Hobbits and Other Peasants at Christmastide

If I were to keep to my usual practice and to reflect on a passage from The Lord of the Rings as I read through the story then I would have to end the year, and to keep Christmas, with Frodo and Sam in Shelob’s Lair. I could not do this. Tolkien himself used December 25th as a day of hope in his story, the day on which the Fellowship left Rivendell to begin their mission. The dereliction of Shelob’s Lair comes later when Sam believes Frodo to be dead and wrestles with the choice of whether to leave him and to carry on the mission alone. We will reach that point in 2016. I could not spend Christmas thinking about it.

As I thought about what to write I recalled a piece that I wrote in December 2012 when I first began to write my Lord of the Rings blog. At that point I had not yet discovered WordPress and so posted it on my website. If you want to read what I wrote then please read it at http://stephenwinter.net/page6.htm#128678. In it I spoke of a story told by the great Danish philosopher, Søren Kierkegaard. In it he tells of a mighty prince who while riding through fields in his country sees a beautiful peasant girl and falls in love with her. So great is her beauty that the prince decides to dress in peasant’s clothing and to work in the fields alongside her and so win her hand in marriage. Kierkegaard tells us that we all want to know when the prince will reveal who he really is to the girl and so take her off to be his princess. Then he asks, why should he do this at all? Why, if he really loves her, should he not remain a peasant and to share her life? Do let me know what you think of this!

Back in 2012 I was thinking of Tolkien’s reply to his publishers when, after the success of The Hobbit, they asked for “more about hobbits”. Tolkien’s hero, Bilbo Baggins, had been unlike any other that he had ever created, making excellent use of plentiful good luck, living by his wits and his kind and generous nature and finally spending the Battle of the Five Armies, the great climax of the story, in a state of unconsciousness. Clearly he did not feel that there was much more that Bilbo or any other hobbit could offer and that was what he replied.

The seventeen years between the publications of The Hobbit and The Lord of the Rings were a journey of discovery for Tolkien, a journey in which he learnt about hobbits. The words he gave to Gandalf in the crucial chapter that sets the scene for Frodo’s journey, The Shadow of the Past, are surely Tolkien’s own: “My dear Frodo! Hobbits really are amazing creatures as I have said before. You can learn all that there is to know about their ways in a month, and yet after a hundred years they can still surprise you in a pinch. I hardly expected to get such an answer, not even from you.” Tolkien is taken by surprise by hobbits but by the end of The Lord of the Rings it is clear that only hobbits could possibly have accomplished the destruction of the Ring and the saving of the world.

Gandalf could only have heard Frodo’s words because he did spend many years in the company of hobbits, years in which for the most part, he was known to them mainly for the quality of his fireworks and for little else. Saruman regarded Gandalf’s interest in hobbits either with ill concealed contempt or with suspicion. The only hobbits that he could do business with are those who saw reality as he did, such as Lotho Sackville-Baggins or Ted Sandyman. He could never have received Frodo’s surprise as Gandalf did.

So at this Christmastide I would like to offer you Gandalf’s long apparently pointless sojourn among hobbits and Kierkegaard’s story of the Prince and the Peasant Girl as a meditation upon the Incarnation (John 1.14). I think they are related to each other. I do not say that they explain or tell us what the Incarnation means. It is not the purpose of stories to “explain” things but they do cause us to think about things. Are we the peasants among whom the Prince comes to live or the hobbits who enjoy Gandalf’s fireworks? Will the Prince reveal his true identity to us or is there some other great surprise to be revealed? I look forward to any reflections you may have to offer and in this Christmastide I pray that God may rest you merry!

 

A Scene which Caused Tolkien to Weep as He Wrote It

As Frodo and Sam take a final rest of peace before they seek to enter Mordor Gollum returns. He has been making final preparations for the betrayal of the hobbits that he has guided since falling into their hands at the foot of the Emyn Muil; a betrayal that he hopes will enable him to regain the Ring. His desire for the Ring, The Precious for poor Sméagol, as Sam put it, has shaped his very being ever since he lost it to Bilbo Baggins in the tunnels deep beneath the Misty Mountains. Indeed the Ring has dominated every waking thought and every dream since he first caught sight of it as his friend, Déagol, held it aloft by the waters of the Gladden Fields long ago. This desire, overcoming him, caused him to murder his friend and has come to separate him from all companionship and  all affection.

But not quite…

“Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo’s knee- but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.”

As Tolkien wrote this scene, this all too fleeting moment of grace, he did so with tears in his eyes. Gollum may have been corrupted by his desire for the Ring but there remains a part of his heart that has not been entirely vanquished by evil. This part of his heart awoke when he played the riddle game with Bilbo and images of wind, of rain and of sunshine entered his prison and it awakes again as he gazes upon the sleeping hobbits. Gandalf was able to recognise it during his long and wearisome interrogations of the miserable creature and Frodo recognised it when pity awoke within him at the moment when he captured Gollum. It was not just the unconquered part of Gollum that awoke this pity. It was the realisation that they too could be corrupted. Gandalf saw this possibility in the fall of Saruman, the greatest of his order and Frodo saw it in a fellow hobbit, the humblest of creatures. True pity, not the pity of one certain of their own moral superiority but the pity of one who knows their own capacity for corruption, is one of the truest marks of a great soul. But even the most profound pity cannot save another. A moment after longing is awoken within him Sam’s suspicion drives him back into hatred and a determination to do murder.

In a letter, Tolkien wrote this of Gollum:

“By temporising, not fixing the still not wholly corrupt Sméagol-will towards good in the debate in the slag hole, he weakened himself for the final chance when dawning love of Frodo was too easily withered by the jealousy of Sam before Shelob’s lair.”

Tolkien remembers the debate between Gollum and Sméagol that Sam overheard and notes that it was never resolved. Sam could not tell who had won. In saying this we must believe that it was possible for Sméagol to win and to become a willing ally in the destruction of the Ring and in his own liberation from its power. And in saying this we must believe that it is possible for each one of us to be freed of all that will keep us from our own freedom.

Sam Shows Us that We are Part of a Very Great Story

Sam does not know it yet but he is beginning to see what the world truly is once you draw back the veil that hides reality from our eyes. In these last few weeks we have been thinking about Sam’s reflection on the story in which he and Frodo have been a part. Sometimes as we strive to put our thoughts into words it is as if an idea or, even better, an image, takes hold of us and suddenly we can see and speak of what we have seen.

Sam begins to see glimpses of the kind of story that they are in but being Sam, being most wonderfully, Sam, it is of Frodo that he now speaks:

“And people will say: ‘Let’s hear about Frodo and the Ring!’ And they’ll say: ‘Yes, that’s one of my favourite stories. Frodo was very brave, wasn’t he, dad?’ ‘Yes, my boy, the famousest of the hobbits, and that’s saying a lot.”

This is all too much for Frodo who shares with Sam the plain good hobbit virtue of not taking oneself too seriously. It is too much to begin to think of hobbits as famous and it is certainly too much to think of himself as the “famousest” of them all! Frodo begins to laugh at the sheer absurdity of the thought but Sam is not to be put off. His imagination has been captured by the image of the storyteller at work who makes the world strange for a moment in order, at the end of the tale, to return the hearer to his own reality just a little changed. No matter that Sam’s story teller is a father reading to his own children. In this simplest of domestic settings he is no less than a bard with harp in hand chanting verses to the household of a great lord in a meadhall on a long winter’s night. And what Sam sees as Frodo tries to deflect him with his laughter is the stones of the mountains of the Ephel Dúath listening to a sound that “had not been heard in those places since Sauron came to Middle-earth”. He sees the “the tall rocks leaning over them” as if (and this is my image to add to Sam’s!) they are warming themselves upon a fire. Sam has become a mythmaker and not even Frodo’s deflecting mockery can stop him now.

Frodo will be carried to the very end of his quest by the mythmaking vision that has awoken within Sam. His laughter is at least in part a response to what he considers to be Sam’s efforts to cheer him up but what Sam has done is much, much more. In the days that lie ahead Sam will go into battle with a creature of the foulest kind and he will storm an orc tower in order to rescue his master. Such are the deeds of the greatest of heroes and even Beren himself would be honoured to numbered among a hero such as Sam will become and yet all Sam can do is to think of Frodo.

Maybe, like Frodo, we may not be able to see the story of which we too are a part for what it truly is. We should not blame Frodo and we should not blame ourselves either. Frodo bears a burden that even Gandalf and Galadriel feared to take and step by step on his weary pilgrimage to the very heart of Sauron’s power it robs him of all strength and joy. Soon he will have no more capacity to laugh or even to remember that there is a reality beyond the darkness of the dungeon of Mordor. No we should not blame him. But if we can do so then we should strive to do as Sam does and to strip away the veil from before our eyes. Tolkien spoke of the “True Myth” of the Incarnation that we will celebrate soon on December 25th that the Catechism to which he assented described thus:

“The only-begotten Son of God, wanting to make us sharers in his divinity, assumed our nature, so that he, made man, might make men gods.”

Sam is beginning to glimpse glimmers of the True Myth and they will carry him to glory. They can do the same for us too. Our destiny, if we could but see it, is to become gods.

Sam asks “Don’t the Great Tales Never End?”

Ever since I first encountered it I have loved and been enriched by the work of John O’Donohue, Irish poet, philosopher and some time priest who died in 2008. When I began to think about this week’s blog posting I was drawn back to other pieces that I have written and to a poem entitled, Fluent, that O’Donohue wrote and published in his 2000 collection entitled Connemara Blues.

“I would love to live / like a river flows,/ Carried by the surprise/ Of its own unfolding.”

In just a few words O’Donohue describes a way of life that is characterised by surprise. O’Donohue loved to laugh and the unexpectedness of the present moment would be the cause in him of delighted merriment. I have just returned from driving my daughter to the local railway station for a day’s classes in college and as I drove back I listened to a mathematician say that when he finds beauty in a mathematical equation it is because of a fundamental human desire for order and predictability. Oh how O’Donohue would have chuckled with amusement if he had heard that! Of course the woodland stream by which I pray each morning is capable of  being reduced to a mathematical description but once we begin to speak of beauty then it is not predictability that delights us but the endless surprise of the play of light upon the water, the way the way the stream dances about ever shifting obstacles in its path or in one heart stopping moment by the flight of a kingfisher along its length. Something much greater than mathematics has entered our hearts.

So it is that when Sam thinks of great tales he remembers the story of Beren and Lúthien taking the Silmaril from the Iron Crown of Morgoth in the terrible fortress of Thangorodrim. “That was a worse place and a blacker danger than ours,” he says, and then goes on to remember the bringing of the Silmaril to Eärendil and in surprise and wonder he cries out, “And why, sir, I never thought of that before! We’ve got- you’ve got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we’re in the same tale still! It’s going on. Don’t the great tales never end?”

A year ago I wrote a piece in this blog entitled On Hearing The Music of the Ainur https://stephencwinter.com/2014/12/31/on-hearing-the-music-of-the-ainur/ where I reflected on Frodo’s “dream of music that turned into running water, and then suddenly into a voice” and the voice is that of Bilbo telling, chanting the story of  Eärendil in the halls of Elrond in Rivendell. In his dream an “endless river of swelling gold and silver” flows over him. Later in the evening he tells Bilbo that Bilbo’s song seemed “to fit somehow” with his dream. Frodo has for a moment been given an insight into the nature of the story of which he is now a part and it is dream and flowing river and it is music and verses chanted. Sam now glimpses what Frodo experienced that night. Like Frodo he is in the same story. (Do read it and if you have time please read the Comments that followed it. They are deeply moving and enriching.)

It was G.K Chesterton, a writer who exercised great influence over Tolkien, who said that the reason we need to be told of rivers of gold and silver or trees with golden leaves and fruit is that we have forgotten the wonder of the rivers that we know or the astonishing moment when we first knew that a leaf was green! Sam touches upon the wonder that transforms the tale of which he is now a part. He speaks in the shadow of the Ephel Dúath the outer fence of Mordor, wearied by the climb up the Great Stair from the dead vale of Minas Morgul. He is hungry and the sweat of his effort has been chilled upon his body as he rests. So a parent may wearily change a nappy or feed a hungry baby in the long dark hours of the night and forget for a moment the wonder of which she is a part and then be caught up in delight once again. Perhaps she may catch a glimpse of the story of which she is a part.