“Your Fingers Would Remember Their Old Strength Better, if They Grasped a Sword-hilt.” Gandalf and The Healing of Théoden.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 671-677

It is in the record for the 2nd of March in the year 3019 of the Third Age in the Tale of Years that we are told explicitly, “Gandalf comes to Edoras and heals Théoden.” And yet what kind of healing is this when the patient will be dead within two weeks, falling in battle before Minas Tirith, slain by the Lord of the Nazgûl? Surely if Gandalf had left Théoden to the darkness of Meduseld and the care of Wormtongue he would have lived longer. At least until the armies of Saruman overcame the defence of Edoras and he fell in his own hall.

Last week we thought about how Gandalf overthrew Wormtongue, revealing for a brief moment something of his greatness and power, now made all the more potent after he was sent back again by command of Ilúvatar to complete his work in Middle-earth. And as Wormtongue grovels on the floor Gandalf calls Théoden to rise from his chair and leave the darkness of his hall. At first Théoden’s steps are uncertain and he is aided by Éowyn, sister of Éomer and Théoden’s niece. But even as he begins to walk again strength slowly returns to his body and as he steps out of the doors of his hall he takes in deep breaths of fresh cool air and feels the rain upon his face.

“It is not so dark here,” he says to Gandalf. And Gandalf replies, “Nor does age lie so heavily on your shoulders as some would have you think”

At Gandalf’s bidding Théoden casts aside his stick and draws himself up slowly, “as a man that is stiff from long bending over some dull toil”.

Théoden calls for Éomer to be released from his imprisonment, imposed upon him after his disobedience in riding north to deal with the orc company that were going to Isengard bearing Pippin and Merry as prisoners and for threatening death to Wormtongue in Théoden’s presence. As they wait for Éomer to come Gandalf secretly takes Théoden into his confidence about Frodo’s mission to take the Ring to Mordor and as he does so “the light shone brighter in Théoden’s eyes, and at the last he rose from his seat to his full height”.

For a brief moment Théoden is stirred by the tale of Frodo’s bravery and the hope of victory but soon he becomes aware again of the slenderness of that hope and slumps back into a seat. Like Frodo in the study at Bag End a year before he bemoans his fate that such evil things should come to him instead of the peace that old age has earned and he clutches at his knees with his wrinkled hands.

“Your fingers would remember their old strength better, if they grasped a sword hilt,” said Gandalf.

Éomer offers Théoden his own sword and new strength surges through the body of the old man. He swings the sword aloft and cries out a mighty call to arms.

“Forth Eorlingas!”

The King of Rohan will go to war at the head of his men.

Glory lies ahead of him in the last days of his life and he will be remembered as the greatest King of Rohan since Eorl himself rode victoriously to the relief of Gondor many years before. But the question remains to be answered. What kind of healing does Gandalf perform when the patient’s life is almost certainly shortened by it? Was not Théoden right in saying that he had earned the right to peace in his old age?

It was Abraham Lincoln, another man whose life was violently foreshortened, who said that “it’s not the years in your life that count, but the life in your years”. Such a spirit seems to run very much counter to the contemporary desire to extend life for as long as possible, even to achieve some form of immortality. And this is not only a desire of our own time. Tolkien gave us the Kings of Númenor who were seduced by Sauron to resent death as a form of unjust punishment who tried to seize immortality by force. Elendil’s faithfulness in opposing his king and Sauron meant an acceptance of death but also, as Aragorn was one day to say to Arwen that “we are not bound to the circles of the world, and beyond them there is more than memory”. Théoden, in accepting his healing, foreshortens his life but in those last days he lives that life to its fulness.

“I Have Not Passed Through Fire and Death to Bandy Crooked Words With a Serving-Man Till The Lightning Falls. ” Gandalf Overcomes Wormtongue in Meduseld.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 668-671

As Gandalf and his companions enter the hall of Théoden Tolkien gives us many contrasts. The light of the sun falls only upon the image of Eorl the Young while everything else is in cloying darkness. A man sits upon a gilded chair “so bent with age that he seemed almost a dwarf; but his white hair was long and thick and fell in great braids from beneath a thin golden circlet set upon his brow.” This man has a beard that reaches his knees “but his eyes still burned with a bright light”.

In other words we are meant to see that the decline of the House of Eorl is only superficial. There is a potency within Rohan that now lies hidden but could be unveiled in a moment. Gandalf knows this and appeals to Théoden to join the conflict against Sauron.

But there is one other person who is, perhaps, more aware than any of the hidden power of Rohan and that is Grima, Wormtongue, the King’s chief counsellor. He has long been secretly in the service of Saruman ever working to weaken the resistance of the Rohirrim against his true master, ever weakening the resolve of Théoden to resist him. When Saruman was not at open war against Rohan it was easy to convince Théoden that he posed no threat. But when open war began Wormtongue’s task became more difficult. Now what he sought to achieve was to weaken Théoden’s resolve and to convince him that his only hope lay in keeping the larger part of his force within Edoras so that in the battle at the Fords of the Isen where Théodred, Théoden’s son fell in battle, his armies were insufficient in number to mount an effective defence. And, perhaps worst of all, the King of Rohan was sitting upon a chair in his darkened hall while his people were falling in battle vainly seeking to defend their homes.

In his guise as the Grey Pilgrim Gandalf has always sought to achieve his purpose by encouragement and persuasion. He has never used force except by necessity. He has remained true to the charge that the Istari, the wizards, were given by the Valar not “to reveal themselves in forms of majesty, or to seek to rule the wills of Men or Elves by open display of power” (Unfinished Tales p.389). As the secret keeper of Narya the Red, one of the three Elven Rings forged by Celebrimbor he has sought to kindle hearts and not to dominate them. But now the great crisis of the Third Age of Arda has come. There is no longer the time to work in this way. in time past Gandalf had been willing to accept rejection patiently, to withdraw from Edoras as he did upon Shadowfax after his escape from Isengard, but now there is no time to act in this fashion. Saruman is at open war with Rohan and, worst of all, so is the Dark Lord in Mordor.

And so in this moment when a choice must be made Gandalf casts aside his tattered cloak and reveals himself in power.

“The wise speak only of what they know, Grima son of Gálmód. A witless worm you have become. Therefore be silent, and keep your forked tongue behind your teeth. I have not passed through fire and death to bandy crooked words with a serving-man till the lightning falls.”

There is a particular kind of wisdom required to know the true moment of crisis when all normal forms of action must be cast aside and replaced by decision. Some are too quick to do this and so act too soon. Gandalf knows that patient diplomacy is now insufficient, that if Rohan remains passive it will fall, so too will Gondor, and ultimately so will all the free peoples of Middle-earth and so night will fall. Gandalf has passed through his own personal crisis in his battle against the Balrog of Moria that ended with his death and so no longer fears anything less than that. He must rouse Théoden from his illusion of decrepitude and with the King restored to who he truly is so too will the Rohirrim rediscover their greatness.

“Upon One Form the Sunlight Fell. A Young Man Upon a White Horse”. Eorl the Young in the Hall of a Broken King.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.660-668

The hall of the King of Rohan is an unhappy place. In Peter Jackson’s film, The Two Towers, this is effectively depicted by giving Edoras the sense that it is a barren place where nothing grows with a harsh wind sweeping through it. As Gandalf and his companions arrive at the doors of Meduseld they are met first with suspicion and are even refused entry. But at last word comes that they are to be permitted to enter and so they approach Théoden in his darkened hall.

Tolkien tells us that “The hall was long and wide and filled with shadows and half lights”. The travellers need a few moments to allow their eyes to adjust to the darkness within but as they do so they begin to see that “the pillars were richly carved, gleaming dully with gold and half-seen colours”.

This is the world within which the King of Rohan lives. A “half-seen” world. He spends his days seated upon a gilded chair, “a man so bent with age that he seemed almost a dwarf”. Théoden is a broken man, one so given to age that it feels as if there is no life left in him. It is a theme displayed within the Grail legend that when the King is wounded, robbed of life and of fruitfulness, the whole land becomes a desert, incapable of sustaining life.

One thing within the hall seems to break through this barren darkness.

“Many woven cloths were hung upon the walls, and over their wide spaces marched figures of ancient legend, some dim with years, some darkling in the shade. But upon one form the sunlight fell: a young man upon a white horse. He was blowing a great horn, and his yellow hair was flowing in the wind.”

This is Eorl the Young, the first King of Rohan, who rode out of the North at the head of his men to the aid of the armies of Gondor who were hard-pressed in battle upon the Field of Celebrant. After victory in the battle Eorl and Cirion, Steward of Gondor, swore oaths to one another at the tomb of Elendil upon the hallowed Hill of Halifirien. Cirion gave the plains of Calenardhon to Eorl and his descendents to be their land in perpetuity, swearing the same oath of alliance that Elendil had sworn to Gil-galad before they went to war with Sauron together at the end of the Second Age. Eorl promised that if ever Gondor were in great need again Rohan would ride to their aid “and whatsoever evil, or threat, or assault may come upon them we will aid them to the utmost end of our strength,”

It is this image upon which Théoden has to gaze from his chair from day to day. This image of youthful vigour and the story with which Théoden would have been raised from his youth stands in judgement over his aged and decrepit form and over the people who once rode to glory behind their lord and now sink into shame behind this dying king. It is Saruman who will name this shame. “What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among the dogs?”

Théoden feels this shame deeply every day. At the end of his life when his body lies broken beneath his horse at the Battle of the Pelennor Fields he will name it, ” I go to my fathers. And even in their mighty company I shall not be ashamed. I felled the black serpent. A grim morn, and a glad day, and a golden sunset.”

Théoden lives in shame each day that he looks upon his mighty ancestors but although shame cripples the one who feels it shame is always hated. The one who feels it never comes to accept it. At any moment the one who feels shame can cry out in angry protest against it. No one, least of all the one who feels shame, can predict when this moment will come. Nor in the story that Tolkien tells can Wormtongue, the King’s chief counsellor, who is deliberately dragging Théoden into the misery and degradation that he now feels in order that he will not make effective resistance to Saruman in the war that now rages.