lord of the Rings this mockery is expressed by means of the orcs. But it is not only from the tyrant that the people seek liberation but from the weakling too. The Rohirrim have been delivered from their own weakling king. As Moore and Gillette put it, “Kings in the ancient world were often ritually killed when their ability to live out the King archetype began to fail. What was important was that the generative power of the energy not be tied to the fate of an aging and increasingly impotent mortal.”

Gandalf has liberated Rohan from their increasingly impotent king and an energy is released in its people that Saruman and his slaves can never know. Now even if they are defeated the defeat will not be meaningless but still generative. Now the deaths that have been suffered at the Fords of Isen and the death of Theodred, the king’s son have meaning. We will end this week with Moore and Gillette again.

“When we are accessing the King energy correctly, as servants of our own inner King, we will manifest in our lives the qualities of the good and rightful King, the King in his fullness… We will feel our anxiety level drop. We will feel centred and calm, and hear ourselves speak from an inner authority. We will have the capacity to mirror and to bless ourselves and others.”

The Dark Lord is Afraid of the Dark

Last week I tweeted the link to my Blog “The Darkness Shall be the Light” and then became anxious. What if people should think that I was a supporter of Sauron, the Dark Lord himself? Surely this would be the kind of slogan that either he or his lord, Morgoth, might use? And so I rapidly typed in the words, “And I don’t mean Sauron!” into my Tweet. But after sending it I began to think. Why should I not mean Sauron? For Sauron would try to twist anything to his own purpose, even light itself. Readers of this Blog will know that I have thought of Morgoth’s hunger for light, a story that Tolkien told in The Silmarillion, on a number of occasions. Tolkien tells how Morgoth destroyed the Trees of Light with the aid of the monstrous spider like creature, Ungoliant, and later how he stole the Silmarils, jewels made by Feanor that captured the light of the Trees, and placed them in his iron crown even though they caused him torment. Thus the relationship between Morgoth and his followers, Sauron foremost among them, is ambiguous and contradictory from the start. And how could it be otherwise? For Morgoth and Sauron desire that which will expose them and leave them vulnerable and will also remind them for ever of the blessed state that they have rejected in favour of their own desire for power over others.

And there is one thing more that struck me as I considered this. Sauron fears the very thing that he uses as a weapon against others. He does not delight in the dark as I might delight in a scene of great beauty like the view from a hill top. He can only use something. He cannot delight in it. For delight is the enjoyment of something or someone for their own sake. I do not seek to own the view that lies before me and even if I did I do not think that it could give me more pleasure than it does. Sauron can never think like this. He is only capable of thinking in terms of usefulness and especially in terms of how he can use something in order to gain more power over others. Long experience has taught him that he can use darkness as an instrument of fear, that by cloaking himself he can suggest to others that his power is greater than it truly is. He seeks to blot out the light of the sun in order to weaken the resolve of those who would resist him and yet he knows that should he fail what awaits him is endless night and he fears that above all. Sauron, the Dark Lord, is afraid of the dark, he is afraid of death.

And this makes him different from the members of the Fellowship of the Ring. They too fear the dark and yet they love the light more and for the sake of the light they will journey down dark roads, facing their own fear and overcoming it. It is because of the dark journeys that they themselves have taken that Gandalf and Aragorn are able to bring Théoden out of his dark places into the light and then onwards into battle with little hope first against Saruman and then the Dark Lord himself. They teach Théoden that beyond all nights there is a dawn and that at the ending of this world of shadows there is the True Dawn.

Near my home there is a woodland with two streams running through it that join at its heart. Last year in the dark months I did not venture into it except in the daylight. This year I have decided to make a daily journey in it to the point where the streams join a spiritual exercise. I want to make my own dark journey through the woods. It is only a journey of a couple of hundred yards but each day I leave the known way of the path that runs past the woods and step into them into sudden and deeper dark. I realise that I am reliant on my memory of familiar points along my way and also the feel of the ground beneath my feet. There is a narrow path through the woods though it is not distinct enough for me to be able to see it, even at my feet. I rely on making out the difference between feel of the trodden down ground of the path and the softer ground that lies to either side of it beneath my boots. At present I am concentrating on the physical experience. How it feels not to be able to see, the moments of anxiety when I miss my way, and the excitement and relief when I meet the joining of the streams or clasp a great beech tree that tells me that I am near the end of my own dark journey. Eventually I would like to develop a form of prayer that will make the experience more consciously my own and help me to open my self to whatever gifts this place and the walk through it at this dark time of the year might be awaiting me. Most of all I seek the dawn that come only through journeying through the dark of the night. Maybe I will meet and overcome the monsters in my own psyche. Maybe I will journey through my own sense of loss and the death of my hopes as Aragorn does.

What Can the Weather Teach Us?

Gandalf and Théoden emerge from the darkened hall and stand upon the highest stair. How long is it since Théoden last stood there? As if to emphasise the point Tolkien tells us that a keen wind is whistling in through the doors and breaking up the musty stillness of the hall.

“Now, lord,” says Gandalf, “look out upon your land! Breathe the free air again!”

And as Théoden breathes and the cold air fills his lungs Tolkien tells us that “curtains of wind-blown rain were slanting down.” In his first venture into the open air in many a long day the king of Rohan is getting wet!

It is, of course, no mistake that Tolkien wishes to draw our attention to the weather. The contrast must be drawn between the dead and darkened air of Théoden’s hall with a wizened old man shrinking into the shadows and the keen air that blows over a wide land bearing a cleansing rain upon a mighty king who has come into the light. Théoden is being washed clean and he must stand and take whatever the weather chooses to throw at him. We might even say that he needs this weather; that a warm and gentle breeze upon a spring morning would not be sufficient for him.

It is the essence of the Babel story found in the bible that humankind wishes to create a city that shuts God out, one that is self-controlled and self-contained. In our own time we seem closer than ever before to making the story a reality. Our ability to create micro-environments in homes, places of leisure and work and in the modes of transport that take us from one to another of these places bears witness to our mastery over the world. We are the lords of Babel indeed! We are our own gods now! We may note that just as in the old story the peoples may be divided from one another but we have progressed from the early story-tellers and their world. We can build high walls with strong gates to bar the outsider so that our personal Babels are both environmentally and socially controlled. London may be the tuberculosis capital of Europe but as long as we can keep the poor who are afflicted by the disease from our gates then it matters very little. We may even be able to persuade our government to withdraw the right to free healthcare from such people and so reduce our taxes.

And while this happens we do not even notice that spiritually we are becoming the shrunken dwarf that was Théoden before Gandalf freed him. We do not know that we become ever more helpless before our foes for we surround ourselves with counselors like Wormtongue in the form of our newspapers and other media outlets and in our gatherings of like minded acquaintances.

How we need a Gandalf to set us free from our darkened halls, to lead us out into real and uncontrolled weather and to make us stand there until we are made clean by the icy rains of reality. How we need a counselor who will say to us, “cast aside regret and fear… do the deed at hand.” One who will take us out of the half lives of our present age and make us truly human, fully alive.

And if we do not have such a counselor then we must take ourselves out into the weather day after day until it has taught us that which we need to hear.

A Life as Brief as a Sparrow’s Flight

As Gandalf, Aragorn, Legolas and Gimli approach Edoras, the dwelling place of Théoden, King of Rohan and the Rohirrim they ponder the story of that people. Five hundred years the Rohirrim have dwelt in that land since first Eorl the Young led them to the field of Celebrant to aid the people of Gondor in battle. To them that day is so long ago that they have no memory of what came before but to Legolas, ageless wood elf of the Greenwood, those five hundred fallings of the leaves seem “but a little while.” And so Tolkien calls to mind another of the great themes of his stories, the great difference between elves and humankind. The sorrow of being human is to know the brevity of life; the sorrow of being an elf is not themselves to know death and yet to know the decay and loss of all else that lies about them.

Aragorn, who served Théoden’s father, Thengel, at one time in his youth, sings one of the songs of the Rohirrim in their own tongue. Legolas, not knowing the tongue, speaks of it as “laden with the sadness of Mortal Men.”

Where now the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing?…Who shall gather the smoke of the dead wood burning, Or behold the flowing years from the Sea returning?”

It is the image of the vain attempt to gather up the smoke of the fire that is most poignant in the song reminding us that we, who are mortal, can no more hold onto life than to perform this impossible task.

Tolkien was one of the greatest scholars of early English of his time and surely here he recalls the famous speech recounted by the Venerable Bede in his Ecclesiastical History of the English People in which the pagan priest, Coifi, addresses Edwin, mighty king of the Northumbrians. Paulinus has just declared the Christian message to the king and Coifi speaks.

“It seems to me that the life of a man on earth is like the swift flight of a single sparrow through the hall, where you, O King, sit at table on a winter’s day with your captains and counsellors. In the midst of the hall there is a comforting fire to warm it. Outside the storms of winter rain and snow are raging. This sparrow flies swiftly in through one window of that hall and out through another. While he is inside, the bird is safe from the winter storms, but after a few moments of comfort, he vanishes from sight into the wintry world from which he came. So man appears upon earth for a little while- but of what went before this life, or what follows, we know nothing.”

I first heard this story as a young boy and this image seared itself into my consciousness. I could see the hall of the king, the fire burning brightly, the winter storm blowing outside. I could see the bird flying swiftly from one window to another. And at some level, perhaps beyond understanding, I knew that life was short, so heartbreakingly short.

When Gandalf and his companions arrive at Meduseld, the hall of the king, they find the Rohirrim, bowed down under the weight of this consciousness and unmanned by the whisperings of Grima Wormtongue, secret servant of Saruman. But soon the people of Rohan will be woken to new hope and to brave deeds. They will find such meaning in their brief life that they will be able to stand against all the powers of darkness that now oppress them.

But that is for another week…

Living a Life that is Too Big for Us

It was a year ago, after trying to write a book about The Lord of the Rings for the best part of a couple of years and basically getting nowhere, that I discovered that although I did not seem capable of writing a thousand words a day and constructing whole chapters I could write 500-700 words each week and post it as a Blog. This isn’t a boast on my part but I seem to be able to construct what would be a weekly column if I were writing for a newspaper. And so that is what I have been doing ever since that time. I have been journeying with Frodo Baggins and his companions all the way from Bilbo Baggins’s Birthday Party till Merry and Pippin’s encounter with Treebeard in the Forest of Fangorn after their escape from the Orcs and as I have done so I have written a weekly reflection on each section that I have read. I have not tried to be scholarly. I am just someone who has been reading this great work since being introduced to it by my schoolmate, Jon Flint, when I was about 14 or 15 years old. That is over forty years now and I feel that I have something to say about a book that I have loved ever since that time. I share J.R.R Tolkien’s Christian faith although not his Roman Catholicism. Like Tolkien’s great friend and collaborator, C.S Lewis, I am an Anglican.

Reading The Lord of the Rings slowly and thoughtfully has been a rich experience and I hope that I have managed to convey some of that in my weekly blogs. I have been especially caught up with the hobbits who find themselves in a story that is too big for them. And although they grow with the story they can never become heroic figures like Aragorn or Boromir. All they can do is to offer what they can the best they can. There are some in the story who have great discernment and see this offer as a deed of great worth. Faramir of Gondor is one and so is Treebeard of Fangorn who allows Merry and Pippin to lead him into an adventure that is likely to end with the destruction of the Ents. Come to think of it, both of them allow themselves to be carried into stories too big for them as well.

If there is a Christmas message in this (and I hope you won’t mind me for looking for one at this season) then it is the idea of a God who chooses to come among us and to commit himself to the same experience that we know, living a life that is too big for us and yet doing it with faithfulness, joy and love.

If you want to look at any of my earlier blogs from December 2012 to October 2013 you will find a complete archive on my website http://www.stephenwinter.net/page6.htm and whatever you do over the Feast of the Nativity may you do it with joy and delight.