Gondor

You Have Come to the End of the Gondor that You Have Known

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These are not the kind of words that we want to hear from our prophets. When times are hard we want to be comforted; we want to be encouraged. We do not want to hear of endings but of continuings. In my work as a priest I am not sure that I have ever heard someone at the end of life when their body is failing actually look forward to the adventure that lies ahead so that the laying down of life is something that is done in faith and with joy. Sometimes sheer weariness may be expressed; a longing for the struggle to come to an end but often the desire is to return to a normality to which they have become used even if there is little or no  pleasure to look forward to within it.

This is the kind of normality to which Gondor has become used. This is a once great kingdom founded by Elendil and by his sons, Anárion and Isildur, and which in alliance with Gil-galad, the last High King of the Noldor, was able to overthrow Sauron even when he carried the Ring. Minas Morgul, the city of the Ringwraiths, was once Minas Ithil, the tower of the moon. The Black Gate that was shut against Frodo and Sam was first built not to keep enemies out of Mordor but by Gondor in her pride to keep her enemies shut within it.

Pippin’s first impression of Minas Tirith is of this glory. He “gazed in growing wonder at the great stone city, vaster and more splendid than anything he had dreamed of; greater and stronger than Isengard, and far more beautiful.” But what he sees is not the great city in the glory of its  maturity but in the fading of its declining years. “It was in truth falling year by year into decay; and already it lacked half the men that could have dwelt at ease there.” Pippin and Gandalf make the thousand foot climb up to the Citadel of the Stewards at the summit of the city and as they do so in every street they pass “some great house or court over whose doors and arched gates were carved many fair letters of strange and ancient shapes: names, Pippin guessed of great men and kindreds that had once dwelt there; and yet now they were silent, and no footsteps rang on their wide pavements, nor voice was heard in their halls, nor any face looked out from door or empty window.”

This is one of the most poignant expressions of the slow defeat that has been a major theme of The Lord of the Rings and we have seen it in many places through our journey; in the once great halls of Khazad-dûm and in the bleak city of Edoras and the darkened hall of Théoden in Meduseld. In each place we have seen something that once was great after its fashion now falling into decay and ruin and even as we have seen this we have seen also the rise of the powers of darkness. Who can triumph over them? Surely at the end even the bravest resistance is ultimately futile. Saruman thought this and so chose to side with the dark seeing such an alliance as the only means to further his own ambition. Soon we will meet Denethor, Steward of Gondor who has no more hope than Saruman and who although he does not take the way of betrayal also believes resistance to be futile.

This is the defeated world to which Gandalf declares: “Whatever betide, you have come to the end of the Gondor that you have known.” It may be that Gondor will fall and Gandalf does not hide this possibility from them; but it is not despair that Gandalf brings to Minas Tirith but hope and in the weeks ahead we will think about this hope both in the time of the War of the Ring and in our own time for we too are come to the end of a world that we have known and we too need such hope as can be brought to us. Gandalf calls Gondor not to despair but to fight on and so must we.

Faramir Teaches Us How to Remember Well

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Faramir has completed his interrogation of Frodo and now he takes Frodo and Sam to a secret refuge. As they walk together Faramir begins to speak of what is in his heart.

“For myself… I would see the White Tree in flower again in the courts of the kings, and the Silver Crown return, and Minas Tirith in peace: Minas Anor again as of old, full of light, high and fair, beautiful as a queen among other queens: not a mistress of many slaves, nay, not even a kind mistress of willing slaves.”

Faramir is a man of memory. Each beauty that he recalls, the White Tree, a scion of Nimloth the Fair, the tree given to Elros, first king of Numenor, by the Valar and the Silver Crown of Elendil that awaits the return of the true king, is alive within his heart. Indeed these beauties, and his long contemplation of them, shape his heart. Now that Boromir is dead Faramir is heir of Denethor, Steward of Gondor, whose task is to rule until the King returns and yet Faramir does not speak of ruling as did his brother. For the White Tree cannot flourish until the king returns and when the king returns the Steward will rule no longer. And even the task of ruling is not seen as being the mistress of slaves, “not even a kind mistress of willing slaves” but as a beautiful queen among other queens, “loved for her memory, her ancientry, her beauty; and her present wisdom. Not feared, save as a men may fear the dignity of a man, old and wise.” When someone remembers in the way that Faramir does that which is remembered is not an expression of a longing to return to some idealised past. Later we will see Denethor expressing his wish that all could remain unchanged, that all could be as it once was. For people such as Denethor the way in which meaning in life is formed connects to something perceived as lost. For such a person life becomes a matter for regret and the ability to do good is sadly diminished. Such a person may become so wedded to that which is lost that they may even try to hinder the good that others would yet do. This is not so with Faramir. He does not allow memory to become the pathway to despair. For Faramir, the memory, the beauty and the ancientry are an inspiration to present action and to present wisdom.

When Tolkien wrote The Lord of the Rings it formed part of his desire to make a mythology for England. Mythology has been described as that which never happened and that which is always true. The nature of modernism is to believe that the only truth is that which has happened and seeks to reduce everything to something that can be observed and measured. Thankfully modernism has never held complete sway over our hearts and minds or else we would have no ability to perceive beauty or to experience joy or grief. But when we experience such things those who are modernists whether consciously or not do not know what to do with them. Modernism offers us no narrative that allows the experience of beauty, joy or grief to enrich or enliven us. All we are left with, at best, is mere nostalgia and its attendant regret. At worst we give way to despair completely. Tolkien’s work challenges all its readers to engage with the gift of our own history in such a way that we can be enlivened and as we examine our own lives we will want to consider the role that memory plays; whether it enlivens us or leads us toward despair.

Sam Shows Us How to Make Good Mistakes

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Perhaps we should not be too harsh on Sam. Ever since the sundering of the Fellowship at Parth Galen above the Falls of Rauros he has been forced by reason of necessity to live on a diet of the Elves’ waybread alone. “This waybread keeps you on your legs in a wonderful way,” he said to Frodo earlier in the journey, “though it doesn’t satisfy the innards proper as you might say: not to my feeling anyhow, meaning no disrespect to them as made it.”

Sam has long desired for something he can put in the pot and with that purpose in mind he has carried his cooking gear on the journey across the Dead Marshes to the Black Gate and then into Ithilien. Now at last in the woodlands of that once fair land he has the chance to use his gear and with the aid of Sméagol he is able to clean, prepare, cook and then eat two rabbits on his campfire. At least Sméagol offered his aid to catch the rabbits. Once he realised that Sam did not intend to eat them raw no more aid was forthcoming and soon he departed to catch and eat his own prey.

It was the campfire that led to the capture of the hobbits. Perhaps Sam is a little too content after doing the first cooking he has been able to do for such a long time for when he goes to wash his gear he forgets to smother his fire and it is the smoke rising from it that draws his captors to him. Four tall men stand before Frodo and Sam, two with spears in their hands and two with great bows; all with swords at their sides. They are men of Gondor and their Captain is Faramir, son of Denethor, the Steward of Gondor.

I said a few moments ago that perhaps we should not be too harsh on Sam. He longed to cook something that he regarded as properly nourishing for Frodo, the master that he loves. Sam’s whole identity is founded upon his determination to serve and to deny this would be to do harm to something essential, even holy in himself. It is this sense of identity that causes him to hate Gollum who he regards as utterly false. So if Sam is going to make a mistake we would expect it to be the result of his identity. That is what makes Sam and Gollum so different. When Gollum murdered Déagol long ago in order to take the Ring from him he had to deny something essential in himself. Sam does not do this when he forgets to smother his fire. He has made a mistake but he has not denied his true self.

Is it because of this that Sam and Frodo fall into the hands of a good man and not one who is false or into the hands of a company of orcs? I wish I could say so but to do that would be to say that in some way those who enjoy good fortune deserve it; or, alternatively, that those whose fortune is bad equally deserve theirs. To say such a thing is not true and does no good either to those who say it or to those about whom it is said. “Somewhere in my youth or childhood I must have done something good,” sings Captain von Trapp as he holds Maria in his arms. I think we can safely say that he is happily mocking himself and giving thanks for a good fortune he does not feel he deserves. I am glad that Tolkien does not make Frodo and Sam suffer for Sam’s gentle mistake. Such suffering still lies before them. But whether we suffer or not we cannot do good with a mistake that flows from a denial of our true self. One that flows from the true self can always lead to good because good was always intended.