The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 762-766
The accusation came first from Saruman when Gandalf told him that he could only have his freedom if he surrendered the Key of Orthanc and his staff, to be returned later if he merited them.
“Later! Yes, when you also have the Keys of Barad-dûr itself, I suppose; and the crowns of seven kings, and the rods of the Five Wizards, and have purchased yourself a pair of boots many sizes larger than those that you wear now”
Last week we thought about how in these words Saruman reveals his own desire, It is he that desires mastery over all things. As Gandalf puts it, “he will not serve, only command.”
Pippin asks Gandalf what he will do to Saruman and receives this reply.
“I? I will do nothing to him. I do not wish for mastery.”
The idea of mastery is often reflected upon in The Lord of the Rings. The title itself, the only title that Tolkien really liked, is about mastery. It is about Sauron’s desire to rule over all things. So is Gandalf saying that mastery is of its very nature wrong? And if Gandalf does not seek for mastery then what does he wish for?
There is a moment in the story when we are given a very different picture of mastery than the one that Saruman and Sauron give us. It comes in the house of Tom Bombadil when Frodo asks Goldberry who Tom Bombadil is.
Goldberry replies” “He is the Master of wood, water and hill.”
Observant readers of Tolkien will immediately recognise one of his characteristic capital letters here in the word, Master. Tolkien uses them in the middle of a sentence when he wants to draw our attention to the importance of something. In this case it is Tom Bombadil’s authority over everything. It is because of this authority that Old Man Willow has to free Merry and Pippin. But when Frodo asks if this means that the land belongs to him Goldberry replies in distress:
“No indeed!.. That would indeed be a burden… The trees and the grasses and all things growing or living in the land belong each to themselves.”
In the case of Tom Bombadil Tolkien gives us a glimpse into Eden before the Fall. I wonder if the reason why the chapters in which the hobbits stay with Tom and Goldberry are so beloved of the readers of The Lord of the Rings is because, just for a moment, just after we have been introduced to the Nazgûl for the first time, and just before the hobbits captivity in the barrow, we rest briefly in a place of pure and childlike innocence. Tom is Master in the sense, as Goldberry puts it, “No-one has ever caught old Tom walking in the forest… He has no fear.”
In Tom we see a picture of authority without ownership. It is the authority of a great musician in relation to their instrument and the music they play upon it. The musician gives us no anxiety that the music will be too much for them and while we may admire their mastery it is the music to which we give our ultimate attention. The music belongs to itself and a truly great musician allows us to enter a space that we ourselves do not control but within which we experience delight, wonder, exhilaration, peace and sometimes terror.
So mastery is not, of itself, an evil. In fact, in the world of Tom Bombadil, it allows all things to be truly themselves although even Tom has a house and garden although it is a place in which, as in Treebeard’s Wellinghall, the boundaries between what lies inside and outside the house are somewhat porous. So what does Gandalf reject? For Gandalf also has the kind of mastery that Tom enjoys. Few are likely to catch Gandalf out. As Sam put it when the wargs attacked near the gates of Moria, “Whatever may be in store for old Gandalf, I’ll wager it isn’t a wolf’s belly,”
What Gandalf rejects is Saruman’s idea of mastery with ownership. He rejects Saruman’s desire to make all things serve him. As Gandalf would later say to Denethor, he is a steward. He looks after all things in order that they may be truly free in themselves. That is why he came to Middle-earth to free it from a particular tyranny and to allow it, if it would take the opportunity, freedom to be fully alive.