“Aiya Eärendil Elenion Ancalima!” What did Frodo Say in Shelob’s Lair?

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 942-944

Tolkien knew, perhaps more than almost anyone, that language is far far more than merely sounds that convey meaning. I say, almost anyone, because it was his fellow Inkling, Owen Barfield, whose work on language had the greatest influence upon him. In later years Tolkien would say that he would be giving a lecture when he would recall something that Barfield had said about the same thing and realise that he must correct what he had been about to say.

Barfield’s great contribution to the study of language was to say that the history of language was a history of human experience and that at one time, and in the experience of first nation peoples even to this day, language was a participation in life.

But I do not know if Barfield was able to experience language as Tolkien did. Those who knew Tolkien well said that he could read an ancient text in many languages and sensually enter and participate in the very world from which that text first came.

So it was that just before the outbreak of the First World War in 1914, when he was still an undergraduate at Exeter College, Oxford, Tolkien read these words in Old English and that never escaped their hold upon him for the rest of his life.

Eala earendel, engla beorhtast, ofer middangeard monum sended.

O, Earendel, brightest of angels, sent to men above Middle-earth.

Earendel is the evening and the morning star, or the planet Venus as we would call her. The brightest of heavenly bodies as we perceive them after the sun and the moon. And when Tolkien read these words he entered the dark world illumined by the light of the star that journeyed from dusk until dawn and felt that light calling to his heart.

O Earendel, brightest of angels.

In Tolkien’s legendarium Earendel becomes Eärendil, a figure who makes the forbidden journey from Middle-earth to Valinor in order to plead with the Valar for aid against Morgoth. The Valar hear his prayer and Morgoth is cast down and the children of Iluvatar set free from bondage. On his journey to Valinor Eärendil took with him the Silmaril that Beren and Lúthien took from Morgoth’s iron crown, one of three jewels, made by Feänor, that contained the light of the two trees, Telperion and Laurelin, that Morgoth and Ungoliant, mother of Shelob, destroyed. It is this jewel that makes the nightly journey through the sky and it is the light of the Silmaril that Galadriel places within the glass that she gives to Frodo.

The words that Frodo speaks at utter need in Shelob’s Lair were first spoken in greeting by Ëonwe, herald of the Valar, to Eärendil on his arrival in Valinor. “Hail Eärendil, brightest of stars!” Perhaps it is Ëonwe’s voice that speaks through Frodo at this moment, the “other voice” that speaks “through his, clear, untroubled by the foul air of the pit.

So we have these two things brought together as Frodo and Sam are trapped by Shelob. We have the voice of Ëonwe and we have the light of the trees that Shelob’s sire sought to destroy. Shelob had heard the words before made by Elves as a prayer and they had not daunted her. But now, as she hears them spoken by the herald of the Valar and as she is made to gaze upon the light of the star casting aside all the shadows of the eternal night within which she dwelt, she begins to doubt.

Frodo cries out the name of Galadriel, “and gathering up his courage he lifted up the Phial once more. The eyes halted. For a moment their regard relaxed, as if some hint of doubt troubled them. Then Frodo’s heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right hand drew his sword.”

And then he advances upon Shelob and Shelob retreats before he unbearable light into the darkest recess of her lair.

Tolkien brings the words that first captured his heart many years before into this darkest place. We can only imagine what this meant to him as he wrote them within his story. Of course we know that Shelob’s retreat was only temporary and that she was to sting Frodo in another part of her lair when he was unaware of her presence near. But if she had made good her attack when first she had the hobbits trapped then Sam would not have been free to drive her away from Frodo’s body and the orcs would not have carried Frodo into the tower of Cirith Ungol. The quest of the Ring would have failed right there. Frodo’s prayer at his moment of direst need was not in vain.

“Frodo Wouldn’t Have Got Far Without Sam, Would He Dad?” Frodo Thinks About the Place of Sam Gamgee in His Story and About Both of Them in The Great Tale.

The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 931-935

Frodo and Sam have come a long way since Gandalf unceremoniously pulled Sam by the ear through the study window at Bag End. And they have travelled far since Frodo’s attempt to escape from all his friends across the Anduin to the Emyn Muil after Boromir’s betrayal and his attempt to take the Ring from Frodo by force. At that point in the story Frodo greeted Sam’s heroic effort to catch up with him, risking his life in the waters of the mighty river, with the words:

“Of all the confounded nuisances you are the worst, Sam!”

The road from the breaking of the Fellowship to the place just below the tunnel into Mordor in the pass of Cirith Ungol has only been a few days but during that time the bonds of friendship between Frodo and Sam have begun to grow deep. Frodo takes the opportunity using the gentle game that he and Sam are playing as Sam imagines Frodo as a character in the kind of story that he loved to hear when he was a child to express something of how he has come to feel about him.

“Why, Sam,” he said, “to hear you somehow makes me as merry as if the story was already written. But you’ve left out one of the chief characters: Samwise the stouthearted. ‘I want to hear more about Sam, dad. Why don’t they put in more of his talk, dad? That’s what I like. it makes me laugh. And Frodo wouldn’t have got far without Sam, would he, dad?'”

This short speech displays much of the struggle that men have to say what they really feel. It is the last sentence that gets closest to this for Frodo. “I wouldn’t have got very far without you, Sam.” But this shy expression of feeling is wrapped up in teasing and in all the careful formality of relationships between classes that typified the early twentieth century world that Frodo and Sam live in and which they carry into the pre-modern heroic world of the central narrative of The Lord of the Rings. And in passing we might note here how seemingly effortless this travel between worlds is. We hardly notice that that all this conversation about heroic literature takes place in a lighthearted conversation between an officer and his batman (a servant to an officer in the British military) on the front line during the Great War of 1914-18. Are we in the trenches of that terrible conflict or are we in the story of Beren and Lúthien from the First Age of Arda? In fact we are in both stories but most importantly of all, the heroic tale recounted in The Silmarilion is legitimately brought into the twentieth century conversation and re-enchants it.

Sam is the first to point this out, speaking of the tale of Beren and Lúthien.

“But that’s a long tale, of course, and goes on past the happiness and into grief and beyond it- and the Silmaril went on and came to Eärendil. And why sir, I never thought of it before! We’ve got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we’re in the same tale still! Its going on. Don’t the great tales never end?”

Some may recall that Bilbo used words very much like this in his despairing cry of, “Don’t adventures ever have an end?” in the hall of fire in Rivendell when he met Frodo there. Both the tragedy and comedy of life come down to each of us from the ancient stories and we must inherit them both. The point is, and Tolkien vividly brings this to life here, is that our lives in modernity are not hermetically sealed against the heroic tales of the past. They still live in us and we in them.

“Maybe It Was the Ring That Called to The Wraith-lord, and For a Moment He Was Troubled.” A Contest of Powers Within the Morgul Vale.

The Two Towers by J.R.R Tolkien (Harper Collins 1991) pp. 730-734.

Travelling through Scotland and having forgotten my usual edition of The Two Towers I am grateful to my sister in law, Elinor Farquharson and her husband, Geoffrey, of Edinburgh, for the loan of their single volume edition of The Lord of the Rings.

The short time that the companions spend at the Cross-roads is one of poignant tension between hope and despair, between light and darkness, and Tolkien immediately draws our attention to this at the beginning of the chapter entitled, The Stairs of Cirith Ungol, as Frodo turns his back reluctantly on the West and his face towards the East and to darkness. Gollum leads Frodo and Sam towards the tower of Minas Morgul and up the first steps of a path that crawls upwards “into the blackness above”.

Frodo is exhausted, feeling the great burden of the Ring for the first time since he entered Ithilien, but perhaps there is another power at work. “Weariness and more than weariness oppressed him; it seemed as if a heavy spell was laid on his mind and body.”

All the way through this passage we are aware of many powers at work, sometimes it would seem in contest with one another. The Lord of Minas Morgul, the Witch King of Angmar, Lord of the Nazgûl, is a master of dark magic and he has wreathed the very air about his fastness with spells that rob any who might dare to venture towards it of the will and strength to continue their journey. Tolkien is not explicit about this but when he says that “it seemed as if a heavy spell was laid on his mind and body” there are dark powers at work here.

Perhaps if this were an ordinary day in the foul history of Minas Morgul it would not have been long before Frodo and Sam were discovered. But this is no ordinary day. It is the day upon which Sauron, filled with fear that one of his foes has taken possession of the Ring, sends forth an army to take possession of Minas Tirith, the greatest fortress of his enemies.

“So great an army had never issued from that vale since the days of Isildur’s might.”

And this great army and all the carefully choreographed terror that goes before it and which surrounds it achieves precisely an end for which it was never intended. So great is the energy of the powers both of Minas Morgul and of Barad-dûr that is poured into the departure of the army, an energy whose intention is to terrify the army of Gondor and to rob it of what courage remains to it, that for a brief moment the powers of the Morgul fortress are unaware of what is taking place beneath their very noses. The Ring of Power is passing the armies of Mordor borne by one whose intention it is to destroy it if he can.

And the Ring-bearer is almost caught. The Nazgûl Lord, the king who almost stabbed Frodo to the heart in the dell below Weathertop, pauses for a moment. “He was troubled, sensing some other power within his valley.”

He begins to reach out towards that power just as he did below Weathertop but unlike on that occasion when Frodo felt compelled to put on the Ring this time he is able to resist. He has a strength now that he did not possess before. Eventually this strength will tempt him to take possession of the Ring but now he knows that he does not yet have the power “to face the Morgul-king- not yet”.

That “not-yet” tells us that one day soon he will try to use the Ring, to become its lord, but now it works in Frodo’s favour.

And there is one more power at work. Frodo becomes aware that his hand is moving, unbidden, at least by him, towards the Ring, but as it does so it finds the star-glass of Galadriel, in which the light of the Silmaril, borne by Eärendil into the undying lands and set as a star in the heavens by Elbereth herself. His hand folds about it and the Witch King ceases from his search and moves on.

At this moment the power of the star glass is enough but what if the Witch King had given his entire attention to his search for the power that briefly he is aware is present in his valley? Would Frodo, even aided by the glass, even aided by the Ring, have had the strength to resist? But this test never takes place. It is an exquisite irony that so much has been put into the choreography of the departure of the army of Minas Morgul that the Witch King is distracted, just enough, from finding the very thing that has the power to destroy his lord.

Many Defeats and Many Fruitless Victories. Elrond Tells His Story to The Council.

The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 236-239

How do we judge the value of an historical event or of a lifetime? Those of us who can remember them will recall the events of 1989 in Europe, the fall of the Berlin Wall, and a thesis by the American political scientist, Francis Fukuyama, in 1992 which he entitled, The End of History and The Last Man, in which he argued that the free-market capitalism of the western powers and their associated liberal democracies might signify the end point of humanity’s sociocultural evolution and become the final form of human government. For the western nations 1989 acts as a high point of optimism in their history and a year in which everything seemed to be possible. Fukuyama caught the spirit of that year with his thesis but now, a little over thirty years later, it seems to be very much of its time. Fukuyama now argues that alongside the political events of 1989 the emerging dominant cultural theory was postmodernism with its profound pessimism regarding the human project and that this undermined all that took place in that year.

Imagine Elrond giving a lecture on the geo-political history of his long life to the Council gathered together in Rivendell on that October morning in the year 3018 of the Third Age of Middle-earth. One thing that a political theorist would observe almost immediately would be its complete lack of anything that they would expect, that is a theory. Elrond has no theory but only a story. A story of thousands of years in which he has been intimately involved since the last part of the First Age. It is given to Frodo to speak on our behalf here.

“I thought that the fall of Gil-galad was a long age ago.”

As a pupil of Bilbo Baggins Frodo probably already knows this but someone has to speak for the rest of us who come to the story for the first time in complete ignorance and so we are grateful to him for his willingness to do so.

If Elrond has no political theory neither does he have any doubt as to where righteousness lies. He has no doubt that Sauron and Sauron’s master, Morgoth, before him are utterly evil. He has little, if anything, to say about the peoples of Middle-earth with whom the descendants of the Eldar and of Númenor have had to do. The Easterlings, the Haradrim, the Dunlendings, the wild men of the Druadan Forest play little part in his story except as foes, largely of Gondor. This is not to say that such questions are never addressed in The Lord of the Rings. Faramir in particular speaks of his wish that the wisdom of Númenor and its descendants should be offered to the peoples of Middle-earth not as a means to dominate through cultural superiority but “beautiful as a queen among other queens… not feared, save as men may fear the dignity of a man, old and wise.” That such wisdom is praiseworthy is not something that is questioned. There is no suspicion of narratives here.

Elrond does not share the optimism of Faramir regarding the renewal of Númenor nor, as we shall see, Boromir’s pride as a son of that people. He sees the history of Middle-earth through the eyes of the Firstborn and so he speaks of fruitless victories. “Never again shall there be any such league of Elves and Men; for Men multiply and the Firstborn decrease, and the two kindreds are estranged.” Although he remembers the overthrow of Thangorodrim and the fall of Morgoth and although he remembers the overthrow of Sauron upon the slopes of Orodruin when Isildur cut the Ring from Sauron’s finger, he sees each of these events through the eyes of the decline of his people and the diminishment of the beauty that they have given to the earth.

And yet Elrond does not give way to his pessimism. He knows truth and goodness and the beauty that harmonises them both. He knows the sacrifice of his father, Eärendil, and of his grandsires, Beren and Lúthien and he will betray neither of these sacrifices nor those who offered them. He may not know what lies ahead for good or ill but he knows what he must do. He must do all that he can to end the threat of Sauron for ever.