A Big Life

The Dayspring From On High Comes to the Aid of the Hobbits

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Frodo and Sam are trapped in the darkness visible of Shelob’s Lair as the foul monster advances upon them. As he grips the sword that he took from the barrow Sam suddenly thinks of Tom Bombadil. “I wish old Tom was near us now.” And as he does so it is not Bombadil who comes, but Galadriel, in an insight of such clarity that it has the force of a vision. Sam sees her as the giver of gifts upon the lawn in Lothlórien when she gave to Frodo the Star Glass, “a light when all other lights go out.”

Frodo raises the glass and the light of a Silmaril blazes forth in the darkness. Frodo is wonderfully empowered by this and he advances upon Shelob crying, “Aiya Eärendil Elenion Ancalima!” Frodo does not know what words he speaks for it as if another voice has spoken them in this place of utter darkness but they and the light of a star drive Shelob  back and Frodo and Sam are able to escape.

The words that Frodo cries are “Hail, Eärendil, O Brightest of Stars! ” and readers of The Lord of the Rings will remember the verses that Bilbo chanted in the halls of Elrond in Rivendell of the great hero who brought aid to the defeated peoples of Middle-earth at the end of the First Age. They will remember too that Sam spoke of how he and Frodo were still a part of the story of Eärendil and how the great stories never seem to end.

For Tolkien these words were of the greatest significance. At the very outset of the creation of his mythology when he was a young student of old languages he read some words in an Anglo-Saxon poem that had a profound effect upon him.

Eálá Earendel engla beorhtast ofer middangeard monnum sended 

Or, “Hail Earendel, Brightest of Angels, over Middle-earth sent to men!”

Some who knew Tolkien say that for him words did not merely describe something but could convey to him the very reality they sought to signify.  It was as if he were an initiate in a mystery cult.  Thus on reading the words in the old poem he actually encountered the Brightest of Angels. It was a visionary, a revelatory experience, just as it was for Frodo in the darkness and from it was born the whole mythology from which The Lord of the Rings came.

It is this experience that Tolkien brings to one of the darkest moments in his story. It is the Brightest of Angels who drives Shelob back! And there is something more. The poem that Tolkien was reading at the moment of revelation was one that was related to Advent, the time of year when Christians focus most keenly upon the longing for the coming of Christ. In the poem are found the O Antiphons that form an introduction to the singing of the Magnificat,  the great song of Mary, at evening prayer in Advent. They are most often used today when the popular carol for Advent, O Come, O Come, Emmanuel, is sung. Unlike CS Lewis’s Chronicles of Narnia,  Christ is not born within the story. That was deliberate upon Tolkien’s part. But what happens at this moment is a cry of longing for an end to all darkness and even an end to death itself. Eärendil, the Morning Star, bears witness to the Sun that will rise, scattering the gloom from before our paths for ever.

And it all begins in the darkness with a moment of near despair and the thought that comes to Sam, “I wish old Tom was near us now.” For us to know light in the darkness it is not necessary that we should be scholars of old languages. Neither Sam nor even Frodo know what Frodo cries. But they have said, Yes, to their great pilgrimage and they have not turned back and so they receive “a light when all other lights go out” simply because they need that light.

And so can we when we need light in our darkness.

Frodo and Sam Lead Us into the Dark

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Should I say that Frodo and Sam lead us into the dark? It is the last place that either of them wish to go and this is no ordinary dark.  This is the  dark of Shelob’s Lair, a deeper and a denser dark even than the tunnels of Moria, “a black vapour wrought of veritable darkness itself that, as it was breathed, brought blindness not only to the eyes but to the mind, so that even the memory of colours and of forms and of any light faded out of thought.  Night had always been,  and always would be, and night was all.”

Neither Frodo nor Sam ever wished to be here. Gollum wished otherwise for this is his act of betrayal.  He has led them into this trap into to have them killed and so, he hopes, to recover the Ring. Perhaps I should have entitled this piece, “Gollum leads us into the dark.” But my choice of title was deliberate.  Readers of The Lord of the Rings are here because they have come to love Frodo and Sam.

And I have another meaning. I  cannot read this part of the story without thinking of my own experience of darkness.  I have never been in a darkness in which I have been afraid. Once in Africa  I remember being guided through a darkness so deep that I could only just make out my guide in front of me but I was not afraid because I trusted him, even though he was a stranger, and my trust proved justifiable. I reached a safe place from which I could continue my journey the next day. No, for me the darkness that is fearful is an inner darkness. This is the darkness in which “even the memory of colours and of forms and of any light” fades out of thought. In his “East Coker” T.S Eliot puts it this way :

“O dark, dark, dark. They all go into the dark…/ And we all go with them into the silent funeral. No one’s funeral for there is no one to bury.”

And in the lines between those that I have quoted he makes it clear that being of good reputation is of no protection from the journey into the dark. It is one that we all must take. And the darknesses through which we pass during our lives are most fearful because they speak to us of the dark at the end of life.  The dark from which we fear there will be no end. Frodo and Sam feel this: “One hour, two hours, three hours : how many had they passed in this lightless hole? Hours- days, weeks rather.”

The dark that we are certain will end does not have the power of the dark that we fear to be endless. Yet so many of the great myths seem to require of their heroes such a journey. Tolkien knew this very well and the True Myth that he spoke of in a conversation with C.S Lewis,  a conversation that changed Lewis’s life for ever, speaks of a journey through the total darkness of death itself, a journey into an a aliveness so complete that death can have nothing to do with it at all. Eliot speaks of it in “East Coker”, “I said to my soul, be still,  and let the dark come upon you which shall be the darkness of God.”

So there is a darkness of God.  And it is a real darkness,  not the gentle turning down of the lights for an intimate evening together but the terrible darkness of death itself, the dark through which Jesus passed of which the creeds speak saying that he descended into hell. Eliot speaks of it in our experience in these words:

“I said to my soul, be still, and wait without hope for hope would be hope of the wrong thing; wait without love for love would be love of the wrong thing;  there is yet faith but the faith and the love and the hope are all in the waiting. ”

So we have to learn how to die before we die so that we can truly live without fear of death or of the darknesses that come upon us in our lifetime.  We learn how to die in order to be fully alive.

A Scene which Caused Tolkien to Weep as He Wrote It

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As Frodo and Sam take a final rest of peace before they seek to enter Mordor Gollum returns. He has been making final preparations for the betrayal of the hobbits that he has guided since falling into their hands at the foot of the Emyn Muil; a betrayal that he hopes will enable him to regain the Ring. His desire for the Ring, The Precious for poor Sméagol, as Sam put it, has shaped his very being ever since he lost it to Bilbo Baggins in the tunnels deep beneath the Misty Mountains. Indeed the Ring has dominated every waking thought and every dream since he first caught sight of it as his friend, Déagol, held it aloft by the waters of the Gladden Fields long ago. This desire, overcoming him, caused him to murder his friend and has come to separate him from all companionship and  all affection.

But not quite…

“Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo’s knee- but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.”

As Tolkien wrote this scene, this all too fleeting moment of grace, he did so with tears in his eyes. Gollum may have been corrupted by his desire for the Ring but there remains a part of his heart that has not been entirely vanquished by evil. This part of his heart awoke when he played the riddle game with Bilbo and images of wind, of rain and of sunshine entered his prison and it awakes again as he gazes upon the sleeping hobbits. Gandalf was able to recognise it during his long and wearisome interrogations of the miserable creature and Frodo recognised it when pity awoke within him at the moment when he captured Gollum. It was not just the unconquered part of Gollum that awoke this pity. It was the realisation that they too could be corrupted. Gandalf saw this possibility in the fall of Saruman, the greatest of his order and Frodo saw it in a fellow hobbit, the humblest of creatures. True pity, not the pity of one certain of their own moral superiority but the pity of one who knows their own capacity for corruption, is one of the truest marks of a great soul. But even the most profound pity cannot save another. A moment after longing is awoken within him Sam’s suspicion drives him back into hatred and a determination to do murder.

In a letter, Tolkien wrote this of Gollum:

“By temporising, not fixing the still not wholly corrupt Sméagol-will towards good in the debate in the slag hole, he weakened himself for the final chance when dawning love of Frodo was too easily withered by the jealousy of Sam before Shelob’s lair.”

Tolkien remembers the debate between Gollum and Sméagol that Sam overheard and notes that it was never resolved. Sam could not tell who had won. In saying this we must believe that it was possible for Sméagol to win and to become a willing ally in the destruction of the Ring and in his own liberation from its power. And in saying this we must believe that it is possible for each one of us to be freed of all that will keep us from our own freedom.

Sam asks “Don’t the Great Tales Never End?”

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Ever since I first encountered it I have loved and been enriched by the work of John O’Donohue, Irish poet, philosopher and some time priest who died in 2008. When I began to think about this week’s blog posting I was drawn back to other pieces that I have written and to a poem entitled, Fluent, that O’Donohue wrote and published in his 2000 collection entitled Connemara Blues.

“I would love to live / like a river flows,/ Carried by the surprise/ Of its own unfolding.”

In just a few words O’Donohue describes a way of life that is characterised by surprise. O’Donohue loved to laugh and the unexpectedness of the present moment would be the cause in him of delighted merriment. I have just returned from driving my daughter to the local railway station for a day’s classes in college and as I drove back I listened to a mathematician say that when he finds beauty in a mathematical equation it is because of a fundamental human desire for order and predictability. Oh how O’Donohue would have chuckled with amusement if he had heard that! Of course the woodland stream by which I pray each morning is capable of  being reduced to a mathematical description but once we begin to speak of beauty then it is not predictability that delights us but the endless surprise of the play of light upon the water, the way the way the stream dances about ever shifting obstacles in its path or in one heart stopping moment by the flight of a kingfisher along its length. Something much greater than mathematics has entered our hearts.

So it is that when Sam thinks of great tales he remembers the story of Beren and Lúthien taking the Silmaril from the Iron Crown of Morgoth in the terrible fortress of Thangorodrim. “That was a worse place and a blacker danger than ours,” he says, and then goes on to remember the bringing of the Silmaril to Eärendil and in surprise and wonder he cries out, “And why, sir, I never thought of that before! We’ve got- you’ve got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we’re in the same tale still! It’s going on. Don’t the great tales never end?”

A year ago I wrote a piece in this blog entitled On Hearing The Music of the Ainur https://stephencwinter.com/2014/12/31/on-hearing-the-music-of-the-ainur/ where I reflected on Frodo’s “dream of music that turned into running water, and then suddenly into a voice” and the voice is that of Bilbo telling, chanting the story of  Eärendil in the halls of Elrond in Rivendell. In his dream an “endless river of swelling gold and silver” flows over him. Later in the evening he tells Bilbo that Bilbo’s song seemed “to fit somehow” with his dream. Frodo has for a moment been given an insight into the nature of the story of which he is now a part and it is dream and flowing river and it is music and verses chanted. Sam now glimpses what Frodo experienced that night. Like Frodo he is in the same story. (Do read it and if you have time please read the Comments that followed it. They are deeply moving and enriching.)

It was G.K Chesterton, a writer who exercised great influence over Tolkien, who said that the reason we need to be told of rivers of gold and silver or trees with golden leaves and fruit is that we have forgotten the wonder of the rivers that we know or the astonishing moment when we first knew that a leaf was green! Sam touches upon the wonder that transforms the tale of which he is now a part. He speaks in the shadow of the Ephel Dúath the outer fence of Mordor, wearied by the climb up the Great Stair from the dead vale of Minas Morgul. He is hungry and the sweat of his effort has been chilled upon his body as he rests. So a parent may wearily change a nappy or feed a hungry baby in the long dark hours of the night and forget for a moment the wonder of which she is a part and then be caught up in delight once again. Perhaps she may catch a glimpse of the story of which she is a part.

Sam Rejects the Possibility of Turning Back

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For the last two weeks we have been resting with Frodo and Sam after the great climb up to the pass of Cirith Ungol. Soon they will attempt to enter Mordor. Sam takes the opportunity to think about all that they have been through together. He does not speak his thoughts often but when he does they are worth listening to. Some people cannot stop talking and so you might just miss the wisdom they have to offer because you have got out of the habit of listening to them very carefully. Sam thinks much and speaks little so that by the time he does speak his thoughts they have been carefully crafted. You really must listen when he speaks because he will give you something worth holding onto. Tolkien was like this as well, believing that words have power in themselves both in their meaning and in their sound and so must not be wasted.

Sam has been thinking of the “tales that matter” and how we do not so much choose to be part of such tales but are chosen to be in them. “Folk seem to have been landed in them, usually- their paths were laid that way.” So it has been for Frodo and so it has been for Sam who was landed in this story by overhearing what Gandalf’s words to Frodo while he was tending the garden outside Frodo’s drawing room window. At least in one sense we can say that Sam was landed in it in this way but more truly he was landed in the story of the Ring because of the love he had for Frodo.

Sam goes onto talk about the possibility of “turning back”. “I expect they had lots of chances, like us, of turning back,” he says,”only they didn’t. And if they had we shouldn’t know, because they’d have been forgotten.” Frodo offered Sam this opportunity the morning after they had enjoyed the hospitality of Gildor Inglorion and a company of High Elves even before they had left the Shire. Sam had longed to “see Elves” and his desire had already been granted. Frodo asked whether he still wanted to go on and Sam replied that he knew that he must because there was something that he must see through to the end. He must stay faithful to Frodo. Of that he is sure all the way through the story. Eventually he also knows that he must play whatever part he can in the attempt they must make together to destroy the Ring. He is part of that bigger story too.

Whoever takes the risk of loving another is drawn inevitably into their story. For most of us this comes when we “fall in love” with another and decide to stay together and to journey onward together throughout our lives. All that the beloved has done for good or for ill becomes our story too. So too does all that has been done to the beloved. And we can turn back at any point in the story because we come to believe that the price of carrying on has become too great for us to pay. It might be our life partner about whom we have come to believe this or it might be our children or a member of our family or any community or any friendship of which we have become a part. We can choose not to be a part of their story any longer, to turn back.

I am aware that we are in a place of great sensitivity here. Women and children have been told to stay in abusive relationships and this telling can become part of the abuse itself. We cannot make a law of staying, of going on; all that we can say is that those who have blessed the rest of us who are tempted to give up are the ones who have gone on just as Sam did. We use the language of invitation. Those who carry on have taught us what there is to gain if we do not turn back. We are inspired and strengthened by their story.

 

Sam Reflects on the Things that Cross His Willful Path Violently and Recklessly

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“We too must think of the tension between our desire to live a life that we can call our own and the tales that really matter.”

So ended last week’s thoughts on Sam Gamgee’s reflection on adventure in “a dark crevice between two great piers of rock” in the Pass of Cirith Ungol. Are we then saying that we cannot live a life of our own choosing and still be part of a tale that really matters? Carl Jung most certainly would agree with such a statement. He wrote:

“To this day God is the name by which I designate all things which cross my willful path violently and recklessly, all things which upset my subjective views, plans and intentions and change the course of my life for better or worse.”

In writing this, Jung challenged the sense that God exists in our psyche solely as a source of comfort for anxious souls. In doing so he was true to the great encounters with God that we find in the bible such as Moses meeting God in the Burning Bush and Mary meeting the angel who tells her that she is to bear the Messiah. A Christian would say that there is more to an understanding of the nature of God than Jung’s insight but would accept that his challenge is just. It is not through the achievement of our goals or the fulfillment of our dreams that we become our True Selves but through our response to the things that cross our willful path “violently and recklessly”. In other words it is through the unexpected, even the unwanted, events that enter our lives that we grow. In his story, Leaf by Niggle, Tolkien tells of an artist who is constantly and annoyingly interrupted by the needs and demands of others and so is never able to complete his master work. After his death he discovers that his work has been completed, not primarily by his own efforts, but as a gift and the very interruptions that he found so irksome in his lifetime are the mysterious means by which this happens.

To come to realise that the deepest meaning of our lives lies in the things that cross our path rather than in our successful journeying down the path is not to mean that we will not have our own desires. Sam shows this himself when he replies to Frodo’s statement that at some point their role in the story will come to an end with the words, “And then we can have some rest and some sleep…And I mean just that, Mr Frodo. I mean plain ordinary rest, and sleep, and waking up to a morning’s work in the garden. I’m afraid that’s all I’m hoping for all the time. All the big important plans are not for my sort.”

Frodo may have thought only in terms of his own death but Sam longs for life and for life at work in his garden. As with all of us Sam’s Selfhood is made from the relationship between his longings and the events that enter his life. At the start of The Lord of the Rings  he longed to “see elves” and to experience adventure. That longing has been satisfied beyond his expectation but with it has come an experience of darkness from which he longs to be free. All who experience wonder will also know darkness. They belong together. Perhaps that is why for most people it feels safer to have limited ambition, to agree with Sam’s Gaffer in saying that “Cabbages and potatoes are better for me and you.” But although Sam now longs for cabbages and potatoes himself they will never be the same cabbages and potatoes as they are for the Gaffer. They will be transformed by all that he has been through.

Sam is being “Selved” (to use Gerard Manley Hopkins’ wonderful word) by his desire and by his experience and so are we. Key to this is that we stay on the journey and not turn back. Sam thinks of his own story in this way and it is to this not turning back that we will come in our reflection next week.

The Tales that Really Matter and A Life of Our Own

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Gollum guides Frodo and Sam away from the dead valley of Minas Morgul up a steep stairway seemingly cut into the rock of the Ephel Dúath, the outer fence of the dark shadow of Mordor, up, up, reaching toward the pass of Cirith Ungol through which they must go in order to reach their goal at the fires of Orodruin, Mount Doom and so to destroy the Ring. Just before they are about to make the final climb into the pass Frodo and Sam take a moment to rest. To Frodo it seems that they are about to begin the “final lap” and so he must gather his strength.

As they rest Sam begins to reflect on all that they have been through together:

“We shouldn’t be here at all, if we had known more about it before we started. But I suppose it’s often that way. The brave things in the old tales and songs, Mr. Frodo: adventures as I used to call them.”

Sam thinks back to the times of delightful pastime when as a young hobbit in the Shire he would listen to stories at Bilbo’s knee and so found his imagination awakening and his desire to see the things of which he had heard in those tales begin to grow. For Sam these tales were adventures and his hearing of them something to which he looked forward. And just as he chose to listen so he used to feel that the heroes of the stories that he loved had somehow chosen to be a part of their own tale.

“I used to think that they were things the wonderful folk in the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport as you might say.”

So Sam used to think until he found that he was within a great tale himself. He knows that he did not choose this tale and that from the very beginning he was, in effect, chosen for it but he does not regard this as some kind of honour that has been done to him. Sam’s own involvement in the tale of the Ring began with Gandalf hauling him through an open window from the garden at Bag End into Frodo’s drawing room and even though it was his desire to see Elves and his distress at the thought that Frodo might be going away that first led him to his hiding place beneath the window he had no idea that his desire and his distress would eventually bring him to this place on the borders of Mordor. He has been “landed” in this place, in this tale and, as he puts it, that seems to be “the way of it” with the tales that really matter.

We live in a time in which the ability to shape the events of our lives and to be the mistress or master of our fate is praiseworthy almost above any other quality. As German sociologists, Ulrich Beck and Elizabeth Beck-Gernsheim put it, it is the ability to “live one’s own life” in the world. “Money means your own money, space means your own space, even in the elementary sense of a precondition for a life you can call your own. Love, marriage and parenthood are required to bind and hold together the individual’s own, centrifugal life story. It would be only a slight exaggeration to say that the daily struggle for a life of one’s own has become the collective experience of the Western world. It expresses the remnant of our communal feeling.” Thus in this understanding the adventure of all of our lives is this expression that Beck and Beck-Gernsheim speak of.

We will think more about this in the next few weeks as we pause with Frodo and Sam before attempting the pass of Cirith Ungol but just for now I hope that you can see that Frodo and Sam are not living “a life you can call your own”. As Sam puts it, their paths have been “laid that way”. And as we consider our own lives so we too must think of the tension between our desire to live a life that we can call our own and the tales that really matter.

Frodo Finds Strength to Do What He Must Do

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“Who can now hold the fords when the King of the Nine Riders comes? And other armies will come. I am too late. All is lost. I tarried on the way. All is lost. Even if my errand is performed, no one will ever know. There will be no one I can tell. It will be in vain.”

And so once more Frodo falls into despair as the sable clad armies of Minas Morgul pass by him on their way to take the fords of Osgiliath and then onward to assail the mighty fortress of Gondor itself, Minas Tirith. For Frodo Gondor now bears a human face and it is Faramir’s face that he can see as he watches the Lord of the Nazgul pass him by. His body still carries the memory of the wound that he received at the hands of that fell king at Weathertop. Now he sees him at the head of armies. Who can withstand him?

At all times Frodo has lived at the edge of his despair on his journey and most especially after the fall of Gandalf in Moria and then the attempt by Boromir to seize the Ring at the Falls of Rauros and the sundering of the Fellowship. At all times he is exhausted and as, he says to Sam, the Ring is “heavy on me, Sam lad, very heavy. I wonder how far I can carry it?” Yet time and again he finds strength to go on. We remember the refreshing dream just before the Black Gate and his laughter at the song of the Oliphaunt that Sam sings. We remember most of all the unexpected friendship that he found in his meeting with Faramir. Each moment has been unlooked for but each has found him out and given him strength to journey on once more. Now as he gazes upon the armies of Mordor and weeps in his despair it is a voice that reaches out to him.

“Wake up, Mr. Frodo! Wake up!”

And something in the voice, for it is Sam’s voice, calls him back to the Shire and to Bag End where everything is at peace, where he is at home. And in the inbreaking of the memory of home and of peace, entirely unsought for, he finds strength once again. “Despair had not left him, but the weakness had passed.” He knows what he must do even if there is nothing left to save and no one that he can tell. “What he had to do, he had to do, if he could, and that whether Faramir or Aragorn or Elrond or Galadriel or Gandalf or anyone else knew about it was beside the purpose.”

The purpose is the task itself and few people ever reach the maturity that Frodo displays here. It is an essential part of our growing up that we want to please the important people in our lives. At first this means our parents and grandparents. I still carry in my heart words of praise and encouragement that my grandmother spoke to me at a key moment in my life. They will always be a source of pleasure and of strength to me. But there comes a point when to go in search of such praise and to need someone to tell will keep us from doing the work that we came to this life to do. There comes a time when we must bid farewell, first to our grandparents and then to our parents, and even if we have had the fortune to find wise and kindly fathers and mothers in the communities, in the organisations, in which we have lived and worked there comes a time when we find that they must leave us. If there are to be such fathers and mothers then we must become them ourselves. The moment when we come to this place will be a lonely one but those who reach it and who do not flee from it as Frodo does not flee from it now are those who bring strength and blessing to others on the same journey.

Frodo Teaches Us about a Condition of Complete Simplicity Costing not less than Everything

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Almost as soon as I reread the final sentence in last week’s blog posting, “The Darkness Cannot Overcome the Light”, I began to worry about it. For those who need to be reminded of what I wrote here it is again:

“Hell must be harrowed because Hell is but a negligible thing so vulnerable to the invasion of light and so easily overcome by it.”

It is not the negligibility of Hell that is in question. Its expression in The Lord of the Rings is, of course, Mordor, the kingdom created by Sauron during the Second Age that is the centre of his seemingly irresistible power and whose name alone is capable of striking fear into the hearts of those who hear it. Nothing it would seem can possibly withstand it and yet it will fall to two hobbits whose lives could be taken in a moment with one well aimed blow of an orc’s scimitar. Last week I wrote about the hobbits at the city of the Ringwraiths, Minas Morgul. At that point of the story they have already undertaken a journey that the greatest warrior of Gondor would not dare to take and yet how easily they potter past it and onward up the stair of Cirith Ungol. I believe that this perspective is no accidental discovery on my part but a deliberate intention of Tolkien’s and we will come across expressions of it many times as we journey through the remaining pages of his great story. It is a perspective that C.S Lewis expressed in The Great Divorce when the guide to the heavenly country, George MacDonald, affirms that “All Hell is smaller than one pebble of your earthly world: but it is smaller than one atom of this world, the Real World. Look at yon butterfly. If it swallowed all Hell, Hell would not be big enough to do it any harm or to have any taste.”

No, Hell really is negligible and it is profoundly vulnerable to the invasion of light. That is not in question. It was not that statement that bothered me but the last words of the sentence, “so easily overcome by it.” How could I describe the journey of Frodo and Sam as easy when I know how much it cost them? At first I wanted to change what I had written by some simple act of editing but the more I thought about what I wanted to write the more I knew that I needed to write something a little more substantial. I needed to affirm both Hell’s negligibility and the cost of overcoming, harrowing it. In the Christian tradition this is what is understood as the triumph of the cross, the astonishing paradox by which the execution of an accused man is the means by which Death and Hell are utterly defeated. In The Lord of the Rings it is the act by which Frodo and Sam lay down their lives in taking the Ring to the fire. In Peter Jackson’s film this is wonderfully expressed when the screen is darkened for a moment when the flames of the fiery mountain surge about the two friends as Mordor falls into chaos.

Why we can say both that Hell is negligible and yet to overcome it will cost us our lives is the strangest of paradoxes. The butterfly in the heavenly, the Real, world can eat all Hell and yet not even be aware that it has done so and yet it must take the life of the Son of God to overcome it. At the end of T.S Eliot’s The Four Quartets he expresses perfectly the wisdom that may not understand the paradox  for paradoxes are not meant to be understood but to be lived. Eliot speaks of:

“A condition of complete simplicity
(Costing not less than everything)”

This is the simplicity that Frodo and Sam achieve at the moment they leave the comparative security of Faramir’s refuge in Ithilien, placing themselves again into the hands of a malicious guide who wishes to do them harm. At the moment they walk away from Faramir they give up their lives. If we are to know the conquering of Hell in our own lives then it will be when we find the same simplicity paying the same cost.

The Darkness Cannot Overcome the Light

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After leaving the crossroads with the memory of the sun dipping beneath the smokes of Mordor still fresh within them Frodo and Sam are brought face to face with the haunted tower of Minas Morgul. “All was dark about it, earth and sky, but it was lit with light.” This is the city of the Ringwraiths, the most terrible of all the servants of Sauron, who were once men seduced by the greatness of the Dark Lord and the rings of power given to them that are inexorably bound to the Ruling Ring. They above all have been brought by the Ring and bound in the darkness “In the Land of Mordor where the Shadows lie.”

Time and again Tolkien uses the motifs of Light and Dark within his tale. In recent chapters we have seen the wonderful play of light upon the falls of Henneth Annûn casting rainbow patterns upon the refuge that lies hidden behind them and we have seen the light of the sun falling upon the garland of flowers winding about the fallen head of the king whose statue once stood at the crossroads. Once moonlight welled “through the marble walls of Minas Ithil long ago, Tower of the Moon, fair and radiant in the hollow of the hills”. But now Minas Ithil is become Minas Morgul and its light wavers and blows “like a noisome exhalation of decay, a corpse light, a light that illuminated nothing.”

When confronted by the horror that lies before them Frodo and Sam are almost overwhelmed. It is as if light and dark are principles of equal power that confront one another in an eternal conflict. Such is the reality that Sauron would have us believe in and when we thought about the Fall of Númenor a few weeks back https://stephencwinter.com/2015/08/25/faramir-remembers-numenor-that-was/ we saw how he sought to persuade its king of it. But Tolkien’s great myth is not of a universe in eternal conflict. A careful reading of The Lord of the Rings reveals a world in which light is the eternal principle that bursts through again and again despite all efforts to prevent it. And that is the point. Darkness in Tolkien’s world is but a temporary reality that requires huge effort to maintain and is always fragile and desperately vulnerable to the inbreaking of light. Indeed it is the very effort required to maintain the dark that will lead to the eventual undoing of its lord.

Myth is described as that which never happened and yet is always true. Tolkien’s great myth resonates gloriously with the truth that is declared every year at its darkest hour in the Feast of the Nativity, at Christmas: “The light shines in the darkness, and the darkness has not overcome it”. It resonates with the declaration that in the birth of the Christ child, as vulnerable as is the birth of any child, the illusion of the power of darkness is shattered. Tolkien described this as the True Myth, the one by which all mythology, indeed all reality, is to be understood so that all who embrace it will know an inbreaking of light, as hymn writer, William Cowper, campaigner against the Slave Trade, and one who struggled with depression all his life, put it, ”

Frodo and Sam, like Cowper in his darkest hours, will come almost to despair, but as we shall see as we journey with them into Mordor, the light cannot be overcome by dark. Hell must be harrowed because Hell is but a negligible thing so vulnerable to the invasion of light and so easily overcome by it.