The White Tree of Gondor Teaches us about Death and Resurrection

Gandalf and Pippin enter the Citadel in Minas Tirith and the white-paved Court of the Fountain where, in the midst, “drooping over the pool, stood a dead tree, and the falling drops dripped sadly from its barren and broken branches back into the clear water. ”

Pippin does not understand why, in such a beautifully tended place, something dead is at the centre. Then some words that Gandalf had spoken come to mind:

Seven stars and seven stones and one white tree.

These are the emblems of Elendil whose ships carried the faithful to Middle-earth from the wreck of Númenor after Sauron had seduced their king into rebellion against the Valar. The white tree was a symbol of renewal descended, as it was, from Nimloth the Fair the tree of Númenor and before that from Galathilion of Telperion in the Deathless Lands. Thus there remains a link between the peoples of Gondor and the Valar and High Elves but it is a link  contained in something that is dead.

Sauron has always had a particular hatred for the tree, knowing what it represents. To Sauron it means that only through submission to the Valar and their judgement could there ever be a reconciliation and forgiveness.  He clings to the belief that he can achieve mastery over all life, that he can resist the Valar and the Ring is the entire focus of that belief. When he was a prisoner in Númenor he persuaded Ar Pharazôn to cut down Nimloth the Fair. Númenor’s king had become convinced that the Valar held the gift of immortality and kept it deliberately from him. Through Sauron’s persuasion Ar Pharazôn had come to see all links to the Valar as a part of their denial of life to him. Nimloth the Fair was a key symbol of that link. But to the Elf Friends, the house of Elendil, it was not a symbol of denial but of hope and renewal. Isildur, at great risk to himself,  took a sapling of Nimloth before it could be cut down. He was wounded almost to his death in the attempt but in the first spring after he had taken the sapling the young tree flowered and Isildur was healed.

It was only after the failing of the line of kings in Gondor that the tree finally died and no sapling could be found but the tree was never cut down. Always it stood in the Court of the Fountain in Minas Tirith as a sign of hope that one day the king would return but now the dead tree has stood there for over three hundred years and is there any hope left?

The hope lies, not in some form of resuscitation, the continuing of some kind of existence in a body that must inevitably die, but in an ending that must lead to a renewing. The Gondor of the Stewards that has so bravely resisted the darkness is about to come to an end but the king will return.

I write this at the beginning of the week that Christians call, Holy. It is a week when we are called to think most especially about the ending of things as we follow Jesus on his journey towards the cross and towards death and burial. If we understand these things aright then we will come to know that our lives are not about an effort to continue existence, to hold the day of ending at bay for as long as a we can. We will come to know that we can face all our endings without fear, whether they are the loss of a job, of a career, of reputation, of wealth or health or even the loss of someone we love or the loss of our own life. We will come to know that our all our endings are beginnings that point to the day of resurrection and a transformation that can have nothing to do with death but only life. About what that means we can can catch only glimpses now but even the glimpses tell us that what lies before us is entirely wonderful, it is bliss, it is delight.

 

 

You Have Come to the End of the Gondor that You Have Known

These are not the kind of words that we want to hear from our prophets. When times are hard we want to be comforted; we want to be encouraged. We do not want to hear of endings but of continuings. In my work as a priest I am not sure that I have ever heard someone at the end of life when their body is failing actually look forward to the adventure that lies ahead so that the laying down of life is something that is done in faith and with joy. Sometimes sheer weariness may be expressed; a longing for the struggle to come to an end but often the desire is to return to a normality to which they have become used even if there is little or no  pleasure to look forward to within it.

This is the kind of normality to which Gondor has become used. This is a once great kingdom founded by Elendil and by his sons, Anárion and Isildur, and which in alliance with Gil-galad, the last High King of the Noldor, was able to overthrow Sauron even when he carried the Ring. Minas Morgul, the city of the Ringwraiths, was once Minas Ithil, the tower of the moon. The Black Gate that was shut against Frodo and Sam was first built not to keep enemies out of Mordor but by Gondor in her pride to keep her enemies shut within it.

Pippin’s first impression of Minas Tirith is of this glory. He “gazed in growing wonder at the great stone city, vaster and more splendid than anything he had dreamed of; greater and stronger than Isengard, and far more beautiful.” But what he sees is not the great city in the glory of its  maturity but in the fading of its declining years. “It was in truth falling year by year into decay; and already it lacked half the men that could have dwelt at ease there.” Pippin and Gandalf make the thousand foot climb up to the Citadel of the Stewards at the summit of the city and as they do so in every street they pass “some great house or court over whose doors and arched gates were carved many fair letters of strange and ancient shapes: names, Pippin guessed of great men and kindreds that had once dwelt there; and yet now they were silent, and no footsteps rang on their wide pavements, nor voice was heard in their halls, nor any face looked out from door or empty window.”

This is one of the most poignant expressions of the slow defeat that has been a major theme of The Lord of the Rings and we have seen it in many places through our journey; in the once great halls of Khazad-dûm and in the bleak city of Edoras and the darkened hall of Théoden in Meduseld. In each place we have seen something that once was great after its fashion now falling into decay and ruin and even as we have seen this we have seen also the rise of the powers of darkness. Who can triumph over them? Surely at the end even the bravest resistance is ultimately futile. Saruman thought this and so chose to side with the dark seeing such an alliance as the only means to further his own ambition. Soon we will meet Denethor, Steward of Gondor who has no more hope than Saruman and who although he does not take the way of betrayal also believes resistance to be futile.

This is the defeated world to which Gandalf declares: “Whatever betide, you have come to the end of the Gondor that you have known.” It may be that Gondor will fall and Gandalf does not hide this possibility from them; but it is not despair that Gandalf brings to Minas Tirith but hope and in the weeks ahead we will think about this hope both in the time of the War of the Ring and in our own time for we too are come to the end of a world that we have known and we too need such hope as can be brought to us. Gandalf calls Gondor not to despair but to fight on and so must we.

On, Shadowfax! We must Hasten. Time is Short.

Pippin awakes from a “swift moving dream in which he had been wrapped so long since the great ride began”. Shadowfax, the mightiest of horses,  is rushing through Anórien, the most northerly region of the land of Gondor, bearing Gandalf and Pippin towards Minas Tirith and towards war. It is the third night since Pippin looked into the Stone of Orthanc and so was forced to endure the gaze of Sauron. Now the Dark Lord believes that a hobbit is at Isengard. He gloats ravenously at him. Is this the one who has the Ring?

Sauron is so overcome by his own anticipation that he does not wait to ask further questions. He has servants who can reach Isengard swiftly and bring the prize to him. When he has the Ring there will be no further need for questions and ample time to punish the creature who has kept it from him.

And so by a lack of curiosity Sauron gives his foes just a little time for action. Gandalf siezes the time, removing Pippin from the palantir and from the place that the Dark Lord believes him to be, and rushing as fast as possible towards the place of crisis where the battle must be fought. So too do Aragorn, Legolas and Gimli; they must find their way to Minas Tirith as quickly as they can. And so too must the hosts of Rohan and messages are sent far and wide by Théoden, their king,  calling them to gather at Dunharrow. All must reach Minas Tirith in time for if the city of Gondor falls then even if Frodo is able to succeed in his mission and the Ring is unmade in the fires of Mount Doom there will be nothing to save and Frodo can go no faster than his feet can carry him and his burden will permit him. On the night on which Pippin gazes at the moon setting in the west Frodo watches it from the refuge of Henneth Anûn. He has far yet to go.

Wisdom trains us, through life and hard experience, that there are times when we can do nothing but wait; times when we must labour patiently, perhaps hoping against hope; times when we must get up again after failure and defeat; and then there times when we must grasp the slimmest of chances as swiftly as we can when they are presented to us. Gandalf has known all of these. He has laboured over two thousand years,  bearing Narya, the Ring of Fire, to keep hope alive in the hearts of the free peoples of Middle-earth and in all that time he has been forced to wait as Sauron has grown in power. He has been the captive of Saruman in Orthanc, watching helplessly as the Nazgûl seek for the Ring. He has been a beggar at the gates of Théoden, forced to endure the humiliations of Wormtongue. He has even journeyed through death after the battle with the Balrog of Moria. Now there is a moment, just the briefest of moments, when he can act and even now it may be too late.

We must live our lives with our eyes open,  watching for moments of opportunity. It may be given to a few to know that these are of great significance in the history of an age. They are like Simeon and Anna in the temple in Jerusalem looking for the coming of the Messiah. But all of us are called to be people of hope like them and while we wait for the dawning of the day we are called to do the acts of mercy in the knowledge that each one of them brings that dawn nearer. And we must do them most of all when it seems that the night is darkest.

 

Faramir Teaches Us How to Remember Well

Faramir has completed his interrogation of Frodo and now he takes Frodo and Sam to a secret refuge. As they walk together Faramir begins to speak of what is in his heart.

“For myself… I would see the White Tree in flower again in the courts of the kings, and the Silver Crown return, and Minas Tirith in peace: Minas Anor again as of old, full of light, high and fair, beautiful as a queen among other queens: not a mistress of many slaves, nay, not even a kind mistress of willing slaves.”

Faramir is a man of memory. Each beauty that he recalls, the White Tree, a scion of Nimloth the Fair, the tree given to Elros, first king of Numenor, by the Valar and the Silver Crown of Elendil that awaits the return of the true king, is alive within his heart. Indeed these beauties, and his long contemplation of them, shape his heart. Now that Boromir is dead Faramir is heir of Denethor, Steward of Gondor, whose task is to rule until the King returns and yet Faramir does not speak of ruling as did his brother. For the White Tree cannot flourish until the king returns and when the king returns the Steward will rule no longer. And even the task of ruling is not seen as being the mistress of slaves, “not even a kind mistress of willing slaves” but as a beautiful queen among other queens, “loved for her memory, her ancientry, her beauty; and her present wisdom. Not feared, save as a men may fear the dignity of a man, old and wise.” When someone remembers in the way that Faramir does that which is remembered is not an expression of a longing to return to some idealised past. Later we will see Denethor expressing his wish that all could remain unchanged, that all could be as it once was. For people such as Denethor the way in which meaning in life is formed connects to something perceived as lost. For such a person life becomes a matter for regret and the ability to do good is sadly diminished. Such a person may become so wedded to that which is lost that they may even try to hinder the good that others would yet do. This is not so with Faramir. He does not allow memory to become the pathway to despair. For Faramir, the memory, the beauty and the ancientry are an inspiration to present action and to present wisdom.

When Tolkien wrote The Lord of the Rings it formed part of his desire to make a mythology for England. Mythology has been described as that which never happened and that which is always true. The nature of modernism is to believe that the only truth is that which has happened and seeks to reduce everything to something that can be observed and measured. Thankfully modernism has never held complete sway over our hearts and minds or else we would have no ability to perceive beauty or to experience joy or grief. But when we experience such things those who are modernists whether consciously or not do not know what to do with them. Modernism offers us no narrative that allows the experience of beauty, joy or grief to enrich or enliven us. All we are left with, at best, is mere nostalgia and its attendant regret. At worst we give way to despair completely. Tolkien’s work challenges all its readers to engage with the gift of our own history in such a way that we can be enlivened and as we examine our own lives we will want to consider the role that memory plays; whether it enlivens us or leads us toward despair.