The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 778-784
Gandalf and Pippin are sitting upon Shadowfax, flying across the plains of Rohan towards Edoras and then onwards to Minas Tirith and to war. A Nazgûl has just flown over them, a messenger from Barad-dûr to Isengard. Sauron wants to know why Saruman has not come to the Orthanc-stone. Soon a second messenger will be sent to bring Pippin back for further questioning but there will be no captive to send because Pippin is not in Orthanc. Sauron will want to know why he has seen a hobbit in the palantír and yet nothing is given to the Nazgûl. He will suspect treachery.
As they ride Gandalf thinks about the palantír and whether he might have wrested control of the stone from Sauron. He has already told Aragorn and Théoden that he is relieved that it was Pippin and not himself who first looked into it, that he has not been revealed to the Dark Lord, that there is still a brief window of doubt in Sauron’s mind that they might yet exploit, but he still wonders what he might have seen had he still had the palantír.
“Even now my heart desires to test my will upon it, to see if I could not wrench it from him and turn it where I would- to look across the wide seas of water and of time to Tirion the Fair, and perceive the unimaginable hand and mind of Fëanor at their work, while both the White Tree and Golden were in flower.”
When The Lord of the Rings was first published in 1954 only a handful of people knew anything about Fëanor or the two trees. In his famous review of The Hobbit C.S Lewis revealed that every character that readers meet in Wilderland spring from “deep sources in our blood and tradition” but he was one of the few who knew what they were. It was not until after Tolkien died in 1973 that The Silmarillion was published thanks to the work of his son, Christopher. That changed the way that everyone read The Lord of the Rings. At last we knew the back story.
In The Silmarillion Fëanor is a figure who is both incredibly gifted and yet deeply flawed. When Morgoth and Ungoliant, the monstrous spider creature and mother of Shelob, destroy the two trees, the source of light in Aman, the Valar turn to Fëanor who has caught the light within the Silmarils that he made. They ask for his help asking him to give up the Silmarils so that they might become the source of light in the uttermost west. Fëanor refuses to give them up but Morgoth steals them. Against the will of the Valar Fëanor leads the Noldor to Middle-earth to regain the Silmarils but he is slain in battle against Morgoth.
Gandalf’s desires to see Fëanor at work, to see the greatest maker in the whole history of Arda. Compared to Fëanor Sauron is a craftsman of little skill. Gandalf tells Pippin that Sauron could never have made the palantíri. He could only use them. Fëanor’s hand and mind are “unimaginable”. In him we see the ability of the Elves, the first born of the earth, to co-create with God, and we see Fëanor as the greatest of them. The early Fathers of the Church used to speak of a proper pride in our work. They spoke of parrhesia, of being able to speak freely to God, to look God in the eye and to say, “I have done this”. This, the Fathers taught, was lost in the Fall, as Humankind became competitors with God and not co-creators, but it is restored through the Incarnation. Fëanor’s pride, his desire to keep his own work as a private possession, brought him into competition with the Valar and with Ilúvatar himself. He was corrupted by Morgoth, coming to view the Valar with suspicion, believing that they wanted to use the things he had made for their own narrow self interest. Perhaps his death was a mercy. Had he defeated Morgoth might he have become a Dark Lord in his place?