J.R.R Tolkien

Saruman and Gandalf: The Spiritual Guides of our Day

/ stephencwinter / 9 Comments

Soldiers everywhere have a clear sense of priority and Tolkien, drawing on his memories of the trenches of the First World War, knew that well. The sharing of news, unless that news requires immediate action, must always follow after food and some rest. So it is that it is only after they have feasted together and smoked in companionable silence that Merry and Pippin begin to tell the tale of the Fall of Isengard and the revenge of the natural world against the world of the machine.

“An angry Ent is terrifying,” said Merry. “Their fingers and their toes just freeze onto rock; and they tear it up like bread-crust. It was like watching the work of great tree-roots in a hundred years, all packed into a few moments.”

Saruman at first is utterly bewildered by an attack that he never anticipated so it is the bewildered wizard that the hobbits first encounter and they are not impressed.

“His wizardry may have been falling off lately, of course; but anyway, I think he has not much grit, not much plain courage alone in a tight place without a lot of slaves and machines and things, if you know what I mean. Very different from old Gandalf. I wonder if his fame was not all along mainly due to his cleverness in settling at Isengard.”

I want to suggest here that Saruman stands as a warning to the West in our own time. As Aragorn says of Saruman, the West was once as great as our fame made us. Our “knowledge was deep” our “thought was subtle” our “hands marvellously skilled”. But we have come to put our trust in the things that we have made and in the armies of slaves who keep us. Our food is grown by workers paid hardly enough to survive, the temples of Mammon in our great cities cleaned by people who disappear into the shadows once their work is done. Meanwhile we fantasise about artificial intelligence and the development of robots and in our right to live as if the whole of creation exists simply in order to serve us. Like Saruman in his speech made to Gandalf when he imprisoned him in Orthanc we “approve the high and ultimate purpose: Knowledge, Rule, Order” believing ourselves to be numbered among the great who must by right be the beneficiaries of this “purpose”.

In Saruman and Gandalf Tolkien offers us two contrasting spiritual journeys. The one, a journey towards the destruction of humanity both in body and in soul, a journey towards the ultimate victory of Mordor; the other, a pilgrimage made in service of all who seek true freedom not just for themselves but for all peoples, knowing as Augustine said: “What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men”.  And knowing, as all pilgrims do, that each place where we lay our heads can never be permanent, however long we may remain there, but only a brief rest along the way. The pilgrim knows that to build our own Isengard is a fantasy at best and at worst the creation of a slave’s imitation of Barad-dur. The pilgrim knows that our true rest lies only at the end of the journey and that all other rests are respites gratefully received when they come but to be left behind before they become temptations. And the pilgrim knows as Augustine prayed in his Confessions “You have made us for yourself, O Lord, and our hearts are restless until they rest in you.”

Stories and Music for a Christ-haunted People

/ stephencwinter / 4 Comments

Last year I heard an interview with the fine British actor, Micheal Sheen, about the Passion Play, “The Gospel of Us” in which he played the Christ figure, “The Teacher” in venues around Port Talbot, a steel town in south Wales and Sheen’s hometown, at Easter 2012. “We are a Christ-haunted people,” he said before explaining that he did not regard himself as a practicing Christian. The play was filmed by Dave McKean and is available on all the usual media if you wish to watch it. I intend to do so myself this year.

It was that phrase “A Christ-haunted people” that came to mind as I began to think about this week’s posting about The Music of the Ainur that I promised last week. I first began to think about this on Christmas Night. The days up to and including Christmas Day are a particularly intense time of the year for me as a Christian minister. Unlike Sheen I am a “practicing” Christian and I am especially visible as such as I attend school nativity plays, carol services of many kinds and with many communities and then the great services of Holy Communion at midnight on Christmas Eve and then again on Christmas morning. In one school carol service I joined the queue trying to get into the church declaring to those around me that I wanted the novel experience of having to queue to get into church. I promise you that I said it with a happy smile on my face and folk smiled back at me too.

In recent years I have become increasingly drawn to the Christ-haunted who are not regular worshippers. I feel greatly privileged to be with people who choose to get married in church, or to baptise their child, or to seek a Christian funeral for the person they have lost. In Britain the month of November has become a new holy month as the remembering of our war dead has grown in significance in recent years. The poppy installation in which a ceramic poppy was placed in the moat to represent each of those who died in the First World War at The Tower of London was visited by over a million people, a similar number to those from Britain who perished in that war. Two of my great uncles were among that number and I intend to visit their graves in military cemeteries on The Western Front. This need to remember affects me too.

And then there is Christmas…

When Charles Dickens wrote a life of Christ he produced one of the dullest things he ever wrote and I have no doubt it pleased church leaders and pious parents who surely dutifully read it to their children and so infected them with the safe and unthreatening belief that piety and dullness belong together!  “A Christmas Carol”, on the other hand, is a thrilling tale and has entered the mythology of the English speaking world. That is why I have re-blogged Sarah Waters’ excellent piece that I hope you will read alongside this.

Increasingly I am sure that the Music of the Ainur can be heard anywhere if we have but ears to hear it. When I first tried to write this I thought I would be talking about the music of great composers but realise now that I cannot do this. I cannot reduce music to a narrative, even the narrative of the great Christ-story. I must trust music to lead me on although I could produce a playlist of music that has pointed me towards the great music recently. Perhaps you would like to do the same. Victoria Barlow writes movingly about this in a comment on last week’s blog if you would like to read more on this. I do encourage you to do so.

I offer Charles Dickens to you as an example of a great story-teller whose work points us towards the great story at many points and most surely in his tale of the redemption of the miser, Scrooge. I would love to hear about your examples. And I would like to add at the end of this that I would include Tolkien’s The Lord of the Rings as one of the great examples of the modern age.

On Hearing The Music of the Ainur

/ stephencwinter / 29 Comments

Those who have been reading my Blog that seeks to distil wisdom from The Lord of the Rings will know that I have been reading the text carefully and then reflecting upon what I find there. I happen to think that Tolkien was a man of profound insight. I also think that he was an explorer and that what he discovered in his creation often surprised him. So it is that what we find when we read his work is not a carefully worked out philosophy imposed upon a narrative structure although Tolkien’s Christian faith is a springboard that is absolutely necessary for his explorations. Tolkien genuinely did not know in advance what his characters would do as the story developed. I think that is the reason why it took him so long to write his work. And perhaps one of the reasons why The Lord of the Rings speaks so powerfully to the modern mind is that none of its characters is capable of, or presumes to speak, authoritatively of God or the ultimate mystery of being and of life. You get the impression that Gandalf may know more than most but he does not tell. All that we learn from him is that there is a mystery that gives meaning to all that each character in the story chooses to do.

It was back in January 2013 that I wrote about Frodo in the halls of Elrond of Rivendell. At that time I wrote the Blog on my website http://stephenwinter.net/page6.htm#131194 and in that posting wrote about Frodo’s “dream of music that turned into running water, and then suddenly into a voice”. Music is Tolkien’s metaphor for the unfolding of history, one that he unfolds most fully in the first chapter of The Silmarillion, The Music of the Ainur. The Ainur are the angelic beings whose task it is to work with God (Ilúvatar) in the governing of his creation. I do not think therefore that Frodo’s “dream of music” is an accidental detail in the story. He connects for a moment with the Great Music and also with the Great Story for the voice that he hears as he emerges from the dream is Bilbo’s as he chants his own telling of the tale of The Voyage of Eärendil that is chapter 24 of The Silmarillion. Later when he takes the Ring at The Council of Elrond Frodo declares his own Yes to the Music and the Story. He cannot himself control the story to which he says Yes although because he bears the Ring of Power he is tempted to believe that he has the capacity to do this but he is carried by the story and by the music from the moment of choosing until the fulfilment of the choice at the Cracks of Mt Doom.

At the ending of one year and the opening of another I wanted to return to this story in Rivendell from my reflections at the ruined gates of Isengard. For we cannot drift aimlessly through life as if there were nothing to be discovered, no commitments to be made. When I started writing this Blog I intended to reflect on composers and writers who I believe to have made a connection to the Great Music and the Great Story and if my readers are interested then I will try to do so next week before returning to Isengard and to Aragorn, Legolas and Gimli as they are reunited with Merry and Pippin. Here I will just say that if 2015 is to be fruitful then it will be because of the commitments we make to the Music and the Story. If we are true to the wisdom of The Lord of the Rings then we will not seek to make authoritative statements about the Mystery but in our own commitments we will seek it out. It is because of his search that Frodo hears the music and the story in the halls of Elrond, that Merry and Pippin meet the Ents in the forest of Fangorn, that Gimli finds understanding in the words of Galadriel and heart breaking beauty in the caves of Aglarond. If we remain true to our own search then we too will find such wonders. You may remind me that I should not forget Frodo and Sam in Shelob’s lair or Merry and Pippin as prisoners of the orcs for if we are true to our Yes then our journey will take us to such places as well but what it will not be is some aimless and meaningless drifting. It will be a true adventure of Joy and Sorrow. We will be men and women who are fully alive.

Songs that Come to Us out of Strange Places

/ stephencwinter / 8 Comments

It is through the intervention of the Ents of Fangorn that victory is won at Helm’s Deep but this frightens the Riders of Rohan more perhaps than did the enemies they faced in the battle. For a kind of disenchantment has been at work among them for a very long time. You may remember that when Aragorn, Legolas and Gimli first encountered Eomer and his war band upon the plains of Rohan they met with mistrust and some fear. When Eomer heard that the friends had met Galadriel in Lothlorien he reacted with both wonder but also fearful hostility.

“Then there is a Lady in the Golden Wood, as old tales tell!” he said. “Few escape her nets, they say. These are strange days! But if you have her favour, then you also are net-weavers and sorcerers, maybe.”

Théoden’s reaction to his first encounter with Ents is less hostile, perhaps, after all he has just benefitted from their timely intervention, but it is hardly less ignorant! He declares that he knows nothing of them so Gandalf takes the opportunity to teach him a few home truths and he shows Théoden that they are indeed truths he once learned in his own home.

“They are the shepherds of the trees…Is it so long since you listened to tales by the fireside? There are children in your land who, out of the twisted threads of story, could pick the answer to your question. You have seen Ents, Ents out of Fangorn Forest, which in your tongue you call the Entwood. Did you think that the name was given only in idle fancy?”

Théoden’s response shows that he may be ignorant as are his people but that he does ponder things deeply.

“Out of the shadows of legend I begin to understand the marvel of the trees, I think…Songs we have that tell of these things, but we are forgetting them, teaching them only to children, as a careless custom. And now the songs have come down among us out of strange places, and walk visible under the Sun.”

Théoden’s musings tell the tale of our own times too. What we know call Fairy Tales are stories thought to be fit only for children and so the very word, Fairy, is considered childish and the culture in which these tales arose, the culture of our medieval ancestors, is thought to have been immature and in need of enlightenment. Indeed from the time of the Enlightenment onward such tales became, as Théoden put it, taught only to children “as a careless custom”.

Recently it has been noted by many critics that much of the best writing of our time has been written ostensibly for children though sadly one leading author in the UK commented that he was disturbed by the sight of adults on trains reading Harry Potter. In the packed church in which I watched a school nativity play this morning there was an atmosphere of delight as parents and grandparents gazed upon their young dressed as characters from the gospel stories. There is a general acceptance that faith is a good thing for children especially when linked to a moral education but one, sadly perhaps, that must be left behind on leaving childhood. And yet the word adult when used as an adjective to describe books, films, pictures etc. is used to denote a deeply immature sexuality that has perhaps a place in an occasional time of carnival as ancient societies knew but is deeply destructive of mature sexual relationships and mature societies when it becomes the norm.

Thankfully Tolkien himself created a mythology that speaks to both adults and children in our own time. His work has transformed the lives of many and sowed seeds of enchantment among many more that will bear fruit. I pray that we too may find songs coming down to us “out of strange places” that may “walk visible under the Sun.”

Gimli Teaches Us The Importance of Seeing

/ stephencwinter / 18 Comments

After the victorious ending of the Battle of Helm’s Deep Gandalf takes Théoden and a small company with him to go to Isengard and for the first time since the sundering of the Fellowship at the Falls of Rauros the pace of the story is able to slacken somewhat. The pursuit of the orc company who seized Merry and Pippin, the rush to Edoras and the battle that followed all lie behind and many and great dangers lie ahead, but for a brief time Legolas and Gimli have time to look about them and to wonder.

Both of them are drawn to those things that delight them most. For Legolas this means all that grows in the earth and he wonders at the Ents and the trees that they tend; and for Gimli this means the earth itself and the wondrous caves of Aglarond that he has just encountered.

Legolas is drawn to the ancient wonder that dwells within the Forest of Fangorn that we thought about when Merry and Pippin escaped from their captors and met Treebeard in Fangorn. Immediately he wants to know, to understand and to communicate: “They are the strangest trees that ever I saw…and I have seen many an oak grow from acorn to ruinous age. I wish that there were leisure now to walk among them: they have voices, and in time I might come to understand their thought.”

And in this we remember that Treebeard told the hobbits that it was Elves who first taught speech to the Ents. It is Elves who long to commune with all living things and to draw them into their own beatitude, their own state of blessing, that all creation might find its own voice and thus speak with the One.

But if Legolas is moved by his delight in the living forest he is outmatched in this by his good friend Gimli. The three pages in The Lord of the Rings in which Gimli describes the Glittering Caves of Aglarond are among the most beautiful in the whole work and Tolkien gives this beauty to a dwarf! Even Legolas declares, “I have never heard you speak like this before.” I wish I had space to quote them in full but I will just have to encourage you to read them for yourself. Just one section must be quoted and that is Gimli’s response to Legolas’ concern that Dwarves might mar the natural beauty of the caves in their greed for gain.

“No, you do not understand,” said Gimli. “No dwarf could be unmoved by such loveliness. None of Durin’s race would mine these caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap- a small chip of rock and no more, perhaps, in a whole anxious day- so we could work…”

As we read these words they call to mind Leonardo da Vinci working in this way on his great fresco of The Last Supper at the Convent of Santa Maria delle Grazie in Milan. It is said that he would spend whole days just looking at his work as it unfolded and doing nothing. Imagine describing such a way of working in an appraisal interview!

What we see described here at this brief moment of rest in the story is the fruit of intense seeing and then the using of the language of seeing. Tolkien gives to these two friends the roles of artist and poet. And why do so at this moment in the story? Is it perhaps to make the contrast with Saruman, the man whose mind is full “of metal and wheels”, who we are about to meet face to face, even greater? Or is it to show that these heroes are more than just warriors and are only warriors at all at greatest need? Surely at the least he shows us that his warriors are first of all great lovers and that it is because of this that their prowess in battle can bring forth good. Tolkien will return to this later in the story in his reflection on the contrast between the brothers, Boromir and Faramir, but we will leave this part of the story, perhaps, contemplating our own need to train our ability both to see and to learn to describe what we can see.

What Can the Weather Teach Us?

/ stephencwinter / 8 Comments

Gandalf and Théoden emerge from the darkened hall and stand upon the highest stair. How long is it since Théoden last stood there? As if to emphasise the point Tolkien tells us that a keen wind is whistling in through the doors and breaking up the musty stillness of the hall.

“Now, lord,” says Gandalf, “look out upon your land! Breathe the free air again!”

And as Théoden breathes and the cold air fills his lungs Tolkien tells us that “curtains of wind-blown rain were slanting down.” In his first venture into the open air in many a long day the king of Rohan is getting wet!

It is, of course, no mistake that Tolkien wishes to draw our attention to the weather. The contrast must be drawn between the dead and darkened air of Théoden’s hall with a wizened old man shrinking into the shadows and the keen air that blows over a wide land bearing a cleansing rain upon a mighty king who has come into the light. Théoden is being washed clean and he must stand and take whatever the weather chooses to throw at him. We might even say that he needs this weather; that a warm and gentle breeze upon a spring morning would not be sufficient for him.

It is the essence of the Babel story found in the bible that humankind wishes to create a city that shuts God out, one that is self-controlled and self-contained. In our own time we seem closer than ever before to making the story a reality. Our ability to create micro-environments in homes, places of leisure and work and in the modes of transport that take us from one to another of these places bears witness to our mastery over the world. We are the lords of Babel indeed! We are our own gods now! We may note that just as in the old story the peoples may be divided from one another but we have progressed from the early story-tellers and their world. We can build high walls with strong gates to bar the outsider so that our personal Babels are both environmentally and socially controlled. London may be the tuberculosis capital of Europe but as long as we can keep the poor who are afflicted by the disease from our gates then it matters very little. We may even be able to persuade our government to withdraw the right to free healthcare from such people and so reduce our taxes.

And while this happens we do not even notice that spiritually we are becoming the shrunken dwarf that was Théoden before Gandalf freed him. We do not know that we become ever more helpless before our foes for we surround ourselves with counselors like Wormtongue in the form of our newspapers and other media outlets and in our gatherings of like minded acquaintances.

How we need a Gandalf to set us free from our darkened halls, to lead us out into real and uncontrolled weather and to make us stand there until we are made clean by the icy rains of reality. How we need a counselor who will say to us, “cast aside regret and fear… do the deed at hand.” One who will take us out of the half lives of our present age and make us truly human, fully alive.

And if we do not have such a counselor then we must take ourselves out into the weather day after day until it has taught us that which we need to hear.

Théoden Bound and Ashamed

/ stephencwinter / Leave a comment

Gandalf and his companions enter Théoden’s darkened hall whose majesty lies half hidden in shadows. Around them upon the walls hang many woven cloths and “over their wide spaces marched figures of ancient legend”. To one in particular their eyes are drawn even before they look upon the king himself because in the dark the light of the sun has fallen upon it through an opening high in the roof. “A young man upon a white horse… blowing a great horn… his yellow hair flowing in the wind.”

“Behold Eorl the Young!” said Aragorn. “Thus he rode out of the North to the Battle of the Field of Celebrant.”

That we should look upon Eorl before we see the king is no accident. Eorl is forever young and Théoden is old; very old indeed. He is a man “so bent with age that he seemed almost a dwarf.” Eorl is bathed in sunlight while Théoden is hidden in the shadows. Tolkien means us to gaze upon Eorl in his majesty because that is where Théoden himself looks and what he sees acts as a constant reproach to him. Eorl rides to battle, to victory and to glory while Théoden sits helplessly by as he hears daily of defeat, of the death of his only son in battle and of the impending doom of his house and of his people. Almost his last words just a few weeks later at the Battle of the Pelennor Fields will be, “I go to my fathers. And even in their mighty company I shall not now be ashamed.”

Théoden has been ashamed, literally crippled and shrunken by shame even as Wormtongue’s whisperings have steadily weakened his resolve. Faced by the dangers that surround him he has withdrawn behind the diminishing safety of his own walls yet even there the image of his mighty ancestor rebukes him. Age must come to us all if we live long enough to see it and many find that the world about them becomes a more fearful place. Tove Jansson, writer of the wonderful Moomintroll stories, summered for many years on an island some way off the coast of Finland. One day she stepped out of her hut on the island to gaze upon the sea and she was suddenly afraid, a feeling she had never known before in that place. When she left her island as the summer ended it was to be for the last time. She never returned there again.

Théoden is freed from the prison of his own walls by Gandalf. We will think more about that next week. He will then throw himself into life for a few brief and dangerous days before finally falling in battle before the walls of Minas Tirith. Those for whom the most important thing in life is to achieve security will find Gandalf’s behaviour reprehensible and Théoden’s foolish. What kind of care for the aged is it that counsels leaving safety and care and going into battle? Yet Gandalf’s counsel will enable Théoden to break free from fear and from shame and to die a free man. Who would deny him this? And which of us are in danger of denying freedom to ourselves and building darkened prisons for our own souls?

A Life as Brief as a Sparrow’s Flight

/ stephencwinter / 1 Comment

As Gandalf, Aragorn, Legolas and Gimli approach Edoras, the dwelling place of Théoden, King of Rohan and the Rohirrim they ponder the story of that people. Five hundred years the Rohirrim have dwelt in that land since first Eorl the Young led them to the field of Celebrant to aid the people of Gondor in battle. To them that day is so long ago that they have no memory of what came before but to Legolas, ageless wood elf of the Greenwood, those five hundred fallings of the leaves seem “but a little while.” And so Tolkien calls to mind another of the great themes of his stories, the great difference between elves and humankind. The sorrow of being human is to know the brevity of life; the sorrow of being an elf is not themselves to know death and yet to know the decay and loss of all else that lies about them.

Aragorn, who served Théoden’s father, Thengel, at one time in his youth, sings one of the songs of the Rohirrim in their own tongue. Legolas, not knowing the tongue, speaks of it as “laden with the sadness of Mortal Men.”

Where now the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing?…Who shall gather the smoke of the dead wood burning, Or behold the flowing years from the Sea returning?”

It is the image of the vain attempt to gather up the smoke of the fire that is most poignant in the song reminding us that we, who are mortal, can no more hold onto life than to perform this impossible task.

Tolkien was one of the greatest scholars of early English of his time and surely here he recalls the famous speech recounted by the Venerable Bede in his Ecclesiastical History of the English People in which the pagan priest, Coifi, addresses Edwin, mighty king of the Northumbrians. Paulinus has just declared the Christian message to the king and Coifi speaks.

“It seems to me that the life of a man on earth is like the swift flight of a single sparrow through the hall, where you, O King, sit at table on a winter’s day with your captains and counsellors. In the midst of the hall there is a comforting fire to warm it. Outside the storms of winter rain and snow are raging. This sparrow flies swiftly in through one window of that hall and out through another. While he is inside, the bird is safe from the winter storms, but after a few moments of comfort, he vanishes from sight into the wintry world from which he came. So man appears upon earth for a little while- but of what went before this life, or what follows, we know nothing.”

I first heard this story as a young boy and this image seared itself into my consciousness. I could see the hall of the king, the fire burning brightly, the winter storm blowing outside. I could see the bird flying swiftly from one window to another. And at some level, perhaps beyond understanding, I knew that life was short, so heartbreakingly short.

When Gandalf and his companions arrive at Meduseld, the hall of the king, they find the Rohirrim, bowed down under the weight of this consciousness and unmanned by the whisperings of Grima Wormtongue, secret servant of Saruman. But soon the people of Rohan will be woken to new hope and to brave deeds. They will find such meaning in their brief life that they will be able to stand against all the powers of darkness that now oppress them.

But that is for another week…

On Learning to Receive Good News

/ stephencwinter / 1 Comment

It can almost be as hard to receive and believe unexpected good news as it is to receive and believe the opposite. Disappointment can become a habit of life and preparing for it so that we can bear it when it comes can become the main discipline of our inner lives. The expectation of disappointment and our preparation for its “inevitable” arrival has a way of creeping into every fibre of our being. We will see this negative expectation at work in two major characters of The Lord of the Rings in later postings on this blog. One is Théoden of Rohan and the other is Denethor of Gondor.

The return of Gandalf is one of the glorious moments of the whole story. We saw him fall with the Balrog into the abyss in Moria, crying, “Fly, you fools!” as he did so. We shared in the grief of his companions at his loss and in the sense that their task had become so much harder if not impossible. We have reflected more than once on how for Aragorn the unexpected burden of the leadership of the company threw him into doubt regarding his personal ambitions. And we could say that although it was the attack of the orcs that finally sundered the Fellowship of the Ring that it was from the fall of Gandalf that such a sundering became inevitable.

And now in the Forest of Fangorn as Aragorn, Legolas and Gimli bravely pursue what seems a hopeless cause, Gandalf returns to them.

“They all gazed at him. His hair was white as snow in the sunshine; and gleaming white was his robe; the eyes under his deep brows were bright, piercing as the rays of the sun; power was in his hand. Between wonder, joy and fear they stood and found no words to say.”

They are able to receive this good news with joy and then to continue their journey with renewed hope. Soon they will know that there is no point in continuing to search for Merry and Pippin. They will waste no time on comments like, “so why did we bother, then?” Only one thing will matter to them and that will be to do the next task, and then the next one and the next one. In this they differ from Théoden (at first at least) and from Denethor. Denethor, most of all, has become so set in his belief that good days are only pauses on the inevitable road to destruction that he considers all who continue to have hope as fools and so Gandalf is dismissively called the “grey fool”. In Théoden despair is mixed with guilt. He regards himself as a failed king. Aragorn is different from both. He has passed through his time of despair, not even regarding his own failure as something that disqualifies him from doing the next task with all the strength that he can bring to it.

Dietrich Bonhoeffer, German pastor, theologian and anti-Nazi resister, wrote powerfully about this not long before he was arrested and held in the Tegel prison in Berlin.

He reflected on ten years of resistance to the Third Reich within Germany, much of which had been ineffective, and upon all that he and his fellow resisters had learnt through those years. He wrote that he had learnt that it was of no importance whether anyone emerged as a hero from this experience. All that mattered was to keep on asking the question, day after day after day, “How is the next generation to live?” Aragorn has stopped worrying about whether he is a hero or whether others see him as one. All that matters is the task. Once that is clear to him he has no barrier within himself to weeping tears of sorrow or of joy and no barrier to living a faithful life.

Choice and Serenity: A Lesson from Aragorn

/ stephencwinter / 3 Comments

It is some weeks since this blog reflected upon the adventures of Aragorn, Gimli and Legolas, and their pursuit of the captors of Merry and Pippin across the wide plains of Rohan. It has been longer still since we thought about Aragorn’s inner turmoils after the fall of Gandalf; how he was torn between his longing to go to Minas Tirith with Boromir to aid its people in the wars against Mordor and his sense of responsibility to Frodo, the Ringbearer. I wrote about the day when Aragorn ran uselessly here and there as Boromir first tried to sieze the Ring from Frodo and then fell alone in battle trying to protect Merry and Pippin from the orcs of Isengard.

I wrote about the moment when he crashed through the trees into the glade, wielding the mighty sword of his glorious ancestors that had cut the Ring from the hand of Sauron, crying “Elendil”  he did so and finding that the battle was already at an end. At that moment Aragorn was in despair. http://www.stephenwinter.net/page6.htm#140191

“This is a bitter end. Now the Company is all in ruin. It is I that have failed. Vain was Gandalf’s trust in me. What shall I do now?”

The choice that he makes at that moment is one that takes him away, both from the Quest of the Ring and from his longing to fulfill the promise to Boromir to go to Minas Tirith. He chooses to follow Merry and Pippin, the two members of the Company, who, until that point in the story, have contributed least to their task. Any utilitarian assessment of the greatest good at the moment when he makes his choice would tell him that regretably he must abandon Merry and Pippin to their fate and that at least their deaths might be worthwhile if the Ring can be destroyed and Minas Tirith be delivered. But Aragorn is no utilitarian and neither is he a soft-hearted or, might we say, soft-headed sentimentalist. He chooses to trust Frodo’s choice to go on alone knowing that the Council have entrusted him with the task of destroying the Ring. And he cannot go to Minas Tirith having abandoned his comrades. He will follow them even if the pursuit is in vain.

In one sense the pursuit, though heroic, is indeed in vain. It is not through his efforts that Merry and Pippin are freed. It is not Aragorn who rouses the Ents to march upon Isengard. At one point Legolas remarks that they have made this great journey to little purpose and as they journey further into Fangorn Forest Gimli is even more blunt.

“If we do not find them soon, we shall be of no use to them, except to sit down beside them, and show our friendship but starving together.”

Yet Aragorn is serene through all this. “If that is indeed all we can do,” he says, “then we must do that. Let us go on.”

Aragorn has made his choice and once made he will waste no time upon regret. He has done all that needs to be done. We might say that there is some providential link, a synchronicity, between his choice and all the great events that will follow. We might say that if we choose rightly then good things will follow even if we cannot prove a direct link between our choice and the subsequent good. But we cannot prove such a link and Aragorn would not wish to attempt such a proof. He would regard this as an attempt at self-justification and a craven act to which he would never stoop. That is his greatness and the reason why Legolas and Gimli will go with him. And if we would know the peace that Aragorn knows then we too will seek only to make the right choice and then to act upon without regret.