Forests

“It is Old, Very Old,” Said The Elf. Legolas In The Forest of Fangorn.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 639, 640

A few years ago I was taking the road through the Savernake Forest on a regular basis as I drove down to Salisbury in the county of Wiltshire in England to see my mother in the last days of her life. In England, when you see the name, Forest, attached to a particular place it will often mean an area of land set apart for hunting by the Norman conquerors of this land nearly a thousand years ago and so, for example, the New Forest in the south of England was new when the Normans first came in the 11th century but it is old now. Savernake Forest is of a similar age and standing by the side of the road is a an ancient oak tree that first took root around the time that William the Conqueror first established his realm here.

The Big Belly Oak in Savernake Forest. I like the fact that passing vehicles have to take a little extra care as they pass it by.

As Legolas enters the Forest of Fangorn with his companions, Aragorn and Gimli, in search of Merry and Pippin, it is the oldness of the forest that he feels.

‘”It is old, very old,” said the Elf. “So old that I almost feel young again, as I have not felt since I journeyed with you children. It is old and full of memory. I could have been happy here, if I had come in days of peace.”‘

It is this quality of oldness that can cause us to reassess our place in the scheme of things. I have sometimes seen this in the relationship between an old man and a young boy, a grandfather and grandson, noting the particular quality of attentiveness that they give to one another. Perhaps my favourite literary relationships are between old men and young boys, Dumbledore and Harry Potter, Merlin and the young Arthur, Gandalf and Frodo, teachers and eager pupils. And it is possible to make a relationship with a particular tree as well. I remember once taking shelter in woodland on a stormy day and finding great comfort in the presence of an ancient tree that stood so confidently as its branches swayed in the wind. I still go to seek out that tree from time to time just to feel its strength and feel the need to do so, once again, even as I write this.

Alan Lee’s wonderful depiction of Merlin and the young Arthur from T.H White’s The Sword in the Stone. Was Arthur ever happier than at moments like this?

And then there are certain places that have the capacity, somehow, to hold you because of their age. Old churches can have such a capacity. A memory that still holds me is of walking with my father through spring woodland on our way to church when I was a small boy. It is the memory of the presence of my father, a rare treat, the bluebell covered woodland floor, and the particular beauty of the church, at least as I saw it then, that has this quality of holding. I picked bluebells to give to my mother on my way home. No one had ever told me not to pick wild flowers and so I did so in complete innocence. The day was perfect.

Early memories of old churches also mean singing Evensong according to the 1662 Book of Common Prayer of the Church of England. I will join a congregation in an ancient country parish church this Sunday evening for the same service and anticipate happily the same quality of inner quiet that I found back then as a small boy with my treble voice. My personal copy of the Prayerbook was given me by my grandmother, who was born in reign of Queen Victoria, and who held my elder daughter on her lap in the last year of her life. If my daughter lives to a similar age that will mean almost two centuries of the life of our family connected in that moment by just two lives. That thought too has the capability of holding me if I pay attention to it

.

The choir in Worcester Cathedral, the burial place of kings and princes, where my younger daughter sang Evensong as a chorister on Saturday evenings for five years.

It is this quality of being held, of being young again in the presence of great age, of the feeling of safety, of rootedness in something much greater than oneself that Legolas feels as he enters the Forest of Fangorn even amid the seeming impossibility of finding Merry and Pippin and so Gimli is comforted too.

“O Rowan Dead, Upon Your Head Your Hair is Dry and Grey.” Quickbeam the Ent Teaches Us the Power of Lamentation.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991,2007) pp. 628-631

I have never known any fully mature rowan-trees and so sadly have never encountered in my own experience the description that Bregalad, or Quickbeam as he is called in the Common Tongue, gives of the mighty trees of his youth.

“And these trees grew and grew, till the shadow of each was like a green hall, and their red berries in the autumn were a burden, and a beauty and a wonder.”

A rowan-tree crowned in glory.

I may not have met a fully mature rowan-tree but I do share Bregalad’s love of the rowan and its beauty and I have enjoyed watching birds flock to them later in autumn as other sources of food begin to run scarce. It is a tree that sustains them well into winter and itt is a good tree to plant and grow in a town garden or to see upon a woodland walk in the country.

Merry and Pippin are introduced to Bregalad by Treebeard towards the ending of the first day of Entmoot.

“Are you getting weary, or feeling impatient, hmm, eh?” Treebeard asks. “Well I am afraid that you must not get impatient yet?” This is still only the first day of deliberations that will take three days to conclude. Bregalad has already made up his mind about what to do and needs no more debate and so he is given the task of looking after the young hobbits until all is done.

“I am Bregalad, that is Quickbeam in your language. But it is only a nickname, of course. They have called me that ever since I said yes to an elder Ent before he had finished his question. Also I drink quickly, and go out while some are still wetting their beards.”

I love the way in which Peet on Deviantart has captured Bregalad’s gentleness and delight in this picture.

The quickness that Merry and Pippin experience in Quickbeam, and which they delight in, is a quickness to sing and to laugh. The very last time we see the friends at the end of The Lord of the Rings as they bid farewell to Sam is as they go off together singing. Bregalad is of the same spirit and so he laughs when the sun comes out from behind a cloud and he laughs whenever he meets a spring or a stream but his singing is subtly different whenever he meets a rowan-tree. He halts a while “with his arms stretched out” and he sings and sways as he sings.

Bregalad is a lover in the sense that he delights in life, and he delights in the life of the forest in particular, and especially in rowan-trees amidst the life of the forest. He takes pleasure in the being-ness of rowan-trees, in the simple fact that they are, and he expresses his delight in his singing. He sings his joy in the beauty of these trees. 

O rowan fair, upon your hair how white the blossom lay!
O rowan mine, I saw you shine upon a summer's day,
Your rind so bright, your leaves so light, your voice so cool and soft:
Upon your head how golden-red the crown you bore aloft!

This is a song of praise for the glory of a fellow creature but his song does not end with praise but with lamentation. If, in Derndingle where the Entmoot meets, the mood is of growing anger which will eventually spill forth in songs of war, songs in which Bregalad will join, the mood of the song that he sings to Merry and Pippin is one of the deepest sadness. 

O rowan dead, upon your head your hair is dry and grey;
Your crown is spilled, your voice is stilled for ever and a day.

It is not only anger that rouses the Ents against the wanton destruction of Saruman and of the orcs of Isengard but sadness also. And the sadness goes deeper than the anger. With their anger the Ents will “split Isengard into splinters and crack its walls into rubble” but with the sadness that they sing in songs of lament they will labour to heal the land, to renew Fangorn and also to rebuild Isengard making it a place of beauty once again, a place in which earth, air, fire and water can live together in harmony with one another and in which living things that grow and which sustain life can thrive. Bregalad teaches us that we need more than anger if we are to transform the earth. There are other songs to sing than songs of war.

The rowan-tree both protects and heals.

“Come Back to Me! Come Back to Me, and Say My Land is Best!” The Search of the Ents for The Entwives.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 618-623

After Treebeard calms down following the outbreak of his rage against Saruman he begins to ponder how large a company of Ents he might be able to gather together to launch an attack upon Isengard. His hope is that he will be able to get together a “fair company of our younger folks” but, he laments, “what a pity there are so few of us”.

Pippin wonders why this should be so when the Ents have lived in Fangorn Forest for so many years. “Have a great many died?” he asks.

“Oh, no!” said Treebeard. “None have died from inside, as you might say. Some have fallen in the evil chances of the long years, of course; and many more have grown tree-ish. But there were never never many of us and we have not increased. There have been no Entings- no children, you would say, not for a terrible long count of years. You see, we lost the Entwives.”

“We lost the Entwives”. Luca Bonatti’s beautiful depiction of the Ents and the Entwives.

Treebeard’s story is the story of a breakup of a marriage. But not just between the two folk who once pledged their troth to one another but between the males and females of an entire species. And, we might say, between nature and culture themselves.

For with his sub creation of the Ents Tolkien has given us a race of creature in which the masculine and feminine principles seem to reside completely within the males and females of their race. Now we know this is not the case with human beings. In us there are feminine qualities in men and masculine qualities in women and, indeed, there are those who argue that one of our most important tasks in life is to bring these into unity with one another within us after having become clear which gender we are, whether we are male or female.

But in the Ents Tolkien gives us something different and in so doing he speaks of the nature of all growing things. As Treebeard puts it of the Ents, “they gave their love to things that they met in the world”. They loved “the great trees, and the wild woods, and the slopes of the high hills; and they drank of the mountain-streams, and ate only such fruit as the trees let fall in their path.” The Ents gave their love entirely to that which is wild and uncultivated. The Entwives, on the other hand, were in love with gardens. They “desired order, and plenty, and peace” Treebeard says. And then he adds, somewhat acerbically, that “they meant that things should remain where they had set them.”

Great trees and wild woods as beloved by the Ents.

We have been thinking in this blog of Treebeard’s home, Wellinghall, in the last couple of weeks of postings. We have seen that there is no clear delineation between the world outside his home and that within it. If there are walls then it is the trees of the forest that are those walls. The streams of the Entwash arise from the ground within the house and flow through it and there is no roof that lies between Treebeard and the open sky. He is content to live within weather and not to protect himself from it just as the trees of the forest do. He has no gardens in which he cultivates food. He is a gatherer and, most certainly not a hunter.

As he later remarks, Treebeard thinks that the Entwives would like the Shire because hobbits are gardeners. Indeed, as Frodo remarked to Galadriel, gardeners are held in high honour within that land and it is the name that Sam Gamgee will give to his family as they rise in honour in the Shire. Indeed I wonder if it might have been an Entwife that Sam thought he saw and which he tried to describe to Ted Sandyman in their argument in the pub at the beginning of The Lord of the Rings. Tom Bombadil is a gardener who lives at the edge of the Old Forest and he is contentedly married to Goldberry the daughter of the river although periods of separation from one another seem to keep that marriage fresh.

Farmer Maggot is a good friend to Tom Bombadil. Both are gardeners. Henning Janssen imagines his garden.

As we are left wondering whether there can be a reconciliation between the worlds of the forest and of the garden, between the Ents and the Entwives. In the song that the Elves made and which Treebeard sings the hope of a reconciliation is given but it is one that can only be achieved, it would seem, after catastrophe when the Ents and Entwives walk together into something entirely new. And can the forest and the garden do the same?

Together we will take the road that leads into the West,
And far away will find a land where both our hearts may rest.

“He Has a Mind of Metal and Wheels; and He Does Not Care For Growing Things”. Treebeard Speaks of The Treason of Saruman.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991,2007) pp.611-617

The home that Treebeard has shown to Merry and Pippin is the fruit of exquisite patience. We might almost say the patience of Nature herself except, as we saw Treebeard speak of the hill upon which he first met the young hobbits, it had only stood there since that part of the world was shaped. There was a history before that moment too.

So, as I wrote last week, the Wellinghall that Treebeard shows to the young hobbits has been a careful crafting of earth, water, growing things and light over many years. It has as much in common with an art installation as it does a dwelling place and, although it has been ages in its making, if Treebeard had brought Merry and Pippin to it just a few days later it would be different. The spring that wells up from beneath the earth would have shaped it in a new way and as the year moved onwards into springtime so the rising of the sap within the trees that are the walls of Wellinghall would subtly transform them and would fill the air with a delicious aroma.

But Saruman is a different matter altogether.

“I think that I now understand what he is up to. He is plotting to become a Power. He has a mind of metal and wheels; and he does not care for living things, except as far as they serve him for the moment.”

Middle-earth Enterprises imagine the fruits of Saruman’s “mind of metal and wheels in their depiction of Isengard.

One could hardly find a greater contrast between any two beings than between the minds of these two neighbours. If Treebeard has lovingly worked with Nature for long ages of time both in the making of his home and in his work as a shepherd of the trees Saruman is impatient both with Nature herself and with all living things. As Treebeard puts it, in the mind of Saruman the one needful thing is that it must “serve him for the moment”; and it is worth noting that phrase, for the moment, for as W.H Auden spoke of factory workers, all are “put to temporary use”. Robots are taking the place of those who work in factories and doubtless if Saruman had lived long enough he would have replaced his specially bred orcs, the Uruk-hai, with robots. It might be that his orcs can withstand the sun in a way that other orcs cannot, but eventually it will be possible to create a robot that will be able far to outlast even the strongest orc. And whereas Saruman could not be completely confident about the obedience of his Uruk-hai he need never have any anxiety about robots. The temporary usefulness of any creature that serves him for the moment would have come to an end. And we might even add that the quality of malice which he required in his servants, which was so useful to him, but which required constant attention as with Uglúk’s need to keep reminding his troops that the prisoners were not to be harmed, could be programmed into a robot in a completely reliable manner.

Saruman’s Uruk-hai are “put to temporary use”.

Saruman’s impatient “mind of metal and wheels” is about to be put to the test by the shepherds of trees and by their Huorns, trees that are growing in awareness and becoming more like their shepherds as Treebeard put it. And when it is tested in this manner it will be his impatience that will be his undoing. His anxiety to defeat Rohan quickly will lead him to empty his fortress of Isengard not fearing any enemy nearer by; his weaponry will not be sufficient to drive away either Ents or Huorns; and whereas the Tower of Orthanc, rising out of the very bones of the earth itself and built by Númenorians at the very height of their powers, cannot be assailed by Ents, the walls of Isengard are a fragile thing and easily overthrown.

Perhaps all lovers of “living things” should be grateful for Saruman’s impatience. If he or any like him were able to wait long enough then life itself might be abolished. The Ring of Power is, of course, the ultimate expression of a mind of metal and wheels, a mind that is a machine, at least for that age of Arda. In our own age the principle that made the Rings of Power is at work in new ways and perhaps with even greater effectiveness.

“I Am Not Altogether on Anyone’s Side, Because Nobody is Altogether on My Side.” Treebeard, the Ents and Forests in The World of Middle-earth

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 611-617

The homes in which people live tell you much about them. Of course, many people have little choice in the kind of home in which they live, but even when that choice is limited for people they will still seek to do something to tell a story about themselves. I remember when as a young man I taught in an African school in Zambia I would sometimes go to visit a student’s family in one of the villages nearby. One thing always stood out to me on these visits and that was that the family I visited may have possessed very little but everything was presented with great care and the simple hut was clean and life lived with great dignity. Those who know the descriptions of the simple homes of early settlers travelling west among the American continent will recognise this need for dignity. I came across great poverty in African villages but I did not encounter squalor until I worked as a parish priest in some run down neighbourhoods of Birmingham, England.

Treebeard’s home is an expression of his dignity as the oldest of the Ents and of a carefully crafted balance between earth, the flowing of water over the earth, that which grows in the earth, and light. It is the play of light upon stone, water and tree that gives Wellinghall its particular character. The name in its English form and therefore in the Common Tongue of Tolkien’s Middle-earth comes from the idea of a spring welling up from the earth beneath it and the hall that was built there.

An imagining of Wellinghall

“A little stream escaped from the the springs above, and leaving the main water, fell tinkling down the sheer face of the wall, pouring in silver drops, like a fine curtain in front of the arched bay.”

The “arched bay” had been shaped out of the lower slopes of Methedras, the last of the Misty Mountains and so we are brought into a home in which the worlds outside and inside flow together in a carefully crafted manner. If in a typical western home a great effort is made to create something which keeps the interior quite separate from that which lies outside this is most certainly not the case with Wellinghall.

Treebeard’s home is, as far as he can achieve it, an adaptation to the world of earth, water, tree and light in which he has lived since time immemorial. There is no agriculture or industry within his world. Even his food is derived from the welling waters of the young Entwash that flow through his home although there is clearly some kind of intoxicant that occurs within them, or has been added to them. But it is an intoxicant that energises rather than enervates. We remember that when Merry and Pippin first drank from the waters of the Entwash as they escaped into the forest from the orcs they did not notice that “the cuts and sores of their captivity had healed and their vigour had returned”.

A forest as a place of healing.

Perhaps what we see in the ecology of Fangorn Forest is what can happen when a very particular set of relationships are able to develop over a long period of time. It is important to note that Fangorn is never presented as a kind of paradise in a way in which Lothlórien appears to be. Treebeard himself speaks of the impact of darkness upon it and his work as the shepherd of the trees is both to protect the forest from external forces that seek to harm it and from the darkness that might destroy it from within.

Even as he speaks with Merry and Pippin we seem to see Treebeard become increasingly aware that he has failed to protect his forest. The depredations that first came with the return of the Númenorians in the Second Age and whose activities led to the large scale destruction of the forest that once had lain right across Eriador and of which the Forest of Fangorn was only its eastern end seem to have been something with which Treebeard had to learned to live with, albeit reluctantly. But now the deliberate destruction of the forest by Saruman is something that he cannot tolerate. It may be that a world in which no-one has really been on the side of the trees and their shepherds is one that has led Treebeard to stay out of the struggles for power and for freedom in the wider world about him. He has not been “altogether on anyone’s side” because “nobody is altogether” on his side but now he realises that unless he chooses a side his forest will be destroyed completely. He has to take action.

No-one is “altogether” on Treebeard’s side but some seek to destroy his world completely.

“We Are Tree-herds, We Old Ents.” Treebeard Teaches Merry and Pippin About His People.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 607-611

Ents are shepherds of trees, tree-herds as Treebeard puts it, and it is in the nature of shepherds to live so closely to the creatures they care for that they can anticipate any action that those creatures might perform. Of course, sometimes a sheep, or perhaps a tree, might do something that takes the shepherd by surprise and if that happens then they will do all that they can to put things right. As that ancient source of wisdom, the Bible, puts it, “the shepherd lays down his life for the sheep”. This does not just mean that the shepherd will die for the sheep although they are always prepared to do so if required but that they give their lives for their welfare from day to day and Treebeard has been doing this for a very long time indeed.

Treebeard, the shepherd of trees, by Alan Lee

His long life of service to the trees began with a prayer of Yavanna, the member of the Valar for whom the care of things that live and grow upon the earth was most dear. She prayed to Eru to provide for the care of trees. Her main concern then was with Dwarves and their axes, which rather puts into context the advice that Aragorn gave to Gimli about being careful how he used his. Indeed the only other recorded occasion apart from these events at the end of the Third Age in which Ents became involved in the affairs of the wider world was when the Dwarves of Nogrod went to war with the Elves of Doriath and sacked their stronghold of Menegroth.

Menegroth lay at the heart of Doriath, a forest kingdom ruled over for long years by Thingol and by his wife, Melian the Maiar. It was Melian who through her magic arts made Doriath a secret place and it was in that land that Luthien was born and nurtured and where Galadriel learned much from Melian so that the land of Lothlórien in many ways resembled Doriath. It was through the tragic greed of Thingol that led to his death and war with the Dwarves of Nogrod and led to so much destruction of that which had been so beautiful. The Ents fought alongside the Elves in this war and it is quite possible that Treebeard was one of those who fought. His motto of “Do not be hasty” may have been made in those unhappy days and he has kept it. He has not gone to war for thousands of years until the arrival of two young hobbits who come among the Ents as they seek to escape from orcs.

The death of Thingol in Menegroth.

Like trees themselves Ents are patient creatures. Treebeard is able to look back to a time when “there was all one wood… from here to the Mountains of Lune, and this was just the East End.” He ponders the sense of spaciousness that he enjoyed in former days. “Broad days,” he calls them when there was room and time just for breathing. “The woods were like the woods of Lothlórien, only thicker, stronger, younger. And the smell of the air! I used to spend a week just breathing.”

Although he regards the decline of the forests of Middle-earth with sadness we do not get the sense that he does so with resentment or bitterness. As Gandalf will say to him later on he has not plotted to cover the lands with his trees. But at the last he will become angry at the wanton destruction of trees by Saruman who does so simply for the sake of his own self-aggrandizement. His choice not to act hastily has guided him for many long years. He has not been passive in the face of evil but has devoted himself to the care of his Forest of Dark Night, his tauremornalómë, protecting unwary travellers from the worst of that dark and teaching those parts of the forest that have embraced darkness in hatred of the light to rest in darkness as a part of the natural rhythm of things, a time in which the forest can breathe in before exhaling once more in glad welcome of every dawn.

There are almost too many examples of the wanton destruction of trees in the world to name just one.

“Why Did Celeborn Warn Us Against Your Forest?” Treebeard Tells the Hobbits Something of The Story of Forests and Ents.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 607-611

Carefully but firmly holding Merry and Pippin in the crooks of his arms Treebeard makes his way through the Forest of Fangorn. The hobbits have had plenty of experience of being carried in the past few days but the last one was by orcs, “seized like a sack” and crushed into their necks. Their arms were gripped like iron with orcs’ fingernails biting into their flesh. This is very different, soon Merry and Pippin begin to feel “safe and comfortable”, hobbit curiosity gets the better of Pippin and there is something he wants to know.

Alan Lee depicts the moment when Treebeard first picks up the hobbits. They are in his hands for careful examination. Soon they will be in the crooks of his arms for gentle carrying.

“Please, Treebeard,” he said, “could I ask you about something? Why did Celeborn warn us against your forest? He told us not to risk getting entangled in it.”

It is a theme that runs through The Lord of the Rings that its free peoples have become divided from one another so that there is a sense of hiddeness and wariness about each land in which strangers are treated with suspicion. So normal has this become that when Gandalf, who has worked harder than any to break down barriers between peoples, is confronted with the words pedo mellon a minna on the western doors of Moria he assumes that a secret password is required of him. In fact all he needs to do is to say the word, friend, mellon, and the doors open. This is a fact that I note was completely ignored in the recent Amazon dramatisation, The Rings of Power. We live in suspicious times once more and, like Gandalf, assume that doors will be closed against us. Even the stories that we tell tend to be of suspicion and wariness rather than friendship and openness.

Tolkien’s own drawing of Durin’s Doors. It shows that a door can either an invitation to enter or a warning to keep out.

Treebeard speaks of this as he ponders Celeborn’s own land, the Golden Wood, turning over Elven words as one might allow a fine wine to linger upon the tongue before swallowing it. Lothlórien too is a dangerous place, “and not for anyone just to enter in”. We might note that when Gandalf took Gollum prisoner it was to the realm of Thranduil that he took him and not Lothlórien. The secretness of that land needed to be preserved.

It is darkness that has divided the peoples of Middle-earth, darkness not as a welcome pause between periods of daylight in which rest can be taken and moonlight and starlight enjoyed for their own sake but as a thing of threat in which enemies might be hiding ready to do harm. Treebeard speaks of “the Great Darkness”, presumably referring to the time that followed the destruction of the Trees of Light in Valinor by Morgoth in the First Age, a time in which darkness did not merely mean an absence of light but had a quality of its own, the kind of hopelessness to which Dante refers in the motto that stands above the Gates of Hell in his Divine Comedy. It is this kind of darkness that entered parts of the realm of Fangorn just as it did in parts of The Old Forest near the Shire. Treebeard speaks of some trees in the forest especially in the valleys under the mountains that are “sound as a bell, and bad right through.”

The Ents have watched over the forest since time immemorial and they have tried to teach the trees about light, opening their hearts to it, softening those hearts. And they have tried to keep unwary folk away from danger. And it must surely be a fruit of their work that at the end of The Lord of the Rings Legolas takes Gimli upon a voyage of discovery through Fangorn that is a source of delight and wonder and not one of danger and threat. It is not just because of Sauron’s fall that the darkness has been lifted, the time for that has been much too brief, it is because through the work of the Ents that the forest is full of light. But perhaps Legolas and Gimli had the services of an Ent to guide them through the forest. We are not told. A guide such as Treebeard could take a guest into secret places safely, unfolding them to those who wish to take time to enjoy them. This would be a different way of getting to know a forest than to take a truck along a highway that has been driven through its heart like a sword thrust.

It takes time to enter the secrets of a forest. Perhaps a lifetime. Alan Lee depicts a part of the Forest of Fangorn .

Whose Side is Treebeard on?

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Whose side is Treebeard on in the War of the Ring? That is another way of asking the question, whose side is nature on? Treebeard himself is undecided. “I am not altogether on anyone’s side because nobody is altogether on my side, if you understand me: nobody cares for the woods as I care for them, not even Elves nowadays.”

Treebeard is on the side of the forests of the earth and since time immemorial he has been their shepherd. And what he has witnessed over the years has been the long slow defeat of the forest. Even the hobbits have not been on the side of the forest. You may remember how Merry  told his companions of the battle between his people, the Brandybucks, and the Old Forest early in their journey; of how fires had been lit by the Brandybucks to drive the forest back and a great hedge planted to withstand any further attempts at encroachment. You may remember too, how the Old Forest tried to trap the hobbits as they attempted to journey through it by forcing them down to the Withywindle and the clutches of Old Man Willow. The Forest had a long and bitter memory of Merry’s people and only the arrival of Tom Bombadil saved him and his friends from disaster and a speedy conclusion to the great Quest of the Ring. The Old Forest was not on their side.

And there is a sense in which even Treebeard’s world is divided against itself because the Ents, the shepherds of the wild forest, have long been separated from the Entwives, the tenders of the cultivated gardens of the world. In this world the untamed wilderness is the masculine principle, the animus, while the cultivated world is the feminine principle, the anima and as Treebeard says to Merry and Pippin, the Entwives “would like your country.”

Tolkien never answers the question of whether the wilderness and the garden, the masculine and the feminine, can ever live in peace together although he does seem to say that the final healing of the world will only come when they are finally reconciled. But one thing is sure and that is “there are some things, of course, whose side” Treebeard is “altogether not on… these Orcs and their masters.” For Saruman the wizard has betrayed the trust bestowed upon him by the Valar, the angelic lords of the earth, the task he was given to aid the free peoples of Middle Earth in their resistance to Sauron and that he has long been plotting “to become a Power”. Treebeard declares that Saruman has “a mind of metal and wheels; and he does not care for growing things, except as far as they serve him for the moment.”

And in saying this Treebeard challenges us to declare whose side we are on in the War of the Ring, whether we, like Saruman, use growing things for our own purposes, plotting to become little powers. Whether we, like Saruman, have given way to despair, believing in the inevitable victory of the dark lords of our own times, seeking only to find some accommodation with them, some way of surviving in a world that they rule. If we do then we will find that all who become, or seek to become, dark lords will have little regard for our loyalty seeking only their own ends and we will find something else too. Nature will be against us and will have its revenge upon the dark lords and all who for their own ends choose to be their allies. In our own time we are already rousing the anger of nature and would do well to find a way to make peace before it is too late.