Peregrin Took’s Journey from Boyhood to Manhood

After the tale of how Eówyn and Merry ride to war together Tolkien takes us back to Minas Tirith and to the unhappy Peregrin Took, lonely, hungry and afraid as war draws ever closer.

“Why did you bring me here?” He asks Gandalf and the answer brings him little comfort.

“You know quite well,” said Gandalf. “To keep you out of mischief; and if you do not like being here, you can remember that you brought it on yourself.”

I said that Gandalf’s answer gave him little comfort and that is true in the sense that we normally mean it, to take a child in our arms and to hold that child in loving safety until the unhappiness passes. That is the right thing to do with a small child and not to give a child that kind of comfort is to deny her or him something very precious. In order to become a true man or woman a child must know the happy innocence of the garden but there comes a time when either the child must either leave the garden or the world outside will enter it by force.

Pippin probably thought that when he left the Shire to go with Frodo and Sam that it was a glorious “growing up” moment in his happy life. All that lay ahead was adventure and Tolkien must have been thinking about the young men crowding into the recruiting stations at the outset of the First World War in happy expectation of something magnificent before the reality hit home in the long misery of war in the trenches.

Pippin does not realise that something of great significance is happening to him. He only knows that he feels unhappy. Even when he is attired in the magnificent livery of the Tower Guard, something that once would have given him great delight he simply feels uncomfortable “and the gloom began to weigh on his spirits.”

An immature person just tries to make the gloom go away just as Pippin wants it to go. From time to time in this blog we have looked at Robert Moore and Douglas Gillette’s fine study of the masculine psyche, King, Warrior, Magician, Lover.  Moore and Gillette show the importance of these classical archetypes in shaping each man’s life. A boy who has grown up in the garden protected by good parents and a nurturing community will journey towards the adult king by way of becoming a divine child, a chosen one. He will journey towards the adult warrior by way of becoming a hero and some might think that the hero is the adult warrior. The journey to the adult magician is by way of the precious child and to the adult lover by way of the oedipal child.

Each of us, as we gain insight into ourselves, will see which of these archetypes are best developed in us and to what degree we are still held in an immature stage of development. In Pippin’s case it is pretty clear that the least developed aspect of his psyche is the magician. He needs Gandalf at this point in his life if he is to have any chance of growing up.

Readers might be thinking of mature men in The Lord of the Rings such as Aragorn and Faramir. They may remember that we spent some weeks last year thinking about Faramir when Frodo and Sam were with him in the refuge of Henneth Anûn and that he has little interest in being the hero of the story. His focus lies solely in doing the job. His desire is not his own glory but the restoration of Gondor; not just that Gondor wins but that something of the true greatness of Númenor should live again among his people. That is why he will welcome Aragorn as king with joy. Something that his father could not do.

Pippin is on the way to becoming a man and Gandalf knows that he is. That is why he does not treat him like a child. Pippin has to be miserable and to do his duty nevertheless if he is to be the “very valiant man” that Gandalf declared him to be when they first reached the defences of the Pelennor Fields.

Aragorn the Lover

Halbarad, the Ranger of the North, bears a gift for Aragorn. It is a thing of mystery, “close furled in a black cloth bound about with many thongs”. And there is a message with it from Arwen, Lady of Rivendell, to Aragorn.

“The days now are short. Either our hope cometh, or all hopes end. Therefore I send thee what I have made for thee. Fare well, Elfstone!”

The final greeting of her message is one of deep uncertainty. Her “Fare Well”, if joined together, becomes a last word, a final blessing, spoken to one that Arwen does not expect to see again. When the words are separated, as they are here, they remain a word of hope. But which are they to be?

Aragorn feels their power.

“Now I know what you bear. Bear it still for me a while!” And he turned and looked away to the North under the great stars, and then he fell silent and spoke no more while the night’s journey lasted.”

So it is that we see Aragorn the lover and find that in him the lover is woven close to the warrior who has great battles to fight and the king who must unfurl the royal standard that Arwen has made for him. The man who rides in silence through the night, his mind filled with thoughts of the woman he loves, knows that his longing for her cannot be fulfilled unless Sauron be overthrown and the Ring of Power cast into the fires at the Cracks of Doom. He cannot separate these things even if he would.

All great love stories are triumphs over adversity. I have a particular love for the story of Rapunzel and the prince who first climbs the tower to reach his imprisoned beloved and then must wander the world, separated from her, his eyes made sightless by the thorns that surround the tower and the malice of the witch who wants to keep Rapunzel for herself. And I love the story of how, for love of her prince, Rapunzel climbs down those same thorn trees that have imprisoned her so long and then searches the world for him until she finds him and heals him with her tears.

In both the old German tale and in Tolkien’s story true love can only be won through great trial. And it is also the source of strength that enables the lover to triumph over all adversity. Although Eros is a word that is absent from the New Testament, replaced there by agape, a word that was a wonderful gift to the world, denoting a love that is an unbreakable commitment to the blessedness of another and a delight that they too are in the world, it was not long before the Fathers of the Church found that they could not ignore it. They discovered that Eros (in the Greek) or Amor (in the Latin) was the divine energy that will bring about the union and communion of all things. At one time there was no division between the passionate, even erotic, language of the mystics and the technical language of the theologians. The two were one and the same. They spoke of drawing the mind into the heart. Sadly we seem to live in a time when mind and heart have become separated. How we need to find a way to unite them once more!

In Aragorn the great archetypes of the King, the Warrior, the Magician and the Lover are wonderfully united. He has been the warrior lover over many years but now we see him growing into his kingship. See how Arwen, his beloved, declares him king, through the banner that she has made, even before her father does! In doing so she spurs him on to the great deeds that he will do. But he has needed the wisdom of the magicians in his life, Elrond and Gandalf, to know what task he must achieve. Eventually he will lose them and then he will have to find the magician wisdom within himself but not quite yet.

Aragorn has received a message from Elrond but it is Arwen’s words that bring about his silence. Eventually he will respond to both messages together as he must and in doing so he will be propelled onwards to the great crisis of his life and towards the union with his beloved for which he longs with all his heart.