“The Day Has Come at Last.The Day of Choice Which We Have Long Delayed.” Which Way Will Frodo Choose to Go?

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 386-387

It is the 26th of February in the year 3019 of the Third Age and when Frodo walks away from his companions so that he might have an hour in order to think he will not see them again until he wakes on the Field of Cormallen on April 8th. That is, I should have said, he will not see his companions save one, and briefly, tragically, another, until that day. During that time the world will change because of the choice that Frodo will make but also because of the choices of each of his companions, but at this moment none of them knows what those choices will be.

Anke Eismann beautifully expresses the anguished thoughts of the Fellowship on this “day of choice”.

Perhaps Frodo really does know but as he walks away in order to think he still struggles with that choice and with how he is to tell the others. Sam really does know. “Plain as a pikestaff it is,” he says to himself, but then for the very first time in all the story Sam chooses not to follow Frodo. Frodo has to make his own mind up.

That the Ring must go to the Fire is, for Frodo, beyond doubt. He made this promise at the Council of Elrond with the words, “I will take the Ring… though I do not know the way” and Elrond confirmed his choice at the departure of the Fellowship from Rivendell.

“The Ring-bearer is setting out on the Quest of Mount Doom. On him alone is any charge laid: neither to cast away the Ring, nor to deliver it to any servant of the Enemy nor indeed to let any handle it, save members of the Company and the Council and only then in gravest need. The others go with him as free companions, to help him on his way. You may tarry, or come back, or turn aside into other paths, as chance allows. The further you go, the less easy it will be to withdraw; yet no oath or bond is laid on you to go further than you will. For you do not know the strength of your hearts, and you cannot foresee what each may meet upon the road.”

Elrond’s words prove prophetic but perhaps, as is the true nature of prophecy, he speaks of what is always true and at all times. None of the Fellowship can foresee what they are to meet upon the road and the events that will follow Frodo’s request to spend time alone in thought are, at the moment when he makes that request, entirely unknown both to him or to any of the others. For each one of them it will be these events and not what they thought had been their considered opinions that will shape their choices. Gimli had wanted to swear an oath, as was the practice of his people, to stay with Frodo with Frodo until the very end but Elrond wisely persuaded him not to do this. On this day Gimli will need the freedom that Elrond gave him to make a choice that he never thought that he would ever have to make.

The Fellowship hear Elrond’s words and none of them know what these words will mean to each one of them.

Is there any point in all our struggles to make the great choices of our lives? Should we not simply accept, as Galadriel said to the Fellowship on the eve of their departure from Lothlórien, that the paths that each of us will tread are already laid before our feet though we do not see them?

As with Elrond’s words Galadriel’s are always true, always and timelessly wise, but surely there is a place for thought of the road ahead? Such thought acts as a preparation of the heart for the moment when the choice will have to be made. Frodo has already decided that he must take the Ring to the Fire and that this is his destiny. Sam is certain that he must go wherever Frodo goes. Aragorn longs to go to Minas Tirith but feels that it is his duty to go with Frodo. The events of this fateful day will appear to take him to neither but he will remain true to his deepest self.

Anke Eissmann depicts Frodo deep in thought moments before Boromir will make his choice quite clear.

“The Road Goes Ever On and On”. Frodo, Sam and Pippin Begin a Journey that will change the World.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp 69-73

Those who know and love The Lord of the Rings know that Tolkien does not exactly hurry to get his story started. This ought to be a problem. Most story tellers know that unless you have gained your readers’ attention within minutes you will have lost them for ever. And yet in the best selling work of fiction of the last hundred years its author simply does not seem to care. What we are treated to as the world-changing epic journey begins is the anachronistic tale of two gentlemen and their servant setting out for a walking holiday.

Two Edwardian Gentlemen Out for a Stroll

Even the more unsettling matters, Gandalf’s failure to make the rendezvous or the encounter between Gaffer Gamgee and the Nazgûl are not permitted to spoil the general sense of well being. At this point in the story the worst thing that can happen is a soreness of the shoulder caused by the rubbing of the straps on a backpack. Happy the man or woman whose problems in life are limited to things such as this.

There is only one thing that disturbs this sense of wellbeing and that is Frodo’s melancholy. If we were to take our Edwardian imagery just a little further then we might liken Frodo’s mood to that which was retrospectively applied to the beautiful summer of 1914. Each memory of that summer was to be marked for ever after by sadness. Those who survived the war would remember the ones who had been lost with whom they had shared that day. And so Frodo looks back at the lights of Hobbiton and of Bywater twinkling in the dark and wonders if he will ever see them again.

An inn in the Cotswolds by night

Pippin has no more concern than to make his journey to Buckland as comfortable as possible and so in the middle of the day on the first full day of walking he declares to his companions that although the road might go on for ever he cannot, at least without a rest. Frodo takes up Pippin’s reference to the road and begins to recite.

The Road goes ever on and on 
   Down from the door where it began. 
Now far ahead the Road has gone, 
   And I must follow if I can, 
Pursuing it with weary feet, 
   Until it joins some larger way, 
Where many paths and errands meet. 
   And whither then? I cannot say. 

It is not the stepping into the Road that is daunting. Even the great journeys come to an end eventually as Bilbo once pointed out. “Do you realise that this is the very path that goes through Mirkwood, and that if you let it, might take you to the Lonely Mountain?” And as you picture the mountain in your imagination its very loneliness calls you to follow the path. This call is to adventure and it makes your heart grow larger. But the “wither then?”, that sense that the Road may never end, that there might never be a homecoming, never a place to rest your head at the last, that is a different matter altogether. And that too is a possibility when you step out of your door and onto the Road.

Tolkien’s use of capital letters in a noun like this is always significant. This road is not a lane that takes you to a welcoming inn or the road to the home of a good friend. It is the Road. It is life itself and you do not know its final end. No wonder most people choose not to entertain such imaginings. They are much too big and most of us, maybe all of us, are much too small. A Gandalf, calling us to adventure, must cross our paths if we are to embark on such journeys. And when he does so the longing must be greater than the fear; at least until the journey is well underway.

The Road goes ever on and on

Bilbo Wants to go on a Holiday. But Frodo is Still in Love With The Shire.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) p 32

One of the deepest longings in all of our lives is to belong. The Irish poet and philosopher, John O’Donohue, wrote, “Your longing is often wiser than your conventional sense of appropriateness, safety and truth.” We might say then that the conventional (and who is more conventional than a hobbit?) is a kind of training in the dulling of one’s sense of longing and replacing it with what is regarded as appropriate, safe and true. Most hobbits receive this training with their mother’s milk and their father’s carefully garnered store of well worn proverbs. But not so Bilbo Baggins and his nephew and heir, Frodo. Of them O’Donohue might have written, “Your longing desires to take you towards the absolute realisation of all the possibilities that reside in the clay of your heart; it knows your eternal potential, and it will not rest until it is awakened.”

JohnODonohue

Bilbo and Frodo will both undertake a pilgrimage through the events recorded within The Lord of the Rings that will end with a final voyage from The Grey Havens to the Undying Lands of the True West. In the twenty or so years that comprise the story Frodo in particular will journey through lands of wonder but then into hell itself before returning to the Shire and discovering that for him, at least, it is no longer home. It is my belief that in the West he finally achieves peace and healing but not his final homecoming. As Aragorn will one day say to Arwen, “We are not bound forever to the circles of the world, and beyond them is more than memory.” In hope Aragorn glimpses the eternal of which O’Donohue speaks. I believe that both Bilbo and Frodo will come to see it and long for it too.

But not yet. Now at the point of the story when Bilbo is able to leave the Shire and the Ring behind him his imagination, rich though it is, has not yet opened to him his eternal home.

“I want to see mountains again, Gandalf- mountains; and then find somewhere where I can rest. In peace and quiet, without a lot of relatives prying around, and a string of confounded visitors hanging on the bell. I might find somewhere I can finish my book. I have thought of a nice ending for it: and he lived happily ever after to the end of his days.”

misty_mountains_by_tavenerscholar-d5opl3e

The Happy Ever After ending goes with us throughout our days. At this point in the story only Gandalf has some sense of what might have to be endured before it can be achieved and even he does not know the details of the story. But his hope that Bilbo might find his own Happy Ever After is heartfelt.

Bilbo’s longing will take him from the Shire but not so, at least as yet, will Frodo’s. Bilbo says of him:

“He would come with me, of course, if I asked him… But he does not really want to, yet. I want to see the wild country again before I die, and the Mountains; but he is still in love with the Shire, with woods and fields and little rivers.”

5045152_08527ee0

This is the landscape of the English Midlands in which Tolkien himself grew up. There are hills but none are especially challenging, even for young or elderly legs. And any walk through its countryside will be through a patchwork of woods, fields and little rivers.

In the first of the pieces that I posted in this blog on The Fellowship of the Ring I quoted Patrick Kavanagh on learning to know and love your parish, the land in which you dwell.

“To know fully even one field or one land is a lifetime’s experience.”

As one whose early years were at first a succession of temporary homes in different farms, then student rooms, then a voyage to Africa I find that I cannot read Kavanagh’s words without them evoking a deep longing within me. I don’t think that the conventional was ever really an option for me but home was always my deepest longing. To have arrived in a lovely home and to be happily married has long been a source of profound gratitude in me but I know that it is not my final Happy Ever After. I am trying to get to the woods, the rivers and the fields in the way that Kavanagh speaks of but just as with Bilbo and Frodo I know that even the heartbreaking beauty of the earthly paradise of the Undying Lands could not satisfy my longing for a true home. That lies elsewhere “beyond the circles of the world”.

A Day of Praisegiving upon The Field of Cormallen

After Sam and Frodo have woken in a soft bed for the first time in many days, delighting in the sheer wonder of being alive, they are made ready to play the central part in a day of Praisegiving.

“‘What shall we wear?’ said Sam; for all he could see was the old tattered clothes that they had journeyed in, lying folded on the ground beside their beds.

‘The clothes that you wore on your way to Mordor,’ said Gandalf. ‘Even the orc clothes that you wore in the black land, Frodo, shall be preserved. No silks and linens, nor any armour or heraldry could be more honourable.'”

And so Frodo and Sam are brought before the host of the West and the Praisegiving begins. There are mighty shouts, “Long live the Halflings! Praise them with great praise!” The King leads his people in doing honour to the heroes by bowing the knee and leading Frodo and Sam to thrones set up beside his own. And a minstrel sings praise before the host and the heroes telling them of “Frodo of the Nine Fingers and the Ring of Doom”, so making Sam’s joy complete. So great is the skill of the minstrel that the hearts of all who listen are “wounded with sweet words” and they overflow with a joy “like swords” until they pass “in thought out to regions where pain and delight flow together and tears are the very wine of blessedness.”

This Day of Giving Praise is one that enables all who are gathered together on The Field of Cormallen to create a sacred space within their hearts to hold all that has happened to them as a treasure that in days to come they will be able to take out and gaze upon to make some sense of all that will happen to them in their lives. For they will know many more days of sorrow and of joy and will share those days with others too. But they have been to the very edge of darkness and have seen it gather about them, ready to devour them, and then the light has broken through to carry them to blessedness and they hardly know how they have got there or what the place is that they have reached.

Stories must be told and doubtless a story of the deeds of Frodo and Sam has been told to the army before they appear before them. Of course they know nothing of the journey through Mordor or the final events upon the Mountain. All that they know is that the Halflings who stand before them, clothed in orc rags, are their deliverers. Even the minstrel who tells the story with such skill does not know what we would call the facts. What he knows is a truth that is so real that even the hobbits, who lived the facts, recognise it as their own lived experience and recognise it too as something that transcends that experience. Both the praise that the host gives and the song of the minstrel rely upon formulae, of recognised forms of speech, but the overflow of their hearts is in no way diminished by this. Rather it is contained as a river channel contains a mighty flood enabling the water’s force to empower rather than destroy.

Once again we are taken back to Frodo’s experience in the halls of Elrond when Bilbo’s singing of the Tale of Eärendil and Frodo’s experience of the mighty river of the Music of the Ainur all became one thing for a moment.

It is this experience that all who gather upon the Field of Cormallen will be able to draw upon in years to come. The giving of praise, a king who kneels before hobbits of the Shire clothed in orc rags, and a tale sung by the greatest of minstrels that transported them briefly to a place of blessedness and then brought them back to the ground upon which they must stand and then leave to the feast and then to their duties.

And if they should choose each duty will be transfigured from this day on by the treasure that they carry within their hearts and even those who allow the treasure to be choked and buried by the cares of their lives may, in a moment of illumination, find the light that they once experienced upon The Field of Cormallen breaking through once more.

The image in this week’s blog post is by Tolman Cotton.

The King and The Healing of Éowyn

Aragorn moves from Faramir’s bedside to Éowyn’s and there he hesitates a moment.

“Few other griefs amid the ill chances of this world have more bitterness and shame for a man’s heart than to behold the love of a lady so fair and brave that cannot be returned. Sorrow and pity have followed me ever since I left her desperate in Dunharrow and rode to the Paths of the Dead; and no fear upon that way was so present as the fear for what might befall her.”

And now in that uncertainty he crushes the leaves of athelas into the bowl of steaming water not knowing whether he can call Éowyn back from the darkness that seeks to claim her or if he can to what she will return.

Last week we saw how when Aragorn anointed Faramir with the water and the healing herb how the fragrance that filled the room evoked the deepest longing of Faramir’s heart. Now as Aragorn “laves her brow” with the water and her right arm “lying cold and nerveless on the coverlet” a new fragrance fills the air about them.

“It seemed to those who stood by that a keen wind blew through the window, and it bore no scent, but was an air wholly fresh and and clean and young, as it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam.”

If in Faramir’s case the fragrance evokes his longing, I believe, for “that which is beyond Elvenhome and will ever be”, in Éowyn’s case it is surely something in relation to her desire for her people that is sensed here. Gandalf has reminded Éomer of the words that Saruman spoke to Théoden, words and insinuations that Wormtongue spoke more subtly but no less destructively.

“What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among their dogs?”

What would Éowyn long for more than something entirely opposite to the “reek” that fills her nostrils? Something that would take away her sense of shame, the shame that for a moment she dreamed that the mighty warrior who enters her prison would save her from. I picture Éowyn gazing at the same tapestry of Eorl in his youthful glory, the tapestry that so crushed the spirit of Théoden, and as she did so I believe that it took her to the place of utter purity that the fragrance evokes. Of course the historical ride of Eorl out of the North would have been with real horses whose sweat would have mingled with that of their riders but not so the myth that is seen in and through the tapestry. That is an evocation of something eternally new and clean and unsullied.

Tolkien had a deep love for what he termed Northernness which in the form that has come to us through the mythology of the North is ultimately bleak and without meaning. But he discerned something that lay beyond that, something that he could see in the myth of the death of Baldur and in the longing of those who wept for him. When Tolkien spoke of true Northernness it is the clean cold air from snowy mountains of which he speaks that blows away the stain of our failure and shame. This is the truth that lies deep within Éowyn’s soul and that is called forth as Aragorn calls her from her dark valley. Aragorn is right when he says to Éomer that Éowyn “loves you more truly than me”. Éomer belongs more truly to that which Éowyn most truly desires. But Éowyn’s story does not end here. We shall see when we return to her at a later point in her stay in the Houses of Healing that her desire can lead her to something new and entirely unexpected and yet remain true to her original vision.