The Hero’s Journey

“Down Into The Land of Shadow.” Tolkien’s Ending of The Fellowship of the Ring.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.397-398

Those who came to know The Lord of the Rings through the films that were made some twenty years ago by Peter Jackson will have been surprised when they first read Tolkien’s own ending to the first volume of his trilogy, The Fellowship of the Ring. Tolkien gives us no battles, no brave self-sacrifice from Merry and Pippin offering themselves to the orcs so that Frodo can escape, no farewell by Aragorn to Frodo, and no heroic death of Boromir. That last will take place off stage at the beginning of The Two Towers. Instead he gives us this…

“So Frodo and Sam set off on the last stage of the Quest together. Frodo paddled away from the shore and the River bore them swiftly away, down the western arm, and past the frowning cliffs of Tol Brandir”

Frodo and Sam struggle to get past the current of the river that seeks to drag them over the mighty falls and so at last make their way to the east bank, and then…

“At length they came to land again upon the southern slopes of Amon Lhaw. There they found a shelving shore, and they drew the boat out high above the water, and hid it as well as they could behind a great boulder. Then shouldering their burdens, they set off, seeking a path that would bring them over the grey hills of the Emyn Muil, and down into the Land of Shadow.”

We can understand why Peter Jackson decided to end his first film differently and I, alongside the packed theatre audience who witnessed the film, was glad to stand and applaud it. It was a masterpiece in its own right and I could not wait for the release of The Two Towers which is what Jackson had intended.

But Tolkien had his reasons for ending this first part of his great story in this way and if I were to try to create the scene as I think Tolkien intended us to see it I would slowly draw the camera back from Frodo and Sam as they set off on their journey until all we could see was two small figures set against a vast and empty wasteland.

There is an old and deeply poignant prayer of the Breton people of France whose ancient language is related to Welsh, a tongue that Tolkien loved. It simply states that “O God, thy sea is so great and my boat is so small.” I have known it for some time through a collection of prayers from the Celtic tradition of which the Breton tongue is a part but discovered while preparing this blog post that an American admiral gave a small plaque to President John Kennedy, a fellow sailor, with this prayer inscribed upon it. The point of the prayer, as President Kennedy received it, was to remind us of our smallness against the vastness of the universe in which we are set. Kennedy kept the plaque on his desk in the Oval Office throughout his term of office to teach him humility. Presidents need such reminders in a way that Breton fisher folk do not. For them, and for all the “little” people of the earth, it is enough that they must set out each day into a world that is so much bigger than they are, and Tolkien intends us to see Frodo and Sam among such people. Their journey is not heroic in the sense that it is a conquest of the world although Elrond was right to compare Frodo to the great heroic figures of the First Age like Hurin and Beren, it is heroic in the sense that ordinary life is heroic. Ordinary folk shoulder their burdens and set out, seeking a path through a life that is so much bigger than they are. Frodo and Sam know that what they seek to do is far too big a task for people like them but they do it anyway because it is a task that they have been given to do.

Surely Tolkien drew here upon his memories of the ordinary soldiers on the Western Front in the First World War who did their job against overwhelming odds and did not see their lives as wasted because doing their job was what life was all about. It reminds me of a conversation I once had with a woman whose husband had worked all his life in a job that he hated in order to feed his family and did it with pride so that the high point of his week was to cook breakfast on a Sunday morning and to share it with them all. That is the kind of heroism that Frodo and Sam represent.

Tolkien wanted to teach us the heroism of the “little” people of the world.

“There Must Be Someone of Intelligence in The Party”. On the Choosing of The Heroes Who Will Help Frodo to Take The Ring to The Fire.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.264-267

Elrond honoured Frodo’s offer of himself to take the Ring to the Fire by speaking of the heroes of the past. “If you take it freely,” he says, “I will say that your choice is right; and though the mighty elf-friends of old, Hador and Húrin, and Túrin, and Beren himself, were assembled together, your seat should be among them.”

Alan Lee depicts Túrin Turambar, one of the children of Húrin

When The Lord of the Rings was first published in 1954 little was known of these names except for Beren because of the story that Strider told to the hobbits in the camp below Weathertop on the night on which the Nazgûl attacked and wounded Frodo. The Silmarillion was not published until after Tolkien’s death and in the years since our knowledge of them all has grown thanks to the work of Christopher Tolkien. But if all we knew of them was the list that Elrond gives us, that phrase, “mighty elf friends” would be sufficient to evoke our deepest respect and even a little awe.

The four “mighty elf-friends of old” that Elrond names are figures of the First Age of Arda. They were the mortal Children of Ilúvatar who, upon entering Beleriand, chose to side with the Elves against Morgoth. Deeply flawed though they were, it was their implacable denial of despair in the face of the seemingly inevitable victory of darkness that shines out again and again through the long defeat of that age. Typical of this spirit we read of Húrin at the terrible battle of Nirnaeth Arnoediad.

“Last of all Húrin stood alone. Then he cast aside his shield, and wielded an axe two-handed; and it is sung that the axe smoked in the black blood of the troll guard of Gothmog until it withered, and each time that he slew Húrin cried: “Aurë entuluva! Day shall come again!”

Jenny Dolfen imagines Húrin at Nirnaeth Arnoediad

It is of heroes like this to which Elrond likens Frodo, not because of his martial ferocity but because of his quiet courage in the face of an impossible task. When he and Sam and Bilbo meet with Merry and Pippin, Frodo describes his mission as “a hopeless journey”. There is no point at which he regards it as anything less than hopeless and yet he never thinks of turning back, of resting in Rivendell, “a long while, perhaps for good”.

Frodo is a hero to stand with the Elf-friends of old because of the choice that he makes but what of Sam, Merry and Pippin? At first glance we might think that Tolkien uses them as some kind of comic relief and Pippin’s words about “someone with intelligence in the party” and Gandalf’s response to what Pippin says seem to show that this is indeed their purpose in the story. But at all times Tolkien wants us to see that the bonds of fellowship that bind the hobbits together have a power that cannot be measured through force of arms or even their intelligence. Later when Elrond chooses the party that will accompany Frodo, Sam and the Ring, he is minded to choose someone like Glorfindel, a mighty elf-lord, but Gandalf disagrees.

“I think, Elrond, that in this matter it would be well to trust rather to their friendship than to great wisdom”

It is not that Gandalf has given way to sentimentality at this vital moment in the story but that he is true to his own charism, the grace that he has been given and which he has long nurtured. His teacher, the Lady Nienna, taught him to see with pity, not with blame and to warm the hearts of free peoples everywhere. He knows the power of a warmed heart especially when the world has grown cold and time and again, I suspect without really knowing why, his heart was drawn to the Shire and the simple hospitality of its people. His pleasure in good, simple food, good beer and a pipe to follow dinner meant that his own heart was warmed when he made these visits and if the only fruit of them was rest and the enjoyment of fireworks then this would have been sufficient for him but it was to these simple folk to whom the Ring was entrusted. Folk who live in the “merrier world” in which “food and cheer and song” are valued above hoarded gold.

The friendship of hobbits

“I Will Take The Ring, Though I Do Not Know The Way.”

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 260-264

How much we would like to view the hero as someone in an exalted state. The eyes should gaze intently to a distant point, towards the hero’s glorious destiny. The hero will stand alone and the admiring gaze of all will look up into those eyes for how could anyone look down at the hero. And the hero should be beautiful. How could it be otherwise? For the hero is the projection of our longings for ourselves, the exalted self that we long to be or, perhaps, to be with.

If this hero is beautiful it is not because he tried to be beautiful. If he is a hero it is not because he wants to be a hero.

Older and wiser heads may smile at such longing with a degree of indulgence, remembering that I used the words, high, lonely and destiny quite recently in this blog reflecting as we did so on the close kinship between Saruman the White and Uncle Andrew in The Magician’s Nephew. Am I suggesting that neither Saruman nor Uncle Andrew have never outgrown this rather adolescent longing? I rather think that I am. There is no blame attached to an adolescent being an adolescent but the world is blighted by adolescents who never grow up.

And when we compare these characters to the one who speaks the words of the title of this blog post so quietly and so reluctantly we know that we are talking about something quite different to the self admiration of these outgrown children. For Frodo shares little in common with Saruman. This is not to say that Frodo is completely free of the desire for exaltation. When he sat with Gandalf in his study at Bag End Frodo had felt “a great desire to follow Bilbo” flame up in his heart; a desire “so strong that it overcame his fear”. Perhaps at this point of the story the influence of Narya, the ring that Gandalf bears, is able to warm his heart, though even Gandalf is surprised. It is at that moment when he declares that “hobbits really are amazing creatures”. So there is a place and a time for exaltation but as the story reaches the place in which the decision has to be made concerning the Ring all exaltation, all warmth has gone. Frodo has met the implacable hatred of the Morgul Lord, has felt his blade pierce his flesh, the tiny splinter travel towards his heart. Now as he sits among the Council and listens to the debate about what should be done to the Ring he feels “a dead darkness in his heart”.

The debate continues. Boromir argues that the Ring should be used against Sauron, Elrond says that this is impossible; Glóin asks about the three Elven Rings and Elrond declares that they must remain hidden; Erestor of the Grey Havens speaks of the folly of trying to make the journey to Mordor and Gandalf answers that it is this folly that Sauron is incapable of grasping; and at the last it is Bilbo who asks what messenger should take the Ring to the fire.

No-one answers him. Either because they still feel that it is folly to take the road to Mordor or because they know that for them to carry the Ring is impossible all remain silent. And at the very last it is Frodo’s voice, this time struggling against an overwhelming desire to rest, that speaks “as if some other will was using his small voice”.

“I will take the Ring,” he said, “though I do not know the way.”

After this everything is all quite simple. So it is once the great choices are made. All falls into place around them and the people who make them. Even Sam does not argue against the choice only that Frodo should not go alone. But the choice and the manner of its expression is the most moving moment of the whole story. It is the moral heart of the story. It is made, not at the conclusion of some process of selection with all the qualities of each candidate having undergone careful assessment but simply because one person has been called, has been chosen. And the choosing is like “the pronouncement of some doom”.

Are life’s truly great choices always like this? Do they always feel unavoidable, even inevitable, and yet they still have to be made? And do they always feel like pronouncements of doom? A last judgment against which no argument can be found? Such choices are practically inexpressible. Elrond rightly places Frodo amongst his mighty ancestors even as the heroes gathered in Rivendell had to remain silent as a hobbit stood to speak but even his words feel small against the magnitude of the choice.

The Funeral of Théoden

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It was 4 years ago when I first wrote about Théoden, a man bound to his chair by the leachcraft of Grima Wormtongue staring miserably at the image of his glorious ancestor, Eorl the Young, the founder of the Kingdom of Rohan. I quoted the Irish poet and priest, John O’Donohue from his wonderful book, Eternal Echoes, in which he writes about the different types of inner prison that we build for ourselves. He could have been writing about Théoden.

“Fear and negativity are immense forces which constantly tussle with us. They long to turn the mansions of the soul into haunted rooms. These are the conditions for which fear and negativity long and in which they thrive. We were sent here to live life to the full. When you manage to be generous in your passion and vulnerability, life always comes to bless you.”

O’Donohue creates a rich contrast between the soul’s true nature described as a spacious and elegant mansion and the haunted room created by fear and negativity. Tolkien gives us the contrast between the richly tapestried walls of Meduseld with the memory of the young hero and the shrivelled and wizened creature imprisoned in his chair. Théoden is shamed by the ancestral hero upon whose image he is forced to gaze each day and his people live in a wasteland. Such is the fate of a people whose king is no longer a source of fruitfulness. It is the fate of the people of the Fisher King in the Parsifal legend. It is the fate of the people of Rohan.

And then Gandalf, Aragorn, Legolas and Gimli come and with their burning ardour overthrow the prisons of Wormtongue and his master, Saruman. The armies of Rohan are no more powerful than before and the threat from their enemies is undiminished but Théoden steps out from his prison and feels the good rain upon his face and the hilt of a sword in the grasp of his hand. Once more this good man is generous in his “passion and vulnerability” and life comes to bless him. He arouses a people who have longed for the opportunity to give their best and their utmost. He restores their pride. In a few short days they defeat the armies of Saruman at Helms Deep and at the very limits of endurance they break the siege of Minas Tirith at the Battle of the Pelennor Fields. Théoden is overthrown at the last by the Lord of the Nazgûl but dies at peace and without shame as he prepares to meet his ancestors.

And now he makes his return to Edoras in glory as a true king should, honoured by all free peoples. He is laid upon a golden bier and carried on a great wain from Minas Tirith to his home. Merry, the faithful squire who stood bravely at the side of his lord in his final battle rides upon the wain and keeps his arms. Then Tolkien names each member of the Fellowship in their turn.

“Frodo and Samwise rode at Aragorn’s side, and Gandalf rode upon Shadowfax, and Pippin rode with the knights of Gondor; and Legolas and Gimli as ever rode together upon Arod.”

And in Théoden’s funeral procession the Queen Arwen, Celeborn and Galadriel and their people, Elrond and his sons and the princes of Dol Amroth and Ithilien with the knights of Gondor ride to do him honour. “Never had any king of the Mark such company upon the road as went with Théoden, Thengel’s son to the land of his home.”

And Gléowine, the king’s minstrel makes his last song for his lord.

“Out of doubt, out of dark, to the day’s rising he rode singing in the sun, sword unsheathing. Hope he rekindled, and in hope ended; over death, over dread, over doom lifted, out of loss out of life, unto long glory”

All of this is a celebration of a few short days after years of darkness and they are right to make this praise. Théoden is so gloriously generous in his passion and vulnerability in those few days that a people is restored and the world is saved. His story is one of the finest that Tolkien tells and it is right that he should end it with such glorious solemnity.

Merry Thinks About “Being Overlooked” Just One More Time

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When Meriadoc Brandybuck enters the City he is just one more weary soldier among many others at the end of battle. All attention is given to the King of Rohan whose body is covered in a great cloth of gold and received with state and reverence. And with the king is Éowyn who is borne upon a litter and whose beauty calls forth tender sorrow from all who look upon her.

At the last it is Pippin who finds him as he wanders aimlessly along a narrow lane and as the friends meet again at last Merry sits down upon a step and weeps.

“I wish I could carry you,” Pippin anxiously declares. “You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from the battle is easily overlooked.”

Now those who know Tolkien’s story well will know that Merry has carried a certain resentment about “being overlooked” throughout it. When we first meet him near the Bucklebury Ferry early in the journey of the Ring from the Shire he exudes competence and confidence in everything he does. He is the one who has prepared the cottage at Crickhollow for the frightened travellers, who have encountered the Nazgûl for the first time, with hot baths and a good meal. He is the one who reveals the conspiracy to Frodo and announces that wherever Frodo goes he and Pippin and Sam will go too. He has ponies and provisions ready for the journey and is able to offer local knowledge about the way into The Old Forest and even a little about the forest itself.

And then as soon as he steps outside the world he knows it all starts to unravel. The encounters with Old Man Willow, the Barrow Wight and the later the Nazgûl in Bree, the last of which leads Barliman Butterbur to wonder if he might actually be on his holidays rather than a dangerous adventure, all cause him to lose the confidence with which he began. He is way out of his depth in a story so great and often so terrifying that it is always beyond his conceiving.

And yet he goes on.  It is Gandalf who says to Elrond of Merry and Pippin, “It is true that if these hobbits understood the danger, they would not dare to go. But they would still wish to go, or wish that they had dared, and be shamed and unhappy.” And it is Merry’s refusal to be overlooked that leads him to go to the battle with Éowyn. At no time does he ever feel competent as he did at the outset of the journey but he never gives in and even his resentment, his feeling that he is no more than a piece of luggage to the great ones around him ultimately plays its part. It leads him to the moment when The Lord of the Nazgûl stands over the wounded Éowyn and is about to kill her. So intent is the deadly king upon his prey that he neither sees nor fears what lies behind him. And so it is Merry, “Master Bag”, who thrusts his sword into the tendons behind the knee of one who, until this moment, has believed himself invulnerable. Only Merry the hobbit and Éowyn the woman could have brought down this deadliest of foes and in the strangest of ways it is rejection and “being overlooked” that brings them both together to this vital moment.

Never again will Merry feel resentment about “being overlooked” or, if he does, it will be his memory of this moment that will transform that feeling.

“It’s not always a misfortune being overlooked,” he says to Pippin. “I was overlooked just now by…”

Merry is now both sadder and wiser. His journey to adulthood, as it is for all who really get there, has been one that has been through fear and failure and sorrow. He has given his heart away and seen it broken and now he sits and weeps. But he does not give up. Step by step he keeps on going both to adulthood and a greatness of which he is entirely unaware.

On Gandalf and His “Fool’s Hope”.

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Denethor is right!

I never thought that I would be saying this but I seem to have no choice. In the last few weeks on this blog we have been thinking about the weaknesses in his character but especially in the debate following the piece I wrote entitled https://stephencwinter.com/2016/10/27/he-would-have-brought-me-a-mighty-gift-denethor-and-the-ring/ I was strongly challenged by The Joviator to rethink my view of Denethor. I do hope that you can read that debate and the excellent piece that The Joviator wrote on his own blog http://www.idiosophy.com/2016/11/denethor-as-tragic-hero/. I have decided to start by turning away from my own judgement of Denethor and to take what he says of Gandalf seriously. And if I decide still to follow Gandalf it will be for reasons entirely other than my judgement of Denethor’s motives.

“What then is your wisdom?” said Gandalf.

“Enough to perceive that there are two follies to avoid. To use this thing is perilous. At this hour, to send it in the hands of a witless halfling into the land of the Enemy himself, as you have done, and this son of mine, this is madness”

“And the Lord Denethor what would he have done?”

“Neither. But most surely not for any argument would he have set this thing at a hazard beyond all but a fool’s hope, risking our utter ruin, if the Enemy should recover what he lost.”

Let us set aside Denethor’s judgement of Frodo for the moment. It is precisely because Faramir did not judge Frodo to be witless but a figure of some greatness that he chose to aid his mission and not to bring him to Minas Tirith. But Denethor regards his son to be as foolish as Gandalf and so we cannot use our knowledge of Frodo as a defence for the course of action decided at the Council of Elrond. Frodo is as much involved in the fool’s hope as everyone else at the Council. If he is witless then so too are they.

In order to read The Lord of the Rings properly we need to agree with Denethor. Frodo’s mission is impossible. Even if the Fellowship had not been sundered at the Falls of Rauros and Aragorn and Boromir, Legolas and Gimli had been at Frodo’s side on the journey to Mount Doom it would have remained impossible. When Gandalf describes Cirith Ungol and the Morgul Vale as cursed places one is tempted to ask what other route he would have counselled Frodo to take? Each one would have been as impossible as the next and the likely outcome of all that the Ring would fall into Sauron’s hands.

And in order to read The Lord of the Rings properly we need to leave behind the heroic tale that Peter Jackson tells. There we see that “even the smallest” can be heroes and that is an inspiring thought. In his telling of the story it is the heroism of Frodo and perhaps even more of Sam that stands in contrast to the weakness of Faramir and the cowardice of Denethor. It is that heroism that is the axis upon the whole story turns and each character is judged by whether they support or oppose it.

Tolkien tells a story that is profoundly different and it recalls words that St Paul writes to the Corinthians in the New Testament when he says that “God foolishness is wiser than human wisdom and God’s weakness is stronger than human strength.” (1 Corinthians 1.25) The foolishness and weakness to which Paul points is the cross and the proclamation of the cross. The death that Jesus dies alone, betrayed, abandoned is a foolishness and a weakness that shapes all reality. Paul says it himself that Christ crucified is “the power of God and the Wisdom of God”.

The Lord of the Rings is set in a world that has not known the Gospel message of God becoming one of us. That is what makes it different from C.S Lewis’s Chronicles of Narnia in which Aslan is a participant in the stories. But it is a world that is shot through with the wisdom and power of which Paul speaks. In it we see that reality is shaped by the Cross. The Lord of the Rings knows it as Providence  showing that there is a hidden Power at work in the world greater than any other that meant Frodo to have the Ring. Gandalf’s Yes to this Providence is indeed a Fool’s Hope but I am on the side of his foolishness and against the wisdom of Denethor.

 

Peregrin Took’s Journey from Boyhood to Manhood

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After the tale of how Eówyn and Merry ride to war together Tolkien takes us back to Minas Tirith and to the unhappy Peregrin Took, lonely, hungry and afraid as war draws ever closer.

“Why did you bring me here?” He asks Gandalf and the answer brings him little comfort.

“You know quite well,” said Gandalf. “To keep you out of mischief; and if you do not like being here, you can remember that you brought it on yourself.”

I said that Gandalf’s answer gave him little comfort and that is true in the sense that we normally mean it, to take a child in our arms and to hold that child in loving safety until the unhappiness passes. That is the right thing to do with a small child and not to give a child that kind of comfort is to deny her or him something very precious. In order to become a true man or woman a child must know the happy innocence of the garden but there comes a time when either the child must either leave the garden or the world outside will enter it by force.

Pippin probably thought that when he left the Shire to go with Frodo and Sam that it was a glorious “growing up” moment in his happy life. All that lay ahead was adventure and Tolkien must have been thinking about the young men crowding into the recruiting stations at the outset of the First World War in happy expectation of something magnificent before the reality hit home in the long misery of war in the trenches.

Pippin does not realise that something of great significance is happening to him. He only knows that he feels unhappy. Even when he is attired in the magnificent livery of the Tower Guard, something that once would have given him great delight he simply feels uncomfortable “and the gloom began to weigh on his spirits.”

An immature person just tries to make the gloom go away just as Pippin wants it to go. From time to time in this blog we have looked at Robert Moore and Douglas Gillette’s fine study of the masculine psyche, King, Warrior, Magician, Lover.  Moore and Gillette show the importance of these classical archetypes in shaping each man’s life. A boy who has grown up in the garden protected by good parents and a nurturing community will journey towards the adult king by way of becoming a divine child, a chosen one. He will journey towards the adult warrior by way of becoming a hero and some might think that the hero is the adult warrior. The journey to the adult magician is by way of the precious child and to the adult lover by way of the oedipal child.

Each of us, as we gain insight into ourselves, will see which of these archetypes are best developed in us and to what degree we are still held in an immature stage of development. In Pippin’s case it is pretty clear that the least developed aspect of his psyche is the magician. He needs Gandalf at this point in his life if he is to have any chance of growing up.

Readers might be thinking of mature men in The Lord of the Rings such as Aragorn and Faramir. They may remember that we spent some weeks last year thinking about Faramir when Frodo and Sam were with him in the refuge of Henneth Anûn and that he has little interest in being the hero of the story. His focus lies solely in doing the job. His desire is not his own glory but the restoration of Gondor; not just that Gondor wins but that something of the true greatness of Númenor should live again among his people. That is why he will welcome Aragorn as king with joy. Something that his father could not do.

Pippin is on the way to becoming a man and Gandalf knows that he is. That is why he does not treat him like a child. Pippin has to be miserable and to do his duty nevertheless if he is to be the “very valiant man” that Gandalf declared him to be when they first reached the defences of the Pelennor Fields.

The Hero’s Journey of Sam Gamgee

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After Frodo invokes Eärendil, the Morning Star, the bearer of the sorrows of Middle-earth to the Valar at the end of the First Age, he and Sam are able to break free of Shelob’s webs and for a moment it seems they are free. Frodo is drunk with the wonder of his escape, while Sam, for his part, is almost too cautious; so it is that Sam hides the Star Glass and in the darkness Shelob attacks Frodo while Gollum attacks Sam. All seems lost and yet a few minutes later Gollum is fleeing for his life while Shelob is “cowed at last, shrunken in defeat” and she hides herself away in a hole to nurse her malice and to heal herself from within.

During those few minutes Sam fights two mighty battles, both of which are far beyond him, and he emerges as a mighty and a victorious hero.

And he does not have any sense that this is what he is!

In his great work, The Hero with a Thousand Faces , Joseph Campbell describes the elements common to what he calls, the Hero’s Journey. And this is what Sam’s story has been. The story begins with Sam caring for Frodo’s garden and his longing to see the wonders of the wider world and, most of all, to “see Elves!” This dissatisfaction is the classic beginning of Campbell’s monomyth and it takes him on the journey that has now led him to Shelob’s Lair and the battles in defence of the master that he loves more even than his own life. Readers of my blog who know Campbell’s work will know of the resistance to the call to adventure that in Sam’s case is his sense of insignificance and also of the importance of a mentor. For Sam, my own belief is that the mentor takes various guises including Gandalf, Aragon and Galadriel but perhaps, most important of all, Frodo himself, who Sam regards as “the wisest person in the world.” Last year I wrote in this blog a posting that I entitled Frodo Carries Sam to Mordor https://stephencwinter.com/2015/03/24/frodo-carries-sam-to-mordor/ and it was Campbell’s sense of the vital role of the mentor that I had in mind there. At the beginning of the story Sam could only connect to the wondrous world through Frodo as mediator. That changes, and the change begins now, as Sam becomes a mighty warrior, part of the great ordeal of which Campbell also speaks. Later Sam will be revered as one of the great figures of his age and still he will hardly notice it!

This is what is unusual in Sam’s heroic journey. Sam has little or no awareness that he is on such a thing. To him if there is a hero then it must be Frodo. Even in the battle with Shelob Sam cries out in admiration when Shelob retreats before Frodo as he holds the Star Glass aloft. What songs will be sung about this great deed! I wonder if even Tolkien was taken by surprise by Sam? In The Fellowship of the Ring the story is told through Frodo but from the sundering of the Fellowship and through the journey to Mordor it is through Sam that the story is told. I will have much more to say about their different roles but here I want to show the way in which Sam grows through the journey.

This is where we will leave Sam today, covered in glory after his mighty battles but thinking only of Frodo. And I will end too on a personal note. Unlike Sam I have always lived with a consciousness of playing a part in a story. Often I have longed for Sam’s self forgetfulness but if I am to achieve it then the work must be a conscious forgetting. I must become the nothing (the no thing) of which the mystics speak. Not to be a zero but to become free of being a thing and to become a person. Once I wanted to be the hero of my own story albeit a religious one. Now I wish simply to be a man.