Shelob

Gollum Worships His God

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Their relationship must have begun because they were so similar in spirit. For Shelob is consumed with a lust for all life, true daughter as she is of Ungoliant the ancient monster in spider form. This lust is insatiable but it is limited by a need for secrecy and so prey must fall unawares into her lair. Gollum in time past has brought such prey to her. He is her “sneak” as the orcs call him.

Similar in spirit they are but she is so much mightier than he. And so Tolkien tells us, “in past days he had bowed and worshipped her, and the darkness of her evil will walked through all the ways of his weariness beside him, cutting him off from light and from regret.”

So it is that Gollum worships his god. She represents to him the embodiment of the principle that shapes and drives him, the desire to eat. Readers may remember the debate between the Gollum and the Sméagol principle that Sam overheard and could not be sure who had won at the end of it. In it the Gollum principle declares: “Perhaps we grows very strong, stronger than Wraiths. Lord Sméagol? Gollum the Great? The Gollum?  Eat fish every day, three times a day, fresh from the sea.” We might allow ourselves a smile at Gollum’s expense but the only difference between him and Shelob or even between him and Sauron is one of degree. Their lust is greater and more all encompassing and their power is greater too but there the difference ends. Sauron is simply a more powerful version of Gollum. Gollum is simply a weaker version of Sauron. Sauron can hurt Gollum but Gollum cannot hurt him.

At least, not yet, for Gollum dreams of the day when he will “pay everyone back!” And when he says, “everyone” he means all those for whom he carries a sense of resentment; and this is so great that all creatures must be punished for the wrong that he believes they have done to him.

And what does worship mean in this respect? It is simply this. That some creatures are more powerful than others and we must bow down to those who are more powerful than we are. As Sweeney Todd declares in Stephen Sondheim’s musical of the same name, “Because in all of the whole human race… there are two kinds of men and only two. There’s the one staying put in his proper place and the one with his foot in the other one’s face.” And so those, like Gollum, in the “proper place”, worship those above them who have their feet in their faces. It is a miserable and servile kind of worship and it is offered in endless resentment. And those who seek such worship must take care never to take the foot away from the worshipper’s face for fear that revenge might be taken.

This is the spiritual universe in which Gollum exists, a universe that he entered on the day he murdered his best friend in order to take the Ring for himself. It is a universe made up of endless lust and endless resentment and from which both regret and light must be expelled for ever. And there lies it’s vulnerability for from the moment that Bilbo first entered it deep below the Misty Mountains and chose, for the sake of pity, not to kill Gollum it has been at risk. Gandalf said that the pity of Bilbo “may rule the fate of many” and it does. This is what it means that Hell is harrowed by the crucified Christ whose words spoken to his executioners are “Father forgive them for they know not what they do”. Hell simply absorbs into itself an attack mounted in its own terms of lust and resentment. It falls when the attack is mounted in pity and in mercy and by those who have no desire to rule in Hell.

The Hero’s Journey of Sam Gamgee

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After Frodo invokes Eärendil, the Morning Star, the bearer of the sorrows of Middle-earth to the Valar at the end of the First Age, he and Sam are able to break free of Shelob’s webs and for a moment it seems they are free. Frodo is drunk with the wonder of his escape, while Sam, for his part, is almost too cautious; so it is that Sam hides the Star Glass and in the darkness Shelob attacks Frodo while Gollum attacks Sam. All seems lost and yet a few minutes later Gollum is fleeing for his life while Shelob is “cowed at last, shrunken in defeat” and she hides herself away in a hole to nurse her malice and to heal herself from within.

During those few minutes Sam fights two mighty battles, both of which are far beyond him, and he emerges as a mighty and a victorious hero.

And he does not have any sense that this is what he is!

In his great work, The Hero with a Thousand Faces , Joseph Campbell describes the elements common to what he calls, the Hero’s Journey. And this is what Sam’s story has been. The story begins with Sam caring for Frodo’s garden and his longing to see the wonders of the wider world and, most of all, to “see Elves!” This dissatisfaction is the classic beginning of Campbell’s monomyth and it takes him on the journey that has now led him to Shelob’s Lair and the battles in defence of the master that he loves more even than his own life. Readers of my blog who know Campbell’s work will know of the resistance to the call to adventure that in Sam’s case is his sense of insignificance and also of the importance of a mentor. For Sam, my own belief is that the mentor takes various guises including Gandalf, Aragon and Galadriel but perhaps, most important of all, Frodo himself, who Sam regards as “the wisest person in the world.” Last year I wrote in this blog a posting that I entitled Frodo Carries Sam to Mordor https://stephencwinter.com/2015/03/24/frodo-carries-sam-to-mordor/ and it was Campbell’s sense of the vital role of the mentor that I had in mind there. At the beginning of the story Sam could only connect to the wondrous world through Frodo as mediator. That changes, and the change begins now, as Sam becomes a mighty warrior, part of the great ordeal of which Campbell also speaks. Later Sam will be revered as one of the great figures of his age and still he will hardly notice it!

This is what is unusual in Sam’s heroic journey. Sam has little or no awareness that he is on such a thing. To him if there is a hero then it must be Frodo. Even in the battle with Shelob Sam cries out in admiration when Shelob retreats before Frodo as he holds the Star Glass aloft. What songs will be sung about this great deed! I wonder if even Tolkien was taken by surprise by Sam? In The Fellowship of the Ring the story is told through Frodo but from the sundering of the Fellowship and through the journey to Mordor it is through Sam that the story is told. I will have much more to say about their different roles but here I want to show the way in which Sam grows through the journey.

This is where we will leave Sam today, covered in glory after his mighty battles but thinking only of Frodo. And I will end too on a personal note. Unlike Sam I have always lived with a consciousness of playing a part in a story. Often I have longed for Sam’s self forgetfulness but if I am to achieve it then the work must be a conscious forgetting. I must become the nothing (the no thing) of which the mystics speak. Not to be a zero but to become free of being a thing and to become a person. Once I wanted to be the hero of my own story albeit a religious one. Now I wish simply to be a man.

 

 

 

The Dayspring From On High Comes to the Aid of the Hobbits

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Frodo and Sam are trapped in the darkness visible of Shelob’s Lair as the foul monster advances upon them. As he grips the sword that he took from the barrow Sam suddenly thinks of Tom Bombadil. “I wish old Tom was near us now.” And as he does so it is not Bombadil who comes, but Galadriel, in an insight of such clarity that it has the force of a vision. Sam sees her as the giver of gifts upon the lawn in Lothlórien when she gave to Frodo the Star Glass, “a light when all other lights go out.”

Frodo raises the glass and the light of a Silmaril blazes forth in the darkness. Frodo is wonderfully empowered by this and he advances upon Shelob crying, “Aiya Eärendil Elenion Ancalima!” Frodo does not know what words he speaks for it as if another voice has spoken them in this place of utter darkness but they and the light of a star drive Shelob  back and Frodo and Sam are able to escape.

The words that Frodo cries are “Hail, Eärendil, O Brightest of Stars! ” and readers of The Lord of the Rings will remember the verses that Bilbo chanted in the halls of Elrond in Rivendell of the great hero who brought aid to the defeated peoples of Middle-earth at the end of the First Age. They will remember too that Sam spoke of how he and Frodo were still a part of the story of Eärendil and how the great stories never seem to end.

For Tolkien these words were of the greatest significance. At the very outset of the creation of his mythology when he was a young student of old languages he read some words in an Anglo-Saxon poem that had a profound effect upon him.

Eálá Earendel engla beorhtast ofer middangeard monnum sended 

Or, “Hail Earendel, Brightest of Angels, over Middle-earth sent to men!”

Some who knew Tolkien say that for him words did not merely describe something but could convey to him the very reality they sought to signify.  It was as if he were an initiate in a mystery cult.  Thus on reading the words in the old poem he actually encountered the Brightest of Angels. It was a visionary, a revelatory experience, just as it was for Frodo in the darkness and from it was born the whole mythology from which The Lord of the Rings came.

It is this experience that Tolkien brings to one of the darkest moments in his story. It is the Brightest of Angels who drives Shelob back! And there is something more. The poem that Tolkien was reading at the moment of revelation was one that was related to Advent, the time of year when Christians focus most keenly upon the longing for the coming of Christ. In the poem are found the O Antiphons that form an introduction to the singing of the Magnificat,  the great song of Mary, at evening prayer in Advent. They are most often used today when the popular carol for Advent, O Come, O Come, Emmanuel, is sung. Unlike CS Lewis’s Chronicles of Narnia,  Christ is not born within the story. That was deliberate upon Tolkien’s part. But what happens at this moment is a cry of longing for an end to all darkness and even an end to death itself. Eärendil, the Morning Star, bears witness to the Sun that will rise, scattering the gloom from before our paths for ever.

And it all begins in the darkness with a moment of near despair and the thought that comes to Sam, “I wish old Tom was near us now.” For us to know light in the darkness it is not necessary that we should be scholars of old languages. Neither Sam nor even Frodo know what Frodo cries. But they have said, Yes, to their great pilgrimage and they have not turned back and so they receive “a light when all other lights go out” simply because they need that light.

And so can we when we need light in our darkness.