Dark Journeys

Gimli Crawls Like a Beast on the Ground.

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So we end our short season in this blog of guestposts on Eówyn of Rohan and judging by the record number of “Visitors”to the blog they have been well received. Of course, this is not the last time that we will think about Eówyn’s story. We will travel with her on the great Ride of the Rohirrim, stand with her when she faces the Lord of the Nazgûl, wait at her bedside in the Houses of Healing and delight in her reawakening as she finds love and hope with Faramir there. Some of these events within her story have already been touched upon by contributors but if you would still like to make a contribution then please send in a Word Document to mail@stephenwinter.net including a brief biographical piece on yourself and links to any work that you have done. I look forward to hearing from you.

And this week we return to the journey of Aragorn’s Company through The Paths of the Dead and Gimli’s humiliation. I look forward to reading your comments. It is always one of my favourite aspects of the blogging experience.

If we tend to do all that we can to try to avoid pain then our efforts are even greater to avoid humiliation. We hold onto a picture of ourselves that we may have spent years trying to construct. We associate that picture with words like honour and reputation. We may extend the picture to involve others so that our spouse, or other members of our family, also serve our reputation and honour. Or perhaps we may find ourselves having to uphold the reputation of a family or an organisation so that the picture that we have of ourselves is inexorably linked to that bigger picture. Sometimes this might give us strength. To be one of the Dúnedain and to follow the Lord Aragorn gives great strength and resolve to every man within that company. They know their greatness. Sometimes it will impose a great burden upon us such as when the reputation and honour of the people to which we belong is under threat as it does to Eówyn during the days when Théoden is imprisoned within the darkness of his own mind.

Whether it is the image of our self that is under threat, or the image of the people or family to which we belong, we will do all that we can to avoid humiliation. But sometimes humiliation is unavoidable. So it is with Gimli and his journey through the Paths of the Dead.

Aragorn, the sons of Elrond and the Dúnedain of the North and Legolas the Elf of the woodland realm, have all passed through the terror of the Door until Gimli is left all alone.

“His knees shook, and he was wroth with himself. ‘Here is a thing unheard of!’ he said. ‘An Elf will go underground and a Dwarf dare not!”

It is with that thought as a goad to his pride that Gimli passes through the Door but his entry is only the beginning of his trials. The fear only grows as the journey continues and especially so when the torches of the company go out.

“Of the time that followed, one hour or many, Gimli remembered little. The others pressed on, but he was ever hindmost, pursued by a groping horror that seemed always about to seize him; and a rumour came after him like the shadow sound of many feet. He stumbled on until he was crawling like a beast on the ground and he felt that he could endure no more: he must either find an ending and escape or run back in madness to meet the following fear.”

Poor Gimli! Let no one judge him unless it be one who has had to face a fear like he has although if there is one that has known such a fear then that one may also have the deepest compassion for him. I hope they will. And I hope that they will not sit in judgement upon themselves either.

Gimli could not avoid his humiliation. Either he would have turned back from the Door and crawled back to the Lonely Mountain never to face his friends again or he would enter the Door and so be reduced to the crawling thing that he is by the end of the journey. Readers of The Lord of the Rings may remember that when Aragorn leads the army to the Black Gate many go through an experience similar to Gimli’s. Aragorn does not shame them but offers them a task that enables them to avoid humiliation. Gimli has no such alternative. At this point in the story it is not a possibility. All must either go on or turn back in shame or in madness.

My hope is that all who read this will look upon all who are overcome by fear, either themselves or another, with compassion. To know fear and to pass through it, even with all pride stripped away, shapes character in a most profound manner. For such a person kindness will never be mere sentimentality but will have a depth that will reach out to others with a healing power that those who avoid fear and humiliation can never have.

The Paths of The Living Dead

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A big thank you to all who have contributed to this short “Éowyn of Rohan” season whether you did so as bloggers, commentators or as readers. All of you have been most welcome!

This is the final contribution to the season and it is a poem written by H.G Warrender. This is what she says about herself.

I am the writer of two blogs, one, a writing blog called The Eccentric Author, and the other a fandom-related blog called Middle Hyrule. I am a 15 year old homeschooler and published author, who juggles writing with fan-fiction, crochet, archery, piano, ocarina, schoolwork, video games, TV, social life, reading, and running a Lord of the Rings fanclub. My book can be purchased on Amazon,Barnes&Noble.com, or CreateSpace. You can find my fanfictions on Archive of Our Own under the username The_Kawaii_Hobbit. 

 

My lord, you are weary

Lay down your head

Go not to the land of the living dead

But if so, take me there.

I shall not be parted

When I could bring aid

I’ll not be known as the coward who stayed

When you went journeying there.

 

My lady, you are young

And honour shall come

I sense that your part has already begun

In the story of our lives.

The dead are restless

Their hearts are black

I doubt that we shall ever come back

But there my fate now drives.

 

My lord, I fear not

The things you have said

I have no fear of the living dead

My only fear’s a cage.

To stay behind

As others fall

In glorious battle, heroes all

While I succumb to age.

 

My lady, you are youthful

As I have said

And foolish not to fear the dead

So why shall you not stay?

Would you join their number?

For even here,

The battle shall reach your kingdom dear,

Nay, lady, stay.

 

I stand in the darkness

Of my own home

It feels a great burden, like none I have known

But here I have been sent.

My place at his side

Went to others instead

I was not allowed to ride out to the dead

And now my hope is spent.

Éowyn After Aragorn: What Becomes of the Broken-hearted?

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We all know the clichés that attend a broken heart.

Hell hath no fury like a woman spurned! 

We know the stories of revenge and bitterness. They have been told again and again. But what of Éowyn? We know her shame as she watched the dishonouring of her people and of their king. We know that she was always aware that she was being watched by Wormtongue. She was to be one of the prizes that he would gain amidst the ruin of Rohan, a trinket to be carried off and enjoyed by the victor in the fight. We know too that although she was a warrior her role was always confined to be dry nurse to the broken man who was Théoden.

Then Aragorn comes into her life and with him comes the awakening of hope and the possibility of happiness. She knows that he is a captain that men will follow. The arrival of the Dúnedain in Edoras, a mighty company following their lord and hero, merely confirms to her what she can already see for herself.

And then he leaves her and he will not take her with him even though she pleads with him. All the hope that has begun to awaken in her heart is dashed; both hope for her people and hope for herself. And perhaps, too, in the lonely watches of the night, she has pictured herself as a mighty queen adored by her people. Can we blame her? We may remember the moment when Frodo offered the Ring to Galadriel.

“You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!”

Such words do not come from nowhere as if in an unthinking manner. Galadriel, too, had allowed herself dreams of greatness. So too had Boromir. So too had Saruman. So too had Lotho Sackville-Baggins. So too had Gollum “the Great”. Dreams of greatness are common both to the mighty among us and also to the weak. It is not our dreams that distinguish us from one another but the actions that we take in consequence of our dreams. Among the list of dreamers that we have just named Boromir tries to take the Ring from Frodo although he triumphs gloriously over his temptation in giving his life for Merry and Pippin; Saruman betrays the peoples of Middle-earth and the Valar who gave him his mission; Lotho becomes an ally of Saruman and betrays the Shire into his hands; and we know the long and tragic tale of Gollum.

And Galadriel?

“I pass the test,” she said. “I will diminish, and go into the West, and remain Galadriel.”

Éowyn, too, will “pass the test” eventually, but even in her darkest moments she will not betray her people and become an agent of darkness. In her deepest despair and desire for death she will remain true to the love that she has for Théoden who has been as a father to her. When, in the battle, Théoden falls under the attack of the Lord of the Nazgûl and all his household knights are slain or, through the terror of their horses, desert him, Éowyn does not desert him. And, as Anne Marie Gazzolo recently commented on this blog, she is there to be the fulfillment of an ancient prophecy.

Ultimately it is not her dreams that will determine her destiny but her long practice of faithfulness to the drudgery of her life in Meduseld and the practice, too, of her love for Théoden. It is our practice that will determine our destiny although eventually we will have to surrender to a grace that is greater even than our practice, even as Éowyn will in order to fulfil that destiny. And it is that practice that will sustain us through our darkest nights as it did for Eówyn “when all her life seemed shrinking, and the walls of her bower closing in about her, a hutch to trammel some wild thing in.”

The Rejection of Éowyn

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In the last two weeks Jennifer Leonard ( loveroflembas.blogspot.com) and David Rowe (@TolkienProverbs and @mrdavidrowe) have offered their reflections on the story of Éowyn of Rohan. Both have had a substantial number of readers and I want to thank them both for what they have offered. This week I would like to offer my own contribution that was prompted by “Middle Hyrule’s” comment on David Rowe’s post entitled “Why Did Éowyn Want to Die?” in which she says,”I thought she wanted to die because Aragorn didn’t love her.” As always I love responding to your comments so please let me know what you think about what I have written.

When Aragorn leads his company away from Edoras towards the Dwimorberg, the haunted mountain, and the Paths of the Dead, he leaves Éowyn behind him, his last words to her nothing more than, “Nay, lady”. And so he leaves her, “stood still as a figure carven in stone, her hands clenched at her sides” and she stumbles, as one who is blind, back to her place of lodging. She may have tasks to perform as the ruler of her people in the absence of the king but these no longer have meaning for her. In speaking to Aragorn she described them as the work of a dry nurse. They have no meaning for her. Life has no meaning for her.

Aragorn has rejected her, refusing to take her with him on the Paths of the Dead. If he had done otherwise then Théoden and Éomer would have been torn between mustering the Rohirrim to try to raise the siege of Minas Tirith and in following her upon the Paths of the Dead. Perhaps they might even have considered her to be abducted and their following would have ended in battle. Aragorn may be gripped by pain but he will not be swayed from his mission by any concern. Éowyn, too, has only one concern, and that is that Aragorn should not leave her behind. The two concerns cannot meet and so Aragorn’s leave taking is almost brutal.

In the last two weeks, Jennifer Leonard and David Rowe have spoken about Éowyn’s despair, of her desire for death, and of her eventual healing. This week I want to remain with the moment of rejection. It is this moment of rejection that brings all the unhappiness of the years of hopelessness to a head. Aragorn asks her what she fears and she replies, “A cage… To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.” Those who know Byron’s poem, The Prisoner of Chillon, a telling of the story of of the imprisonment of the monk,  Bonnivard, in the 16th century, will recall that when, at last, he is set free, he has become so used to his cage, that, we are told, ” I learn’d to love despair.”

Éowyn rejects such counsel, if counsel it be. She will choose death rather than a cage. She will embrace despair, not as an act of submission, as Bonnivard did in Byron’s poem, but of defiance. This will be her response to Aragorn’s rejection. This will take her to the Battle of the Pelennor Fields at the gates of Minas Tirith.

To make a response to rejection is something that almost all of us will have to do at some point in our lives. Indeed we might say that the only ones among us who are never rejected are those who never risk themselves. The list of ways in which we might be rejected is very long indeed and each of us might make our own. From the day that we are not picked for a sports team at school to the refusal of a declaration of love and finally the rejection by our own body that will carry us no longer where we wish to go, this will be our experience at some point or other.

Rejection strips away the self that we seek to construct through the first half of life. We have to construct a self with clear boundaries as we emerge into adulthood. If we fail to do that then we will be absorbed into the selfhood of a stronger ego. If we are to find our True Self there must  first come the creation of boundaries but then later we must take leave of the boundaries in a leap of faith. Few of us are prepared to leave the security that we have made by choice even if we have become unhappy within it as Éowyn has. Rejection brutally forces us away from our constructed self. It is no leap of faith but rather a casting of the self into the void. The wonder is that the void is not an empty space but that everywhere the arms of Love await us if we can but submit to them. Before this happens to Éowyn she will pass through Hell and through Purgatory but she will find her way through.

 

Why Does Éowyn Want to Die?

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This week’s blog post in the current series of guestblogs on Éowyn of Rohan comes from David Rowe. As with Jennifer Leonard’s piece that was featured last week it ends with Éowyn’s healing journeying first with her desire to die. ‘David is the writer of ‘The Proverbs of Middle-earth’, soon to be published by Oloris Media. He tweets at @TolkienProverbs and @mrdavidrowe, and the following is an adaptation of a passage from his book.’ I am delighted that he has offered this excerpt from his work for this platform.

If you have a piece on Éowyn that you would like to include here then please send it to me in Word format using my email address mail@stephenwinter.net. Please include some detail about yourself and any links to your work that you would like me to include. 

 

‘I do not desire healing… and I do not desire the speech of living men. ‘I looked for death in battle… to ride to war like my brother Éomer, or better like Théoden the king, for he died.’

When first seen in her guise as Dernhelm, Merry shivers, perceiving in Éowyn ‘the face of one without hope who goes in search of death.’ Having disobeyed orders and ridden to war, rather than remaining in Rohan as the King’s regent, she achieves what no man could: the killing of the Lord of the Nazgûl. In doing so she rises higher than any woman, at any time, in any kingdom of Men, and yet her emptiness remains utter.

Recovering in the Houses of Healing, Éowyn feels like a prisoner: she is jealous of the dead, jealous of the now-departed host of the West, even jealous of those with a better view from their windows. How did she reach this point?

Éowyn grew up as an orphan, adopted into the King’s household but with neither mother nor adopted mother. Her lack of female role-models, alongside the restrictions that barred her from emulating the nation’s heroes (virtually all of whom, according to the Appendices, were male), left Éowyn powerless: unable to give vent to the determination, steely character, and latent greatness within her. With a spirit and courage at least the match of Éomer’s, but without the opportunity to fight for the fields of Rohan with a company of riders as he does, Éowyn lacks comradeship. She is left isolated and alone, an indomitable shieldmaiden reduced to ‘dry-nursing’ the declining King – a role she deemed ‘more ignoble than that of the staff he leaned on.’

The arrival of Aragorn to Edoras both sparks Éowyn back to life and plunges her into despair. As Faramir correctly diagnoses, ‘You desired to have the love of the Lord Aragorn… but when he gave you only understanding and pity, then you desired to have nothing, unless a brave death in battle.’ Having had her love and hope of high honour and nobility exposed as vain, Éowyn withers; seeking only the honour of a valiant end she goes ‘in search of death.’ Knowing that none have ever returned from the Paths of the Dead, she begs Aragorn to take her there with him, but is refused, and instead goes into disguise in order to ride to Minas Tirith with the host of the Eorlingas.

Where will wants not, a way opens, Éowyn declares as Dernhelm, Good will should not be denied. Although these words are spoken to and for Merry, a double meaning is also plain: Éowyn is using them to justify her own disobedience. While, by quoting traditional proverbs, Éowyn shows that she is still in touch with Rohan’s philosophical tradition, she is actually being unfaithful to its wisdom. In place of the Rohirric devotion to duty is a different fearless determination: that of self-destruction. While Théoden, Éomer, and Rohan at large embody the belief that doing your duty is fundamental to moral goodness, Éowyn scorns such a perspective. ‘Too often have I heard of duty,’ she says. ‘May I not now spend my life as I will?’

Disguised as Dernhelm, Éowyn becomes free at last, but the freedom she gains is the liberty to self-harm. She can ride with the host of the Rohirrim, but her motives are not theirs. A nihilism has taken over, arguing that life carries no intrinsic value or moral purpose, and therefore can be used (or disposed of) at the individual’s whim. Éowyn has become a lonely, solitary death-seeker, surrounded by courageous, faithful men, riding bravely against hopeless odds. She is alien even to her own people; not part of a company, nor sharing in the national motivations. She derides compassion, and is a stranger to dutiful courage and the great virtues. It is therefore fitting that, when she subsequently fails in her quest for death, she meets her match in Faramir, in whom these traits are so prevalent.

Éowyn emerges from her nihilistic darkness not through being argued into submission, but by being loved. Perhaps because she recognises that Faramir is a man ‘whom no Rider of the Mark would outmatch in battle’, she is able to listen to him and he to command her respect. Faramir draws her out of despair with his company and kindness, saying Do not scorn pity that is the gift of a gentle heart, referring both to Aragorn’s reaction to her and to his own love. And it is as this great warrior and leader willingly exposes his vulnerable core that ‘the heart of Éowyn changed, or else at last she understood it.’ The darkness departs, and she determines to marry, to become a healer, and to ‘love all things that grow’. Éowyn finally stops fighting, and Faramir is able to declare to the Warden:

‘Here is the Lady Éowyn of Rohan, and now she is healed.’

Eowyn: She is now Healed

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Dear friends and readers, I promised when I put out my request for a Guestblog on Eowyn of Rohan that I would begin to publish them during the week beginning July 25th and here is the first one. It has been written by Jennifer Leonard who writes as Lover of Lembas. Her work can be found at loveroflembas.blogspot.com

If you have not yet submitted a piece there is still space for a couple more. Please include a link to your blog or website so that I can publicise it.

 

Eowyn was raised in a culture that was totally war-obsessed.  The most glorified and praised members of her society were the warriors and soldiers.  Eowyn resented herself because she could not participate in the war-culture as a woman and it drove her half-mad.  Instead of seeing her person and her womanhood as a beautiful thing which lends itself to creating life, she saw it as “hutch to trammel some wild thing in”.

It was not until Eowyn met Faramir in the Houses of Healing (appropriate since it was there she was healed not only in body but in mind) that she learned there is more than war, more than glorified killing, and more to honor than before she knew.   Faramir put war into its true context for Eowyn—not something to be praised in and of itself.  Warriors and soldiers should be honored in the measure that they defend their people with their sacrifice.  But killing should never be seen as a wholly good thing and no one should aspire to be a warrior for the sake of war.  Faramir sums this up by saying: “War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.”

After her encounter with Faramir, Eowyn realizes that the killing and death of war is not the end, but is sometimes a necessary means in order to preserve life.  Ultimately, Eowyn has been focused on death and war, but she has missed the bigger picture; namely that life is more important than death, even death in honor.

Then Eowyn says: “I want to be a healer, and love all things that grow and are not barren.” This is the mark that she has accepted life rather than death.  In realizing this, Eowyn also learns to appreciate her status as a woman.  She no longer regards her body as a cage or a hindrance, but understands that it is ordered to create life and to sustain it; she understands that those goals are noble in and of themselves, and that nurturing life is an invaluable and honorable ability.

In summary, throughout Eowyn’s conversion and in her meeting with Faramir, Eowyn trades her idealism of death and her culture of war for an acceptance of herself and a love of life.  The maiden who once sought death now looks forward to nurturing life.  As Faramir says, “Here is the Lady Éowyn of Rohan, and now she is healed.”

The Paths of the Dead. A Journey from Despair to Life .

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At the end of the Second Age the King of the Mountains swore allegiance to Isildur at the Stone of Erech. But when war against the Dark Lord came the king proved faithless for he had worshipped Sauron in the Dark Years and still believed the dark to be greater than the light. And so Isildur said to him:

“Thou shalt be the last king. And if the west prove mightier than thy Black Master, this curse I lay upon thee and thy folk: to rest never until your oath is fulfilled. For this war will last through years uncounted, and you shall be summoned once again ere the end.”

The miserable story of the King of the Mountains acts as a kind of parable within The Lord of the Rings concerning the fate that awaits all who give way to the Dark believing either that their advantage lies that way, or that they have no choice, or some combination of the two. The story of Saruman is another expression of this reality and, if Sauron had triumphed, no doubt the story of the king and people of Harad and the other allies of Mordor would have been another. Isildur’s curse is not an act of arbitrary power. He simply declares what all worshippers of the Dark most truly desire; to exist in the darkness.

When Aragorn declares that he is the true king, the heir of Isildur, he calls the Dead to fulfil their oath. They must now serve him. Unlike the hapless Baldor, son of Brego the second king of Rohan, who sought to tread the Paths of the Dead in his own pride and without authority, Aragorn comes as one to whom authority has been given and so the dead must obey him. Baldor died because the way was shut “until the time comes”. The time has now come. The king has spoken and the dead must hear.

In one of his Advent reflections that you can find in his collection, entitled Waiting on the Word, Malcolm Guite calls Jesus “the king who walks alongside us disguised in rags, the true Strider.” https://malcolmguite.wordpress.com/2015/12/22/o-rex-gentium-a-sixth-advent-reflection/ This reference to Aragorn belongs to a poem inspired by the Advent antiphon,  O Rex Gentium, O King of the Nations and their desire. The Lord of the Rings is an Advent work proclaiming light in the darkness as we saw a few months ago when we heard Frodo cry out “Aiya Eärendil Elenion Ancalima!”, Hail Eärendil O Brightest of Stars! when he was lost in the utter darkness of Shelob’s Lair. https://stephencwinter.com/2016/01/12/the-dayspring-from-on-high-comes-to-the-aid-of-the-hobbits/ Advent is also the time when we long for the true king to come and heal the lands. We long for “the true Strider”. The Lord of the Rings shows us those, like Faramir, who have kept the faith, waiting for the true king and perhaps for the restoration of Númenor and maybe even the deepest reality of all, that to which Númenor, even at its most true, could only point to. It also shows us those, like Denethor, who lose faith, or those like Saruman or the King of Harad who come to believe in a perversion of the Advent hope believing the lie that declares that it is the dark that is the true reality.

Aragorn’s journey through The Paths of the Dead calling the dead to obedience and so to an end to their misery also recalls the ancient story of how Jesus went down to the dead after his death on the cross and so harrowed hell leading the dead from despair to life.

This is the journey that Aragorn now takes with the companions who follow him and he points us to the true Strider who calls us, too, to follow him through darkness into light.

 

Eowyn of Rohan: a Call for Guestblogs

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During the life of this Blog that is a slow and careful reading of J.R.R  Tolkien’s  The Lord of the Rings and my own reflections upon the story, the characters and the great themes of the book, one character has inspired many comments from readers and that is Eowyn of Rohan.

Over the years many have criticised Tolkien for what they have perceived as his “male centred” story. One might argue that Eowyn, herself, demands the attention of the men in her world. We don’t know about the women as I cannot call to mind a single interaction between Eowyn and any other woman in the story. Perhaps that is something a reader might like to reflect upon.

For a number of years now I have been wrestling with what constitutes an authentic male spiritual journey to true maturity. The Lord of the Rings has helped me greatly with this task. Now I want to reflect on the journey of one of the most significant women in Tolkien’s story and I would like to ask the help of my readers. Please offer your reflections upon Eowyn of Rohan. Certain themes come to mind as I think about her:

  • Eowyn the captive in the wasteland created by the lies of Wormtongue and the decline of Théoden.
  • Eowyn and her hopeless love for Aragorn.
  • Eowyn and her despair and her joining the Ride of the Rohirrim with Merry.
  • Eowyn, the death of Théoden and the battle with the Lord of the Nazgûl.
  • Eowyn in the Houses of Healing.
  • Eowyn and Faramir of Gondor.

If there are other themes that come to mind then please feel free to write about them. Do not feel restricted by my suggestions. They are merely guidelines. I will do some simple editing of grammar, spelling and punctuation but not of the substance of the material you write. I want to read your ideas and to learn from them. I might also include art work, photos etc.

Please send me your material in a Word document as an attachment to an email sent to mail@stephenwinter.net. My usual posts are about 600-800 words in length but please feel free to make your contribution longer or shorter. You may use a reflective style similar to my own but if you normally use another style, for example an imaginative style such as poetry or fan fiction, feel free to use that. Please include your name and any other details about yourself that you care to include. These might include website details, blogs, Facebook pages etc. I promise to include them when I post your material. I promise to acknowledge every contribution and give you some idea when it will be used. For example, if you write about Eowyn and Faramir in the land of Ithilien I may not use it for another couple of years or so.

If possible I would like to post for the first time on Eowyn in the week beginning July 25th so please endeavour to get your material to me by Friday July 22nd.

And could you please publicise my blog in your own web publishing space? I would appreciate that very much.

I am married to a remarkable woman and have two wonderful daughters emerging into adult life. I have been enriched beyond measure by each one of them. I have also enjoyed many friendships with women ever since I emerged from my adolescent shyness and still do today. I grow constantly more convinced that men and women will only achieve wholeness and maturity in good adult relationships to each other and yet this seems quite rare. Maybe together we achieve something towards this goal as we think about Eowyn. I do hope so.

With grateful anticipation,

Stephen Winter

 

Aragorn the Lover

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Halbarad, the Ranger of the North, bears a gift for Aragorn. It is a thing of mystery, “close furled in a black cloth bound about with many thongs”. And there is a message with it from Arwen, Lady of Rivendell, to Aragorn.

“The days now are short. Either our hope cometh, or all hopes end. Therefore I send thee what I have made for thee. Fare well, Elfstone!”

The final greeting of her message is one of deep uncertainty. Her “Fare Well”, if joined together, becomes a last word, a final blessing, spoken to one that Arwen does not expect to see again. When the words are separated, as they are here, they remain a word of hope. But which are they to be?

Aragorn feels their power.

“Now I know what you bear. Bear it still for me a while!” And he turned and looked away to the North under the great stars, and then he fell silent and spoke no more while the night’s journey lasted.”

So it is that we see Aragorn the lover and find that in him the lover is woven close to the warrior who has great battles to fight and the king who must unfurl the royal standard that Arwen has made for him. The man who rides in silence through the night, his mind filled with thoughts of the woman he loves, knows that his longing for her cannot be fulfilled unless Sauron be overthrown and the Ring of Power cast into the fires at the Cracks of Doom. He cannot separate these things even if he would.

All great love stories are triumphs over adversity. I have a particular love for the story of Rapunzel and the prince who first climbs the tower to reach his imprisoned beloved and then must wander the world, separated from her, his eyes made sightless by the thorns that surround the tower and the malice of the witch who wants to keep Rapunzel for herself. And I love the story of how, for love of her prince, Rapunzel climbs down those same thorn trees that have imprisoned her so long and then searches the world for him until she finds him and heals him with her tears.

In both the old German tale and in Tolkien’s story true love can only be won through great trial. And it is also the source of strength that enables the lover to triumph over all adversity. Although Eros is a word that is absent from the New Testament, replaced there by agape, a word that was a wonderful gift to the world, denoting a love that is an unbreakable commitment to the blessedness of another and a delight that they too are in the world, it was not long before the Fathers of the Church found that they could not ignore it. They discovered that Eros (in the Greek) or Amor (in the Latin) was the divine energy that will bring about the union and communion of all things. At one time there was no division between the passionate, even erotic, language of the mystics and the technical language of the theologians. The two were one and the same. They spoke of drawing the mind into the heart. Sadly we seem to live in a time when mind and heart have become separated. How we need to find a way to unite them once more!

In Aragorn the great archetypes of the King, the Warrior, the Magician and the Lover are wonderfully united. He has been the warrior lover over many years but now we see him growing into his kingship. See how Arwen, his beloved, declares him king, through the banner that she has made, even before her father does! In doing so she spurs him on to the great deeds that he will do. But he has needed the wisdom of the magicians in his life, Elrond and Gandalf, to know what task he must achieve. Eventually he will lose them and then he will have to find the magician wisdom within himself but not quite yet.

Aragorn has received a message from Elrond but it is Arwen’s words that bring about his silence. Eventually he will respond to both messages together as he must and in doing so he will be propelled onwards to the great crisis of his life and towards the union with his beloved for which he longs with all his heart.

Meriadoc Brandybuck Feels Like Baggage in Someone Else’s Story

/ stephencwinter / 2 Comments

When Aragorn makes the speech that we thought about in last week’s reflection Gimli and Legolas hear it as a call to arms. They have no doubt about what they must do. It is a thrilling thing to hear such words from a great captain. In a young man the warrior within is awakened and he feels himself grow taller and stronger and more truly himself. How important it is that the captain who makes the call is worthy  of such devotion. There are too many who call it forth for unworthy causes to the great hurt of all who follow them.

But there is one who hears Aragorn’s words who feels but a spectator to a great event in which he can play but a little part. When Aragorn declares that “an hour long prepared approaches”, Merry cries out:

“Don’t leave me behind! I have not been of much use yet, but I don’t want to be laid aside, like baggage to be called for when all is over. I don’t think the Riders will want to be bothered with me now. Though, of course, the king did say that I was to sit by him when he came to his house and tell him all about the Shire.”

If readers who know the story well think back to the first time that we meet Merry properly it is on the lane between the Bucklebury Ferry and Farmer Maggot’s farm when he meets Frodo, Sam and Pippin hiding in the back of Maggot’s cart for fear of the Black Riders. Merry is both confident and competent. He is on home territory and he knows what to do. There is food and there are hot baths awaiting the anxious travellers in the cottage at Crickhollow. He even leads the other hobbits in revealing what they know of the true purpose of Frodo’s journey and he makes sensible proposals regarding what they should do next.

But at this moment in the story all that must feel both a long time ago and a long way away as if it all belonged to someone else and not to him. Now Merry feels like unnecessary baggage and when, a little while later, Théoden’s party is overtaken by a mounted company and it is possible that there might be a fight that feeling deepens miserably.

Has he forgotten that it was he and Pippin who roused Treebeard and the Ents and so brought about the downfall of Saruman and the destruction of his fortress at Isengard and his army? Saruman may not forget and he does not forget but Merry does. For even there he was carried by the mighty leader of the Ents just as he had been carried by the Orcs as a captive. It has been a very long time since Merry has felt that he is a necessary part of this great enterprise and he desperately wants to feel as if he matters.

In this blog we have often gone back to this theme of being carried. In particular we have thought about it in relation to Frodo,  who, the closer he comes to the conclusion of his journey the less he is able to act on his own behalf. Indeed the last time we saw him he was being carried into Mordor by Shagrat and Gorbag and their orc companies.

We are so anxious to feel that we matter, that we can act on our own behalf and that we can make a difference. It is a thing that the young and the old share in common that their ability to act independently is small. The young long to emerge from the control of their elders. The old fear that they will become increasingly dependent upon others. And yet we know that Merry, simply by being where he is and offering himself as he is in all his weakness and fearfulness and yet with all his love and devotion too, shapes Tolkien’s great story in a way that few others do.

And that is an encouragement to all of us to do the same.