Well, I’m Back

The Three Companions make their silent way back from the Grey Havens and their farewells to Frodo and Bilbo and their glorious fellow travellers.

“At last they rode over the downs and took the East Road, and then Merry and Pippin rode on to Buckland; and already they were singing again as they went. But Sam turned to Bywater, and so came back up the Hill as day was ending once more. And he went on, and there was yellow light, and fire within; and the evening meal was ready, and he was expected. And Rose drew him in, and set him in his chair, and put little Elanor upon his lap.

He drew a deep breath. ‘Well, I’m back,’ he said.”

For me these are some of the most poignant lines in all literature, the last lines of a story that I have loved ever since I first encountered it in my teens nearly fifty years ago. When I first read those lines I was filled with a deep sadness because it meant that I would have to leave a story that had somehow taken me to its heart. Middle-earth was now a place within my inner world, a world that was now peopled with new races whose history was a part of my history. A few years ago I was walking with my dog along a lane in Worcestershire, England, with high hedges upon either side. Suddenly I was captured by the thought that Gandalf might be walking towards me in the opposite direction and that when I turned the bend in the road he might meet me there to invite me upon an adventure. I was filled with excitement at the prospect and a little disappointment when he was not there.

Sam is in that world but his own adventure is over. It was an adventure that took him to places that were far beyond his imagining. All of this is now a part of him but all of this is now over. Rosie sets the scene for his future endeavours and she is right to do so. The fire in his own hearth is lit, the meal at his own table is set and his child is upon his knee. He is a husband, a father and a householder. He grows food for his growing family in his garden and from this place, from this homestead, a place worthy of the greatest respect, he leads his community.

Sam has returned from his journey bearing many gifts. The one that all can see is Galadriel’s box, and the fruits of that gift are clear for all to see. The Mallorn Tree in the Party Field, the beauty of the children born in 1420, the flourishing of the woodlands of the Shire that Saruman tried so hard to destroy and the excellence of the beer brewed in that year that satisfied the taste of the gaffers of the Shire for long years after. Galadriel saw this for herself as she passed through the Shire on her way to the Havens and she complimented Sam on the work that he had done.

But there are other gifts too. Sam has brought a wisdom and a fortitude from his journey that he did not know before he set out. He possesses a mastery over himself and over the ebb and flow of life that could only come from being tested to and beyond his limits. And he has brought to the Shire the gifts of Elfland. Not just the box that Galadriel gave him, not just the fulfilment of his longing for beauty that was satisfied by the encounter with Gildor even before he left the Shire. Sam carries Elfland in his soul and Elfland carries him. For a time at least, the Shire will be a place that treasures the memory of Elfland within Middle-earth. Sam’s beloved daughter, Elanor the Fair, will marry Fastred of Greenholm on the Far Downs and their family, the Fairbairns, the keepers of the Red Book, will dwell in the new Westmarch on the Tower Hills and by the gift of the king will be its wardens.

The history of Middle-earth must continue but the great story, in which the Fellowship of the Ring played such a part, that brought such gifts to its peoples must now come to an end.

But all who love this tale know that they can always turn back to the first page and start again.

That’s What Friends Are For. Frodo, Sam, Merry and Pippin Gather For the Last Time By the Great Sea.

It is just over three years since the Four Travellers sat together with Fredegar Bolger at Crickhollow and the “conspiracy” was revealed that led to Frodo, Sam, Merry and Pippin leaving the Shire together on the great adventure of the Age. Only three years but in that time the whole world has changed and so have they. Now they stand together for the last time by the shores of the Great Sea as Frodo prepares to board ship for the West and the Undying Lands. Sam is there because Frodo wants him to be there. Merry and Pippin are there because Gandalf in his wisdom and in his kindness knows that it would be almost unbearably hard for Sam to return alone from the Grey Havens back to Hobbiton and Bag End.

“‘You tried to give us the slip once before and failed, Frodo'” says Pippin amidst his laughter and his tears. “‘This time you have nearly succeded, but you have failed again. It was not Sam, though, that gave you away this time, but Gandalf himself!'”

Pippin can be forgiven for only remembering one occasion when Frodo tried to slip away alone from his friends. On the second he and Merry were the prisoners of the Uruk-hai of Isengard when Frodo tried to cross the River alone in order to make the journey to Mordor. Frodo had always had a sense that he could not take his friends with him on a journey that would lead almost certainly to failure and death. Perhaps, too, his sense of responsibility for others fitted neatly into his solitary temperament. Frodo was raised as an only child and after Bilbo’s departure for Rivendell he lived alone often preferring his own company on long walks alone. It is not inevitable that those who are solitaries are also lonely but what solitaries have to learn is that friends are necessary, that we cannot live without them.

It was the great German theologian and anti-Nazi resister, Dietrich Bonhoeffer, who taught: “Let him who is not in community beware of being alone”. The kind of solitariness to which Bonhoeffer and, I suspect, Frodo, was drawn, was inhabited by books and a rich interior conversation that never became dull. The danger of such a life is that in such a conversation the solitary is never in danger of being challenged. It was the Inklings that turned Tolkien’s own rich interior conversation into The Lord of the Rings. Without the others who listened, criticised and encouraged, that richest of imaginations would have remained a private possession and we would all be the poorer for it. Bonhoeffer discovered the power of community in a gathering of young theologians in the 1930s hidden briefly away from the Nazi tainted official training establishments for Lutheran pastors. He was its director but he found friendship there that was to sustain him later when he was an enforced solitary in the Tegel Military Prison in Berlin. Frodo would never have reached the Cracks of Doom without his friends and most especially without Sam.

My hope is that, in company with Bilbo, Frodo came to learn true community during his gentle purgatory in the Undying Lands. Of course the True Self will enjoy a natural rhythm of aloneness and community both of which will nourish one another. Bonhoeffer, with equal wisdom also taught, “Let him who cannot be alone beware of community.” It is those who are at peace with themselves who will be able to give most to their communities. Those who are not peace will always be taking from them and rarely giving.

It is good that Gandalf recognises that there are times when it is hard to be alone and that he sends a message to Merry and Pippin to come to the Grey Havens as quickly as possible. And it would have been unkind for Merry and Pippin not to have been allowed to make their own farewells. But let us forgive Frodo. At this point in his life he is so burdened still that he does not always think of the needs of others. And let us remember too that he has been wounded so deeply in laying down his life for others. He will be healed at last of the hurt in the Undying Lands and Sam, Merry and Pippin will have “great comfort” in one another “on the long grey road” back to the Shire.

“I Tried to Save The Shire, and It Has Been Saved, But Not For Me.” Frodo Leaves the Shire and Goes Into the West.

In a letter that he wrote in 1963 to a Mrs Eileen Elgar Tolkien wrote this about Frodo.

“Frodo undertook his quest out of love- to save the world he knew from disaster at his own expense, if he could; and also in complete humility, acknowledging that he was wholly inadequate to the task. His real contract was only to do what he could, to try to find a way, and to go as far on the road as his strength of mind and body allowed. He did that.”

Frodo went as far as he could but ultimately his mind was overthrown in part by the endless demonic onslaught of the Ring and in part by his own desire to possess the Ring for himself. Gandalf and Aragorn never blamed him for this. Gandalf was deeply tempted by the Ring and knew its power over him. Aragorn never even mentioned it. But Frodo blamed himself. In the same letter Tolkien wrote that Frodo had hoped to return to the Shire as a hero but knew that the manner in which the Ring had gone to the Fire had robbed him of this possibility. This hurt him very much indeed.

Tolkien wrote: “We are finite creatures with absolute limitations upon the powers of our soul-body structure in either action or endurance. Moral failure can only be asserted, I think, when a man’s efforts or endurance falls short of his limits, and the blame decreases as that limit is closer approached.”

So no blame is attached to Frodo by any other person except for the blame that he attaches to himself but that is sufficient for Frodo to experience both judgement and punishment.

Tolkien addresses this with wonderful sensitivity in his letter.

“‘Alas! There are some wounds that cannot be wholly cured’, said Gandalf- not in Middle-earth.  Frodo was sent or allowed to pass over the sea to heal him- if that could be done, before he died. He would have eventually to ‘pass away’: no mortal could, or can, abide for ever on earth, or within Time. So he went both to a purgatory and to a reward, for a while: a period of reflection and peace and a gaining of a truer understanding of his position in littleness and in greatness, spent still in Time amid the natural beauty of ‘Arda Unmarred’, the Earth unspoiled by evil.”

This is an extraordinary passage and I hope that my readers will take time to ponder it and allow Tolkien to be their guide and counsellor. Like Frodo we are tempted to believe that we exist in a universe of reward and punishment and we do not require the idea of a universal judge in order to hold onto that belief. We are quite capable of being our own judge. As far as we know, Frodo does not hold a belief in a supreme judge himself but he is perfectly capable of self-judgement. Tolkien tells us that he needs a purgatory, in other words, a place in which he can reflect in peace, not a place of punishment. Frodo’s purgatory is most definitely not a place of punishment. Bilbo is his companion and together they journey towards wholeness. Readers of this blog have suggested that Lady Nienna of the Valar, the teacher of Gandalf, the one who prepared him for his great work in Middle-earth, watches over their gentle education and I agree with them. Frodo and Bilbo will have to give up all illusion regarding themselves and to be healed at last of the hurt that the Ring has done to them, Frodo will have to give up his sense of failure and, as Tolkien puts it so beautifully, to accept both his smallness and his greatness.

And so too will we.

Sam Gamgee Remembers a Gift to Heal the Hurts of the World.

As always, Saruman underestimated the capacity of those that he made his foes to undo the harm that he sought to do to them, and he greatly underestimated the power of good in the world. In many ways the final chapter of The Lord of the Rings is a celebration of  that goodness. And the goodness is given graciously and abundantly.

I ended last week’s reflection on the death of Saruman lamenting one who, in Wordsworth’s words, “laid waste his powers”, meaning Saruman, and then hinted at one who, in his labours to restore the Shire discovered power that had lain hidden deep within him. Of course I am speaking of Sam Gamgee.

It is typical of Sam that he gets down to work straight away to remove all traces of Saruman’s malign influence upon the Shire and to begin to restore it “as it ought to be”. Sam finds many willing helpers. Perhaps some hobbits might have been ashamed of their failure to stand up against the invaders and wished to make amends. There might even have been some among the more willing collaborators who might wish to do so also. Let us hope so. Tolkien does not tell us.

But it isn’t until Sam begins to ponder the destruction of the trees and how it might only be his great-grandchildren who might see the Shire as he once knew it to be that he remembers the gift that Galadriel gave him in Lothlórien. It is a box of plain grey wood with no decoration save a single silver G rune set upon it.

“If you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.”

When Sam at last remembers Galadriel’s gift it is typical of him at this stage in his life that he is more afraid of making wrong use of it than he is confident in his power to use it well. It is Frodo who rightly encourages him saying, “Use all the wits and knowledge you have of your own, Sam… and then use your gift to help your work to help your work and better it.”

It is a fundamental principle of faith and of life that grace perfects nature and so it is with Sam here. It is not that Sam had to start the work in order that the grace given in Galadriel’s gift could build upon it. It is that the person that Sam has always been in potential is now revealed in the grace given to him through the gift.

Galadriel saw Sam’s greatness in his vocation as a gardener. That he was one who could turn a wasteland into a place of abundance. Her gift allowed Sam to discover that in himself. Perhaps Gandalf caught a glimpse of that greatness when he caught Sam by the hair and dragged him through the open window into the sitting room at Bag End. Gandalf may have spoken of punishment in sending Sam with Frodo but the punishment would have been Frodo’s if Sam had been a fool. Gandalf sees enough of what Sam will become to choose him for the great adventure.

Frodo’s challenge to Sam’s wits and knowledge proves sufficient. Sam travels the Shire doing his work. He plants saplings everywhere and places a grain of Galadriel’s gift by each one. He plants the little silver nut that the box contained in the party field at Hobbiton. And then he stands at the Three-Farthing Stone and casts what remains of the earth into the air “with his blessing”.

The result is wonderful and the year 1420 is a “marvellous” year. Even the children are extraordinarily beautiful, the beer becomes a thing of legend and the silver nut proves to be a mallorn, a wonder of the world. Sam’s faithful journey with Frodo, even after seeing the vision of destruction in Galadriel’s Mirror, is rewarded. Perhaps it is his father, the old curmudgeon, the Gaffer, who puts it best. “It’s an ill wind as blows nobody any good… And All’s well as ends Better!”

Sam discovers a greatness and a power within himself, perfected by grace, that  Saruman squandered. Saruman’s soul became the very wasteland that he took pleasure in making. But goodness is the stronger as Sam reveals in his labours.

 

The artwork this week is by Edward Beard Jnr

 

Saruman’s Long Years of Death are Finally Revealed in His Corpse.

Tolkien offers us two different ways of responding to Saruman’s end at the door of Bag End.

The second is the simple anger of the hobbits who have just fought their first battle and lost friends and family to Saruman’s bandits. They seek that form of justice which is retribution.

The first is Frodo’s, his pity and his horror.

“I do not wish him to be slain in this evil mood. He was great once, of a noble kind that we should not dare raise our hands against. He is fallen, and his cure is beyond us; but I would still spare him, in the hope that he may find it.”

Frodo’s own story has been one of profound self discovery and he has learned the pity of which the 14th century mystic, Julian of Norwich speaks when she tells us of the God who “looks upon us with pity, not with blame”. He remembers the horror of Boromir’s transformation through his lust for the Ring, of the first encounter with Gollum when he realises what he would become if he gave into it and the journey through Mordor in which he tastes the endless living death that is the hopeless end of all its slaves.

Perhaps it is this last experience that he sees revealed in Saruman’s body when he gazes upon “the long years of death” that Saruman’s existence has become. It is Frodo’s eyes through which we look upon the corpse, not Sam’s and certainly not the hobbits who are veterans of just one battle. Sam faithfully walked with his friend through the valley of the shadow of death but even he did not taste it as Frodo did and learned the pity that comes from that taste. And when Frodo speaks of his hope for a cure for Saruman it is because he hopes for one himself.

That is the difference between Frodo and Saruman. That among many. Frodo longs for a cure and for rest. Saruman no longer has hope for a cure, for mercy, and has learned even to hate it. Frodo will not find a cure in Middle-earth, and Saruman knows that, but he will pass into the West, the true home from which Saruman once came but now despises and Saruman can no longer see even the possibility of the journey that Frodo will take. Frodo’s body will be healed in the West and even more than this he will find peace. He will be at peace with himself.

The poet William Wordsworth once looked out over the sea and wrote unhappily, “The world is too much with us; late and soon, getting and spending we lay waste our powers”. The long dead, yet still existing, Saruman, is, in his entirety, the complete expression of one who has laid waste his powers. When Treebeard described him as a man with “a mind full of metal and wheels” it was more than a metaphor. Saruman has become that about which he has long thought. He is as lifeless as his machinery.

And what of the powers that he has laid waste? Perhaps here lies the greatest warning to the digitally obsessed minds of our own times. Compare Saruman to Gandalf. Gandalf has lived out his long sojourn in Middle-earth at the pace of its peoples. In his going out to each of them he has never sought to force them to his own will and he has waited for the inner and truest life of each to be revealed. Gandalf never goes beyond the power that is his gift. Neither should we. We do not have the power that is Gandalf’s but we have our own and it is far greater than most of us know and can only be found through years of humble self-discovery and sheer hard work and perseverance.

Saruman soon lost patience with the slowness of the Divine Spirit in Middle-earth just as Sauron did and he gave his life to the getting and to the spending that seeks the enslavement of others. Next week we will think about one who discovers his power through the time and work he gives to clearing up after the mess that Saruman has left.

 

I am informed that the title and artist of the artwork in this week’s post is The Scouring of the Shire by Inger Edelfelt

The Fall and Rise of Meriadoc Brandybuck and the Battle of Bywater

If you click on the tag, Merry, at the foot of this post you will find a series of reflections on his progress through The Lord of the Rings at least since I began to publish them on WordPress in October 2013. At that point I had just begun to read The Two Towers and so my first encounter with Merry was as a prisoner of the Uruk Hai of Isengard. I intend to return to The Fellowship of the Ring later in the year and hope to do it better justice than I did when I wrote my early reflections on another website. But even though the reflections on Merry’s early story are missing from this blog I hope that you will see that they do form a true “pilgrim’s progress” as do all of the stories of the major major characters in Tolkien’s great tale.

Merry’s story is of a soul formed through a fall and a rise and if you have already noted that this is the opposite direction to the journey that Lotho Pimple takes and that we thought about last week then you are right. The tragedy of Lotho’s story is not so much that he fell but that he did not live to face the truth about himself and so to rise again. I wrote last week about gaining the world and so losing the soul. Lotho never saw the grace of losing the world before Wormtongue murdered him.

Merry begins The Lord of the Rings as a competent organiser just as he is at the Battle of Bywater when he takes command of troops who have no experience of battle but plenty of spirit and leads them to victory over Saruman’s brigands. Merry slays the leader of the outlaws who, if he had known that the hobbit that he faced had done battle with the deadliest warrior of the Age and lived to tell the tale would never have dared to confront him.

At our first meeting with Merry he is the “leader” of the conspiracy that seems to know more about Frodo’s business than he does. He has food, hot baths and ponies organised at Crickhollow and a secret escape route from the Black Riders through the Old Forest about which he also has local knowledge. But as soon as he is in the forest he is out of his depth, he has to be rescued from Old Man Willow by Tom Bombadil and he remains more or less out of his depth for the rest of the story.

Which of us is ever at our ease in being out of our depth? I mean, truly out of our depth, beyond our competence and in an unfamiliar element? For much of the story Merry sees himself as no more than unwanted extra baggage in someone else’s story and yet without realising it he is becoming at ease with unfamiliarity, at ease with the sense that each experience is beyond his capacity to cope with. And so, without being aware that this is what he is doing, he wins the trust of the mistrusting Treebeard and so brings about the fall of Isengard and it is in “being overlooked” at the Battle of the Pelennor Fields that he aids Éowyn in bringing about the fall of the Witch King of Angmar, the Lord of the Nazgûl. And he achieves all this because he is one who lives for love. Love for the Shire, love for his friends and love for those, like Théoden and Éowyn, who give their love to him.

And now, back on familiar territory, battle hardened but not heart hardened, he deploys his troops swiftly and effectively and so brings to a speedy end the occupation of the Shire. Does he know how he has made this journey and why he has become such an effective leader? I suspect not. But neither does he mind. It is enough that the work is done and that the Shire can begin to be healed once more but we can enjoy the growth of his soul and love him just as do all who know him well.

Barliman Butterbur Speaks of his Troubles and Receives Some Comfort.

When the travellers arrive at Bree they find the gate locked against them and their welcome at first is anxious and even suspicious. But Barliman Butterbur is pleased to see them and after politely listening to the story of their adventures he gets down to the things that really matter, the news of events in Bree.

“There was trouble right here in Bree, bad trouble. Why, we had a real set-to, and there were some folk killed, killed dead! If you’ll believe me.”

And the travellers do believe him because all trouble is real to the one who has to undergo it. It may be that the listeners have done battle with a troll before the Black Gate, with the Witch King of Angmar before Minas Tirith, with the Balrog of Moria, with Shelob in her lair and with the Ring of Doom step by impossible step across the plains of Mordor to the very place in which it was made by the Dark Lord. All this may be true but each violent death is a crime against nature itself and five of the people of Bree died in the struggle against ruffians from the south.

It is the travellers who have seen so much and who have been through so much who have to be the listeners and that is the way of things. Each experience has deepened their understanding and broadened their sympathy and their imagination. Not so Barliman whose knowledge of the world has come only from the stories that he has heard told by travellers staying at his inn. His personal experience has come only from his life within the borders of the Breeland and within them he is a man of some wisdom and courage. We can admire his rushing to the doors of The Prancing Pony armed only with a club ready to defend it against desperate bandits but beyond these narrow limits he could not help much as Aragorn reminded him once when Bree was threatened by the Nazgûl of Mordor.

The travellers have begun to learn a new and a sad lesson and that is that they will find few interested listeners when they return home. Even their wives will be unable to make the kind of sympathetic leap of imagination that is required from a good listener. What I hope the wives will possess will be the quality of listening that comes of a loving heart. They may not fully comprehend what their husbands have experienced but they will care that each thing will have happened to someone that they love. But perhaps in the midst of worries about young children or problems in the household they will not  be able to spare much time for listening.

At one time as a parish priest in Birmingham, England I found that I often had to take the funerals of men for whom a major part of their life experience had been service in the military during the Second World War. Two things began to impress me deeply about these men. One was just how young they had been when they were torn away from ordinary life and all that they had seen and done. The other was of a different kind of courage. The courage to return to ordinary life as husbands, fathers and useful members of their communities. As I began to hear these stories I began to develop as much respect for the second kind of courage as for the first.

Now the hobbits will have to learn how to find peace within themselves and not seek it from others. Frodo will pass into the West and find healing there. Merry and Pippin will draw upon the optimism that has been such a source of strength to them and they will draw too upon their friendship with each other. Sam will develop a deep connection to his daughter, Elanor the Fair, to whom he will give the Red Book, the record of the deeds of the Great Years, before he too passes into the West after the death of Rosie Cotton to whom he will remain faithful through the long years.

And Butterbur will find comfort in the turning of the affairs of Bree for the better and after he has learned that the bandits will soon go and peace restored he will go to his bed more comforted than he has been for a long time.

The Road Goes Ever On and On. Bilbo Sings for the Ending of an Age.

At last the great company arrive in Rivendell and the hobbits are reunited with Bilbo.

“Hullo, hullo!” he said. “So you’ve come back? And tomorrow’s my birthday, too. How clever of you!”

And the hobbits have that special and rare delight of telling their story to one who listens with pleasure and interest, although Bilbo is now old and drifts off to sleep from time to time. But after two short weeks, and with the first signs of Autumn, Frodo and Sam both feel the call to go home. And they have a sense that they must not delay any longer.

Bilbo sends them off with sadness and also some ceremony and then he starts to chant.

The Road goes ever on and on, Out from the door where it began. Now far ahead the Road has gone, Let others follow it who can! Let them a journey now begin, But I at last with weary feet, Will turn towards the lighted inn, My evening-rest and sleep to meet.” 

There are three variants of this poem in The Lord of the Rings. The first comes at the decisive and remarkable moment of liberation when Bilbo freely gives up the Ring (with a little encouragement from Gandalf!) and sets off on his travels once again. At that moment Bilbo speaks of Pursuing it with eager feet and speaks of happiness and being swept off his feet. The Road, the One Road that is “like a great river; it’s springs… at every doorstep, and every path… its tributary” is at that moment all opportunity, all possibility.

Later on in the story we hear Frodo speak the same lines at the very start of his great journey and still in the Shire but this time the feet are not eager but weary. Frodo is contemplating the leaving of his home and his friends and a journey into danger.

And now Bilbo speaks of an end to the journey. The Road continues and others will follow it if they can. But he will do so no more. It is time to find a friendly inn by the roadside to enjoy a good meal and a long rest.

I am reminded of a prayer by John Henry Newman, founder of the Birmingham Oratory, whose priests undertook the responsibility of guardianship to Tolkien after the death of his mother. “Support us all the day long of this troublous life until the shades lengthen and the evening comes, the busy world is hushed, the fever of life is over and our work is done. Then, Lord, in your mercy grant us safe lodging, a holy rest and peace at the last.” I do not think it too fanciful to think that this prayer was in Tolkien’s mind when he wrote this final version of Bilbo’s poem. I first heard it when I was a choir boy in an English parish church near Oxford. The vicar always ended Evensong with this prayer and it had quite an effect on me even though I was just 11 years old. But the image of homecoming has always had this power for me.

Bilbo speaks the poem for himself but also for the ending of an age. For Elrond, Galadriel and Gandalf it is also time to leave the Road to others. The Road goes ever on and on and Aragorn has the responsibility of founding a new age. “There is a real king now,” says Frodo to Bilbo,”and he will soon put the roads in order.” And Arwen has chosen to stay with him and not to leave the Road with her father. No-one knows where this road will lead. We walk the same road today pursuing our own errands that we have been given even as Bilbo did. The way as it was for him is often troublous but also wonderful. Each day unfolds both to us as it did to him. And the ending is a homecoming when the work is done.

Frodo is sent off with a blessing and a sense that he has a burden to shoulder once more. He senses that he is reaching the end of the Road but it is not quite just yet.

 

Aragorn and the Lonely Years

When Aragorn first met Arwen Undómiel in the hidden valley of Rivendell he could have no idea what journey was to lie ahead of him. It was loveliness that first called out to Aragorn just as it is with every young man who falls in love but just as it is with every young man falling in love this can never be just a private affair. And if this is so for every young man how much more it is with the heir of Isildur in the very year in which Sauron openly declares himself in the land of Mordor after his long exile and secret returning.

On the day in which Aragorn and Arwen marry in the City of Minas Tirith Tolkien tells us that “the tale of their long waiting and labours was come to fulfilment.” This tale lasted for sixty-eight years.

At first Aragorn has to deal with his mother’s anxiety. For Gilraen the long slow years of the decline of her people have left her fearful about the future. It is not greatness that she sees when she looks upon her son but dependence upon the protection of Elrond. And Elrond himself knows that the long years of his sojourn in Middle-earth draw now to a close and that Arwen will go with him into the West unless something calls her to remain.

“There will be no choice before Arwen, my beloved, unless you, Aragorn Arathorn’s son, come between us and bring one of us, you or me, to a bitter parting beyond the end of the world.”

And so begins the years of labour and of separation. Aragorn becomes Thorongil, the Star Eagle, and serves Thengel King of Rohan and Ecthelion, Steward of Gondor doing great deeds among them and encouraging them to prepare for the crisis that will come. In Gondor he leads a fleet to the Havens of Umbar, destroying the fleet of the Corsairs and overthrowing their captain but at the height of his fame he leaves Gondor and begins his lonely journeys into the South and the East “exploring the hearts of Men, both evil and good, and uncovering the plots and devices of the servants of Sauron.”

And so Aragorn leaves behind the young man exulting in his glory, heir of great kings, captivated by the beauty of an Elven princess, the greatest among her people, even as was Beren long before, the mightiest of his forefathers. The long years of labour and separation leave their mark. He becomes “somewhat grim to look upon” unless he smiles but he becomes the hardiest of living men, skilled in craft and lore and “elven-wise”, the hero of his age who gives no thought to his own greatness but only to his task and to his longing.

“His face was sad and stern because of the doom that was laid on him, and yet hope dwelt ever in the depths of his heart, from which mirth would arise at times like a spring from the rock.”

This is a beautiful picture of a man who has been shaped first by joy and then by the adversity that has to follow joy in order to refine it into something of lasting greatness. Aragorn’s majesty will be something that will not be for his benefit alone but will bring life and prosperity to all people. His is a journey from a princeling to a king. Readers will call to mind the moment in the story when he turns aside from his journey to Minas Tirith in order to undertake the pursuit of the orcs who have taken Merry and Pippin. To all extent this is a hopeless task and takes him from what seems far more important. He could try to follow Frodo and the Ring or go to Minas Tirith in its hour of need. His decision to follow the “unimportant” young hobbits proves crucial but he could not have known in what way. He makes the choice not upon a whim but because of the years in which his character has been forged. He trusts in the story of which he is a part sure that Frodo does not need him and that he will come to Minas Tirith at the right time and he risks all the years of hope for a single act of loving kindness whose reward is hidden from him. This is the true king!

Éowyn and Faramir Declare Their Love as Éowyn Understands her Heart at Last

Éowyn receives her brother’s invitation to join the triumph at the Field of Cormallen after the fall of Sauron but she does not go. Once more the Warden of the Houses of Healing becomes anxious about her unhappiness and bids Faramir take time from his duties as Steward of Gondor to speak with her.

Faramir is a man of wise insight and he has learned much from the day he spent with Merry and so he says to her plainly:

“You do not go because only your brother called for you, and to look on the Lord Aragorn, Elendil’s heir, in his triumph would now bring you no joy. Or because I do not go, and you desire still to be near me. And maybe for both these reasons, and you yourself cannot choose between them. Éowyn, do you not love me, or will you not?”

In March 1941 Tolkien wrote a remarkable letter to his son, Michael, on the subject of marriage and relations between men and women. It is remarkable partly because it displays a closeness between father and son that is sadly very rare. Also because of its depth of insight. I think that most men on reading this letter would would wish they had enjoyed this closeness with their own father or that they could achieve it with their sons. Richard Rohr describes the general poverty of relations between fathers and sons as “The Father Wound”. Faramir has known this wound deeply but Tolkien, who never knew his own father shows that it need not be passed on to the next generation .

In the letter Tolkien writes about the Western romantic idea of courtly love in which a great lady would enjoy the devotion and admiration of young men, often expressed through poetry or deeds that would prove their love. A physical expression of the love was considered unacceptable although the two great Arthurian love stories of Guinevere and Lancelot and of Tristan and Isolde show that such relationships could move disastrously from the idealised form to the physical form. In his letter Tolkien also notes that to idealise a woman, to grant her some kind of divinity, does her no good at all. Tolkien describes this as “false and at best make believe. The woman is another fallen human being with a soul in peril.”

I refer to this, partly because I believe it to be Éowyn’s temptation. She desired the adoration of the greatest knight of his age and, with it, the adoration of all men and women. I also wonder if Faramir was tempted to idealise Éowyn. “Were you the blissful Queen of Gondor, still I would love you.” Perhaps not, perhaps Faramir simply feels that he has to declare his love with as much passion as he can to make Éowyn see it. Thankfully for his own sake he never has to know what it would be like to love the Queen of Gondor without hope! Éowyn sees reality at last or, as Tolkien puts it so beautifully, “the heart of Éowyn changed, or else at last she understood it”.

It is only possible to love flesh and blood although such love always points us beyond itself towards divine love which we glimpse in the temptation to idealise. Tolkien puts this powerfully in his letter. Every marriage, in a certain sense he writes, is a mistake. We could all find “more suitable mates”. It is possible to spend a whole lifetime either looking for the perfect mate or saying, “if only”. And we will never know. Even the best of marriages requires self-denial, perseverance and forgiveness. They require the decision to say the greatest, Yes, to reality, to the real person in front of us. I know that it has become popular to create our own wedding vows, as if by doing so we give the wedding ceremony more authenticity, but I become more deeply impressed by the vows of the old English Sarum Rite which is over five hundred years old and in which each person promises to “love and to cherish” for better for worse, for richer for poorer, in sickness and in health, till death us do part”. Both Éowyn and Faramir have to renounce some kind of idealised form of romantic love and commit themselves to the real person in front of them.