Círdan

“Opposing The Fire That Devours and Wastes With The Fire That Kindles.” Gandalf Kindles a Flame in The Hearts of The Free Peoples of Middle-earth.

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The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 741-743

Readers of my blog will know that it is my custom to make the heading of each post a quotation taken from the passage in The Lord of the Rings that I am thinking about. In this post, the last in this short series on Gandalf in which I have been thinking about the question that Pippin asked of himself as he stood between Gandalf and Denethor, “What was Gandalf?”, I have taken my quotation from a different source.

To help me in my reflections I have been using an essay that Tolkien wrote but never published, and that his son, Christopher, included in Unfinished Tales. The title of the essay is The Istari, and can be found between pp. 502-520 in that volume. In that essay Tolkien wrote this of Gandalf:

“Warm and eager was his spirit (and it was enhanced by the ring Narya) for he was the Enemy of Sauron, opposing the fire that devours and wastes with the fire that kindles, and succours in wanhope and distress; but his joy, and his swift wrath, were veiled in garments grey as ash, so that only those who knew him well glimpsed the flame that was within.” (Unfinished Tales p.505 Harper Collins 1998)

I hope that you, like me, will have found your heart warmed by this description of Gandalf, and that thoughts about many passages in The Lord of the Rings will have been evoked as you read it. Indeed, so much was fire associated with Gandalf that when he kindled fire with a word of command in the snows of the Misty Mountains to save the company from freezing to death he declared to them:

“If there are any to see, then I at least am revealed to them… I have written Gandalf is here in signs that all can read from Rivendell to the mouths of Anduin.” (The Fellowship of the Ring p. 283)

Perhaps it was this spirit that Círdan of the Grey Havens recognised when Gandalf first arrived in Middle-earth around the year 1,000 in the Third Age, for it was Círdan who gave him Narya, the ring of fire, that was at that time in his possession. Círdan had received Narya from Celebrimbor in order to keep it safe from Sauron but he never used it, knowing that he had no particular affinity to the ring, that there was nothing in his spirit that would mean that he could use the ring’s fiery capabilities. He knew that this quality of the ring would be needed in the struggle against Sauron and in recognising Gandalf’s “joy and swift wrath”, hidden though these qualities were beneath his “garments grey as ash”, he knew that he had found the true keeper of the ring of fire.

Gandalf opposed Sauron in two ways. On occasion, when necessity demanded it, he would literally fight fire with fire, opposing the power of darkness with light. In The Lord of the Rings the occasion in which we see this most clearly is in the battle against the Balrog of Moria, the “the flame of Udûn”, when Gandalf declares himself as a “servant of the Secret Fire, wielder of the flame of Anor”. (Fellowship p.322). The Balrog knows what he means by these words and we read that the fire in it seems to die as it hears them. After a long struggle the Balrog meets its end at Gandalf’s hands and although Gandalf gives up his life in this battle it is the flame of Anor that prevails and Gandalf receives his life again from Iluvatar.

Gandalf can wield fire in battle when necessary but for much of his time in Middle-earth it is the second way in which he opposes Sauron that is most prevalent. He opposes the fire that destroys, not in open conflict but “with the fire that kindles and succours”. Gandalf warms the hearts of the peoples of Middle-earth.

Tolkien uses a word that is rarely used in the English language to describe the condition of so many that seek to oppose the Dark Lord. It is the word, wanhope. We still use the word, wan, to speak of something that is a poor version of the best, but wanhope is a stronger word yet. In Chaucer’s Parson’s Tale (c.1400), we read:”now comes wanhope that is despair of the mercy of God that comes sometimes of too much outrageous sorrow and sometimes of too much dread” (my translation of Chaucer’s Middle English). I am sure that Tolkien had the good parson’s words in mind in using this word in Unfinished Tales and in describing the state of mind of many who despair of prevailing in the struggle against Sauron. Gandalf was able to save Théoden from wanhope but failed to do so in Denethor. Théoden renounces his despair while Denethor gives into his. Eventually it is the unexpected and unlooked for good fortune found in the person of Gollum in the Cracks of Doom that will save Middle-earth from destruction but it is Gandalf’s tireless work that means that there is a world worth saving.

“Under All There Was There Was a Great Joy: a Fountain of Mirth Enough to Set a Kingdom Laughing.” Who is Being Described Here?

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The Return of the King by J.R.R (Harper Collins 1991) pp 741-743

I posed a question in the title of this blog post because I don’t think that the answer is immediately obvious. If the quotation in the title was a part of a quiz question and you were asked to identify who is being described I feel quite certain that a few, at least, of my reade1rs would not identify the character. After all, in Peter Jackson’s films there are only two occasions on which he laughs aloud. The first is upon his arrival in the Shire at the beginning of the story, the second when he celebrates the fall of Sauron and the recovery of Frodo and Sam.

The character to whom I am of course referring is Gandalf and the one who is describing him is Pippin.

I think that there is an element of surprise here about both of them. Gandalf is usually a very serious character and Pippin is surprised indeed by the sound of Gandalf’s laughter.

“Are you angry with me, Gandalf?” Pippin asks as they emerge from the throne room together. “I did the best I could.”

“You did indeed!” said Gandalf, laughing suddenly; and he came and stood beside Pippin, putting his arm across the hobbit’s shoulders, and gazed out of the window. Pippin glanced in some wonder at the face now close beside his own for the sound of that laugh had been gay and merry. Yet in the wizard’s face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.”

I will return to thoughts about Gandalf in a moment as it is about him that we are thinking in this post but I did refer to two elements of surprise. The second element, of course, is what we learn about Pippin. It is Pippin who glances in wonder at Gandalf. He glances, of course, because he is too shy to stare at Gandalf. But his glance is one of wonder, wonder at the gaiety and merriment that he discerns in a laugh that comes from someone in whom until now he has only seen “care and sorrow”.

Pippin is growing. And he is growing fast.

We will return to Pippin on another occasion but now we must think more about Gandalf. Perhaps, like Pippin, we have only seen Gandalf’s surface, his care and sorrow, until now. There is nothing to be ashamed of here. Gandalf has much to be sorrowful about as he has long carried the burdens of care for Middle-earth upon his shoulders. As he said to Denethor in the throne room: “But all worthy things that are in peril as the world now stands, those are my care.” For Gandalf too is a steward, even as Denethor is, but his stewardship is over a greater realm than Gondor and he is a lord over no realm or people. His stewardship is one of care alone.

When Gandalf first arrived at the Grey Havens in Middle-earth around the year 1000 of the Third Age Círdan, the Warden of the Havens greeted him with sober speech.

“Great perils and labours lie before you, and lest your task prove too great and wearisome, take this ring for your aid and comfort.” (Unfinished Tales Harper Collins 1998 p. 504)

In the next few posts on my blog I intend to think much more about Gandalf, both about his labours but also about his joy. The two are intimately bound together and it is essential that we see them as such. As we think about Gandalf we might be reminded of lines from William Blake’s great poem, Auguries of Innocence:

“Joy and woe are woven fine, A clothing for the soul divine.”

For Blake it is impossible to separate the two aspects of our lives and unwise even to seek to do so. It is only possible, as he puts it in the poem, to go safely through the world if we know that we are “made for joy and woe”, together. If we try to eliminate woe, or sadness, from our lives, we will go astray, if we are willing to carry our share of the burdens and care of the world upon our shoulders and yet to bear them with joy then we can do some good in the world. To live a life of joyful responsibility might release, if not a fountain of mirth to set a kingdom laughing, then perhaps at least a merry stream that bubbles up from the ground to water our families and maybe something wider than that.