Fantasy

“I Must Find The Mountain of Fire and Cast The Thing Into The Gulf of Doom. Gandalf Said So. I Do Not Think I Shall Ever Get There.” Frodo Speaks of His Task to Faramir and of Its Impossibility.

/ stephencwinter / 12 Comments

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) p.891

The shock and fear that followed the revelation of the true identity of Frodo’s burden is at an end but what follows is sheer exhaustion. With the last of his strength Frodo tells Faramir of his mission.

“I was going to find a way into Mordor… I was going to Gorgoroth. I must find the Mountain of Fire and cast the thing into the gulf of Doom. Gandalf said so. I do not think I shall ever get there.”

Faramir stares at Frodo with “grave astonishment”, and rightly so. Alongside Frodo’s declaration at the Council of Elrond that he would take the Ring though he did not know the way this is the only time that Frodo actually speaks of his task in plain speech. There is no attempt at heroic language. No boasting. Merely a quiet statement of what has to be done.

“Gandalf said so.”

Frodo claims nothing for himself. He has been given his orders and now he must carry them out. There is nothing more to be said and Frodo says nothing more. Except, as Faramir knows, that Frodo is attempting something that no-one has ever before tried to do. Later in the story Ioreth of the Houses of Healing will tell her friend that Frodo “went with only his esquire into the Black Country and fought with the Dark Lord all by himself, and set fire to his Tower, if you can believe it.” Of course we know that this is not quite what happened but what Frodo achieved is almost as impossible and Faramir recognises this. His grave astonishment is entirely justified. He knows that he stands in the presence of greatness even as Elrond recognised at Frodo’s first quiet declaration, comparing him to Beren and the great heroes of the First Age.

Only Frodo, as we have seen, does not recognise this, nor ever does. He only thinks in terms of what must be done and of its impossibility.

Hope and hopelessness are themes that Tolkien returns to again and again throughout The Lord of the Rings. Aragorn is given the name, Estel, secretly by his mother as she gives herself up to her own death and he spends his life struggling with this destiny, hoping against hope, not with Sam’s cheerful optimism, but a grim determination just to carry on. Frodo is of a similar spirit. There is a job to be done and that is all needs to be said.

What Frodo, and Aragorn, both do, is to give themselves up to something that is greater than themselves. Although Tolkien was himself man of deep Christian faith he never allows the characters in his story the comfort or strength that such faith would bring. Julian of Norwich’s famous declaration that “All shall be well, and all shall be well, and all manner of things shall be well” is something about which they know nothing. They must simply do their jobs because they are both necessary and right. Whether they will be rewarded with success is not something that they can know. So Elrond told Gimli’s father, Glòin, on learning of Sauron’s threats against the dwarves of Erebor that there is naught that the dwarves can do “other than to resist, with hope or without it”.

The heroic figures of The Lord of the Rings are denied faith in God in an explicit sense but the goodness, truth and beauty that they both love and fight for sustain them throughout their struggles. Galadriel may speak of “the long defeat” but this does not weaken her resolve. Tolkien did not believe in an arc of history that tends towards justice but in his belief in the resurrection of Christ, “the greatest ‘eucatastrophe’ possible in the greatest fairy story”, as he put it in a letter, he placed his hope in a final victory that would be one achieved by God alone.

In this sense Tolkien felt closer to the spiritual world of his heroes who had to resist “with hope or without it” than to some general kind of Christian optimism. And so he gives us Frodo, walking step by step towards Mordor even though he does not think that he will ever get there, as a model for our own lives and even as we stare with Faramir’s grave astonishment at him so too do we do the good that we have been called to do both this and every day.

Saruman Still Fails to Get the Joke!

/ stephencwinter / 11 Comments

The stage is set and Saruman stands at a balconied rail above the heads of his foes ready to address them, appearing as “a kindly heart aggrieved by injuries undeserved.” And so he begins to weave his magic over those who stand beneath him until Gandalf laughs and “The fantasy vanished like a puff of smoke.”

“Saruman, Saruman!” said Gandalf still laughing. “Saruman, you missed your path in life. You should have been the king’s jester and earned your bread, and stripes too, by mimicking his counsellors.”

Those who know the story well will remember that much happened between the moment that Saruman first appears upon the balcony, wreathed in shadow and ever changing colour and the moment when Gandalf laughs at him and the spell is finally broken. They will remember that Saruman tried to persuade first Théoden and then Gandalf to ally with him and how the company who had ridden to Isengard with their king were convinced that either one or the other would submit to Saruman’s persuasive powers so reasonable did his words appear to be. Even his words of contempt for Rohan seemed to them to be deserved and we shall return to that in a later blog, but at the end all is revealed as Tolkien shows us as “Fantasy”.

Those who have seen Der Untergang (Downfall) the remarkable film about the last days of Hitler will know the power of fantasy. As the Soviet forces enter Berlin Hitler still gives orders to armies that no longer exist and his anger against his staff who cannot carry out his orders still has power to frighten them. And they are right to be frightened because the SS still carry out orders of execution against those who know that resistance is futile and refuse to fight on. Hitler believes his own fantasy until the very end and still has the power to persuade others to join him in his belief. We might even argue that he had that power from the very beginning, that the Nazi enterprise was always a fantasy.

Gandalf’s laughter demonstrates the most powerful weapon that exists against such fantasies. When that which we fear or admire is displayed to us for our ridicule then it no longer has the same power over us. Hans Christian Anderson’s tale, “The Emperor’s New Clothes” is one tale that demonstrates the power of laughter over fantasy, J.K Rowling’s Ridikulus Charm demonstrated by Remus Lupin in Harry Potter and the Prisoner of Azkhaban is another. In the first tale the crowd believe the myth of the magical new clothes until a boy cries out that the Emperor is, in fact, naked; in the second the members of Harry Potter’s class are taught how to laugh at their own fears embodied in certain people or creatures and so dispel their power. We do not need to be able to do magic to learn how to do the same with the embodiments of our own fears.

Sadly Der Untergang shows us that fantasy, however far-fetched, has the power to do great harm. In The Lord of the Rings, as we shall see, Saruman still retains some power to do harm himself. Our laughter cannot protect us from all that fantasy can do to us but it can give us great strength to resist that power. Gandalf shows to all that Saruman’s power is broken and when we do see him again it is at the head of a band of cut-throats and thieves. That is for another day. On this day, if I may presume to mix our tales, we learn, with Gandalf and Remus Lupin, to stand against those who make us afraid with our laughter and our cry of Ridikulus!