“I am a Hobbit and No More Valiant Than I am a Man, Save Perhaps Now and Again By Necessity.” Pippin Declares Himself to The Guard at The Walls of The Pelennor.

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The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 732-733

In an unsafe world in which the arrival of strangers might mean the coming of threat and danger it is necessary that those strangers should declare themselves to the guards. So we remember Aragorn first declaring himself to Éomer in the fields of Rohan and then to Hama at the doors of Meduseld and how it was on these occasions that he first announced his mighty lineage. When times are urgent and haste is required then the bearer of a name has no time for modesty if that one is not to suffer let or hindrance.

When Gandalf comes to the defences of the Pelennor Fields he has no need to declare himself to the guards as they rebuild its walls. They know him and know that he has the favour of the Lord of Minas Tirith. But who is the small creature who sleeps before him upon Shadowfax?

At first Gandalf speaks for his companion.

“His name is Peregrin, a very valiant man.”

Why does Gandalf speak of Pippin in terms like this? We have accompanied Pippin on his journey from the Shire all the way to this moment, from the time when his journey was no more dangerous than a walking holiday to his arrival at Minas Tirith in time of war. We recall Gandalf’s anger in the guard room in Moria when Pippin dropped a stone into the well so that he could find out how deep it was.

“Fool of a Took!”

That was what he thought of the young hobbit then. And we remember his anger when he caught Pippin looking into the Stone of Orthanc. Yet now he declares Pippin a mighty warrior to Ingold and his men. Is he simply trying to speed his journey or merely flattering his young companion?

I would argue that Gandalf does neither, that he is doing the same before Ingold and his men as Aragorn did before Éomer and Hama. He is announcing Pippin before the men of Gondor, declaring him to be a worthy addition to their number. A mighty man of arms in whose faith and help his fellows can trust.

“He has passed through more battles and perils than you have, Ingold, though you be twice his height; and he comes now from the storming of Isengard”.

Pippin is not the same hobbit who began the journey in the Shire, nor even the one who could not help taking a look into the Stone of Orthanc. He has passed through his initiation, both when he seized his chance “with both hands”, as Gimli spoke approvingly of the moment when he used a fallen orc blade to cut his bonds when he was the prisoner of the Uruk-hai of Isengard; but also in the way he has dealt with the humiliation he suffered through the incident with the palantir. He neither indulges in self-pity nor in self-congratulation. He knows that he was foolish to look into the Stone and he was fortunate that Sauron did not choose to interrogate him further at the time.

So he shows in the manner with which he announces himself.

“I am a hobbit and no more valiant than I am a man, save perhaps now and again by necessity.”

He has an appropriate pride in himself. He is a hobbit and he feels no need either to boast or apologise for this. He simply looks Ingold in the eye as Aragorn did with Éomer and says, this is who I am. And as for being valiant he declares to him that if he is ever brave it is only when he needs to be. Ingold and his men honour the manner in which he has spoken to them. That he has looked them in the eye, face to face, neither with arrogance or shame.

“Fare you well! ” said Ingold; and the men made way for Shadowfax, and he passed through a narrow gate in the wall. “May you bring good counsel to Denethor in his need, and to us all, Mithrandir!”

“The Beacons of Gondor Are Alight, Calling for Aid. War is Kindled.” Gandalf Speaks of The Ancient Alliance of Gondor and Rohan.

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The Return of the King by J.R.R Tolkien (Harper Collins 1991) pp. 731-732

Following the events at the borders of Mordor that we read at the end of The Two Towers, with Frodo taken by orcs to the tower of Cirith Ungol and Sam shut out before its doors, we return to the ride of Gandalf and Pippin from the wreck of Isengard towards war in Gondor. Peter Jackson’s film gives the impression that this is some sort of punishment for Pippin following the incident in which he gazed into the Palantir of Orthanc and was seen by Sauron, and there is no doubt that part of Gandalf’s purpose in taking Pippin with him was to put as much distance as possible between Pippin and the Palantir; but Tolkien describes a more complex, even tender, relationship between the ancient wizard and the young hobbit. There is a sense in which Gandalf actually needs Pippin’s company as he approaches the great crisis of his time in Middle-earth. We remember Gandalf’s words to Merry as Théoden’s company rode from Isengard after its fall, “All Wizards should have a hobbit or two in their care- to teach them the meaning of the word, and to correct them”. (The Two Towers p.768) They were words half spoken in jest, but they hid a deeper truth. Gandalf lived a life devoted to the care of the peoples of Middle-earth, even having pity for the slaves of Sauron, but perhaps none of those people were more important to him than the people of the Shire, holding a special place in his heart. After all, none of the peoples of Middle-earth apart from hobbits knew of his skill as a maker of fireworks, and it was hobbits who taught him the pleasure of pipe smoking, an art that requires a measure of stillness if you are to practice it properly.

So, as they ride to war in Gondor, Pippin grounds Gandalf in the true purpose of their journey together. Not to achieve some great plan, some strategic action for a geopolitical end, but an act of mercy to bring succour to a beleaguered people in Minas Tirith. Bearing his ring of fire, Gandalf will warm the hearts of the defenders of the West in their greatest need, and Pippin will warm his heart.

Gandalf brings fire to Minas Tirith, but as they ride suddenly they see fire on the tops of the mountains of Anórien. Pippin is afraid, “are there dragons in this land?”

Gandalf replies with even greater urgency: “On, Shadowfax! We must hasten. Time is short. See! The beacons of Gondor are alight, calling for aid. War is kindled.”

It was in the year 2510 of the Third Age that Eorl the Young, Lord of the Rohirrim, made his great ride from the northern lands at the head of his men and won the Battle of the Field of Celebrant over a host of orcs and easterlings who had come from Sauron’s fortress of Dol Guldur in the south of Mirkwood to assail Gondor. After the battle Eorl met with Cirion, Steward of Gondor, at the secret tomb of Elendil and they swore an oath to one another. Cirion gave the fields of Calenardhon to Eorl and his people as a possession until the “Great King” should return, and for his part Eorl swore this oath:

“I vow in my own name and on behalf of the Éothéod of the North that between us and the Great People of the West there shall be friendship for ever: their enemies shall be our enemies, their need shall be our need, and whatsoever evil, or threat, or assault may come upon them we will aid them to the utmost end of our strength. This vow shall descend to my heirs, all such as may come after me in our new land, and let them keep it in faith unbroken, lest the Shadow fall upon them and they become accursed.” (Unfinished Tales by J.R.R Tolkien, George Allen and Unwin 1980 pp. 301-305)

The beacons of Gondor are lit before Gandalf and Pippin arrive in Minas Tirith, not as an accident but because of the order of Denethor, and Théoden will come “to the utmost end” of his strength, because he holds the oath of his ancestor to be sacred.

Gandalf has warmed the heart of the King of Rohan, enabling him to lead his people to a mighty victory over Saruman, and Théoden will come to Gondor’s aid. Now can Gandalf warm the heart of the people of Gondor to resist until aid comes to them?

“The Gate was Shut. Sam Hurled Himself Against the Bolted Brazen Plates and Fell Senseless to the Ground. He Was Out in the Darkness. Frodo Was Alive but Taken By The Enemy.” Where Can We Find Wisdom in the Ending of The Two Towers?

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 964-971

The Lord of the Rings is a book filled with wisdom. Often this is explicit, for example, the moment when Gandalf says to Frodo in the study in Bag End, in speaking of his decision to show mercy to Gollum, that “even the wise cannot see all ends”; and often it is expressed through the actions of wise figures in the story. But in the final pages of The Two Towers we see Sam’s desperate but ultimately futile efforts to catch up with the orcs who have taken Frodo’s body, and we overhear a conversation between Shagrat and Gorbag, the two commanders of the orc companies of Cirith Ungola and Minas Morgul. We learn much from what they say, especially the fact that Frodo is still alive, but we do not learn much wisdom. That is unless you count it as a kind of wisdom to learn from Shagrat and Gorbag how to survive in a world in which the only thing that matters is power.

Let us determine right here that we do not wish to learn the wisdom of the orcs. That even if the time might come in which they and their masters rule the world we will continue to refuse to live by their example and to continue to choose to speak truth, seek for beauty wherever we can find it, and to do whatever good we can, even if we have to pay for this choice with our lives.

We have made our choice. It is the choice that Sam makes in the Nameless Land, and continues to make, even when Frodo becomes incapable of making any choice beyond taking one step of excruciating pain after another. But what of the choices that Sam makes in the last pages of The Two Towers? Can we find any wisdom here?

I said in my last post on this blog that Sam is probably not capable of constructing an argument from first principles. I think that I may have been unfair to him. Listen to these words that he says to himself he learns that Frodo is still alive.

“I got it all wrong!” he cried. “I knew I would. Now they’ve got him, the devils! the filth! Never leave your master, never, never: that was my right rule. And I knew it in my heart. May I be forgiven! Now I’ve got to get back to him. Somehow, somehow!”

These are brave words, even heroic, but are they wise? What would have happened if brave Sam had been found beside Frodo’s body, or in making a futile effort to carry it to a place of safety? I think that we know the answer. Either the orcs would have carried two prisoners off to Barad-dûr or they would have taken Frodo alive while leaving his faithful servant dead upon the path. Sam would have died bravely, maybe even leaving some orcs dead around his body, but Frodo would still be a prisoner and the Ring would have been found. All would have been for nothing.

As it is, Frodo may have been taken but Sam is still free and the Ring has not been found. And as we will see when we next return to their story in The Return of the King, not only will the orcs have carried Frodo into Mordor but on finding his priceless mithril coat a fight for its possession will break out between the orcs of Cirith Ungol and of Minas Morgul and Sam will be able to rescue Frodo without having to strike a single blow.

So what wisdom can we learn? Do we learn that all thought, all planning, is useless? That everything that happens in the world is merely one random event after another? Of course not. Sam is only there to take advantage of his luck because he is deeply principled. If he was guided merely by self interest he would be back in the Shire offering his support to Lotho Sackville-Baggins as he seizes control through a coup d’etat. He would simply swap one master for another. No, it is essential that Sam is a hobbit who loves Frodo, and who seeks truth, beauty and goodness, even and, perhaps most especially, in the darkest places. Sam maybe unaware of the Power that is at work in the world, the Power that meant Bilbo to find the Ring and Frodo to receive it from Bilbo. His only prayer is that the Lady, that is Galadriel, will look after his master. We might think that this prayer is less than adequate but it is honoured nonetheless. Perhaps at the end what we do learn is that the deepest wisdom is not cleverness but goodness. It is Sam’s goodness that is honoured, so that when the gate of Cirith Ungol is opened to him he can enter and set Frodo free.

“I Can’t Be Their Ring-bearer. Not Without Mr. Frodo.” The Orcs of Cirith Ungol and Minas Morgul Take Frodo’s Body and Sam Decides to Follow Them.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 960-963

No sooner does Sam take the Ring from Frodo and take his first few faltering steps towards Mount Doom weighed down by the terrible burden that he now bears than everything suddenly changes.

“”And then suddenly he heard cries and voices. He stood still as stone Orc voices. They were behind him and before him. A noise of tramping feet and harsh shouts.”

Sam’s first instinct is to protect himself. There is no place for him to hide and so he decides to put on the Ring. That was Sam’s first instinct. His second is awakened a few seconds later when the orcs discover Frodo’s body.

“With a dreadful stroke Sam was wakened from his cowering mood. They had seen his master. What would they do? He had heard tales of the orcs to make the blood run cold. It could not be borne. He sprung up. He flung the Quest and all his decisions away, and fear and doubt with them. He knew now where his place was and had been: at his master’s side, though what he could do their was not clear.”

I used the word, instinct, a moment ago, deliberately, because Sam is not a creature of profound thought. This is not to say that he is shallow. Not by any means. As we have seen throughout the story he is capable of deep insight. When he was in Lothlórien he described his experience there as being “inside a song.” In a few beautifully poetic words he was able to capture the essence of that wonderful place in a way that no philosophical discourse ever could. Indeed a philosopher might be so anxious to find appropriate language for the experience that its sheer immediacy would be lost. And Tolkien played a beautiful language game with his readers with those words. Sam speaks to Frodo and to us in the Old English of simple country folk when he speaks of being inside a song. If he had used the language of his French speaking betters he would have spoken of being enchanted, for that is exactly what his words meant. I am not convinced that if he had used that word he would have conveyed to us his experience nearly so well.

But we should not ask Sam to reach a conclusion by means of starting with first principles because Sam has never learned to think that way. A few minutes later, as Shagrat and Gorbag and their orc companies carry Frodo towards Cirith Ungol Sam will learn that Frodo is not dead, that Shelob has a poison that renders her prey immobile so that she can eat it live later on at her leisure. Sam reels with horror when he realises that he had abandoned Frodo alive and then he says to himself:

“You fool, he isn’t dead and your heart knew it. Don’t trust your head, Samwise, it’s not the best part of you.”

Sam has only one principle and that is love. Not that this makes life easy for him. Sam loves Frodo but not exclusively. He gave his love to Bill the Pony and so found his heart torn in two when Bill refused to enter Moria. His love is given to the Gaffer, his father, and so when he sees him in Galadriel’s mirror, being driven from his home by Saruman’s thugs, again his heart is torn in two. To live for the sake of love as Sam does so completely means that he will always have to live with the danger that his heart will be broken. But now amidst the chaos as Frodo is borne into Mordor by his orc captors Sam’s heart grants him complete simplicity. He will follow Frodo and lay down his life for him. Providence will have to do the rest.

And Providence, or Luck, or Wyrd, as Sam understands it, will do exactly that. What Frodo’s captors find on his body, especially his priceless mithril coat, will lead to the annihilation of the orc company so that Sam will be able to rescue him without having to strike a single blow. The orcs only work will be to carry Frodo into Mordor itself and Sam’s work will be to follow where his heart leads him. What began in Shelob’s Lair when the light that was first captured by Feänor when he crafted the Silmarils shattered the monster’s eternal darkness, is a chain of events that will take the hobbits into Mordor and then on to Mount Doom itself.

“Do You Understand, Mr. Frodo? I’ve Got to Go On.” Sam Gamgee Makes The Hardest Choice of His Life.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 956-959

If Sam could have chosen for himself he would never have woken up after fainting beside Frodo’s body but he could not choose for himself. He woke and the world had not changed even though, as far as he was concerned, the worst thing of all had already happened. “The mountains had not crumbled nor the earth fallen into ruin.”

Anyone who has suffered the loss of someone that they have loved deeply will know what Tolkien speaks of here, except it is not the death of Frodo that they mourn. Each person suffers their own grief alone. As we read in the last piece posted on this blog Tolkien was drawn to words written by Simone de Beauvoir who spoke of the unnaturalness of death. He might equally have quoted St Paul who, in his First Letter to the Corinthians spoke of death as the last enemy of all; not as a thing that is naturally a part of life but as something that has invaded from outside. Nothing is able quite to prepare us for death and so nothing prepared Sam for this moment, for the moment in which Sam has to decide what he is going to do next. Even though the very word, next, must sound like the most dreadful obscenity in his heart.

Tolkien writes the process by which Sam comes to a decision as a debate that takes place within him. Not like the debate that took place within the divided soul of Gollum on the road to the Black Gate, the debate between the utterly fallen Gollum, or Stinker as Sam called him, and the all too easily defeated Sméagol, or Slinker. Sam is torn between his love for Frodo and a greater love for the world that both he and Frodo loved and for which, Sam is sure, Frodo has given his life.

“What shall I do, what shall I do?” he said. “Did I come all this way with him for nothing?” And then he remembered his own voice speaking words that at the time he did not understand himself, at the beginning of their journey. I have something to do before the end. I must see it through, sir, if you understand.

Sam has come a very long way on this journey. Beginning, as he did, with a simple desire to go on an adventure with Frodo, to see Elves, to look upon wonders, now he has reached the point when all he wants to do is to see something through until its end. But now he wrestles with another question. What is that end?

For a moment his imagination conjures up the image of Gollum cowering before him in a dark corner and he will show no mercy. “But that was not what he had set out to do. It would not be worth while to leave his master for that. It would not bring him back.” Sam even contemplates suicide for a moment, but “that was to do nothing not even to grieve. That was not what he had set out to do.”

But at last Sam realises that he has to go on, to try to finish the task, to cast the Ring into the Fire. And then he finds himself asking the same question that Frodo asked of Gandalf in his study at Bag End. Why should it be me? Gandalf was able to answer Frodo’s question by saying that it was not because of any quality that he possessed but that he should take encouragement from the very fact that indeed he seems to have been chosen. It is the very fact of being chosen that should give him strength. Sam has no Gandalf to answer his questions. Why is he the very last of the company? Why is he left all alone?

There is no one to answer his questions. Sam has to make up his own mind. And that mind is quite enough.

“Let me see now: if we’re found here, or Mr. Frodo found, and that Thing’s on him, well, the Enemy will get it. And that’s the end of all of us, of Lórien, and Rivendell, and the Shire and all.” Suddenly the world becomes bigger once again than it was just a moment before when all Sam could see was his own grief and loss.

And so he places the Ring about his neck, feels the terrible weight that Frodo has borne and is given strength to bear it. For a little while.

“Don’t Go Where I Can’t Follow.” Sam’s Grief For Frodo in Shelob’s Lair.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 955-956

Shelob is defeated and she lies in terrible pain in the innermost recesses of her lair. Sam has achieved the impossible, a heroic deed beyond imagining and for the briefest of moments the exhilaration of victory floods his whole being.

But then reality strikes a blow that Shelob never could. Frodo lies beside him and all Sam’s efforts to revive him are utterly useless and in vain.

“Frodo, Mr. Frodo!” he called. “Don’t leave me here alone! It’s your Sam calling. Don’t go where I can’t follow! Wake up, Mr. Frodo! O Wake up, Frodo, me dear, me dear. Wake up!”

In an interview that Tolkien’s daughter, Priscilla, once gave for a film about her father she spoke about the lifelessness of the whodunit and about how, once you had worked it out or had it revealed to you you never needed to go back to it. But how, when a passage of writing had once moved you deeply that feeling would return each time you came back to it. This is such a passage. Sam’s grief in this moment is utterly real and it strikes you with devastating effect every time you come to this part of the story.

It is all too much for him. He dashes about, heedless of his own safety, “stabbing the air, and smiting the stones, and shouting challenges.” At this moment he would gladly fight Shelob again and again so overwhelming is his despair.

“He’s dead!” he said. “Not asleep, dead!”

It does not matter that we know the story, have read the book, maybe many times, seen the film, and know that “her ladyship” does not kill her prey outright but stuns them with sufficient venom so that she can eat them alive at her leisure later on knowing that they will be helpless to resist her. It does not matter that we know that Frodo will awaken later, a prisoner of the orcs in the tower of Cirith Ungol. All we know at this moment is what we feel as we wait beside Sam in his grief, his desolation.

Tolkien experienced grief and loss in many ways during his life, losing his mother when just a boy, then most of his closest friends in the trenches during the Great War. When C.S Lewis died in 1963 he described the experience as if it were “an axe blow near the roots”. In the same film in which Priscilla Tolkien gave an interview about her father an old interview with the Professor himself was used. At one point Tolkien pulls a piece of paper from his pocket and reads some words written by the French feminist philosopher, Simone de Beauvoir.

“There is no such thing as a natural death because nothing that happens to a man is ever natural, since his presence calls the world into question. All men must die: but for every man his death is an accident and, even if he knows it and consents to it, an unjustifiable violation.” (From An Easy Death by Simone de Beauvoir).

Apart from being a little taken aback that the so-called fusty old reactionary, as many have regarded Tolkien, was capable of quoting the author of The Second Sex, we also need to consider what he was trying to say through this quotation. In the same interview he declares that the central theme of The Lord of the Rings is death. The inescapable nature of death, of the desire to escape it, and as de Beauvoir says, the unnaturalness of death. Surely it is this unnaturalness, this sense that every death is unjustifiable and a violation, that Sam protests against at this moment, raging against Frodo’s death in helpless fury. Surely it is impossible that Frodo can die? Surely impossible that Frodo can die and Sam have to continue to live? Is it not all some outrageous accident that can be overcome?

But Sam is ridiculously helpless against this violation. All he can do is to decide what to do next, even with the sense beating against the walls of his heart that none of it means anything anymore.

Tolkien beats our hearts many times in his story with this sense, at the fall of Gandalf in Moria, at the death of Boromir, at the moment when Éomer sees his sister’s body by the empty garments of the Lord of the Nazgûl whom she has just slain. He never seeks to flinch from the full horror of death. But neither does he hide from the sense, absurd though it might seem at the time, that we have to go on even if, as Aragorn said after Gandalf’s fall, “We must go on without hope”.

“A Elbereth Gilthoniel…” Sam Gamgee’s Pentecostal Song as He Drives Shelob Away From Frodo’s Body.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 952-955

The pages that Tolkien wrote around the terrible scene in Shelob’s Lair weave together light and darkness in a way that is both desperately horrible and exquisitely beautiful. On the one hand we have the insatiable desire of Shelob as she tracks down her prey.

“Most like a spider she was, but huger than the great hunting beasts, and more terrible than they because of the evil purpose in her remorseless eyes.” (The Two Towers p. 949)

And then we have Gollum’s treachery luring Frodo and Sam into a trap from which he is sure they cannot escape in order to regain the Ring and then to “pay her back, my precious. Then we’ll pay everyone back.” (The Two Towers p. 947)

But then we have this. 

A Elbereth Gilthoniel
a menel palandiriel
le nallon si di'nguruthos!
A tiro nin, Fanuilos!

O Elbereth Starkindler/ from heaven gazing afar,/ to thee I cry here beneath the shadow of death!/ O look towards me everwhite!

As Shelob gloats over her prey, over Frodo’s body, Sam attacks her with all the ferocity of his love for his master having beaten off Gollum’s attack. But Shelob is mightier, even than all the rage that Sam can muster, and she turns to confront and to kill him. And it is at this most desperate need that Sam looks for some strength in order to stand against her.

And strength comes to him.

It all begins with Sam clutching the phial of Galadriel and with a single word faintly spoken.

“Galadriel”.

Sam is looking for something greater than his own strength and his memory goes back to the Lady of Lothlórien, the maker and giver of the star glass. It is all that he can find within his memory and he calls upon it now. But what comes to him is something far far beyond his memory. Sam sings a song of praise to Elbereth in a language that he does not know. He heard such songs as he dozed in the hall of fire in Rivendell but he had never learnt them. Now they come to him in a Pentecostal moment and in his direst need.

I say Pentecostal not because I think that Sam has suddenly joined a particular religious movement but because, just as the apostles were given the ability to speak in languages that they had never learned on the first Day of Pentecost, so Sam is divinely gifted language that he does not know in his moment of direst need.

When the Elves cried “to thee I cry, here beneath the shadow of death” in the halls of Elrond it was a reflection upon a general spiritual condition and no less meaningful because of that, but when Sam cried out these words he literally stood in the shadow of his own imminent death, and what came to him was the angelic power that the Elves praised and underneath which they lived.

“As if his indomitable spirit had set its potency in motion, the glass blazed suddenly like a white torch in his hand. It flamed like a star that leaping from the firmament sears the dark air with intolerable light.”

And it is this light that defeats Shelob. She has been wounded by Sting, Frodo’s elven blade that Sam is holding, and one of her eyes has been put out, but it is the light that she cannot bear. “No such terror out of heaven had ever burned in Shelob’s face before.”She retreats into her hole and does not return.

Nothing less than light from heaven could have defeated her and this is one of the few moments within The Lord of the Rings in which Tolkien departs from his usual reserve about expressing the Catholic faith that was so dear to him and even here he does so within the confines of the secondary world that he had sub-created. It is angelic power that comes to Sam, the power of Elbereth, the member of the Valar whom the Elves loved the best, the kindler of the stars under which they first awoke in ancient time, and not the power of Mary, “the Queen of Heaven, the Ocean Star”, that was so important to Tolkien.

It is divine power, however mediated, that comes to Sam in this darkest of moments and which defeats Shelob. Tolkien never states this explicitly but in the beauty of Sam’s hymn to Elbereth he opens the door just a little to an even greater beauty for those who want to enter by that door

“None Could Rival Her, Shelob The Great, Last Child of Ungoliant to Trouble the Unhappy World.” We learn of the History of Shelob and Her Relationship with Sauron and with Gollum.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 944-948

The contrast is almost absolute. There is Galadriel’s gift. “A light when all other lights go out”. And then there is Shelob: “she served none but herself, drinking the blood of Elves and Men, bloated and grown fat with endless brooding on her feasts, weaving webs of shadow; for all living things were her food, and her vomit darkness”.

Galadriel gives light and life and Shelob consumes everything and leaves only darkness.

“Little did she know of or cared for towers, or rings, or anything devised by mind or hand, who only desired death for all others, mind and body, and for herself a glut of life, alone, swollen till the mountains could no longer hold her up and the darkness could not contain her.”

It is this notion of an existence that is reduced to mere consumption without making, of taking without giving, that disgusts us and, maybe, frightens us. Or it would most certainly frighten us if we were ever to meet it, knowing that one who existed thus would only be interested in us as something to devour and for no other purpose.

Even Morgoth, mightiest of the Valar, who entered into what he thought had been an alliance with Shelob’s sire, Ungoliant, in order to steal the Silmarils from Valinor, an alliance with all the usual boundaries and limits, found his ally’s desire terrifying. For Ungoliant wished to consume the Silmarils too and only a company of Balrogs, armed with whips of fire, were able to drive her off their master.

The word that Tolkien uses to describe the energy that drives both Ungoliant and Shelob her daughter is lust. We tend to use this word to describe an intense sexual desire and in one regard it is clear that Shelob is not driven by this particular desire. Shelob simply wants to eat. But anyone who has ever felt lust for another person will know the temptation is just to reduce all thought of that person to an object to be consumed. This desire that is called lust, at its most potent, contains no wish to give pleasure or delight, no wish to enrich the life of the other. These wishes are irrelevancies to the one who is consumed by lust and by lust alone. Tolkien describes this well in his description of Ungoliant in The Silmarilion. In speaking of her relationship to Morgoth he writes:

“But she had disowned her Master, desiring to be mistress of her own lust, taking all things to herself to feed her emptiness”. (The Silmarilion ,Harper Collins 1999 p76)

It is that phrase, “to feed her emptiness” that describes the lust we are speaking of here most effectively. When we speak of lust in this regard then there is no difference between lust as sexual desire or lust to possess an object as Morgoth desired to possess the Silmarils even though they caused him pain, or lust to devour as Ungoliant wished to devour those jewels and Shelob wishes to devour Frodo and Sam and the Ring. All these are expressions of the same desire, the desire to feed an emptiness within. And ultimately all attempts to feed that emptiness are in vain. Tolkien describes the end of Ungoliant with a devastating finality.

“Of the fate of Ungoliant no tale tells. Yet some have said that she ended long ago, when in her uttermost famine she devoured herself at last.” (Silmarilion p.86)

All people who achieve any self knowledge will come to recognise some form of inner emptiness and the desire to fill it in some way, the desire that we call lust. We may come to fear our own emptiness and that fear may become so unbearable that any object that we can seize upon that will give even a very temporary satisfaction of our hunger will be sought. But the great spiritual teachers tell us that we do not have to fear our emptiness. We can even learn to embrace it. So Meister Eckhart, the great 14th century German mystic and theologian wrote this:

“I never ask God to give himself to me: I beg him to purify, to empty, me. If I am empty, God of his very nature is obliged to give himself to me.”

It seems that it would require a vast leap of the imagination to think of Shelob, or Sauron or Gollum embracing their emptiness as Eckhart encourages us to do but it is actually their refusal to do so that distinguishes them from Galadriel, who “passed the test” when Frodo offered the Ring to her, to take the risk as she saw it of being diminished and to go into the West, to entrust herself to God and not to make herself a private possession. Shelob could have chosen differently, Sauron certainly was offered the opportunity to do so at the end of the First Age and he refused to take it. So both he and Shelob chose their lust and rejected the emptiness that only God can fill.

A POST SCRIPT

I almost never offer an explicit spiritual reflection on The Lord of the Rings because I want to honour Tolkien’s own decision not to do so in his greatest work. He allowed his story to speak for itself which is probably why it has been the best selling work of fiction now for many years. But he comes closest to such a reflection here in Shelob’s Lair at this moment of uttermost peril both in speaking of Shelob’s and Sauron’s lust and in contrasting them to Galadriel and her gift that Frodo uses as he speaks the words from Crist, the Old English poem by Cynewulf that captured his imagination before he began to write his legendarium and which was its wellspring. And it is because of this that I have chosen to depart from my usual practice.

It is also a good moment to write differently as I will be taking a short break from these reflections. Regular readers will know that with my wife, Laura, I have been walking one of the ancient pilgrim ways to the shrine of St James in Santiago da Compostela in northern Spain for the last couple of years, making the way in two stages. We began in Biarritz in south west France in September 2023 and reached the town of Llanes last year having covered about 270 miles. This year our intention is to cover the remaining 270 miles and to complete our pilgrimage. We will be walking the Camino Primitivo across the Picos Europa mountains from Oviedo. This is so named because it is the oldest pilgrim route of all but now less often travelled. I hope to post my next reflection in Wisdom From The Lord of the Rings on Saturday 13th September and maybe to write something about the experience of completing our pilgrimage. For those of you who pray please remember us as we walk this ancient way.

“Aiya Eärendil Elenion Ancalima!” What did Frodo Say in Shelob’s Lair?

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 942-944

Tolkien knew, perhaps more than almost anyone, that language is far far more than merely sounds that convey meaning. I say, almost anyone, because it was his fellow Inkling, Owen Barfield, whose work on language had the greatest influence upon him. In later years Tolkien would say that he would be giving a lecture when he would recall something that Barfield had said about the same thing and realise that he must correct what he had been about to say.

Barfield’s great contribution to the study of language was to say that the history of language was a history of human experience and that at one time, and in the experience of first nation peoples even to this day, language was a participation in life.

But I do not know if Barfield was able to experience language as Tolkien did. Those who knew Tolkien well said that he could read an ancient text in many languages and sensually enter and participate in the very world from which that text first came.

So it was that just before the outbreak of the First World War in 1914, when he was still an undergraduate at Exeter College, Oxford, Tolkien read these words in Old English and that never escaped their hold upon him for the rest of his life.

Eala earendel, engla beorhtast, ofer middangeard monum sended.

O, Earendel, brightest of angels, sent to men above Middle-earth.

Earendel is the evening and the morning star, or the planet Venus as we would call her. The brightest of heavenly bodies as we perceive them after the sun and the moon. And when Tolkien read these words he entered the dark world illumined by the light of the star that journeyed from dusk until dawn and felt that light calling to his heart.

O Earendel, brightest of angels.

In Tolkien’s legendarium Earendel becomes Eärendil, a figure who makes the forbidden journey from Middle-earth to Valinor in order to plead with the Valar for aid against Morgoth. The Valar hear his prayer and Morgoth is cast down and the children of Iluvatar set free from bondage. On his journey to Valinor Eärendil took with him the Silmaril that Beren and Lúthien took from Morgoth’s iron crown, one of three jewels, made by Feänor, that contained the light of the two trees, Telperion and Laurelin, that Morgoth and Ungoliant, mother of Shelob, destroyed. It is this jewel that makes the nightly journey through the sky and it is the light of the Silmaril that Galadriel places within the glass that she gives to Frodo.

The words that Frodo speaks at utter need in Shelob’s Lair were first spoken in greeting by Ëonwe, herald of the Valar, to Eärendil on his arrival in Valinor. “Hail Eärendil, brightest of stars!” Perhaps it is Ëonwe’s voice that speaks through Frodo at this moment, the “other voice” that speaks “through his, clear, untroubled by the foul air of the pit.

So we have these two things brought together as Frodo and Sam are trapped by Shelob. We have the voice of Ëonwe and we have the light of the trees that Shelob’s sire sought to destroy. Shelob had heard the words before made by Elves as a prayer and they had not daunted her. But now, as she hears them spoken by the herald of the Valar and as she is made to gaze upon the light of the star casting aside all the shadows of the eternal night within which she dwelt, she begins to doubt.

Frodo cries out the name of Galadriel, “and gathering up his courage he lifted up the Phial once more. The eyes halted. For a moment their regard relaxed, as if some hint of doubt troubled them. Then Frodo’s heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right hand drew his sword.”

And then he advances upon Shelob and Shelob retreats before he unbearable light into the darkest recess of her lair.

Tolkien brings the words that first captured his heart many years before into this darkest place. We can only imagine what this meant to him as he wrote them within his story. Of course we know that Shelob’s retreat was only temporary and that she was to sting Frodo in another part of her lair when he was unaware of her presence near. But if she had made good her attack when first she had the hobbits trapped then Sam would not have been free to drive her away from Frodo’s body and the orcs would not have carried Frodo into the tower of Cirith Ungol. The quest of the Ring would have failed right there. Frodo’s prayer at his moment of direst need was not in vain.

“The Lady’s Gift! The Star-glass! A Light to You in Dark Places, She Said it Was To Be.”

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 939-943

Frodo and Sam are lost within the tunnels of Shelob’s Lair and soon become horribly aware of the monster herself. They hear a sound, “a gurgling, bubbling noise, and a long venomous hiss”. Shelob, a demonic power in the form of a giant spider, is creeping up behind them. They are trapped with no way out.

But at such moments strength of which we are usually unaware can come to us. Sam’s hand goes to the hilt of his sword and as it does so Sam remembers where he found it, in another dark place, in the barrow where a wight dwelt, a servant of the Witch King of Angmar. And as his mind went to that place he thinks of their rescuer on that day, Tom Bombadil, whose merry but commanding song was far stronger than that of the wight. If only Tom was near them now. But Sam’s imagination has been awakened in ways in which even a few moments before he could not have predicted. Tom might not be near them but something else is.

“Far off, as in a little picture drawn by elven-fingers, he saw the Lady Galadriel standing on the grass in Lórien, and gifts were in her hands. And you, Ring-bearer, he heard her say, remote but clear, for you I have prepared this.”

Galadriel, one of the last of the Noldor, and kinswoman of Fëanor, mightiest of all craftsmen and women and maker of the Silmarils in which are held the light of the trees, Telperion and Laurelin. These trees were destroyed by Morgoth with the aid of Ungoliant, sire of Shelob, and all that was left of their light was that contained within the Silmarils. These were stolen by Morgoth and he placed them upon his iron crown. One of these were taken by the mighty hero, Beren, with the aid of Lúthien, and this eventually became the morning star whose light was caught within the glass that Galadriel gave to Frodo, to be “a light when all other lights go out”.

Frodo and Sam have already spoken together of how they are a part of a story that is bigger than they are and Sam mentioned the star-glass that Galadriel gave to Frodo in Lothlórien. But it is one thing to speak of something in a moment of relative calm. It is another to recall it at a time of greatest peril.

It is not Frodo who remembers Galadriel’s gift. It is Sam whose memory and imagination are awakened as he puts his hand to the hilt of his sword and who reminds Frodo of the gift that he possesses. And suddenly, in the briefest of moments, a mighty history and all the power contained within it, comes to the aid of the beleaguered friends. The work of the smith who forged Sam’s blade for the hopeless defence of Arthedain against the Witch King and his forces; and most potently of all, the work of Galadriel who, using the skill of her people and her kinsman, Fëanor, crafts the glass that contains within it the light that he once caught within the Silmarils. And Sam’s faithful friendship, there for Frodo at just the right moment.

And all this is brought to bear against Shelob when all seems darkest. Frodo finds a courage that is given to him when all hope of escape has gone.

“Then Frodo’s heart flamed within him, and without thinking what he did, whether it was folly or despair or courage, he took the Phial in his left hand, and with his right drew his sword. Sting flashed out, and the sharp elven-blade sparkled in the silver light, but at its edges a blue fire flickered. Then holding the star aloft and the bright sword advanced, Frodo, hobbit of the Shire, walked steadily down to meet the eyes.”

Tolkien makes quite sure that in his description of Frodo’s heroic act we all read the words, “hobbit of the Shire”. He is no more than this, but no less either. As we saw in the last reflection on this blog Frodo is a dead man walking. He has already given up his life for the sake of the task he has been given to do and so although it is only a hobbit who advances upon the monster it is also a hero who, as Elrond recognised, had earned the right to stand among the mighty Elf-friends of old, “Hador, and Húrin, and Túrin and Beren himself”. And it is in this laying down of his life that he receives a strength so great that even Shelob has to withdraw. For a time at least.