Gandalf’s Fireworks

Further Thoughts on Gandalf’s “Fountain of Mirth”. Gandalf and The Shire.

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The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp.741-743

This is the third post in a short series of reflections that I am writing about Gandalf based upon the observations that Pippin makes of him both in the scene that takes place in the throne room of Gondor at the beginning of The Return of the King, the final volume of The Lord of the Rings and the scene that follows immediately after. As we saw in the last piece Pippin’s thoughts about Gandalf are inspired by the comparison that he begins to draw with Denethor, realising that Denethor’s impressive demeanour does not go anywhere near as deep as the reality of Gandalf, even though this does not seem so at first glance.

Two weeks ago I wrote about Gandalf’s joy for the first time, a joy that Pippin sees as “a fountain of mirth enough to set a kingdom laughing, were it to gush forth”, and in this post I want to think more about this.

The hobbits of the Shire know Gandalf as a strange figure who comes and goes among them from time to time. In many ways their main impression of him is as a kind of travelling showman. They know him best for his spectacular firework shows, such as he offered them at Bilbo’s farewell party. When in Lothlórien Frodo and Sam composed poetry by which to remember him after his fall in Moria it was this that Sam recalled most vividly. 

The finest rockets ever seen:
they burst in stars of blue and green, 
or after thunder golden showers 
came falling like a rain of flowers.

And if it were not Gandalf’s fireworks for which he was best known in the Shire it might have been his pleasure in pipe-smoking, something to which the hobbits had first introduced him. Indeed we might say that it was play and pleasure that regularly brought Gandalf to the Shire. Gandalf says as much in his telling of the story that we know as The Hobbit to Frodo and other members of the Fellowship in Minas Tirith after Aragorn’s coronation.

“I was tired, and I was going to the Shire for a short rest, after being away from it for more than twenty years. I thought that if I put them [dark thoughts about the return of Sauron and the potential threat of Smaug the dragon] out of my mind for a while I might perhaps find some way of dealing with these troubles.” (Unfinished Tales p. 416)

Gandalf associated the Shire and hobbits with much needed rest. But was it merely coincidental that it was on his way to the Shire that Gandalf met with Thorin Oakenshield and learned of Thorin’s desire to lead an expedition to recover the Lonely Mountain from the terrible dragon that lived there? It was in his meeting with Thorin that the thought of Bilbo Baggins first came into Gandalf’s mind.

“Suddenly in my mind these three things came together: the great Dragon with his lust, and his keen hearing and scent; the heavy-booted Dwarves with their old burning grudge; and the quick soft-footed Hobbit, sick at heart (I guessed) for a sight of the wide world.” (Unfinished Tales p. 417)

What Gandalf does is to play with the images that come into his mind, allowing them to take shape there and, in a sense, take on a life of their own. In many ways Gandalf does exactly what Tolkien the storyteller does. Both he and Tolkien journey into the imaginal realm and they play amidst the images that they find there.

It is essential here to emphasise that neither Tolkien’s play or Gandalf’s is a mere passing away the time between more serious tasks. Or maybe I should say that Tolkien was not just passing time when he journeyed into Faerie, the perilous realm, the imaginal realm. It was in that realm that both discovered and then sub-created his legendarium from what he saw.

In his telling of his story to Frodo and his companions Gandalf tells us a little more of his own journey into the imaginal realm, the journey that takes him to a place in which Smaug, Thorin Oakenshield and his companions, and Bilbo Baggins, somehow find themselves together. It is a journey that no-one else takes and it leads to consequences that no-one could have anticipated. For on his journey Bilbo finds the Ring of Power. Even at the time of that discovery no-one, Gandalf included, had any idea of the significance of Bilbo’s magic ring. Gandalf describes his own actions as no more than following “the lead of ‘chance'”, a journey on which he made many mistakes by his own admission.

We will come back to that journey in the next piece. In the meantime I invite you to think further about the relationship between play in Gandalf’s story and the events that ultimately lead to the discovery and then the destruction of the Ring and the fall of Sauron. I believe that they are intimately bound together.

I am grateful for the work of Dr Becca Tarnas for introducing me to the idea of Tolkien’s journey into the imaginal realm. I hope that her doctoral thesis comparing the Red Books of J.R.R Tolkien and Carl Jung will be published soon. In the meantime can I recommend her reader’s guide to The Lord of the Rings, “Journey to the Imaginal Realm”, published by Revelore Press in 2019.

“These Hobbits Will Sit on the Edge of Ruin and Discuss the Pleasures of the Table.” Merry and Pippin Amidst the Wreck of Isengard.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 726-729

This week we return from Théoden’s wonder at his first sight of Ents at Helm’s Deep to Merry and Pippin amidst the wreck of Isengard. Not that I think that they mind our neglect, as they are resting after their first good meal since they were captured by orcs over a week before. Treebeard had given them drafts of a drink that not only sustained them but even made them grow, but there is nothing like proper food and drink to achieve contentment and nothing like a hobbit to enjoy it properly.

“These hobbits will sit on the edge of ruin and discuss the pleasures of the table, or the small doings of their fathers, grandfathers, and great-grandfathers, and remoter cousins to the ninth degree, if you encourage them with undue patience.” So says Gandalf to Théoden after Merry has begun to discourse on the history of pipe-smoking in the Shire, and we know this to be true, not just because Gandalf says it but because we remember how Merry and Pippin sat down on the edge of Fangorn to eat a piece of lembas as Éomer’s company did battle with the orcs just a few yards away and how, when Aragorn, Legolas and Gimli found signs of this meal they commented that this was proof that hobbits had been there. Who else would choose such a spot for a meal?

Gandalf does not say it here but this is why he loves the Shire and his visited it so often over many years. There is a sense in which the whole Shire has been sitting on the edge of the ruin of Eriador as it has been since the fall of the Kingdom of Arnor and its successor, Arthedain, at the hands of the Witch-king of Angmar for many years and has quite simply ignored the fact, being entirely absorbed with its own affairs, the pleasures of the table and the small doings of its families. How different this has been from Gondor, for example, with its endless anxiety about the world beyond its borders, although perhaps in Lossarnach and in their lord, Forlong the Fat, there is something of a hobbit spirit.

Gandalf has needed the Shire for many reasons. In part he has needed it as a place of rest amidst his long and weary travels. But he has also needed it as a place of play, a place where he has learned to play. Sam Gamgee wanted Frodo to include a verse about Gandalf’s fireworks in the lament that he had composed about Gandalf in Lothlórien and that is what Gandalf had meant to him and to most of the people of the Shire. There is a sense that as Gandalf incarnated his Olorin spirit in Middle-earth as one of the Istari sent by the Valar to contend with Sauron, it was the Shire, and its “small doings” that shaped that incarnation in a very particular way. Saruman never understood this, laughed at it, and suspected it too. His own incarnation lay within the walls of what he thought was an impregnable fortress, a place where he could plot the conquest of Rohan and even dream of becoming the Lord of the Rings and master of Middle-earth.

That it was Gandalf who triumphed in the War of the Ring that ended the Third Age of Arda, and not Saruman, was in no small measure because of his love of the Shire. This was not just because, by a set of strange circumstances, the Ring came to the Shire, and then from the Shire to Mount Doom, but also because Merry and Pippin came to Fangorn Forest. It was Gandalf himself who told Frodo how he had chosen Bilbo for the Quest of the Lonely Mountain, a story recounted in Lost Tales, telling Thorin Oakenshield that “a foresight is on me.” This foresight, this world changing intuition, was formed within Gandalf’s soul by hours at hobbit tables on the edge of ruin while he smoked his pipe and listened to tales of the small doings of his hosts. It was from these doings that Sauron and Saruman fell.

“Tales By The Fireside.” Théoden Touches The Perilous Realm.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 716,717

“Is it so long since you have listened to tales by the fireside?”

So Gandalf asks of Théoden as the King tries to make some sense of what he has just seen as Ents emerge from the magical forest that has come from Fangorn to Helm’s Deep.

I promised last week that we would remain in this reflection on the Perilous Realm that J.R.R Tolkien spent a lifetime pondering and, in the creation of his legendarium, making something that has allowed millions of readers to touch and taste it too.

In his essay On Fairy-Stories Tolkien tells us that a fairy story is not one that is about an elf or a fairy but is about “the nature of Faërie: the Perilous Realm itself, and the air that blows in that country.” He goes on to say that Faërie is essentially indescribable, that it has “many ingredients, but analysis will not necessarily discover the secret of the whole.” Indeed analysis will effectively kill the thing that it seeks to describe. Perhaps it always does, reducing the thing that it has observed to its many parts and so failing to see the whole that it first experienced. Tolkien tells us that Faërie “may perhaps most nearly be translated by Magic- but it is magic of a peculiar mood and power, at the furthest pole from the vulgar devices of the laborious, scientific magician.”

“The vulgar devices of the laborious, scientific magician.” Have we not here been introduced to the Dark Lord himself, hidden in his fastness of Barad-dûr and his most enthusiastic imitator, Saruman? And isn’t the Ring a perfect example of such a device? Saruman was one who lived long in the Undying Land and knew its beauty and yet became seduced by a desire for power, becoming increasingly frustrated by the long, slow history of beauty that, as Gimli describes so well in speaking of the Caves of Aglarond can only be worked with, “with cautious skill, tap by tap- a small chip of rock and no more, perhaps, in a whole anxious day”. Gimli’s description of the work of a true artist in the presence of beauty is light years away from the work of those “laborious, scientific magicians” Sauron and Saruman, who are endlessly frustrated by the slowness of things to be shaped by their will and who become contemptuous of those who are not willing to work as they do. Essentially they become contemptuous of Ilúvatar and the long slow pace of the music of the Ainur that is the story of Creation itself.

Sauron and Saruman live in the same world as Fangorn and Lothlórien, those expressions within Tolkien’s sub-creation of the Perilous Realm, and yet have no understanding of them or of their magic. Their vulgarity is only capable of reducing the magic of these places to their own that is laborious and scientific. But Sauron’s vulgar creation of the Ring is always a temptation to those who have worked long and patiently with the beauty of Middle-earth. When Galadriel is tempted to take the Ring that Frodo freely offers to her she imagines herself as a Dark Queen crying out that “all shall love me and despair!”

It is a misunderstanding of the true nature of evil to imagine Galadriel at this moment as something horrible as Peter Jackson does in the film version of The Lord of the Rings. What the Ring would have given to Galadriel would have been the opportunity to become endlessly and repetitively a terrible beauty that could be seen, desired but never enjoyed. The whole world would be in the thrall of an erotic desire that would endlessly grow in intensity but could never be satisfied. Gimli expresses this when he speaks of “the danger of light and joy”. Legolas rightly praises Gimli for staying faithful to his companions and for giving up the desire that has been awakened within him but Gimli is not comforted by his words.

So perhaps it is safer to keep an experience of beauty within tales by the fireside. As we hear such tales the longing that Gimli knows may perhaps be tasted, may even be a delicious pleasure for a brief moment, but the story will come to an end and it will be time to sleep. Unless, of course, there may be a path that might lead us to an enjoyment of this pleasure; one that never cloys,as the hymn writer puts it.

“My Time is Over.” What Was Gandalf Doing in His Time in Middle-earth?

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The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 973-974

During this summer month, having completed my thoughts on The Fellowship of the Ring, I am writing a few reflections on some of the bigger themes of The Fellowship before I return to The Two Towers in September, and this week I want to think about Gandalf.

As my readers can see my title does not come from The Fellowship but from The Return of the King and from the moment when Gandalf takes his leave of Frodo and his companions in order to have a really long talk with Tom Bombadil, “such a talk as I have not had in all my time,” The hobbits are anxious about hints that they have heard in Bree that things are amiss in the Shire and want Gandalf to come with them in case of trouble but Gandalf replies:

“I am not coming to the Shire. You must settle its affairs yourselves, that is what you have been trained for. Do you not yet understand? My time is over: it is no longer my task to set things to rights, nor to help folk to do so.”

Gandalf first came to Middle-earth around the year 1000 in the Third Age of Arda as one of the Istari, emissaries of the Valar, to aid the free peoples of Middle-earth in their struggle against Sauron. He was one of the Maiar, of the same order of angelic being to which Sauron was also a member and in Valinor he had been known as Olorin and had been a pupil of the Lady Nienna, one of the queens of the Valar, a lady of pity and of mourning.

In Unfinished Tales we read that Gandalf was at first unwilling to go to Middle-earth because he felt that he was “too weak for such a task, and that he feared Sauron”, but that Manwë had declared that these were reasons why he should go. We also read that when he arrived at the Grey Havens Cirdan greeted him and gave him Narya, one of the three elven rings, the Ring of Fire.

“Take this ring, Master,” he said, “for your labours will be heavy; but it will support you in the weariness that you have taken upon yourself. For this is the Ring of Fire, and with it you may rekindle hearts in a world that grows chill.”

And so Gandalf begins 2000 years of wandering through Middle-earth, never settling for long in any one place doing the work that Cirdan described, rekindling hearts in a world grown chill. Among the Elves and the people of Gondor this leads to him being given the name, Mithrandir, or Grey Pilgrim. And although in the year 2063 he goes alone to Dol Guldur, Sauron’s fastness in the south of Mirkwood, and forces him retreat eastwards from there for a time, it is rare that he enters into open conflict with the Dark Lord.

And there is one place that he goes to from time to time simply to enjoy a holiday and that is the Shire. It is there that he discovers the pleasures of pipeweed, simple and substantial food, and good beer. It is in the Shire that he learns to play. There he is known and welcomed for the wonderful firework displays that he puts on. These have an almost legendary status among the hobbits and mean that they regard him as something of a travelling showman although they are a little wary of him as he can sometimes take a young hobbit off with him for “an adventure”. And it is in taking Bilbo Baggins away for a very big adventure that the Ring is found and his task is completed.

We might say that Gandalf never has a plan, a great master strategy that he implements little by little until it is finally put into place in the War of the Ring. He did not plan the finding of the Ring and when it is found at last he knows that he can never use it to defeat Sauron and that it cannot be destroyed by force of arms opening a way to Mount Doom. At the end all his long labours come down to an act of utter foolishness. Denethor is right to call the journey of Frodo and Sam a “fool’s hope”. But Gandalf, and Elrond and Galadriel too, ultimately place their hope in a power that is greater either than themselves or their enemy. A power that normally chooses to work in ways that are hidden except through subtle hints that can only be seen by those who have given their lives to wisdom, to faithful service and, in Gandalf’s case, to the enjoyment of simple pleasures.

“A Foresight is On Me”. How Gandalf Chooses.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 267-269

I have learned over the years in which I have written this blog that I have readers who know their Tolkien very well, often much better than I do, and so I am sure that there will be readers who will instantly know that the quotation that heads this week’s post is not from The Lord of the Rings. It is in fact from Tolkien’s Unfinished Tales. It comes from a chapter in which Frodo describes a conversation with Gandalf that takes place in Minas Tirith after the Ring has gone to the fire and Sauron has fallen. In that conversation Gandalf speaks of how he came to be convinced that Bilbo should be a part of the company that would make the journey to Erebor, the Lonely Mountain, under the leadership of Thorin Oakenshield.

I write about it here because we are thinking about the choosing of Frodo’s companions in the Quest of the Ring. We have already seen that the company is chosen, as much for its symbolic quality as for its effectiveness. Nine walkers will oppose nine riders. Nine of the free peoples of the earth will oppose the slaves of the Dark Lord. And as we journey through the unfolding of the story we find that it is the hobbits who will play central roles in it. The journey of Frodo and Sam to Mordor and the Mountain and the journey of Merry and Pippin, carried as prisoners of the orcs, to the borders of Fangorn Forest and the meeting with Treebeard are these central actions and none of the rest of the company go with them on these journeys. They will have other parts to play.

Gandalf’s support for Pippin is described as “unexpected”. When Pippin announced his intention to go with Frodo because there needed to “be someone with intelligence in the party”, Gandalf’s response was that Pippin would certainly not be chosen on that basis. But Gandalf is greatly drawn towards Pippin. Indeed I rather think that Gandalf liked Pippin to be nearby and found his simple honesty and friendliness to be a comfort. Was it because he needed such comfort that Gandalf liked to go to the Shire? In his account of how he came to choose Bilbo to go with the Dwarves to Erebor he speaks of how he had been going to the Shire “for a short rest” after a twenty year absence. “I thought that if I put [my dark thoughts] out of my mind for a while I might perhaps find some way of dealing with these troubles”.

Gandalf’s “dark thoughts” were about the reappearing of Sauron in Dol Guldur, about the ever present danger to the north of Middle-earth that was posed by Smaug the dragon in his occupation of the Lonely Mountain, about the fragility of the free peoples and about the opposition of Saruman to any direct action against Sauron. Gandalf’s thoughts are like a hammer striking against a hard surface with the intention of making it give way before the force of its blows. He knows that his thinking will not bring about a solution by itself. It will only keep bringing him back to that which is insoluble and so he heads for the Shire and a rest from his anxiety. The Shire folk have taught him how to play. It is there that he makes fireworks and it is there that he enjoys wholesome food, good beer and pipeweed. And it is on his way there, just outside Bree, that he encounters Thorin Oakenshield who is also beset with his own dark thoughts.

Is it because he is in search of rest that Gandalf is open to something entirely unexpected? Is it his proximity to the Shire and to hobbits that makes the participation of Bilbo a possibility for the expedition to Erebor? In Carl Jung’s idea of synchronicity it is the empty space between the spokes of a wheel that give the wheel its usefulness just as much as do the spokes themselves. So it is the empty space that the Shire is for Gandalf in his endless labours that gives him the idea of Bilbo. And when the idea comes it does so with such force that he describes it as a foresight. Not that he knows what is to come but he knows that he has to listen to his inner voice and that Thorin has to listen to it too when he declares it aloud. Perhaps it is in knowing the power of Gandalf’s inner voice that Elrond too gives way to him about Merry and Pippin despite his own misgivings.

“He May Play a Part Yet that Neither He Nor Sauron Have Foreseen”. Gandalf and Gollum.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 244-250

No-one seems to be wasted in Gandalf’s world. By this I do not mean that everyone can be used in the sense that we might use an object and then discard it, but that everyone has a part to play in the great story. Readers of The Lord of the Rings will remember that Gandalf spoke of Gollum in much the same way in the long conversation with Frodo in the study at Bag End.

“My heart tells me that he has some part to play yet, for good or ill, before the end”.

Note that vital phrase. “My heart tells me”. Gandalf is a man of the heart and this is what sets him apart from Sauron and from those who see the world as Sauron does. He is beyond even most of his fellows. None of the Wise would ever wish ill to hobbits but then none but Gandalf would ever expect much of them either. The Wise regard them as many regard children. They are glad that children exist and they delight in their innocence, even taking refuge from time to time in the world of the child as an expression of longing for something that they feel is lost to them forever. But despite this longing they really believe that the world of the child is a world of make believe. It does not actually exist. The real world, sadly but truly (as they see it), is one of calculation and of cold, hard facts. The Rangers are glad to protect hobbits from this cold, hard world beyond the borders of the Shire but it is that cold, hard world that is reality.

It is one thing to find a place in the world for a pleasing anomaly like the Shire, but who wishes to give any place to Gollum? Sauron does give Gollum a place but it is only the place that he gives to every creature and that is based on their usefulness to him. When Sauron captures Gollum he tortures him to find out what he knows about the Ring that he once possessed. In Unfinished Tales we are told that “When he had learned what he could from him, Sauron released him and sent him forth again. He did not trust Gollum, for he divined something indomitable in him, which could not be overcome, even by the Shadow of Fear, except by destroying him. But Sauron perceived the depth of Gollum’s malice towards those that had ‘robbed’ him, and guessing that he would go in search of them to avenge himself, Sauron hoped that his spies would thus be led to the Ring”.

Now we begin to perceive the difference between the mind of Sauron and the mind of Gandalf. Sauron is only capable of reducing everything to his own calculation. All calculation reduces the person to an object, to an it. Imagination on the other hand perceives all persons as mystery. Sauron did not “fully comprehend” Gollum but calculated that what he did know would be sufficient for his purposes. Gandalf also did not fully comprehend, in terms of calculation, but listened to his own heart which told him that Gollum would have a part to play that Sauron could not foresee. This is because imagination conceives a world that is greater and more wonderful than its capacity to comprehend it. It can only be grasped and held by love and delight.

Gandalf lives in a world in which pity, mercy and generosity of spirit, open the door to possibilities that are unforeseeable and are yet to be trusted. It was not Gandalf but Bilbo who chose not to kill Gollum when he had the opportunity to do so but Gandalf lives in a world in which a merciful deed can have wonderful consequences even if they cannot be foreseen. Gandalf does not foresee that it is Gollum who will take the Ring to the fire. He does not even know how the Ring will be destroyed. He has seen Frodo fail to throw the Ring into his own fireplace. He probably guesses that the task of destroying the Ring is probably beyond Frodo’s or anyone else’s capacity and yet he still trusts that somehow it will happen because he lives in this world of wonderful and incalculable possibility. Some might call it a fairy tale world, even regarding it with contempt, but those who live as Gandalf does seem to unlock doors of wonderful possibility that those of a calculating spirit cannot even perceive let alone achieve.

Bilbo’s Magnificent Party

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 25-28

Readers of works of literature from the mid 20th century might notice that food seems to play a particularly important role in many stories of the time. Later in The Lord of the Rings a clue to this is given by Beregond of the Guard of the Tower in conversation with Pippin. Pippin is anxious to find something to eat after his uncomfortable interrogation by the Lord Denethor. Beregond regretfully informs a rather disappointed Pippin that he has already broken his fast as well as any in the city but adds “They say that men who go warring afield look ever for the next hope of food and drink”.

The Lord of the Rings was written largely through a time of food rationing. Hobbits, in particular, are creatures of feast and fast and have a particular enthusiasm therefore for feasting. The description of the food and drink at Bilbo’s party is full of delight and pleasure.

Last week’s reflection led to a lively conversation in the Comments Section on Gandalf’s relationship with the Shire. The debate centred on whether Gandalf acted in the way he did in the Shire as a strategy to win the hearts of the hobbits or whether it was all unplanned and entirely providential. I think that eventually it was agreed that Gandalf did consciously seek to warm the hearts of those among whom he travelled. It was this quality that first drew Círdan of The Grey Havens to him. Círdan gave the Ring, Narya, to Gandalf, saying “Take this ring, Master… for your labours will be heavy; but it will support you in the weariness that you have taken upon yourself. For this is the Ring of Fire, and with it you may rekindle hearts in a world that grows chill.”

Gandalf walks the lonely roads of Middle-earth doing just this work so that when Sauron begins his great war to regain the One Ring and to achieve mastery he is opposed by all the free peoples despite his efforts to divide them. But I would add something more and that is that the hobbits touch and awaken something in Gandalf’s heart too. They teach him how to play. It would be hard to imagine Elrond of Rivendell or Dáin of Erebor or Denethor of Gondor playing in the way that Gandalf does. I could imagine Galadriel dancing among hobbit maidens but it would be a queenly dance.

Gandalf is not lordly when he is in the Shire. He is childlike in the way in which a grandfather is childlike. He has seen life and he has been marked by it. From the Lady Nienna he has learned pity. From hobbits he has learned pleasure. And he knows that deeper even than sorrow lies a joy that cannot cloy.

“The fireworks were by Gandalf: they were not only brought by him, but designed and made by him; and the special effects, set pieces, and flights of rockets were let off by him. But there was also a generous distribution of squibs, crackers, backarrappers, sparklers, torches, dwarf-candles, elf-fountains, goblin-barkers and thunder-claps. They were all superb. The art of Gandalf improved with age.”

I would encourage readers to read that passage aloud and to savour each word and sound. Each name of a firework is meant to be musical but it is not the music of Elrond’s halls but the music of a country party with lots of laughter and a little mischief too. Peter Jackson captures this well in his films by introducing the characters of Merry and Pippin here. Their soot covered faces as they emerge from the smoke of the exploded rocket, one of Gandalf’s hands tightly gripping each of their curly heads, conveys this well.

A serious life can be a playful life too. Rowan Williams describes his friend and colleague, Archbishop Desmond Tutu in this way, saying that Desmond Tutu loves being Desmond Tutu. The same man who risked his life in the struggle against apartheid and who wept openly as he listened to the many stories of suffering during the time that he chaired South Africa’s Truth and Reconciliation Commission, also knows how to enjoy a good party.

Near the end of The Lord of the Rings Gandalf announces to the four Travellers that he is going to visit Tom Bombadil for a good long talk. I suspect that a lot of that talk was full of laughter.

There Will Be Fireworks at the Party. Gandalf Returns to the Shire.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 24,25

Hobbits may devote a lot of energy to keeping mystery out of their lives but if it comes in a package that can be controlled and is predictable then they might even welcome it. The key to this kind of mystery is that if it comes it will not be too disturbing and that it will go away again leaving everything unchanged.

So it is with Bilbo Baggins’s ‘long expected party’. A party is a welcome distraction to the sameness of life and no-one will turn down the opportunity to receive presents. The hobbits will even put up with the arrival in Hobbiton of outlandish folk as long as they all go away again when all is done.

The most exciting visitor of all is Gandalf and when Tolkien first introduces him to the story it is through the eyes of hobbits.

“A cart came in through Bywater from the direction of the Brandywine Bridge in broad daylight. An old man was driving it all alone. He wore a tall pointed hat, a long grey cloak, and a silver scarf. He had a long white beard and bushy eyebrows that stuck out beyond the brim of his hat.”

This description places Gandalf within a tradition of magical old men that inhabit the stories of both hobbits and us too. The hobbits know him through his fireworks. Not through their experience of them but through stories of long ago, the stories of a legendary figure in Shire history, the Old Took, who lived longer than any other hobbit and at whose birthday celebrations a magnificent firework display once took place.

It was Gandalf the Wizard who brought fireworks to the Shire then and he has brought them back again after a gap of a hundred years.

Later in the story Sam Gamgee will say these words in honour of Gandalf’s fireworks.

“The finest rockets ever seen: they burst in stars of blue and green, or after thunder golden showers came falling like a rain of flowers.”

As we have already seen when we are first introduced to Sam he is able to take an experience like the enjoyment of fireworks and travel through it to a deeper mystery. Most of his fellow hobbits treat the fireworks like we might a fairground or theme park ride whose danger and mystery is acceptable because it is limited. You are frightened but you know that you will get home again alive.

The point about Gandalf is that in his true business there is a very good chance that you will not get home alive. He is one of the Istari, one of seven Maiar who were sent by the Valar, the divine governors of Arda, of the world, to oppose Sauron, the Dark Lord, who seeks mastery of Middle-earth. And if anyone makes the mistake of underestimating the old man in a pointy hat who makes marvellous fireworks then it is surely enough to remind them that Gandalf and Sauron are both Maiar, both belong to the same order of heavenly being.

Saruman is only capable of thinking of others either as useful to his own ambitions or as useless. At this point in the story hobbits are useless to him. Gandalf is different. He takes pleasure in hobbits for their own sake. He loves the delight and wonder that his fireworks produce, loves the moments when grown hobbits allow child-likeness into their hearts again. And he delights in hobbits’ simple pleasure in good food, good beer, good smoking and good company so when he arrives in the Shire for a time he is able to lay down his many burdens. He is just the funny old man who does marvellous tricks and magnificent firework displays. And that is enough.

Gandalf comes to the Shire in search of simple pleasure and so when in this simple place he is given the way to overthrow the Dark Lord it is a complete surprise but perhaps it is only those who know how to take joy in people and things for their own sake who are capable of receiving gifts that can change the world.

Dear friends, I intend to add the audio file for this week as soon as possible but my technical assistant, my daughter, Bethan Winter, is down in London at the moment and I need her advice! I am sure that after a week or two of practice this will all be second nature to me!