From time to time during the history of this blog we have drawn upon the work of Robert Moore and Douglas Gillette on the masculine psyche in their book, King, Warrior, Magician, Lover. In this book they speak about these four archetypes in both their mature and their immature manifestations and how we can gain access to the positive energies related to each one. That we do connect to the energies related to each archetype is inevitable. We cannot avoid this and any attempt to repress the energy is futile. So Denethor hates and fears the kingly energy that he sees in Faramir but Faramir is not playing a game as his father accuses him of doing. Faramir’s noble kingliness is so deeply rooted that it is able to resist the anger and scorn of his father. Eventually Denethor makes various attempts to kill his son so great is his hatred. And eventually we see Denethor’s relationship to the archetypal energy of the king become entirely destructive. He gives up the responsibility that he has towards his people in their darkest hour and uses all the energy that is left to him in an attempt to destroy both himself and his son.
Théoden too has been through his own struggle with impotence and despair. When we first met him in the darkness of Meduseld we saw the contrast that Tolkien drew between the glory of Eorl the Young, celebrated in a tapestry that adorns the walls of the hall, and the shrivelled old man imprisoned within his own mind and the whisperings of Grima Wormtongue. Gandalf liberates the true Théoden and does so to such effect that just a few days later Théoden is able to lead his people on the glorious charge against the hosts of Mordor massed against the gates of Minas Tirith.
Théoden manifests the energy of the king and the warrior archetypes in their most positive way. As a true king he shows his people that he will die in their defence. As a true warrior he hurls himself into the forefront of the battle with such force that he is able to turn the direction of the battle. Even the Lord of the Nazgûl himself must leave his long cherished triumphant entry into the city in order to deal with the new threat. And as a warrior king Théoden focuses the energies of all his people onto one goal and that is the defeat of their enemies. So truly does he manifest these energies that all his people are as one with him upon the charge, even the frightened Merry.
Last week we saw how Tolkien turns to the language of myth in order to describe this scene and the energy expressed within it. It is Oromë the Great Hunter that Tolkien invokes, the Valar with whom the Rohirrim feel the closest connection believing their greatest steeds, the Mearas, to have been descended from horses that Oromë had brought out of the West at the dawn of time. Tolkien deliberately re-enchants the scene by this means. Théoden becomes a godlike figure and his people will follow him into the very jaws of hell itself.
When the archetypal energy of the true warrior king appears to be absent then the whole community suffers. In an organisation it might be a growing belief that the leaders are more concerned with their own interests than with the organisation as a whole. Myths such as that of the Fisher King, literally a tale of a king who gives up his call to lead his people in order to go fishing every day, described the ebbing away of energy from the community. Crops are not planted or harvested; children are not born or nurtured. The community ceases to believe in its own future. Such communities become vulnerable to the predatory power of dark lords just as Germany did to Hitler and to national socialism in the 1930s. When that happens the outcome is always destruction.
Rohan had been on the road to destruction and the predatory lusts of Saruman before the intervention of Gandalf. Now with their king restored to them they ride to glory.