Saruman and Gandalf on Choosing the Right Spiritual Guide

This is the second week of my holiday with my wife, Laura, and we have been exploring the beautiful countryside of West Wales together, the land in which her father was born and brought up, the son of farming people in the county of Pembrokeshire. Last week I reposted a piece that I wrote about Faramir on the memory of Númenor that I originally wrote in August 2015. This week I want to repost a piece that contrasts Gandalf and Saruman from the per5spective of spiritual guidance. Until the Covid 19 lockdown began in March here in England I spent about a day a week sitting in my living room at home with different people offering such guidance. I am still trying to do this as best as I can in these challenging times. I was struck that Saruman and Gandalf are models of two very different types of spiritual guide and, believe me, I have met both. Tell me what you think when you read this. I would love to hear from you. And I will see you again next week under the sign of The Prancing Pony in Bree.

Two weeks ago I wrote about Saruman and Gandalf as the spiritual guides of our day trying to show how Saruman had come to put his trust in the exercise of power through things that are made for indeed the thing he desired most was the Ring, the ultimate expression of power and Sauron’s greatest work. If our spirituality is a description of that which we desire most and that which we make the ground of our being then Saruman and those like him are indeed spiritual guides.

“What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among the dogs?” he screams in fury when Théoden rejects his offer of peace.

In other words Saruman is a spiritual guide who seeks to convince us that we need his power and that without him we can do nothing of any significance. It is a guidance that seeks to convince us that we are not worth very much. It is a guidance that plays upon our lack of self-worth and our sense of unworthiness. It is a guidance that works with the Dunlendings who are his allies in the war against Rohan. The Dunlendings, near neighbours of Rohan, have long nursed a sense of grievance against the Rohirrim and grievance is another fuel that spiritual guides like Saruman use.

Gandalf plays no such games. Often his friends express their conviction that they can do no nothing without him but he does nothing to encourage them in that belief. He is the pilgrim who has spent long years journeying from place to place among the free peoples of the Middle-earth seeking to help those who live there find courage within themselves to resist evil that they might not believe even exists. He does this with Frodo, helping him find the courage to take the journey to Rivendell bearing the Ring. He does this with Théoden, helping him to emerge from his inner darkness and confront the danger that threatens his people. If Saruman seeks to make others dependent upon him, Gandalf seeks to help others find strength within themselves.

We would do well to consider our own spiritual guides and make the right choice of them. On one hand there are the experts, the gurus, who “know” what we need and who “know” that we need them. They believe in their own expertise and also our weakness and our need of them. Such a culture of the “expert” shapes a certain kind of education and a certain kind of religion. On the other hand there are those who challenge us to think for ourselves and help us to take responsibility for our own lives. They do not try to hide the price that we will have to pay if we do seek to live the responsible life but they also demonstrate that the truly responsible life is also the truly joyous life and that the truly joyous life is also the truly responsible life.  And this life is the life that is truly free!

On Hearing The Music of the Ainur

Those who have been reading my Blog that seeks to distil wisdom from The Lord of the Rings will know that I have been reading the text carefully and then reflecting upon what I find there. I happen to think that Tolkien was a man of profound insight. I also think that he was an explorer and that what he discovered in his creation often surprised him. So it is that what we find when we read his work is not a carefully worked out philosophy imposed upon a narrative structure although Tolkien’s Christian faith is a springboard that is absolutely necessary for his explorations. Tolkien genuinely did not know in advance what his characters would do as the story developed. I think that is the reason why it took him so long to write his work. And perhaps one of the reasons why The Lord of the Rings speaks so powerfully to the modern mind is that none of its characters is capable of, or presumes to speak, authoritatively of God or the ultimate mystery of being and of life. You get the impression that Gandalf may know more than most but he does not tell. All that we learn from him is that there is a mystery that gives meaning to all that each character in the story chooses to do.

It was back in January 2013 that I wrote about Frodo in the halls of Elrond of Rivendell. At that time I wrote the Blog on my website http://stephenwinter.net/page6.htm#131194 and in that posting wrote about Frodo’s “dream of music that turned into running water, and then suddenly into a voice”. Music is Tolkien’s metaphor for the unfolding of history, one that he unfolds most fully in the first chapter of The Silmarillion, The Music of the Ainur. The Ainur are the angelic beings whose task it is to work with God (Ilúvatar) in the governing of his creation. I do not think therefore that Frodo’s “dream of music” is an accidental detail in the story. He connects for a moment with the Great Music and also with the Great Story for the voice that he hears as he emerges from the dream is Bilbo’s as he chants his own telling of the tale of The Voyage of Eärendil that is chapter 24 of The Silmarillion. Later when he takes the Ring at The Council of Elrond Frodo declares his own Yes to the Music and the Story. He cannot himself control the story to which he says Yes although because he bears the Ring of Power he is tempted to believe that he has the capacity to do this but he is carried by the story and by the music from the moment of choosing until the fulfilment of the choice at the Cracks of Mt Doom.

At the ending of one year and the opening of another I wanted to return to this story in Rivendell from my reflections at the ruined gates of Isengard. For we cannot drift aimlessly through life as if there were nothing to be discovered, no commitments to be made. When I started writing this Blog I intended to reflect on composers and writers who I believe to have made a connection to the Great Music and the Great Story and if my readers are interested then I will try to do so next week before returning to Isengard and to Aragorn, Legolas and Gimli as they are reunited with Merry and Pippin. Here I will just say that if 2015 is to be fruitful then it will be because of the commitments we make to the Music and the Story. If we are true to the wisdom of The Lord of the Rings then we will not seek to make authoritative statements about the Mystery but in our own commitments we will seek it out. It is because of his search that Frodo hears the music and the story in the halls of Elrond, that Merry and Pippin meet the Ents in the forest of Fangorn, that Gimli finds understanding in the words of Galadriel and heart breaking beauty in the caves of Aglarond. If we remain true to our own search then we too will find such wonders. You may remind me that I should not forget Frodo and Sam in Shelob’s lair or Merry and Pippin as prisoners of the orcs for if we are true to our Yes then our journey will take us to such places as well but what it will not be is some aimless and meaningless drifting. It will be a true adventure of Joy and Sorrow. We will be men and women who are fully alive.

Happy are Those Who Struggle

If Sauron were leader of the Fellowship, setting out from Rivendell in possession of the Ring, what would he do? Gandalf knows that it is a question that Sauron has asked himself. Sauron knows that the Fellowship left Rivendell and that they possessed the Ring. He knows something of each member of the Fellowship and that there are hobbits among them. And Gandalf knows that he fears that the Fellowship will go to Minas Tirith and there one of them will wield the Ring, assail Mordor with war, cast him down and take his place. Boromir counselled  that they should go to Minas Tirith but not that one of them should wield the Ring. He hid this desire even from himself.  And Gandalf and Galadriel were tempted to wield the Ring as well. Remember the occasions when Frodo offered the Ring to them, first to Gandalf at Bag End in the Shire and later to Galadriel in Lothlorien. Remember that both were tempted to the very limits of their strength to take it and seek to use it to cast Sauron down. Sauron knows that both have the capacity to do this and so he is afraid. He will unleash war against Minas Tirith as swiftly as he can before his enemies are strong enough to use the Ring to destroy him.

But…

What if Sauron is wrong? What if, as Gandalf says, “we should wish to cast him down and have no one in his place?” This not is a thought that “occurs to his mind”. And Gandalf continues: “that we should try to destroy the Ring itself has not entered into his darkest dream.” Indeed Sauron is incapable of dreaming such things. Our dreams, whether waking or sleeping, are the fruit of our spiritual practice. By this I do not mean our religious practices although they can be of help to us in the shaping of our spiritual practice. What I mean is how we cultivate our desire. For Gandalf and Galadriel desire is a deeply complex thing. On the one hand they long to heal the world, to right wrongs and set things right. On the other hand the thought that the power to do this might fall into their hands and that they might be the heroic saviours of the world with all flocking to their banner is deeply attractive. You will note that Boromir desired the same thing. But Sauron does not suffer this agony. He has a different agony because for him only one thing has meaning and that is power over others for it is only power that can free him from the fear that haunts him, his agony that never leaves him, the fear that one day someone will have the power to destroy him and take his place.

Happy are those who know spiritual struggle. Happy are those who wrestle against their own weakness and who begin to learn their own limitations. Happy are those who learn to laugh at themselves, who know that they are not the centre of everything and that it is just as well for everyone that this should be so. Happy are those who know that they have a contribution to make and who make it with a proper self respect but who know that others have a contribution to make too and it may be that the others will receive more praise than they will. And happy are those who just sometimes wish that they could be praised too and allow a wry smile as they recognise the lingering potency of that desire!

Unhappy is Sauron and all like him who do not know this struggle, whose spiritual lives are simple, having been reduced to the pursuit of one desire. Kierkegaard once said that simplicity is to will one thing and he is right. Perhaps it is possible to achieve such simplicity in pursuit of the good. There are signs in The Lord of the Rings that Gandalf and Galadriel have achieved such simplicity. Jesus finally achieves it at the moment when he says, “Father into your hands I commend my spirit.” But if it is achieved then it is a victory won as the fruit of a renunciation that is a profound struggle that tests them and everyone who pursue such simplicity to their limit and beyond.

The Temptation of St Anthony

This has to be a word of hope to all of us who struggle. Our struggle should not be a cause of pity in others. Rather others should pity us only if we give up fighting. But more of that next week.