A high and lonely destiny

“Tales By The Fireside.” Théoden Touches The Perilous Realm.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 716,717

“Is it so long since you have listened to tales by the fireside?”

So Gandalf asks of Théoden as the King tries to make some sense of what he has just seen as Ents emerge from the magical forest that has come from Fangorn to Helm’s Deep.

I promised last week that we would remain in this reflection on the Perilous Realm that J.R.R Tolkien spent a lifetime pondering and, in the creation of his legendarium, making something that has allowed millions of readers to touch and taste it too.

In his essay On Fairy-Stories Tolkien tells us that a fairy story is not one that is about an elf or a fairy but is about “the nature of Faërie: the Perilous Realm itself, and the air that blows in that country.” He goes on to say that Faërie is essentially indescribable, that it has “many ingredients, but analysis will not necessarily discover the secret of the whole.” Indeed analysis will effectively kill the thing that it seeks to describe. Perhaps it always does, reducing the thing that it has observed to its many parts and so failing to see the whole that it first experienced. Tolkien tells us that Faërie “may perhaps most nearly be translated by Magic- but it is magic of a peculiar mood and power, at the furthest pole from the vulgar devices of the laborious, scientific magician.”

“The vulgar devices of the laborious, scientific magician.” Have we not here been introduced to the Dark Lord himself, hidden in his fastness of Barad-dûr and his most enthusiastic imitator, Saruman? And isn’t the Ring a perfect example of such a device? Saruman was one who lived long in the Undying Land and knew its beauty and yet became seduced by a desire for power, becoming increasingly frustrated by the long, slow history of beauty that, as Gimli describes so well in speaking of the Caves of Aglarond can only be worked with, “with cautious skill, tap by tap- a small chip of rock and no more, perhaps, in a whole anxious day”. Gimli’s description of the work of a true artist in the presence of beauty is light years away from the work of those “laborious, scientific magicians” Sauron and Saruman, who are endlessly frustrated by the slowness of things to be shaped by their will and who become contemptuous of those who are not willing to work as they do. Essentially they become contemptuous of Ilúvatar and the long slow pace of the music of the Ainur that is the story of Creation itself.

Sauron and Saruman live in the same world as Fangorn and Lothlórien, those expressions within Tolkien’s sub-creation of the Perilous Realm, and yet have no understanding of them or of their magic. Their vulgarity is only capable of reducing the magic of these places to their own that is laborious and scientific. But Sauron’s vulgar creation of the Ring is always a temptation to those who have worked long and patiently with the beauty of Middle-earth. When Galadriel is tempted to take the Ring that Frodo freely offers to her she imagines herself as a Dark Queen crying out that “all shall love me and despair!”

It is a misunderstanding of the true nature of evil to imagine Galadriel at this moment as something horrible as Peter Jackson does in the film version of The Lord of the Rings. What the Ring would have given to Galadriel would have been the opportunity to become endlessly and repetitively a terrible beauty that could be seen, desired but never enjoyed. The whole world would be in the thrall of an erotic desire that would endlessly grow in intensity but could never be satisfied. Gimli expresses this when he speaks of “the danger of light and joy”. Legolas rightly praises Gimli for staying faithful to his companions and for giving up the desire that has been awakened within him but Gimli is not comforted by his words.

So perhaps it is safer to keep an experience of beauty within tales by the fireside. As we hear such tales the longing that Gimli knows may perhaps be tasted, may even be a delicious pleasure for a brief moment, but the story will come to an end and it will be time to sleep. Unless, of course, there may be a path that might lead us to an enjoyment of this pleasure; one that never cloys,as the hymn writer puts it.

“The Enemy Has Failed- so Far. Thanks to Saruman.” What Does Gandalf Mean?

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.646-650

The treason of Isengard is one of the saddest stories within all that makes up The Lord of the Rings. One who was chosen by the Valar to rouse the peoples of Middle-earth against Sauron chooses to turn against them and to side with the very power against whom he was sent to fight.

Gandalf has been giving Aragorn, Legolas and Gimli a briefing on the state of affairs in the War of the Ring at this point in the story when he has been reunited with them in Fangorn Forest. He has spoken of how Sauron has no conception of the possibility that his enemies might want to destroy the Ring, being convinced that one of them will seize control of it and use it against him. With this conviction he is concentrating upon attack rather than defence. “If he had used all his power to guard Mordor, so that none could enter, and bent all his guile to the hunting of the Ring, then indeed hope would have faded: neither Ring nor bearer could long have eluded him.”

But what Sauron believes is that it will take time even for the most able of his enemies to learn how to wield the power of the Ring in a way that could ensure victory over him. Gollum, and then Bilbo later, possessed and used the Ring, but neither were able to do much more with it than to make themselves invisible. As Frodo draws nearer to Mordor he begins to become more aware of the Ring’s power threatening to use that power against Gollum in order to frighten him into co-operation, but compared to what Sauron could achieve if he were to regain possession of the Ring this is very small.

Because of this Sauron believes that he has a window of opportunity to strike a blow against his foes that will be strong enough to defeat them. His main goal is to capture Minas Tirith, the capital of Gondor and that is where the main part of his attention is focussed. Surely this is the reason why he sent only a small company of orcs to waylay the Fellowship and not a more significant force. His concern would have been that any larger company would have attracted the attention of his enemies and he did not yet have enough control over the territory between Mordor and the Anduin to fight a battle far from home.

So Grishnákh’s force that took part in the attack upon the Fellowship was not particularly large, and disastrously for Sauron, not large enough to force Uglúk’s Uruk-hai to go to Barad-dûr instead of Isengard.

“Already he knows that the messengers that he sent to waylay the Company have failed again. They have not found the Ring. Neither have they brought away any hobbits as hostages. Had they done even so much as that, it would have been a heavy blow to us, and it might have been fatal. But let us not darken our hearts by imagining the trial of their gentle loyalty in the Dark Tower. For the Enemy has failed- so far. Thanks to Saruman.”

Gimli is confused by Gandalf’s words, wondering if what he means by them is that Saruman is not a traitor, but what Gandalf means is that Saruman is not only a traitor to the Valar and the free peoples of Middle-earth but also to Sauron. Saruman wants the Ring for his own purposes. He wishes to become lord of Middle-earth. But he too has failed to seize the Ring. He too has not even been able to capture hobbits. All that he has managed to achieve is, as Gandalf puts it, “to bring Merry and Pippin with marvellous speed, and in the nick of time, to Fangorn, where otherwise they would never come at all.”

What Saruman has achieved by attempting to seize the Ring for himself is to make Sauron aware of his treachery. At this point of the story Sauron fears that it might be Saruman who has seized the Ring. Time and again irony has a big part to play within The Lord of the Rings. An action that is meant to do harm turns out to achieve the opposite of its intention. It might even be that irony is not merely a kind of chance event but is woven into the very fabric of reality.

“I Am Saruman, One Might Say, Saruman as He Ought to Have Been.” We Meet Gandalf The White.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 644, 645

We can be sure that if the mysterious old man who climbed up the hill upon which Merry and Pippin first met Treebeard was indeed Saruman we would now be subjected to a very long speech. It would be a speech about his greatness, one intended to fill his hearers with awe, but all Gandalf says about himself and his transformation is to say:

“Yes, I am white now,” said Gandalf. “Indeed I am Saruman, one,might almost say, Saruman as he should have been. But come now, tell me of yourselves!”

When Gandalf was imprisoned by Saruman in Isengard he was subjected to such a speech. “We must have power,” Saruman said, “power to order things as we will, for that good that only the Wise can see.” Saruman was anxious, not only to subject Gandalf to his will but to convince him that he had the right to be the Lord of the Rings and thus Lord of Middle-earth.

From the beginning of the mission of the Istari, the wizards, to Middle-earth, Saruman was anxious that he should be its leader. And when with Gandalf, Galadriel and Elrond he formed the White Council, a council of the Wise to oppose Sauron, he insisted that he should be its leader even though Galadriel argued that the leader ought to be Gandalf.

Although Gandalf never sought power for himself Saruman was always jealous of him and looked for ways to undermine the one who he believed to be his rival. So he made fun of Gandalf’s affection for hobbits and the Shire while beginning to forge links between the Shire and Isengard; and he mocked Gandalf’s enjoyment of pipe-smoking and of pipeweed, while secretly learning the art himself and purchasing the best of Longbottom leaf from Lotho Sackville-Baggins who became his agent in the Shire.

But most importantly of all Saruman believed that Gandalf was his rival in seeking to find and to take possession of the Ring. Like Sauron he was convinced that if anyone of sufficient strength were to find the Ring they would claim it for themselves and use it to become the ruler of all. And he became convinced that Gandalf was trying to find the Ring just as he was so that he should become lord of all and that when he began to suspect that the Ring was hidden in the Shire that the same hobbits who he had despised were being used for some obscure purpose in Gandalf’s plot.

All Saruman’s suspicions were, in his mind, confirmed when he and Gandalf met once again in Isengard after the Battle of Helm’s Deep. Gandalf demands that Saruman surrender the Key of Orthanc to him and his staff as pledges of Saruman’s good conduct and to be returned later to him if he should once again merit them. Saruman responded to Gandalf’s demand with undisguised rage.

“Later!” he cried, and his voice rose to a scream. “Later! Yes, when you also have the Keys of Barad-dûr itself, I suppose; and the crowns of seven kings, and the rods of the Five Wizards.”

Saruman was utterly convinced that Gandalf desired what he himself did, that Gandalf was his rival and therefore his enemy. And perhaps he feared that he was his enemy’s inferior, that Gandalf possessed a power that he himself lacked, and that he needed to surround himself with a fortress, an army and all the trappings of power in order to be what Gandalf was, in himself, alone, vulnerable and homeless in the world. And so he became unsatisfied with his white robes and made a coat of many colours for himself. There is a sense in which he gave up his white robes quite voluntarily having become unsatisfied with what they represented, that is that he was an emissary of the Valar in Middle-earth. That these robes should be given to Gandalf, the very one that he feared and hated most, only confirmed what he always believed, that Gandalf desired to rule just as he did.

What he had forgotten, indeed despised, was that his power and status did not belong to him but had been given to him in order that he might be an emissary of the Valar in Middle-earth. His task was to do the bidding of his masters and so when he proved unfaithful in doing that task his masters stripped him of his robes and gave them to one who would do their bidding. Gandalf is now the White, Saruman as he should have been.

“He Has a Mind of Metal and Wheels; and He Does Not Care For Growing Things”. Treebeard Speaks of The Treason of Saruman.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991,2007) pp.611-617

The home that Treebeard has shown to Merry and Pippin is the fruit of exquisite patience. We might almost say the patience of Nature herself except, as we saw Treebeard speak of the hill upon which he first met the young hobbits, it had only stood there since that part of the world was shaped. There was a history before that moment too.

So, as I wrote last week, the Wellinghall that Treebeard shows to the young hobbits has been a careful crafting of earth, water, growing things and light over many years. It has as much in common with an art installation as it does a dwelling place and, although it has been ages in its making, if Treebeard had brought Merry and Pippin to it just a few days later it would be different. The spring that wells up from beneath the earth would have shaped it in a new way and as the year moved onwards into springtime so the rising of the sap within the trees that are the walls of Wellinghall would subtly transform them and would fill the air with a delicious aroma.

But Saruman is a different matter altogether.

“I think that I now understand what he is up to. He is plotting to become a Power. He has a mind of metal and wheels; and he does not care for living things, except as far as they serve him for the moment.”

One could hardly find a greater contrast between any two beings than between the minds of these two neighbours. If Treebeard has lovingly worked with Nature for long ages of time both in the making of his home and in his work as a shepherd of the trees Saruman is impatient both with Nature herself and with all living things. As Treebeard puts it, in the mind of Saruman the one needful thing is that it must “serve him for the moment”; and it is worth noting that phrase, for the moment, for as W.H Auden spoke of factory workers, all are “put to temporary use”. Robots are taking the place of those who work in factories and doubtless if Saruman had lived long enough he would have replaced his specially bred orcs, the Uruk-hai, with robots. It might be that his orcs can withstand the sun in a way that other orcs cannot, but eventually it will be possible to create a robot that will be able far to outlast even the strongest orc. And whereas Saruman could not be completely confident about the obedience of his Uruk-hai he need never have any anxiety about robots. The temporary usefulness of any creature that serves him for the moment would have come to an end. And we might even add that the quality of malice which he required in his servants, which was so useful to him, but which required constant attention as with Uglúk’s need to keep reminding his troops that the prisoners were not to be harmed, could be programmed into a robot in a completely reliable manner.

Saruman’s impatient “mind of metal and wheels” is about to be put to the test by the shepherds of trees and by their Huorns, trees that are growing in awareness and becoming more like their shepherds as Treebeard put it. And when it is tested in this manner it will be his impatience that will be his undoing. His anxiety to defeat Rohan quickly will lead him to empty his fortress of Isengard not fearing any enemy nearer by; his weaponry will not be sufficient to drive away either Ents or Huorns; and whereas the Tower of Orthanc, rising out of the very bones of the earth itself and built by Númenorians at the very height of their powers, cannot be assailed by Ents, the walls of Isengard are a fragile thing and easily overthrown.

Perhaps all lovers of “living things” should be grateful for Saruman’s impatience. If he or any like him were able to wait long enough then life itself might be abolished. The Ring of Power is, of course, the ultimate expression of a mind of metal and wheels, a mind that is a machine, at least for that age of Arda. In our own age the principle that made the Rings of Power is at work in new ways and perhaps with even greater effectiveness.

“Give It To Me!” Boromir Tries to Take The Ring From Frodo.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp. 387-390

We have heard this before. The long speech full of self-justification and fine sounding words. But when we heard this speech before it came from the mouth of Saruman when he gave it to Gandalf in Isengard, calling upon Gandalf to co-operate with him and with Sauron. Do the greatest crimes always require such grandiosity? Are such justifications always couched in terms of a particular action being an exception to moral law?

After Aragorn announced to the Fellowship that the day of choice had come, the day on which they would have to decide whether to make a journey directly towards Mordor on the east bank of the Anduin or to remain on the west bank and go to Minas Tirith, Frodo was given permission to spend an hour in thought alone. And it was during this time that Boromir finds him and begins to declare his mind.

The speech begins with kindliness as it must. If the speaker intends to justify a crime then they must first establish their intention to do good.

“Are you sure that you do not suffer needlessly?” Boromir says. “I wish to help you. You need counsel in your hard choice. Will you not take mine?”

So the speech begins with sweet reason but soon it begins to display the same kind of exceptionalism that we saw in Saruman. He spoke to Gandalf about the failing of the Elves and of “dying Númenor”, and of “weak or idle friends”, and all this is with the intention of justify his own desire to rule and his need to obtain the One Ring in order to do so. Boromir also speaks dismissively of “elves and half-elves and wizards”, of their claim to be wise which he considers to be merely a cloak for timidity. And for Boromir it is “failing Númenor” that is the exception, “true-hearted Men” who “will not be corrupted”. It is the same speech albeit with a different cast of characters and a different exception. And in both speeches what begins with a we ends inexorably with an I.

“The Ring would give me power of Command. How I would drive the hosts of Mordor, and all men would flock to my banner!”

Compare these speeches to the words that Gandalf and Galadriel speak when Frodo offers the Ring to them. They both acknowledge what they might do if they were to possess the Ring and both are tempted to take it so that they might do good through its possession. But both know that the achievement of personal power always ends with a contempt for the lives of others. Others exist merely for the sake of the one who rules. Saruman and Boromir dismiss this refusal of personal power as timidity. Gandalf and Galadriel have both achieved this rejection of power for the sake of personal gain through long inner struggle and it is that struggle that proves vital in the ultimate destruction of the Ring and the overthrow of Sauron.

There is a wonderful moment in The Lord of the Rings in which Tolkien exposes the true reality of the speeches that Saruman and Boromir make and that comes when Gollum makes the same speech to himself, to his Sméagol self, during the journey that he makes with Frodo and Sam through the desolation before Mordor.

“See, my precious: if we has it, then we can escape, even from Him, eh? Perhaps we grows very strong, stronger than Wraiths. Lord Sméagol? Gollum the Great? The Gollum! Eat fish every day, fresh from the sea. Most Precious Gollum! Must have it! We wants it, we wants it, we wants it!”

It may be that Gollum’s ambition goes no further than a desire to eat fresh fish three times a day but once you realise that it is the same speech as Saruman and Boromir both make then you realise also that all desire for power for the sake of self-aggrandisement is ultimately as pathetic as is Gollum’s. It is not that Gandalf, Galadriel and Elrond reject the use of power, but that power must be wielded for the Common Good and with as much restraint as possible. They also recognise that their part in the story of Middle-earth is soon to reach its conclusion, that they have played their part in it, and they recognise that power must pass to the ordained authority, which is the kingship that Aragorn will bear.

“Give it to me!”

“We wants it, we wants it, we wants it!”

The same speech. The same tragic desire.

“I Will Diminish, and Go Into The West, and Remain Galadriel.” The Lady Galadriel Rejects The Ring.

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The Fellowship of the Ring by J.R.R Tolkien (Harper Collins 1991) pp.354-357

It is clear throughout The Lord of the Rings that there is an alternative to the rule of the Dark Lord apart from the destruction of the Ring and that is rule by another. Saruman had long understood this becoming convinced that this rule could only be achieved by one who could match or even surpass Sauron in achieving power over all things. But if Saruman desired simply to replace Sauron either by taking the Ring by force or perhaps by creating his own there are more nuanced alternatives that are considered by the Wise.

When Frodo offered the Ring to Gandalf at Bag End at the beginning of his adventure Gandalf responded with horror.

“Do not tempt me! For I do not wish to become like the Dark Lord himself. Yet the way of the Ring to my heart is by pity, pity for weakness and the desire of strength to do good. Do not tempt me!”

So there is more than one way of the Ring to a great heart. If for Saruman it is by way of his contempt for weakness and a belief that the strong have the right to rule over the weak, then for Gandalf it is by way of the desire of the strong to protect the weak, the very thing that Gandalf has done throughout his career in Middle-earth. The Shire is the fruit of his labour and the right of hobbits to be self-satisfied and even proud of their lack of intellectual curiosity is something that he is content to protect.

And what of Galadriel? We saw when we first crossed the Nimrodel into Lothlórien that we were entering an enchanted land. We saw at Cerin Amroth “a timeless land that did not fade or change or fall into forgetfulness”. This is what Galadriel desires to keep even in the midst of all the changes and chances of the world. And Frodo is touched by this desire even as he was touched by Gandalf’s desire to protect the weak, sharing that desire himself. He can envision the enchanted world that Galadriel would create had she the power to do so and he desires, at least in part, to share in it.

“I will give you the One Ring if you ask for it. It is too great a matter for me.”

Perhaps Galadriel had long thought that she had passed the test. She had long pondered what she might do were the Great Ring to come into her hands and doubtless she had rejected that possibility just as she rejected Sauron himself. She knew that if she were to possess and use the Ring she had the power to defeat Sauron once and for all and, as Sam put it, she could “make some folk pay for their dirty work”. But now she knows that until the Ring is within her reach the test is not real. Now she truly faces it.

In preparation for writing this post on my blog I explored artwork under the theme of “I will diminish”. Much of what I found were stills of the scene in Peter Jackson’s imagining of this scene which I confess to find unconvincing. It is not Galadriel’s impossible beauty that is created in that scene in the film but a grotesque distortion of feminine power, one that would evoke fear rather than desperate love. Then I came across an image that was quite different and yet seemed to me to convey something much closer to the fallen femininity of which Galadriel would have been become a terrible expression. This is a painting of the enchantress, Circe, from Homer’s Odyssey, by John William Waterhouse. In the scene that Waterhouse depicts Circe offers Odysseus a cup of wine that will subject him to her will. We can see in her sensual beauty why Odysseus is tempted and what Galadriel might become and even surpass. All would indeed love her, desire her, and despair in never being able to possess her, and in that desire all other good would become worthless in comparison to this unattainable good.

Frodo offers her the opportunity to achieve this form of feminine power and now it lies within her grasp, but she rejects it. She chooses the way of faith in allowing “what should be” to be. She chooses to diminish and go into the west. She allows her destiny and the destiny of Arda to be shaped by Eru Illuvatar and not by her.