Saruman’s Wasteland

“It is Likely Enough… That We are Going to Our Doom: The Last March of The Ents.” The Ents Go to War at Isengard.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.623-635

The night that Merry and Pippin spend in Wellinghall is the first since they escaped from the Orcs and the first that they have had in a home, a place of safety, since leaving Lothlórien, and so they sleep long and refreshingly.

Treebeard takes them to Entmoot, the council in which the Ents will deliberate what course of action they must take.

“Deciding what to do does not take Ents as long as going over all the facts and events that they have to make up their minds about”, Treebeard says to the hobbits, and he estimates that this will take a couple of days or so. He sends Merry and Pippin off with a younger Ent called Bregalad or Quickbeam who has already made up his mind about what should be done and the hobbits spend those days in his company as the Moot continues.

It is on the third day, a bleak and windy day, in the afternoon, that all falls silent and then with a great crash and the quivering and bending of the trees that the Ents march towards them.

“We come, we come with roll of drum: ta-runda runda runda rom!”

The Ents are marching to Isengard and to war.

The Ents march upon Isengard

It is through Merry that we learn something about Isengard. Merry is the organiser of the four hobbits, the original company of the Ring that left the Shire some months before these events. He organised the purchase of Crickhollow in Buckland, and, as the real reason why Frodo is leaving Hobbiton became clear it is Merry who made secret preparation for leaving the Shire. He is rather proud that while Pippin spent his days in Rivendell idling away the time he tried to find out as much as he could about what might lay ahead.

“Isengard is a sort of ring of rocks or hills, I think, with a flat space inside and an island or pillar of rock in the middle, called Orthanc. Saruman has a tower on it. There is a gate, perhaps more than one, in the encircling wall, and I believe there is a stream running through it; it comes out of the mountains, and flows on across the Gap of Rohan.”

Saruman’s creation of Isengard around the Tower of Orthanc

Orthanc is not Saruman’s work but much older having been built by the Númenorians in the days of Elendil. It was a sign of their decline that during the first part of the Third Age it became a lawless place far from the authority of Minas Tirith and a thorn in the side of the new kingdom of the Rohirrim who had settled in the plains of Calenardhon that lay between the southern end of the Misty Mountains to the north and the mountains of Gondor to the south. So it was that when Saruman took possession of Isengard in 2759 of the Third Age both the Steward of Gondor and the King of Rohan welcomed him gladly seeing him as a valuable ally who would watch over the strategically vital Gap of Rohan.

It would seem that Saruman was able to keep his true intentions secret right until the moment he took Gandalf prisoner during the time in which Frodo was making preparations to leave first Hobbiton and then the Shire, although Treebeard seems to have been aware of these intentions for some time and the presence of orcs in Isengard. Even after going to war with Rohan Saruman was able to keep Théoden from making a strong response through the efforts of Grima Wormtongue his chief counsellor who was able to convince Théoden that Saruman’s true wish was for peace.

It is with the arrival of Merry and Pippin in their pure, gentle and artless simplicity that the dam finally bursts and the slowly simmering anger of the Ents finally comes pouring out of Fangorn and down to Isengard. It is as if Nature herself finally rises up against the powers that would destroy her. But even as the Ents march upon Isengard and upon Saruman Treebeard is aware that Nature may fail, that it is “likely enough that we are going to our doom: the last march of the Ents”. But, he adds, “if we stayed at home and did nothing, doom would find us anyway, sooner or later”. The possibility that disenchanted Nature could yet reawaken and rise against a world of “metal and wheels” was something that the Inklings pondered both through the character of Merlin in C.S Lewis’s That Hideous Strength and through Treebeard in The Lord of the Rings. Tolkien allows such a revolt to take place but recognises the heartbreaking fragility of Nature that may yet fall before the walls of Isengard and before technology.

Alan Lee imagines Treebeard…
…and he imagines Merlin.

“He Has a Mind of Metal and Wheels; and He Does Not Care For Growing Things”. Treebeard Speaks of The Treason of Saruman.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991,2007) pp.611-617

The home that Treebeard has shown to Merry and Pippin is the fruit of exquisite patience. We might almost say the patience of Nature herself except, as we saw Treebeard speak of the hill upon which he first met the young hobbits, it had only stood there since that part of the world was shaped. There was a history before that moment too.

So, as I wrote last week, the Wellinghall that Treebeard shows to the young hobbits has been a careful crafting of earth, water, growing things and light over many years. It has as much in common with an art installation as it does a dwelling place and, although it has been ages in its making, if Treebeard had brought Merry and Pippin to it just a few days later it would be different. The spring that wells up from beneath the earth would have shaped it in a new way and as the year moved onwards into springtime so the rising of the sap within the trees that are the walls of Wellinghall would subtly transform them and would fill the air with a delicious aroma.

But Saruman is a different matter altogether.

“I think that I now understand what he is up to. He is plotting to become a Power. He has a mind of metal and wheels; and he does not care for living things, except as far as they serve him for the moment.”

Middle-earth Enterprises imagine the fruits of Saruman’s “mind of metal and wheels in their depiction of Isengard.

One could hardly find a greater contrast between any two beings than between the minds of these two neighbours. If Treebeard has lovingly worked with Nature for long ages of time both in the making of his home and in his work as a shepherd of the trees Saruman is impatient both with Nature herself and with all living things. As Treebeard puts it, in the mind of Saruman the one needful thing is that it must “serve him for the moment”; and it is worth noting that phrase, for the moment, for as W.H Auden spoke of factory workers, all are “put to temporary use”. Robots are taking the place of those who work in factories and doubtless if Saruman had lived long enough he would have replaced his specially bred orcs, the Uruk-hai, with robots. It might be that his orcs can withstand the sun in a way that other orcs cannot, but eventually it will be possible to create a robot that will be able far to outlast even the strongest orc. And whereas Saruman could not be completely confident about the obedience of his Uruk-hai he need never have any anxiety about robots. The temporary usefulness of any creature that serves him for the moment would have come to an end. And we might even add that the quality of malice which he required in his servants, which was so useful to him, but which required constant attention as with Uglúk’s need to keep reminding his troops that the prisoners were not to be harmed, could be programmed into a robot in a completely reliable manner.

Saruman’s Uruk-hai are “put to temporary use”.

Saruman’s impatient “mind of metal and wheels” is about to be put to the test by the shepherds of trees and by their Huorns, trees that are growing in awareness and becoming more like their shepherds as Treebeard put it. And when it is tested in this manner it will be his impatience that will be his undoing. His anxiety to defeat Rohan quickly will lead him to empty his fortress of Isengard not fearing any enemy nearer by; his weaponry will not be sufficient to drive away either Ents or Huorns; and whereas the Tower of Orthanc, rising out of the very bones of the earth itself and built by Númenorians at the very height of their powers, cannot be assailed by Ents, the walls of Isengard are a fragile thing and easily overthrown.

Perhaps all lovers of “living things” should be grateful for Saruman’s impatience. If he or any like him were able to wait long enough then life itself might be abolished. The Ring of Power is, of course, the ultimate expression of a mind of metal and wheels, a mind that is a machine, at least for that age of Arda. In our own age the principle that made the Rings of Power is at work in new ways and perhaps with even greater effectiveness.

“I Am Not Altogether on Anyone’s Side, Because Nobody is Altogether on My Side.” Treebeard, the Ents and Forests in The World of Middle-earth

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 611-617

The homes in which people live tell you much about them. Of course, many people have little choice in the kind of home in which they live, but even when that choice is limited for people they will still seek to do something to tell a story about themselves. I remember when as a young man I taught in an African school in Zambia I would sometimes go to visit a student’s family in one of the villages nearby. One thing always stood out to me on these visits and that was that the family I visited may have possessed very little but everything was presented with great care and the simple hut was clean and life lived with great dignity. Those who know the descriptions of the simple homes of early settlers travelling west among the American continent will recognise this need for dignity. I came across great poverty in African villages but I did not encounter squalor until I worked as a parish priest in some run down neighbourhoods of Birmingham, England.

Treebeard’s home is an expression of his dignity as the oldest of the Ents and of a carefully crafted balance between earth, the flowing of water over the earth, that which grows in the earth, and light. It is the play of light upon stone, water and tree that gives Wellinghall its particular character. The name in its English form and therefore in the Common Tongue of Tolkien’s Middle-earth comes from the idea of a spring welling up from the earth beneath it and the hall that was built there.

An imagining of Wellinghall

“A little stream escaped from the the springs above, and leaving the main water, fell tinkling down the sheer face of the wall, pouring in silver drops, like a fine curtain in front of the arched bay.”

The “arched bay” had been shaped out of the lower slopes of Methedras, the last of the Misty Mountains and so we are brought into a home in which the worlds outside and inside flow together in a carefully crafted manner. If in a typical western home a great effort is made to create something which keeps the interior quite separate from that which lies outside this is most certainly not the case with Wellinghall.

Treebeard’s home is, as far as he can achieve it, an adaptation to the world of earth, water, tree and light in which he has lived since time immemorial. There is no agriculture or industry within his world. Even his food is derived from the welling waters of the young Entwash that flow through his home although there is clearly some kind of intoxicant that occurs within them, or has been added to them. But it is an intoxicant that energises rather than enervates. We remember that when Merry and Pippin first drank from the waters of the Entwash as they escaped into the forest from the orcs they did not notice that “the cuts and sores of their captivity had healed and their vigour had returned”.

A forest as a place of healing.

Perhaps what we see in the ecology of Fangorn Forest is what can happen when a very particular set of relationships are able to develop over a long period of time. It is important to note that Fangorn is never presented as a kind of paradise in a way in which Lothlórien appears to be. Treebeard himself speaks of the impact of darkness upon it and his work as the shepherd of the trees is both to protect the forest from external forces that seek to harm it and from the darkness that might destroy it from within.

Even as he speaks with Merry and Pippin we seem to see Treebeard become increasingly aware that he has failed to protect his forest. The depredations that first came with the return of the Númenorians in the Second Age and whose activities led to the large scale destruction of the forest that once had lain right across Eriador and of which the Forest of Fangorn was only its eastern end seem to have been something with which Treebeard had to learned to live with, albeit reluctantly. But now the deliberate destruction of the forest by Saruman is something that he cannot tolerate. It may be that a world in which no-one has really been on the side of the trees and their shepherds is one that has led Treebeard to stay out of the struggles for power and for freedom in the wider world about him. He has not been “altogether on anyone’s side” because “nobody is altogether” on his side but now he realises that unless he chooses a side his forest will be destroyed completely. He has to take action.

No-one is “altogether” on Treebeard’s side but some seek to destroy his world completely.

Sam Gamgee Remembers a Gift to Heal the Hurts of the World.

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As always, Saruman underestimated the capacity of those that he made his foes to undo the harm that he sought to do to them, and he greatly underestimated the power of good in the world. In many ways the final chapter of The Lord of the Rings is a celebration of  that goodness. And the goodness is given graciously and abundantly.

I ended last week’s reflection on the death of Saruman lamenting one who, in Wordsworth’s words, “laid waste his powers”, meaning Saruman, and then hinted at one who, in his labours to restore the Shire discovered power that had lain hidden deep within him. Of course I am speaking of Sam Gamgee.

It is typical of Sam that he gets down to work straight away to remove all traces of Saruman’s malign influence upon the Shire and to begin to restore it “as it ought to be”. Sam finds many willing helpers. Perhaps some hobbits might have been ashamed of their failure to stand up against the invaders and wished to make amends. There might even have been some among the more willing collaborators who might wish to do so also. Let us hope so. Tolkien does not tell us.

But it isn’t until Sam begins to ponder the destruction of the trees and how it might only be his great-grandchildren who might see the Shire as he once knew it to be that he remembers the gift that Galadriel gave him in Lothlórien. It is a box of plain grey wood with no decoration save a single silver G rune set upon it.

“If you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.”

When Sam at last remembers Galadriel’s gift it is typical of him at this stage in his life that he is more afraid of making wrong use of it than he is confident in his power to use it well. It is Frodo who rightly encourages him saying, “Use all the wits and knowledge you have of your own, Sam… and then use your gift to help your work to help your work and better it.”

It is a fundamental principle of faith and of life that grace perfects nature and so it is with Sam here. It is not that Sam had to start the work in order that the grace given in Galadriel’s gift could build upon it. It is that the person that Sam has always been in potential is now revealed in the grace given to him through the gift.

Galadriel saw Sam’s greatness in his vocation as a gardener. That he was one who could turn a wasteland into a place of abundance. Her gift allowed Sam to discover that in himself. Perhaps Gandalf caught a glimpse of that greatness when he caught Sam by the hair and dragged him through the open window into the sitting room at Bag End. Gandalf may have spoken of punishment in sending Sam with Frodo but the punishment would have been Frodo’s if Sam had been a fool. Gandalf sees enough of what Sam will become to choose him for the great adventure.

Frodo’s challenge to Sam’s wits and knowledge proves sufficient. Sam travels the Shire doing his work. He plants saplings everywhere and places a grain of Galadriel’s gift by each one. He plants the little silver nut that the box contained in the party field at Hobbiton. And then he stands at the Three-Farthing Stone and casts what remains of the earth into the air “with his blessing”.

The result is wonderful and the year 1420 is a “marvellous” year. Even the children are extraordinarily beautiful, the beer becomes a thing of legend and the silver nut proves to be a mallorn, a wonder of the world. Sam’s faithful journey with Frodo, even after seeing the vision of destruction in Galadriel’s Mirror, is rewarded. Perhaps it is his father, the old curmudgeon, the Gaffer, who puts it best. “It’s an ill wind as blows nobody any good… And All’s well as ends Better!”

Sam discovers a greatness and a power within himself, perfected by grace, that  Saruman squandered. Saruman’s soul became the very wasteland that he took pleasure in making. But goodness is the stronger as Sam reveals in his labours.

 

The artwork this week is by Edward Beard Jnr