The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 910-915
I am going to make an assumption that Tolkien was not familiar with the work of the great Blues singer, Robert Johnson, and so did not know his classic song, Crossroad, even though the opening lines, “I went to the crossroad, fell down on my knees… Asked the Lord above, “Have mercy now, save poor Bob if you please”, seems strangely apposite to Frodo’s situation and state of mind.
As we have been seeing in these last weeks, Tolkien does not allow Frodo and Sam the comfort that they would receive if they could share the same faith that he did, and yet it is clear that they live in a world that is under divine order. For although, as Gollum puts it, they are in “Dangerous places” where “Cruel peoples come this way, down from the Tower”, these same places are, for the time being, absolutely empty, as if they have been prepared for the hobbits to walk along them in complete safety. We have thought about the sequence of events that have led to this being so, but we have also thought about how the best explanation that Frodo and Sam might be able to give to this sequence is luck or wyrd.
Frodo and Sam have to make their journey without comfort or a sense that they are part of a story that is divinely governed. And yet they are not left entirely comfortless. We have seen the comfort that Frodo received through the unexpected friendship of Faramir that “turns evil to great good” and in the next reflection we will think about a particular incident that takes place on this journey at the Cross-roads. And as they make their fearful journey from Ithilien to the Cross-roads Tolkien shows us another form of comfort.
As they make their way Tolkien gives particular attention to the flora of the landscape about them.
“As the third stage of their day’s march drew on and afternoon waned, the forest opened out, and the trees became larger and more scattered. Great ilexes of huge girth stood dark and solemn in wide glades with here and there among them hoary ash-trees, and giant oaks just putting out their brown-green buds. About them lay long launds of green grass dappled with celandine and anemones, white and blue, now folded for sleep; and there were acres populous with the leaves of woodland hyacinths: already the their sleek bell-stems were thrusting through the mould.”

Tolkien gives us a rich account of what readers from England would recognise as a classical woodland landscape in spring time. He also treats us to the word, laund, that the Oxford English Dictionary tells us is an archaic word which “refers to an open, grassy area, especially in a woodland, like a glade or a lawn.” It also tells us that the word is now rarely used. I have made a decision, based upon reading this passage, to use the word whenever I come across such a place. I would never have known about it if Tolkien had not used it here and I feel that my imagination has just been enriched by it.
I recently went on a long country walk through that went, in part, through the kind of woodland scene that Tolkien describes here. The walk took me down to the banks of the River Severn at this point and I saw a profusion of celandine and wood anemone in the launds about me. I took the walk in the last days of March, near the Feast of the Annunciation on the 25th March, the date upon which the Ring goes into the Fire and Sauron falls into nothingness. Spring has come a little earlier here upon the marches of Gondor, but we know that this land lies more under the influence of a Mediterranean type of climate than does England itself and so the flowers that I saw would come a little earlier there. We know too, that these woods lie higher in the mountains than my woodland walk down by the river. And for me there was the added pleasure of having known the farmer, of old Worcestershire stock, who had chosen to set aside this area on his land for wildlife. As he had proudly shown me round his farm just as he was about to hand it over to his son, he spoke of his decision to set a part of it aside as a wildlife reserve. I knew that he was too shrewd a businessman not to receive financial reward for his actions but on the day I walked through these woods I just remembered him with thanksgiving and affection.
My walk through these spring time woods was rich with a feast of sight, sound and smell. The trees had not yet turned green (is this why Tolkien refers to them as “dark and solemn”?) but this allowed the ground underneath them access to sunlight and the spring flowers to proliferate. I felt as if I had stepped into heaven. Did Tolkien feel the same way on spring time walks? Did Frodo feel the same way on his walk to the Cross-roads?


