“A Elbereth Gilthoniel…” Sam Gamgee’s Pentecostal Song as He Drives Shelob Away From Frodo’s Body.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 952-955

The pages that Tolkien wrote around the terrible scene in Shelob’s Lair weave together light and darkness in a way that is both desperately horrible and exquisitely beautiful. On the one hand we have the insatiable desire of Shelob as she tracks down her prey.

“Most like a spider she was, but huger than the great hunting beasts, and more terrible than they because of the evil purpose in her remorseless eyes.” (The Two Towers p. 949)

And then we have Gollum’s treachery luring Frodo and Sam into a trap from which he is sure they cannot escape in order to regain the Ring and then to “pay her back, my precious. Then we’ll pay everyone back.” (The Two Towers p. 947)

But then we have this.

A Elbereth Gilthoniel
a menel palandiriel
le nallon si di'nguruthos!
A tiro nin, Fanuilos!

O Elbereth Starkindler/ from heaven gazing afar,/ to thee I cry here beneath the shadow of death!/ O look towards me everwhite!

As Shelob gloats over her prey, over Frodo’s body, Sam attacks her with all the ferocity of his love for his master having beaten off Gollum’s attack. But Shelob is mightier, even than all the rage that Sam can muster, and she turns to confront and to kill him. And it is at this most desperate need that Sam looks for some strength in order to stand against her.

And strength comes to him.

It all begins with Sam clutching the phial of Galadriel and with a single word faintly spoken.

“Galadriel”.

Sam is looking for something greater than his own strength and his memory goes back to the Lady of Lothlórien, the maker and giver of the star glass. It is all that he can find within his memory and he calls upon it now. But what comes to him is something far far beyond his memory. Sam sings a song of praise to Elbereth in a language that he does not know. He heard such songs as he dozed in the hall of fire in Rivendell but he had never learnt them. Now they come to him in a Pentecostal moment and in his direst need.

I say Pentecostal not because I think that Sam has suddenly joined a particular religious movement but because, just as the apostles were given the ability to speak in languages that they had never learned on the first Day of Pentecost, so Sam is divinely gifted language that he does not know in his moment of direst need.

When the Elves cried “to thee I cry, here beneath the shadow of death” in the halls of Elrond it was a reflection upon a general spiritual condition and no less meaningful because of that, but when Sam cried out these words he literally stood in the shadow of his own imminent death, and what came to him was the angelic power that the Elves praised and underneath which they lived.

“As if his indomitable spirit had set its potency in motion, the glass blazed suddenly like a white torch in his hand. It flamed like a star that leaping from the firmament sears the dark air with intolerable light.”

And it is this light that defeats Shelob. She has been wounded by Sting, Frodo’s elven blade that Sam is holding, and one of her eyes has been put out, but it is the light that she cannot bear. “No such terror out of heaven had ever burned in Shelob’s face before.”She retreats into her hole and does not return.

Nothing less than light from heaven could have defeated her and this is one of the few moments within The Lord of the Rings in which Tolkien departs from his usual reserve about expressing the Catholic faith that was so dear to him and even here he does so within the confines of the secondary world that he had sub-created. It is angelic power that comes to Sam, the power of Elbereth, the member of the Valar whom the Elves loved the best, the kindler of the stars under which they first awoke in ancient time, and not the power of Mary, “the Queen of Heaven, the Ocean Star”, that was so important to Tolkien.

It is divine power, however mediated, that comes to Sam in this darkest of moments and which defeats Shelob. Tolkien never states this explicitly but in the beauty of Sam’s hymn to Elbereth he opens the door just a little to an even greater beauty for those who want to enter by that door

Saruman Fails To Get The Joke!

After a journey of wonders the company led by Théoden and Gandalf arrive at the gates of Isengard to find them cast down and in ruins with a great rubble heap piled up beside them “and suddenly there were aware of two small figures lying on it at their ease…There were bottles, bowls and platters laid beside them, as if they had eaten well, and now rested from their labour.” And so it is that after all the adventures that have befallen the company since its sundering at Tol Brandir Aragorn, Gimli and Legolas are re-united with Merry and Pippin.

This is a good tale to tell at Christmas for as Mary’s great song from The Gospel of Luke chapter 1 tells us, with the coming of the Messiah the mighty are cast down from their seats and the humble and meek are exalted, the hungry are filled with good things and the rich are sent empty away. It was indeed Saruman’s intention to bring the hobbits to Isengard but we can be sure that he had no intention to feast them upon the best of his food amidst the ruins of his once mighty fortress. And yet it is precisely because of his intentions that Saruman has been cast down from his seat and that hobbits, the least significant of creatures, have been the means of his downfall. For the orcs that Saruman sent to bring the hobbits to his dungeons were able to bring them swiftly to Fangorn where they met Treebeard, the most ancient of Ents. And it was through that meeting that the Ents were roused from their long slumber, marched upon Isengard and reduced it to ruins.

There is no doubt that Tolkien takes pleasure in the comic elements of the scene he paints for us. The small figures who could not be less heroic, the piles of empty dishes and bottles, the smoke rising from pipes smoked at ease (and as anyone who has ever tried to smoke a pipe will tell you it is necessary to be at ease in order to smoke one well!) and all this amidst the scene of a terrible battle.

And you can be sure that Saruman does not get the joke! Nor, of course, did Herod when the Magi asked him where the King of the Jews had been born. Perhaps we get closest to the truth of Christmas if we learn to see it as a cosmic joke. So much religion seems hung up with efforts to portray itself as mighty, as deserving of a place at the tables of the powerful. If the wonderful joke of the nativity were to manifest itself at such tables then the religious might well be discomfited as much as kings and princes. Before the modern era it was the custom for kings to have a joker nearby them to remind them of who they truly were. Where are the jokers of our own age? How many board rooms of our great corporations make sure they have a joker among them? Or might they fear that the joker might bring them crashing down to ruins?

If Saruman were to get the joke then he would be free from the prison that he has created for himself. And so too would we if, as Mary sang, we allow that which desires to be rich and dominating of the weak within our souls to be “sent empty away”. Our laughter would truly be that of the merry and so would our Christmas too.