Frodo and Sam are a Part of Intimate and Great Events in Mordor.

It is not long after Frodo and Sam’s escape from the Tower of Cirith Ungol that the pursuit of their enemies begins. But they are able to escape by sliding into the dark down a steep slope at the end of which their fall is broken by a particularly unpleasant thorn bush. After this they begin to follow a way northward always seeking for a way east towards their goal at Orodruin, Mount Doom.

As they journey on Tolkien shows us two things that run together in his narrative. One is Frodo and Sam’s experience of the journey. Frodo is capable of short bursts of energy but is soon exhausted by them. The weight of the orc gear that Sam found in Cirith Ungol to disguise him is soon too much for him. Added to this, the Ring is an increasing burden not just to his body but to his mind and soul too. “This blind dark seems to be getting into my heart,” he says.

Sam’s spirits rise and fall quickly, buoyed by a moment of good fortune then brought down by anxiety for Frodo, but always ready again for another cause for thankfulness.

And such causes are at hand, even in the dark land of Mordor, for alongside the experience of the hobbits runs the events in the world about them. As they struggle onward the Battle of the Pelennor Fields is taking place beyond the western border of Mordor that they have just entered at such great peril. A war is taking place in the skies and the smokes of Mordor are giving way to a fresh wind from the sea that will bring Aragorn and his host up the Anduin from Pelargir. And even as Sam becomes excitedly aware of the battle in the skies the cry of a Nazgûl goes up but this time with no sense of threat. “It was a cry of woe and dismay, ill tidings for the Dark Tower. The Lord of the Ringwraiths had met his doom.”

Closer to them, Sam’s desire for light and water expressed in a plea to the Lady of Lothlórien is quickly met. The light breaks through the shadows by means of the retreat of Sauron’s smokes while the water comes in the form of an oily steam that trickles across their path. To the hobbits the finding of the stream, whose water they would have disdained had they met it in the Shire, is just as worthy of praise as the great events out westward. Sam declares that if he ever meets the Lady again he will tell her!

In these few brief pages Tolkien wonderfully weaves together the personal and intimate events of our lives with the great events that go on around us. Of course the death of the Lord of the Nazgûl was an event that was deeply personal for Éowyn and Merry but it was also an event of the greatest significance in the history of Middle-earth. Tolkien’s experience of war in the trenches informs this reality. For the protagonists each event is intimate. Sam falls asleep in the most unlikely places as soldiers, sleep deprived, must have done even in the midst of battle and the filling of a waterbottle is an event as much a cause of joy as a victory.

Too much is happening for the hobbits to be more than briefly aware that their story is woven into others but Tolkien steps away from the sheer rush of events to reveal this ever intricate weaving of a pattern in which we are always a part even when we are entirely unaware of it. It is the kind of perspective that can be achieved on reflection and points us to the value of taking such opportunities.

Sauron is only too aware of the “great” events but he has lost a sensitivity to the intimate. One cannot imagine him enjoying a glass of water, savouring its coolness in his mouth. Perhaps that is why he is vulnerable to hobbits who have spent centuries engaged in the small and have only been brought into the great very much against their will and, perhaps, shows us that something has been lost in his practice of reflection showing that it is possible for one of great intellect to lose the means to achieve wisdom.

 

Sam and Frodo Bring the Valar to Mordor

After Sam has found Frodo in the highest part of the Tower of Cirith Ungol he finds orc gear for them both to wear, stripping the bodies of those who have fallen in the fight over Frodo’s mithril coat. And then they begin their impossible journey towards Orodruin, the mountain where Sauron once forged the One Ring and where, if possible, they must destroy it. But first they must pass two creatures that stand guard over the way from the tower into Mordor, the Watchers.

“At length they came to the door upon the outer court, and they halted. Even from where they stood they felt the malice of the Watchers beating on them, black silent shapes on either side of the gate through which the glare of Mordor dimly showed. As they threaded their way among the hideous bodies of the orcs each step became more difficult. Before they even reached the archway they were brought to a stand. To move an inch further was a pain and weariness to will and limb.”

Frodo and Sam do not merely face the peril of encountering enemies along the way but the spiritual power of one who hates all that is living and free. This power animates all its slaves to do its bidding, amongst whom are the Watchers. Their malice must be implacable to enable them to stand guard for their master day after day and year after year in this one place and it is too much for the exhausted hobbits.

At least it is too much for Frodo, weakened as he is by the Ring, but Sam has enough strength to draw out the elven-glass of Galadriel and that one simple act is enough. As the light of the Silmaril blazes forth words come to mind from the moment when Gildor Inglorion and his company sang them in the woods of the Shire and the Nazgûl that had sent by Sauron to hunt for the Ring fled from them.

Gilthoniel, a Elbereth!

And Frodo calls out behind him.

Aiya elenion ancalima!

Starkindler, O Elbereth! Hail, brightest of stars!

When I wrote about Sam’s encounter with the orc, Snaga, a few weeks ago https://stephencwinter.com/2017/06/26/snaga-knows-that-he-is-up-against-a-power-much-greater-than-he-is/ I spoke of how it was not only the menace of the Ring that Snaga could feel as Sam approached him but another power too. It is this same power that overcomes the malice of the Watchers and it is the power of the Valar that Sam and Frodo invoke and which comes to their aid as the star-glass is revealed.

Tolkien describes this movingly as Sam draws out the glass. “As if to do honour to his hardihood, and to grace with splendour his faithful brown hobbit-hand that had done such deeds, the phial blazed forth suddenly, so that all the shadowy court was lit with a dazzling radiance like lightning.”

What Tolkien does is to describe the beautiful relationship of the one who invokes a power and the power that is invoked. The mistake made by those who seek power over others is to believe that they must achieve mastery. For them, what is known as magic, is the gaining of mastery over the powers. Sauron, the Necromancer, is such a magician, and far too much that is known as science is not far removed from this. It is a human search for mastery. A mastery over nature that separates humankind from fellow creatures and a mastery that seperates the scientist from his fellow humans. In C.S Lewis’s science fiction trilogy the figure of Weston is such a scientist. His speech to Ransome in Out of the Silent Planet, Uncle Andrew’s speech to Digory and Polly in The Magician’s Nephew and Saruman’s speech to Gandalf in Isengard are all very much of the same kind. They are speeches in praise of mastery. Frodo and Sam seek nothing of the kind. They are willing servants of the Good, the Beautiful and the True and they have offered their lives for the sake of those that they love. This is what the Valar, the servants of the One, honour and delight in and so they come to the aid of the hobbits in this dark place.

Image of the Watchers by Howard Koslow from http://img-fan.theonering.net

Frodo and The Ring

For a few minutes Sam and Frodo are able to rest in their happiness in finding one another again but soon the reality of their situation begins to take hold of them and at the heart of that reality lies one thing above all; and that is the Ring.

When Sam had found Frodo’s seemingly lifeless form lying beside the path after Shelob’s attack he took the Ring and so kept it from Shagrat and Gorbag and ultimately from Sauron himself. For a little while he felt the lure of the Ring imagining himself a great hero but soon saw the fantasy for what it truly was, as a deception that would lure him into the grip of one far greater than he.

The Ring searches out the deepest desire of the one who holds it and then twists it to its own enslaving ends. It is not even necessary to hold the Ring to feel its power. It is enough that there is something in the world that can grant you everything that you desire if only you can possess it. For Gollum the desire is merely fish every day and revenge on all who he perceives to have done him harm. For Boromir the desire is to be the liberator of his people from the shadow of their enemy and to be loved and admired by all. Even the best of desires is capable of being perverted. When Gandalf praises the pity of Bilbo he also recognises that the way of the Ring to his own heart would be by pity.

In what way is Frodo corrupted as the journey continues? We never hear the kind of speech from him as we do from Boromir. Frodo is a true hobbit and not much given to the making of speeches (Bilbo is an exception!). He hears far more than he ever speaks. One thing that he does speak of is his desire to “save the Shire”. As with Boromir, and with Gandalf also, his desire is noble. He also has a deep sense of having been given a task to fulfil, a mission to achieve. He did not claim the mission to destroy the Ring at the Council of Elrond as if it were somehow his right. When he spoke it was as if another voice had spoken through him. His offering of himself for the task came with the deepest reluctance.

The Ring has few footholds into Frodo’s heart unless it is by way of possession itself. Perhaps that is why he sees his kinship with Gollum and pities him. When Sam reluctantly returns the Ring to him Frodo sees him “changed before his very eyes into an orc again, leering and pawing at his treasure, a foul little creature with greedy eyes and slobbering mouth.” Frodo has entered the mean world of the orc and it is horrible.

What is essential at this unhappy moment is that it does not lead to the kind of struggle to the death as it did with Sméagol and Déagol long before. Sam gives up the Ring to Frodo while Frodo himself repents of his accusations against Sam. Both are left devastated by the exchange but their relationship remains firm. Even at the very moment when Frodo sees Sam as a thief the perverted vision does not take possession of him. He remains aware that what he thinks he sees is not real.

“What have I said? What have I done? Forgive me! After all you have done. It is the horrible power of the Ring.”

This ability to step away from the horrible fantasy and to see it for what it is is essential. It saves both of their lives. Frodo must have had practice in being able to step away from his initial reaction to the actions of others and to be able to see that his reaction was not something inevitable and ungovernable but something that he could choose. And he retains enough independence from the Ring to be able to see its power. For the time being it is enough.

Sam Finds Frodo in the Tower of Cirith Ungol

I was rather charmed last week when I found that my post on Sam’s song in the Tower of Cirith Ungol was “liked” by some fellow bloggers who write about beauty and fashion. Such affirmation both amuses and, slightly, impresses my daughters (23 and 19) who find it difficult to associate their ageing father with such a world. At first I could noty understand why I was attracting such interest but then I realised that I had tagged my post with the word, beauty, as I reflected on Sam’s spiritual journey, quoting C.S Lewis when he said that we do not wish merely to see beauty but to bathe in it. Just in case any of these bloggers have decided to return this week I offer my prayer for them that they will eventually find the Beauty that transcends all of the beauty that we seek here upon the earth.

Those who know The Lord of the Rings well will know that this is Sam’s journey in the story. It begins with Sam lamenting the passing of the Elves from Middle-earth as Ted Sandyman jeers at him, and when Gandalf tells him that he will go with Frodo when Frodo leaves the Shire part of his joy lies in the possibility that he might see Elves.

Throughout the journey Sam deepens his appreciation of beauty as he first meets the company of Gildor Inglorion within the boundaries of the Shire itself and then stays in Rivendell and Lothlórien. But his most profound encounters with beauty are in the darkest places; the Star Glass of Galadriel in the darkness visible of Shelob’s Lair, the song that he finds within himself in the Tower of Cirith Ungol that is given to him at the moment of despair. And there will be one more on the deathly plains of Mordor that is yet to come.

And one day Sam will see the Beauty that transcends even these moments and will recognise it (and the Beauty will not be an it but a thou) to be what he was always seeking. The thou will be both a homecoming and also an invitation to go deeper and ever deeper.

But Sam has been nourished by another guiding light that does not contradict but deepens his longing for beauty. Sam is guided by his love for Frodo. This transcends the social divide that exists between them and it survives Frodo’s descent into darkness that takes place as he falls under the power of the Ring as they approach Mount Doom, the place of its forging. Nothing can diminish Sam’s love and it is this which has carried him into the orc fortress overcoming all his fear and finally brings him to Frodo’s prison at the very pinnacle of the tower.

And so he finds him at last.

” ‘Frodo! Mr. Frodo, my dear!’ cried Sam, tears almost blinding him. ‘It’s Sam, I’ve come!’ He half lifted his master and hugged him to his breast.”

Sam’s love for Frodo is such that words like master and servant no longer have any meaning for him. If Frodo were to treat him in a demeaning manner Sam would still love Frodo, not out of some slavish desire to somehow gain his approval, but out of an unquenchable desire for Frodo’s wellbeing.

The theologian, Elizabeth Wyschogrod, once wrote that the saint is marked by “a wild desire for the beautitude of the Other”. I do not think that we need to feel any embarrassment in ascribing this quality to Sam. Just as in his longing for beauty Sam will eventually find the Thou that both includes all that he has ever desired and utterly transcends it so too will Sam find in the same Thou all that he has ever loved, and will ever love, without having to make distinction between them. In the Thou there will be but one equal love and yet each of Sam’s loves will be utterly fulfilled and utterly transcended. Sam’s moment of ecstasy in his finding of Frodo will never diminish his love for Rosie Cotton or Elanor or any of his children even though as he grows in love he will for a time find himself torn in two between them.

But just now we will leave him in his ecstasy of joy, free from all growing pains, as he holds Frodo in his arms for a brief moment before the journey has to go on.

 

The “Hopeless Journey” of the Armies of the West.

A few days after the great battle the armies of the West gather once more upon the Pelennor Fields in order to march towards the Morannon, the same Black Gate that Frodo and Sam saw upon their journey to Mordor and realised was impossible to enter. Tolkien describes the march as a “hopeless journey”, one that must end in inevitable defeat and death, and this begins to weigh upon the hearts of the young soldiers.

For those who have lived their lives in the far provinces of Gondor and of Rohan, Mordor has been but a name only, albeit a dark and fearful one, now it is a living nightmare that is beyond their comprehension. Aragorn treats them with mercy, allowing them to withdraw and to fulfil a mission that they can comprehend. They are to recapture the island of Cair Andros that lies within the waters of the Anduin.

The rest of the army continue and so reach the impregnable defences of the Dark Land. There they encounter the Lieutenant of the Tower of Barad-dûr who plays a game of negotiation while torturing them by presenting to them items taken from Frodo when the guard of Cirith Ungol found him by the road leading from Shelob’s Lair. A coat, a cloak and a sword.

A hopeless journey ends in a hopeless battle as the full might of Mordor and its allies breaks upon the small brave army arranged upon two hills before the gate. Peregrin Took, now truly the “valiant man” that Gandalf presented to the defenders of Minas Tirith just a few short days before, falls beneath the vast body of a Troll that he has just slain in defence of Beregond, his friend. Even though the last words that he hears before he slips out of consciousness are that “The Eagles are coming!” Pippin is sure that his story is come to an end and so too is the story of all that he cares about.

How do we keep going without hope? Tolkien often returns to this question in The Lord of the Rings. It was a major theme in the story of the pursuit of the orcs who had captured Merry and Pippin at the Falls of Rauros when the Fellowship was broken. Aragorn knows that he is likely to fail in his attempt and so all that he has hoped for through his life will fail too. The hope that he has nourished that he will restore the honour and the fortunes of his people, the Dunedain of the West, a hope that is enshrined in the very name his mother gave to him, Estel, as she lay dying; the hope that he will restore the kingdom of Gondor; and the hope that he will win the hand of Arwen in marriage, all this is lain down in a task that is impossible.

At all points within the story hope is understood as something greater than simply that what a particular character is trying to achieve will be successful. Success, of course, is desired, but it is not the thing that is most important. Even the destruction of the Ring itself is not the thing that matters most. When we return to the story of Frodo and Sam’s journey through Mordor we will come to a moment when Sam glimpses a star, perhaps the Silmaril in the heavens that is beyond the grasp of Sauron. And as he sees it he understands that “in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.”

This is the difference, Sam understands, between hope and defiance. Defiance is brave and we saw it when we thought about Éomer preparing for a good death in battle before Minas Tirith. Hope goes far deeper and knows that there is a reality that is far greater than my part in the story and yet, somehow, will include us too in a way far beyond our comprehension but not beyond our love.

The journey is hopeless in so far as there is no expectation of a successful end to it. But true hope goes deeper than expectation. It is grounded in love for that which is highest and that enables us to keep going until the end.

 

The King and The Healing of Éowyn

Aragorn moves from Faramir’s bedside to Éowyn’s and there he hesitates a moment.

“Few other griefs amid the ill chances of this world have more bitterness and shame for a man’s heart than to behold the love of a lady so fair and brave that cannot be returned. Sorrow and pity have followed me ever since I left her desperate in Dunharrow and rode to the Paths of the Dead; and no fear upon that way was so present as the fear for what might befall her.”

And now in that uncertainty he crushes the leaves of athelas into the bowl of steaming water not knowing whether he can call Éowyn back from the darkness that seeks to claim her or if he can to what she will return.

Last week we saw how when Aragorn anointed Faramir with the water and the healing herb how the fragrance that filled the room evoked the deepest longing of Faramir’s heart. Now as Aragorn “laves her brow” with the water and her right arm “lying cold and nerveless on the coverlet” a new fragrance fills the air about them.

“It seemed to those who stood by that a keen wind blew through the window, and it bore no scent, but was an air wholly fresh and and clean and young, as it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam.”

If in Faramir’s case the fragrance evokes his longing, I believe, for “that which is beyond Elvenhome and will ever be”, in Éowyn’s case it is surely something in relation to her desire for her people that is sensed here. Gandalf has reminded Éomer of the words that Saruman spoke to Théoden, words and insinuations that Wormtongue spoke more subtly but no less destructively.

“What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among their dogs?”

What would Éowyn long for more than something entirely opposite to the “reek” that fills her nostrils? Something that would take away her sense of shame, the shame that for a moment she dreamed that the mighty warrior who enters her prison would save her from. I picture Éowyn gazing at the same tapestry of Eorl in his youthful glory, the tapestry that so crushed the spirit of Théoden, and as she did so I believe that it took her to the place of utter purity that the fragrance evokes. Of course the historical ride of Eorl out of the North would have been with real horses whose sweat would have mingled with that of their riders but not so the myth that is seen in and through the tapestry. That is an evocation of something eternally new and clean and unsullied.

Tolkien had a deep love for what he termed Northernness which in the form that has come to us through the mythology of the North is ultimately bleak and without meaning. But he discerned something that lay beyond that, something that he could see in the myth of the death of Baldur and in the longing of those who wept for him. When Tolkien spoke of true Northernness it is the clean cold air from snowy mountains of which he speaks that blows away the stain of our failure and shame. This is the truth that lies deep within Éowyn’s soul and that is called forth as Aragorn calls her from her dark valley. Aragorn is right when he says to Éomer that Éowyn “loves you more truly than me”. Éomer belongs more truly to that which Éowyn most truly desires. But Éowyn’s story does not end here. We shall see when we return to her at a later point in her stay in the Houses of Healing that her desire can lead her to something new and entirely unexpected and yet remain true to her original vision.

“Come Athelas! Come Athelas! Life to the Dying in the King’s Hand Lying!”

As Aragorn crushes two leaves of athelas in his hands after breathing upon them “straightway a living freshness filled the room, as if the air itself awoke and tingled, sparkling with joy”. And so begins Aragorn’s healing journey from Faramir to Éowyn and then to Merry.

I said last week that I have been looking forward to writing about this chapter in The Lord of the Rings for some time now and so I don’t intend to rush through it. I also intend at some point to include a guest blog from a young writer whose work has impressed me so do look out for that. But this week I want to begin with something a little more personal, a memory that was jogged as I read the chapter again last week. And it was the description of the fragrance of athelas that I refer to here.

Readers will remember that when Frodo was wounded in the attack of the Nazgûl upon the camp beneath Weathertop Aragorn had Sam look for kingsfoil and they will remember how its fragrance lifted their hearts and its virtue stayed the evil influence of the poison in Frodo’s wound long enough for them to reach Rivendell. Now as Aragorn is revealed as king the fragrance is immeasurably greater and so too is the healing virtue. It “came to each like a memory of dewy mornings of unshadowed sun in some land of which the fair world in Spring is itself but a fleeting memory.” And what follows for each is a fragrance that speaks of the particular way in which each is healed, made whole.

What this recalled for me was a dream that I had about fifteen years ago. In my dream I find myself in a hotel bedroom with a woman lying beside me and water pouring through a crack in the ceiling over my head. I climb out of bed telling the woman (who I never identify) that I will go and get the problem sorted out and find myself immediately in a field with a fence to my right and a long queue of people in front of me. I ask someone what the queue is about and they tell me that the Pope is in a shed in the field just up ahead and that they are waiting to see him. I decide to wait too and soon find myself in the darkened shed. The Pope is John Paul II and he is in the last stage of his life, a frail old man. Behind him a priest with shadowed face waits in attendance. No one speaks. I simply know that I must kneel before the Pope and wait for his blessing. He lays his hands upon my head and as he does so the room is filled with the most wonderful fragrance. I stand up knowing that everything is alright and that I do not need to return to the hotel room.

Of course it is my memory of the fragrance in the dream that was recalled when I read this chapter once again and it is the fragrance in relation to the revelation of Aragorn as king that I want to briefly ponder here as I think about my dream. In his book on male initiation, Adam’s Return, Richard Rohr thinks about the power of the king archetype that is so rarely revealed in most men except in its dark form in the bully or in the weak form endlessly complaining that no one is paying sufficient attention to him. Rohr describes the true king as “the master of all power, so much so that he can risk looking powerless… The kingly part of a man connects heaven and earth, spiritual and material, divine and human, inner and outer. When you meet a man who seems a bit larger than life, you know he has some king energy. He is a healer of souls.”

The king that I met within myself in my dream was old, not fearing to risk looking powerless. The power came in the blessing which is the true revelation of the king energy just as it is in Aragorn. My disordered state was healed in turning to the king energy within me. I can say quite candidly that it is still being healed to this very day but I am learning in my contemplative practice where to turn and I think there is hope for me yet.

Merry Thinks About “Being Overlooked” Just One More Time

When Meriadoc Brandybuck enters the City he is just one more weary soldier among many others at the end of battle. All attention is given to the King of Rohan whose body is covered in a great cloth of gold and received with state and reverence. And with the king is Éowyn who is borne upon a litter and whose beauty calls forth tender sorrow from all who look upon her.

At the last it is Pippin who finds him as he wanders aimlessly along a narrow lane and as the friends meet again at last Merry sits down upon a step and weeps.

“I wish I could carry you,” Pippin anxiously declares. “You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from the battle is easily overlooked.”

Now those who know Tolkien’s story well will know that Merry has carried a certain resentment about “being overlooked” throughout it. When we first meet him near the Bucklebury Ferry early in the journey of the Ring from the Shire he exudes competence and confidence in everything he does. He is the one who has prepared the cottage at Crickhollow for the frightened travellers, who have encountered the Nazgûl for the first time, with hot baths and a good meal. He is the one who reveals the conspiracy to Frodo and announces that wherever Frodo goes he and Pippin and Sam will go too. He has ponies and provisions ready for the journey and is able to offer local knowledge about the way into The Old Forest and even a little about the forest itself.

And then as soon as he steps outside the world he knows it all starts to unravel. The encounters with Old Man Willow, the Barrow Wight and the later the Nazgûl in Bree, the last of which leads Barliman Butterbur to wonder if he might actually be on his holidays rather than a dangerous adventure, all cause him to lose the confidence with which he began. He is way out of his depth in a story so great and often so terrifying that it is always beyond his conceiving.

And yet he goes on.  It is Gandalf who says to Elrond of Merry and Pippin, “It is true that if these hobbits understood the danger, they would not dare to go. But they would still wish to go, or wish that they had dared, and be shamed and unhappy.” And it is Merry’s refusal to be overlooked that leads him to go to the battle with Éowyn. At no time does he ever feel competent as he did at the outset of the journey but he never gives in and even his resentment, his feeling that he is no more than a piece of luggage to the great ones around him ultimately plays its part. It leads him to the moment when The Lord of the Nazgûl stands over the wounded Éowyn and is about to kill her. So intent is the deadly king upon his prey that he neither sees nor fears what lies behind him. And so it is Merry, “Master Bag”, who thrusts his sword into the tendons behind the knee of one who, until this moment, has believed himself invulnerable. Only Merry the hobbit and Éowyn the woman could have brought down this deadliest of foes and in the strangest of ways it is rejection and “being overlooked” that brings them both together to this vital moment.

Never again will Merry feel resentment about “being overlooked” or, if he does, it will be his memory of this moment that will transform that feeling.

“It’s not always a misfortune being overlooked,” he says to Pippin. “I was overlooked just now by…”

Merry is now both sadder and wiser. His journey to adulthood, as it is for all who really get there, has been one that has been through fear and failure and sorrow. He has given his heart away and seen it broken and now he sits and weeps. But he does not give up. Step by step he keeps on going both to adulthood and a greatness of which he is entirely unaware.

Théoden Leads His Army into Battle.

The Riders of Rohan reach the Pelennor Fields at last and look down upon the horror below them. “The king sat upon Snowmane, motionless, gazing upon the agony of Minas Tirith, as if stricken suddenly by anguish or by dread. He seemed to shrink down, cowed by age.” Until this moment it has been possible to push the impossibility of what they must do to the back of their minds by attending to all of the essential tasks that a soldier must do. That possibility exists no longer. Théoden stares at his own annihilation, something that he shrank from through the years of Wormtongue’s whisperings, and for a moment he is the shrivelled old man in the darkness of his hall and of his mind. And then…

“Arise, arise, Riders of Théoden!  Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor!”

And the old man is transformed and rides into battle like a god, “even as Oromë the Great in the battle of the Valar when the world was young”. And like Oromë the hunter he takes a horn and blows such a mighty blast upon it “that it burst asunder”. Théoden the godlike king rides with such might that he outruns even the swiftest of his army and as he rides the grass about Snowmane’s feet flames into green, the wind turns and blows fresh from the sea “and darkness was removed and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them.”

Tolkien takes the language of myth and of Old English song that had captured his heart when he was a young man in order to describe this scene in the story. Skilled story teller as he is he could have taken us into battle with the frightened Merry or the death-seeking Éowyn or the standard-bearer Guthláf trying desperately to keep up with his lord but he chooses the godlike king before whose face all creation is transformed, transfigured.

And what do we do as readers? Is it encumbered upon us as those who are disillusioned and disenchanted modernists to demystify or demythologise Tolkien’s language and to insist that we describe war as what it is, as foul and filthy, as a thing of horror? We could do so if we choose and what is more Tolkien could do so better than most of us for he saw war at first hand in the killing fields of Flanders in the First World War. But Tolkien chooses not to do this but to take us to a wholly different level of human experience. It is not that he has a nostalgic longing for medieval warfare which was just as foul and bloody as anything that we can invent today nor does he seek to promulgate what Wilfred Owen called, “the old lie”, that to die for one’s country is a sweet and proper thing. No, what Tolkien does is to take the human experience of the horror of war and to transform it. Note, please, that I have not said take the horror of war and transform it but to take the human experience of war and transform it. And in doing so he chooses not to reduce human beings in war to dumb animals in the slaughter house but to elevate them to gods. And he does it for just this paragraph only as the Rohirrim ride into battle giving us the briefest of glimpses into what we truly are. When we look across the page we return to the description of events, to one action after another. Both kinds of narrative are true and both are true together.

And we will end this week’s reflection with a final thought. When the hopelessly outnumbered Riders of Rohan ride into battle in defence of Minas Tirith they do so in the likelihood that they will die in the attempt. And yet they still ride on. Their plunge into the heart of darkness is godlike and one that was recognised in one of the oldest of English poems, The Dream of the Rood, a poem that likens the death of Christ upon the cross to the triumph of a mighty warrior in battle and so transformed the experience of the warrior forever.
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Merry Feels Useless as He Prepares for Battle

We are on the road with the Rohirrim passing through the Druadan forest and it is held against us by our enemies. We could engage them in battle and doubtless would prevail but there is no time for delay, not even a victorious one, because the hosts of Mordor are at the gates of Minas Tirith.

Théoden and his commanders are busy about the business of war and are in conference with the people of the Druadan wood, seeking a way to bring the riders past those who would prevent their passage but one among their number is lonely and unhappy.

We have seen Merry like this before, on more than one occasion. He carries a great burden with him, one that he does not seem to know how to cast away, and that is his sense of insignificance.

Elfhelm, the commander of the éored to which Dernhelm/Éowyn is attached, trips over Merry, hidden as he is by the elven cloak that he wears, and roundly curses the tree-roots.

“I am not a tree root, Sir,” Merry said, “nor a bag, but a bruised hobbit.”

Poor Merry! It was his desire to be of some use that brought him here but it is his sense of uselessness that afflicts him now that he is close to battle. He wishes “he was a tall rider like Éomer and could blow a horn or something and go galloping to his rescue.”

Ah, the blowing of horns and the business of galloping about. How many people are relieved to spend their time going from meeting to meeting, not because of the value of what each meeting can bring to the enterprise that they are meant to serve but because each meeting can fill the void that otherwise they would gaze over as each day’s work begins. When they take their place around the meeting table at least they do not have to justify their reason for being there.

Merry is there in disobedience to the king’s express command. What can we say to comfort him? Elfhelm does not try and Dernhelm keeps silent. And if they did speak there would be nothing that they could say. Soon as they look down upon the Pelennor Fields and the hosts of Mordor massed against them they will all feel afraid and they will all have to master their fear. Even Théoden will “sit upon Snowmane, motionless, gazing upon the agony of Minas Tirith, as if stricken suddenly by anguish, or by dread.”

And at that moment all that there will be for any to do will be to rush into the heart of battle. Only a few battle hardened veterans will know what it is that they must do when they meet the enemy, the rest will have to learn quickly or perish as they do so. And Merry will find himself confronting a foe so terrible that even if he had been a veteran of many battles and had won many victories, not one of them would be of any use to him. But we will have to wait until another time to think about that story.

So there is no comfort that we can give him now and if we were to tell him what he will face in the battle we might terrify him so much as to unman him completely. It is best not to think too much about what lies ahead. John Henry Newman puts it well in his beloved hymn, “Lead Kindly Light” and we will end this week’s reflection on The Lord of the Rings with his words. Newman was a priest at the Birmingham Oratory whose clergy raised Tolkien after his mother’s death and so I would imagine that he knew this hymn very well.

“Lead, kindly light, amid the encircling gloom; lead thou me on! The night is long and I am far from home; lead thou me on! Keep thou my feet; I do not ask to see the distant scene- one step enough for me.”

Anyone who has walked in real darkness will know one step is all that you can take at any point. Faith tells you that it is all you need. It is enough.