Ilúvatar

“We Look towards Númenor That Was, and Beyond to Elvenhome That Is, and To That Which is Beyond Elvenhome and Will Ever Be”. Faramir Prepares to Eat in The Divine Presence.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 882-884

While on the journey to Henneth Annûn, Faramir had spoken to Frodo and Sam about his love for the memory, the ancientry, the beauty and the present wisdom of the city of the Men of Númenor, Minas Tirith, and his desire, therefore, to defend that city against Sauron, the Lord of Darkness. Faramir lives in a big world and before he sits to eat with his guests and his men he leads them all in a simple ceremony in which all stand and face west “in a moment of silence”.

This is the only ceremony that takes place throughout the entirety of The Lord of the Rings until the crowning of the High King of Gondor and of Arnor. There might be an argument to be made that the peoples of Middle-earth are ritually malnourished, an argument that could be made about the West in our own time, but Tolkien had good reason not to give his secondary creation a ritual structure. His creation was a mythical history of our own world but in a world before the incarnation of Christ, the True Myth as he famously explained to C.S Lewis, the moment in which myth and history became one in first century Palestine.

Faramir remembers “Elvenhome that is” as depicted by Alan Lee.

His anxiety was that any attempt to create a ritual life for his sub-creation would at best be inadequate and at worst idolatrous. There is only one place of worship built in the whole of Tolkien’s legendarium and that was built by Ar-Pharazôn, the last king of Númenor, for the worship of Morgoth because Ar-Pharazôn had been seduced by Sauron who had convinced him that Morgoth was the ultimate power of the universe. So the only place of worship was idolatrous and rejected by Elendil, the Elf-friend, and his followers, of whom Faramir was a descendant.

So when Faramir leads his men in a moment of ritual before they sit to eat it is done in silence so that there can be no danger of idolatry, the worship of that which is false. But this does not mean that there is no content to the ceremony and when Faramir explains it to Frodo he shows him the world in which he lives.

“We look towards Númenor that was, and beyond to Elvenhome that is, and to that which is beyond Elvenhome and will ever be.”

Númenor is the memory and the ancientry of which Faramir spoke upon the way. While the Númenor of Ar-Pharazôn was destroyed by a great wave by Eru Ilúvatar at the end of the Second Age Elendil escaped with his followers to Middle-earth and created there the kingdoms of Gondor and Arnor. Elendil honoured the ancient friendship that the Númenorians had enjoyed with the Elves, a friendship that meant that he fought alongside Gil-galad in the last great alliance between Elves and Men that overthrew Sauron taking the Ring from his hand. Faramir recognises this as he speaks of Elvenhome that is, Valinor that lies beyond the wreck of Númenor.

And he also recognises “that which is beyond Elvenhome and will ever be”. He recognises God, Eru Ilúvatar, the source of all being and life. Later when he takes Éowyn into his arms for the very first time he tells her of the wave that destroyed Númenor. In doing this he shows that he understands that Eru had intervened once directly in the affairs of Arda and also feels that something similar has just happened at the moment in which the Ring has gone to the Fire.

Frodo feels “strangely rustic and untutored” when Faramir explains all this to him. He recognises that Faramir lives in a bigger world than he does. Faramir probably lives in a bigger world than any of his men but because they honour him as their leader so too they honour his inner life and that which he believes. He is the greatest holder of the memory, the ancientry, the beauty and the present wisdom of his people. One man holds all of this, a fragile link with it all, but the world in which Faramir lives is not held by him. He is held by it as are his men and his people whether they do so consciously or not. Soon Faramir’s world will be assaulted by the darkness and tested to its very limits. It will stand, not because of its own might, but because of that which stands beneath, around and within it, and will hold it even and especially in its darkest moments.

“Naked I Was Sent Back- For a Brief Time, Until My Task is Done.” Gandalf Speaks of The Battle With The Balrog of Moria.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.653-657

There is much to think about in all that Gandalf speaks of after his reunion with Aragorn, Legolas and Gimli, but this is Eastertide and so we will think about the terrible struggle between Gandalf and the Balrog of Moria, a struggle that ends in Gandalf’s death.

But this story does not end with his death.

“I threw down my enemy, and he fell from the high place and broke the mountain-side where he smote it in his ruin. Then darkness took me, and I strayed out of thought and time, and I wandered far on roads that I will not tell.”

The Lord of the Rings is a story that weaves together both myth and history in a way that would have been familiar to Homer, to Snorri Sturluson or to the poet who wrote the story of Beowulf, but is quite alien to the modern mind. I have read many a commentator on Tolkien’s legendarium who has struggled to present his work as mere history, if such a thing can exist; and so they speak of the inadequacy of Tolkien’s economics for example. And from time to time I come across efforts to discover a historical King Arthur or Robin Hood. Tolkien does something far more interesting and far more exciting. He also does something that is more true than mere history. He is a writer of myth.

And so Gandalf tells of his struggle with the Balrog in a way that the hearers of Beowulf would have grasped immediately. As he tells us of the headlong fall from the Bridge of Khazad-dûm into the icy waters far below the deepest delvings of the Dwarves and then of the ascent to the highest peak of the Misty Mountains we are not invited to ponder the cardiovascular systems of the two combatants even when Gandalf says that the icy waters almost froze his heart. What we are invited into is the great stories that transcend such things, of which our stories are a rich part if we will only understand them as such.

The battle between Gandalf and the Balrog ends with the deaths of them both. But Gandalf is sent back in order that he should complete his task. Tolkien never speaks of God explicitly in The Lord of the Rings, of Eru Ilúvatar as God is named in The Silmarillion. Even now Gandalf does not name the one who sent him back, the one who restored him to life but it is of Ilúvatar he speaks here just as he spoke of him when he told Frodo that both Frodo and Bilbo were meant to have the Ring.

For a time Gandalf lies upon the mountain top, this high place of the earth acting as a kind of threshold between earth and heaven, between the seen world of flesh and blood and the unseen world into which we only catch glimpses from time to time.

“I was alone, forgotten, without escape upon the hard horn of the world. There I lay staring upward, while the stars wheeled over, and each day was as long as a life-age of the earth. Faint to my ears came the gathered rumour of all lands: the springing and the dying, the song and the weeping, and the slow everlasting groan of over-burdened stone.”

Once again there might be some who recognise in Gandalf’s telling of his story a certain similarity to the effects of hallucinogenics. They might be tempted to reduce Gandalf’s tale to just such an experience. But mystics know that it is not necessary to use such substances in order to see something of what Gandalf sees upon the mountain top. Gandalf lives in both myth and history and as he returns to the history of his time and the mighty struggle against Sauron that lies ahead, the task that he has been sent back to complete, he brings with him the mythic world in which he has dwelt entirely for a brief moment and for “a life-age of the earth”. He returns as Gandalf the White, more perilous than any upon earth except, perhaps, the Dark Lord Sauron, with whom he must now do battle.

A Elbereth Gilthoniel. Pray for the Wanderer. Pray for Me. The Hymn to Elbereth in the Hall of Fire in Rivendell.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.231,32

As Frodo and Bilbo depart the Hall of Fire in order to enjoy some quiet talk together they hear “a single clear voice” rise in song. It is a hymn to Elbereth, the Lady Varda of the Valar, Queen of the Blessed Realm of Valinor, Elentári, Queen of Stars, and it is a song of praise and an expression of longing. 

O Elbereth Starkindler
White glittering, slanting down sparkling like a jewel, 
The glory of the starry host!
Having gazed far away 
From the tree-woven lands of Middle-earth, 
To thee, everwhite, I will sing,
On this side of the Sea,
Here on this side of the Ocean. 

O Elbereth Starkindler, 
From heaven gazing afar, 
To thee I cry now beneath the shadow of death! 
O look towards me, Everwhite!

And so the mood in the hall moves from merriment to longing. And if merriment is an expression of contentment, of being happy just where we are then this hymn tells us that those who sing it long to be somewhere else entirely. The gaze of the elven singer looks out from this place of peace to the stars above, the same stars to which the Elves first looked as they awoke in Middle-earth. The name that the Valar gave them was, Eldar, the people of the stars, for at their beginning, Elbereth/Varda “began a great labour, greatest of all the works of the Valar since their coming into Arda. She took the silver dews from the vats of Telperion, and therewith she made new stars and brighter against the coming of the Firstborn; wherefore she whose name out of the deeps was time and the labours of Eà was Tintalle, the Kindler… Queen of the Stars”.

It was for fear of Melkor/Morgoth, dweller in the dark of Middle-earth, that Elbereth kindled the stars in the sky, fear that awakening in darkness the Elves would meet first its lord and worship him, bowing down before his great might, part in fear and part in admiration. And her labour was not in vain for as they awoke from sleep they gazed first upon those stars “and have revered Varda Elentári above all the Valar”.

Throughout their long history the Elves have looked upwards towards the starlight and westward to the Queen of Heaven. As in all the stories of the children of Ilúvatar, of both Elves and Humankind, immortal and mortal, the simplicity of this gaze is soon lost. The Valar, led by Oromë, the hunter, set out to find the firstborn and to lead them to safety in the Blessed Realm, but some never complete the journey, lingering among the beauty of what they know while others, the Noldor, followers of Fëanor, tire of a life of absolute safety and obedience in the realm their angelic lords and return to Middle-earth to freedom, glory and ultimately, for most of them, destruction. But the feeling expressed in this hymn to Elbereth is of a longing, a cry “beneath the shadow of death” that has been woven in the very fabric of their being from the moment of that first gaze upwards, a gaze both from eye and heart.

The language of this hymn is Sindarin, the language of the Grey-elves, the Elves who never came to Valinor and yet the longing is as deep as it is among those of the Noldor who survive the terrible wars in Beleriand in the First Age, the exiles from the Blessed Realm like Galadriel and at the very end of The Lord of the Rings all these stories will be brought together when Frodo sings the old walking song, the song of the road one last time, and almost in response the hymn to Elbereth will be taken up once more by Gildor Inglorien, by Elrond and by Galadriel as they make their last journey into the West across the Sea.

This is my last of a series of meditations meditation upon Frodo’s words, “It seemed to me to fit somehow”. On the next day, which we will take up from next week, Elrond will gather together a great council whose task it will be to decide what to do with the Ring of Power that Bilbo found beneath the Misty Mountains and which Frodo has brought into Rivendell. As we have seen in these last weeks none of the events that have led to this moment are in any way random and disconnected but all are a part of the great story that flows onward to the “one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Ilúvatar” at the end of all things. This is how everything fits somehow. Frodo has caught a glimpse of this story to which he belongs but which he can never explain.

And a final note upon my title. Some of you will have recognised the words there as from the great hymn, “Ave Maris Stella”, Hail Queen of Heaven, the Ocean Star, a hymn that Tolkien knew very well indeed. In the echo of this hymn in the song of the Elves we pray for Frodo the wanderer and ourselves also.

The Ring Claims Frodo

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From time to time it is a great pleasure to welcome guest authors to my blog that explores wisdom from Tolkien’s great work, The Lord of the Rings. This week it is a particular pleasure to welcome Anne Marie Gazzolo with whom I have enjoyed a regular correspondence in the Comments Section of the blog for some time now. I have enjoyed reading her book (see below!) and warmly recommend it to you. In this post Anne Marie picks up from my own reflections on the dramatic climax to Frodo and Sam’s journey in the Cracks of Doom that I posted last week and takes them further. I am sure that you will enjoy her reflection and that you will want to read more of her work. 

Anne Marie Gazzolo is the author of Moments of Grace and Spiritual Warfare in The Lord of the Rings, which includes a chapter on The Hobbit. Sign up for her mailing list at http://www.annemariegazzolo.com and get a free copy of her ebook about applying to your life the lessons taught by Hobbits, Wizards, Elves, Men, and Dwarves. Works in progress include Chosen, which focuses on the journeys of Bilbo and Frodo, due out on their birthday 2018, from which this essay comes, and a book of poems inspired by the Quest. Two original fantasy series also await their turn as patiently as they can. You can also connect with her on Facebook and Pinterest.

 

Despite Frodo’s formidable endurance to the Ring, he becomes increasingly aware his resistance to its demonic assaults weakens the longer he bears it. After he reaches the Sammath Naur, worn out physically, mentally, emotionally, and spiritually, he has nothing left with which to defend himself against the last terrible attack. “Tolkien is close to Paul and Augustine and their long train of followers who argue that real freedom is the liberty to choose and do the good, and that to do evil is to act unfreely, to exercise an enslaved will. … Not all evil is chosen. For while evil can subtly seduce, it can also brutally enforce its will. … The Ring creates a compulsion, in short, that cannot be broken with mere human strength of will” (Ralph C. Wood, Gospel According to Tolkien 70, 71). With the Ring’s power to “burn [the] mind away” (LotR V:4, 796), it is no wonder after months of incessant torment, Frodo’s will gives way. That it lasts as long as it does is a moving testament to its incredible strength, fortified as it is by grace and by Sam. Tolkien wrote, “But one must face the fact: the power of Evil in the world is not finally resistible by incarnate creatures, however ‘good’; and the Writer of the Story is not one of us” (Letters of J. R. R. Tolkien 252). He notes in another letter, “It is possible for the good, even the saintly, to be subjected to a power of evil which is too great for them to overcome – in themselves” (252-53).

At the same time Éowyn speaks of feeling as though she stands upon the edge of an abyss, Frodo truly does stand at the brink of “the spiritual abyss into which Sauron has fallen ages earlier” (Brian Rosebury, Tolkien: A Cultural Phenomenon 37).

As the Ring consumes Frodo, its Bearer can battle it no more. He said yes to Ilúvatar many thousands of times with each painful breath and step, but there is now but a strand of will that can no longer speak. “Towards the end of the quest, Frodo is left with only the capacity to will, as he becomes physical incapable of performing his task. Then, when the moment comes for the actual destruction of the Ring, the theme of self-negation in sacrifice reaches its highest point: the ability to will is taken from him” (Barry Gordon, “Knighthood, Priesthood and Prophecy in The Lord of the Rings”).

Sam hears Frodo use a strange tone of voice, as he speaks terrible words: “I have come…. But I do not choose now to do what I came to do. I will not do this deed. The Ring is mine!” (LotR VI:3, 924). This is not the freely willed act it appears. The hobbit cannot resist the evil power anyone else would fall prey to much sooner, but this does not mean he actively chooses to surrender to it. Frodo does not claim the Ring; the Ring at last claims him. His will is, in actuality, the least free at this time, as he already knew was near. He told Sam not long before, “I am almost in its power now. I could not give it up” (LotR VI:3, 916).

Tom Shippey remarks, “It is…interesting that Frodo does not say, ‘I choose not to do’, but ‘I do not choose to do’. Maybe (and Tolkien was a professor of language) the choice of words is absolutely accurate. Frodo does not choose; the choice is made for him” (Tolkien: Author of the Century 140). Tolkien agrees. “I do not think that Frodo’s was a moral failure. At the last moment the pressure of the Ring would reach its maximum – impossible…for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted. Frodo had done what he could and spent himself completely (as an instrument of Providence)…” (Letters 326, italics in original)

The weight of Sauron’s dark power crushes the created, but it has no power over his Creator. The Dark Lord is but a servant himself, serving a greater evil, just as the hobbits serve a greater Good. Morgoth wove evil into the Song from the beginning and into the fabric of Middle-earth from the time of its creation. Ilúvatar could have changed that, but He allowed it to continue, so He could use even that to show it had no power over Him and His designs. Frodo and Sam and so many others suffer because of this evil, but Ilúvatar does not allow it to claim them utterly. He wants to show He can overcome Sauron’s might in the hobbits’ weakness. The Ring plays a part in its own destruction. Frodo, Sam, and Gollum are the vessels to get it there.

“Frodo deserved all honour because he spent every drop of his power of will and body, and that was just sufficient to bring him to the destined point, and no further. Few others, possibly no others of his time, would have got so far. The Other Power then took over: the Writer of the Story (by which I do not mean myself), ‘that one ever-present Person who is never absent and never named’ (as one critic has said)” (Tolkien, Letters 253).

Even if Ring-bearer and Ring-destroyer was thought by others and by Frodo himself to be one and the same, they are actually two different missions in the mind of Ilúvatar. Frodo’s task is to create “a situation in which the object of his quest could be achieved” (Letters 326). This he does perfectly. Indeed, only after Frodo fulfills his vocation does his will fail at last.

In response to readers who cried for Frodo’s condemnation for claiming the Ring, Tolkien argued the Ring-bearer should be judged not from actions resulting from breaking under torment, but like those who were broken by torture while a POW in WWII: “by the will and intentions with which they entered the Sammath Naur; and not demand impossible feats of will…” (252). Frodo’s will and intent to destroy the Ring never alters, but he comes to the Cracks of Doom at the nadir of his own strength and the height of the Ring’s. His will is no longer his own to claim.

Ilúvatar knew the burden would be too much for His child at the end, but He wants Frodo as a living sacrifice, not a dead one. He turns the no the Ring forces out of Frodo’s broken body and will into the yes foreseen from all eternity. “[Gollum] did rob him and injure him in the end – but by a ‘grace’, that last betrayal was at a precise juncture when the final evil deed was the most beneficial thing anyone cd. have done for Frodo!” (234). Because the Ring-bearer pitied Gollum and showed him mercy and compassion, he receives the same. Ilúvatar returns to him what the hobbit relinquished to Him: his self and his life.

Works Cited

Gordon, Barry. “Knighthood, Priesthood and Prophecy in The Lord of the Rings”. Accessed 10/4/17.

Rosebury, Brian. Tolkien: A Cultural Phenomenon. Palgrave Macmillan, 2003.

Shippey, Tom. J. R. R. Tolkien: Author of the Century. Boston: Houghton Mifflin, 2001.
Tolkien, J. R. R. The Letters of J. R. R. Tolkien. Edited by Humphrey Carpenter. Houghton
Mifflin, 2000.

—. The Lord of the Rings. 2nd edition. Houghton Mifflin, 1965, 1966.

Wood, Ralph C. The Gospel According to Tolkien: Visions of the Kingdom in Middle-earth.
Louisville, KY: Knox, 2003.