The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp.741-743
This is the third post in a short series of reflections that I am writing about Gandalf based upon the observations that Pippin makes of him both in the scene that takes place in the throne room of Gondor at the beginning of The Return of the King, the final volume of The Lord of the Rings and the scene that follows immediately after. As we saw in the last piece Pippin’s thoughts about Gandalf are inspired by the comparison that he begins to draw with Denethor, realising that Denethor’s impressive demeanour does not go anywhere near as deep as the reality of Gandalf, even though this does not seem so at first glance.
Two weeks ago I wrote about Gandalf’s joy for the first time, a joy that Pippin sees as “a fountain of mirth enough to set a kingdom laughing, were it to gush forth”, and in this post I want to think more about this.
The hobbits of the Shire know Gandalf as a strange figure who comes and goes among them from time to time. In many ways their main impression of him is as a kind of travelling showman. They know him best for his spectacular firework shows, such as he offered them at Bilbo’s farewell party. When in Lothlórien Frodo and Sam composed poetry by which to remember him after his fall in Moria it was this that Sam recalled most vividly.
The finest rockets ever seen:
they burst in stars of blue and green,
or after thunder golden showers
came falling like a rain of flowers.
And if it were not Gandalf’s fireworks for which he was best known in the Shire it might have been his pleasure in pipe-smoking, something to which the hobbits had first introduced him. Indeed we might say that it was play and pleasure that regularly brought Gandalf to the Shire. Gandalf says as much in his telling of the story that we know as The Hobbit to Frodo and other members of the Fellowship in Minas Tirith after Aragorn’s coronation.
“I was tired, and I was going to the Shire for a short rest, after being away from it for more than twenty years. I thought that if I put them [dark thoughts about the return of Sauron and the potential threat of Smaug the dragon] out of my mind for a while I might perhaps find some way of dealing with these troubles.” (Unfinished Tales p. 416)
Gandalf associated the Shire and hobbits with much needed rest. But was it merely coincidental that it was on his way to the Shire that Gandalf met with Thorin Oakenshield and learned of Thorin’s desire to lead an expedition to recover the Lonely Mountain from the terrible dragon that lived there? It was in his meeting with Thorin that the thought of Bilbo Baggins first came into Gandalf’s mind.
“Suddenly in my mind these three things came together: the great Dragon with his lust, and his keen hearing and scent; the heavy-booted Dwarves with their old burning grudge; and the quick soft-footed Hobbit, sick at heart (I guessed) for a sight of the wide world.” (Unfinished Tales p. 417)
What Gandalf does is to play with the images that come into his mind, allowing them to take shape there and, in a sense, take on a life of their own. In many ways Gandalf does exactly what Tolkien the storyteller does. Both he and Tolkien journey into the imaginal realm and they play amidst the images that they find there.
It is essential here to emphasise that neither Tolkien’s play or Gandalf’s is a mere passing away the time between more serious tasks. Or maybe I should say that Tolkien was not just passing time when he journeyed into Faerie, the perilous realm, the imaginal realm. It was in that realm that both discovered and then sub-created his legendarium from what he saw.
In his telling of his story to Frodo and his companions Gandalf tells us a little more of his own journey into the imaginal realm, the journey that takes him to a place in which Smaug, Thorin Oakenshield and his companions, and Bilbo Baggins, somehow find themselves together. It is a journey that no-one else takes and it leads to consequences that no-one could have anticipated. For on his journey Bilbo finds the Ring of Power. Even at the time of that discovery no-one, Gandalf included, had any idea of the significance of Bilbo’s magic ring. Gandalf describes his own actions as no more than following “the lead of ‘chance'”, a journey on which he made many mistakes by his own admission.
We will come back to that journey in the next piece. In the meantime I invite you to think further about the relationship between play in Gandalf’s story and the events that ultimately lead to the discovery and then the destruction of the Ring and the fall of Sauron. I believe that they are intimately bound together.
I am grateful for the work of Dr Becca Tarnas for introducing me to the idea of Tolkien’s journey into the imaginal realm. I hope that her doctoral thesis comparing the Red Books of J.R.R Tolkien and Carl Jung will be published soon. In the meantime can I recommend her reader’s guide to The Lord of the Rings, “Journey to the Imaginal Realm”, published by Revelore Press in 2019.
