Month: September 2025

“Do You Understand, Mr. Frodo? I’ve Got to Go On.” Sam Gamgee Makes The Hardest Choice of His Life.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 956-959

If Sam could have chosen for himself he would never have woken up after fainting beside Frodo’s body but he could not choose for himself. He woke and the world had not changed even though, as far as he was concerned, the worst thing of all had already happened. “The mountains had not crumbled nor the earth fallen into ruin.”

Anyone who has suffered the loss of someone that they have loved deeply will know what Tolkien speaks of here, except it is not the death of Frodo that they mourn. Each person suffers their own grief alone. As we read in the last piece posted on this blog Tolkien was drawn to words written by Simone de Beauvoir who spoke of the unnaturalness of death. He might equally have quoted St Paul who, in his First Letter to the Corinthians spoke of death as the last enemy of all; not as a thing that is naturally a part of life but as something that has invaded from outside. Nothing is able quite to prepare us for death and so nothing prepared Sam for this moment, for the moment in which Sam has to decide what he is going to do next. Even though the very word, next, must sound like the most dreadful obscenity in his heart.

Tolkien writes the process by which Sam comes to a decision as a debate that takes place within him. Not like the debate that took place within the divided soul of Gollum on the road to the Black Gate, the debate between the utterly fallen Gollum, or Stinker as Sam called him, and the all too easily defeated Sméagol, or Slinker. Sam is torn between his love for Frodo and a greater love for the world that both he and Frodo loved and for which, Sam is sure, Frodo has given his life.

“What shall I do, what shall I do?” he said. “Did I come all this way with him for nothing?” And then he remembered his own voice speaking words that at the time he did not understand himself, at the beginning of their journey. I have something to do before the end. I must see it through, sir, if you understand.

Sam has come a very long way on this journey. Beginning, as he did, with a simple desire to go on an adventure with Frodo, to see Elves, to look upon wonders, now he has reached the point when all he wants to do is to see something through until its end. But now he wrestles with another question. What is that end?

For a moment his imagination conjures up the image of Gollum cowering before him in a dark corner and he will show no mercy. “But that was not what he had set out to do. It would not be worth while to leave his master for that. It would not bring him back.” Sam even contemplates suicide for a moment, but “that was to do nothing not even to grieve. That was not what he had set out to do.”

But at last Sam realises that he has to go on, to try to finish the task, to cast the Ring into the Fire. And then he finds himself asking the same question that Frodo asked of Gandalf in his study at Bag End. Why should it be me? Gandalf was able to answer Frodo’s question by saying that it was not because of any quality that he possessed but that he should take encouragement from the very fact that indeed he seems to have been chosen. It is the very fact of being chosen that should give him strength. Sam has no Gandalf to answer his questions. Why is he the very last of the company? Why is he left all alone?

There is no one to answer his questions. Sam has to make up his own mind. And that mind is quite enough.

“Let me see now: if we’re found here, or Mr. Frodo found, and that Thing’s on him, well, the Enemy will get it. And that’s the end of all of us, of Lórien, and Rivendell, and the Shire and all.” Suddenly the world becomes bigger once again than it was just a moment before when all Sam could see was his own grief and loss.

And so he places the Ring about his neck, feels the terrible weight that Frodo has borne and is given strength to bear it. For a little while.

“Don’t Go Where I Can’t Follow.” Sam’s Grief For Frodo in Shelob’s Lair.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 955-956

Shelob is defeated and she lies in terrible pain in the innermost recesses of her lair. Sam has achieved the impossible, a heroic deed beyond imagining and for the briefest of moments the exhilaration of victory floods his whole being.

But then reality strikes a blow that Shelob never could. Frodo lies beside him and all Sam’s efforts to revive him are utterly useless and in vain.

“Frodo, Mr. Frodo!” he called. “Don’t leave me here alone! It’s your Sam calling. Don’t go where I can’t follow! Wake up, Mr. Frodo! O Wake up, Frodo, me dear, me dear. Wake up!”

In an interview that Tolkien’s daughter, Priscilla, once gave for a film about her father she spoke about the lifelessness of the whodunit and about how, once you had worked it out or had it revealed to you you never needed to go back to it. But how, when a passage of writing had once moved you deeply that feeling would return each time you came back to it. This is such a passage. Sam’s grief in this moment is utterly real and it strikes you with devastating effect every time you come to this part of the story.

It is all too much for him. He dashes about, heedless of his own safety, “stabbing the air, and smiting the stones, and shouting challenges.” At this moment he would gladly fight Shelob again and again so overwhelming is his despair.

“He’s dead!” he said. “Not asleep, dead!”

It does not matter that we know the story, have read the book, maybe many times, seen the film, and know that “her ladyship” does not kill her prey outright but stuns them with sufficient venom so that she can eat them alive at her leisure later on knowing that they will be helpless to resist her. It does not matter that we know that Frodo will awaken later, a prisoner of the orcs in the tower of Cirith Ungol. All we know at this moment is what we feel as we wait beside Sam in his grief, his desolation.

Tolkien experienced grief and loss in many ways during his life, losing his mother when just a boy, then most of his closest friends in the trenches during the Great War. When C.S Lewis died in 1963 he described the experience as if it were “an axe blow near the roots”. In the same film in which Priscilla Tolkien gave an interview about her father an old interview with the Professor himself was used. At one point Tolkien pulls a piece of paper from his pocket and reads some words written by the French feminist philosopher, Simone de Beauvoir.

“There is no such thing as a natural death because nothing that happens to a man is ever natural, since his presence calls the world into question. All men must die: but for every man his death is an accident and, even if he knows it and consents to it, an unjustifiable violation.” (From An Easy Death by Simone de Beauvoir).

Apart from being a little taken aback that the so-called fusty old reactionary, as many have regarded Tolkien, was capable of quoting the author of The Second Sex, we also need to consider what he was trying to say through this quotation. In the same interview he declares that the central theme of The Lord of the Rings is death. The inescapable nature of death, of the desire to escape it, and as de Beauvoir says, the unnaturalness of death. Surely it is this unnaturalness, this sense that every death is unjustifiable and a violation, that Sam protests against at this moment, raging against Frodo’s death in helpless fury. Surely it is impossible that Frodo can die? Surely impossible that Frodo can die and Sam have to continue to live? Is it not all some outrageous accident that can be overcome?

But Sam is ridiculously helpless against this violation. All he can do is to decide what to do next, even with the sense beating against the walls of his heart that none of it means anything anymore.

Tolkien beats our hearts many times in his story with this sense, at the fall of Gandalf in Moria, at the death of Boromir, at the moment when Éomer sees his sister’s body by the empty garments of the Lord of the Nazgûl whom she has just slain. He never seeks to flinch from the full horror of death. But neither does he hide from the sense, absurd though it might seem at the time, that we have to go on even if, as Aragorn said after Gandalf’s fall, “We must go on without hope”.

“A Elbereth Gilthoniel…” Sam Gamgee’s Pentecostal Song as He Drives Shelob Away From Frodo’s Body.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 952-955

The pages that Tolkien wrote around the terrible scene in Shelob’s Lair weave together light and darkness in a way that is both desperately horrible and exquisitely beautiful. On the one hand we have the insatiable desire of Shelob as she tracks down her prey.

“Most like a spider she was, but huger than the great hunting beasts, and more terrible than they because of the evil purpose in her remorseless eyes.” (The Two Towers p. 949)

And then we have Gollum’s treachery luring Frodo and Sam into a trap from which he is sure they cannot escape in order to regain the Ring and then to “pay her back, my precious. Then we’ll pay everyone back.” (The Two Towers p. 947)

But then we have this. 

A Elbereth Gilthoniel
a menel palandiriel
le nallon si di'nguruthos!
A tiro nin, Fanuilos!

O Elbereth Starkindler/ from heaven gazing afar,/ to thee I cry here beneath the shadow of death!/ O look towards me everwhite!

As Shelob gloats over her prey, over Frodo’s body, Sam attacks her with all the ferocity of his love for his master having beaten off Gollum’s attack. But Shelob is mightier, even than all the rage that Sam can muster, and she turns to confront and to kill him. And it is at this most desperate need that Sam looks for some strength in order to stand against her.

And strength comes to him.

It all begins with Sam clutching the phial of Galadriel and with a single word faintly spoken.

“Galadriel”.

Sam is looking for something greater than his own strength and his memory goes back to the Lady of Lothlórien, the maker and giver of the star glass. It is all that he can find within his memory and he calls upon it now. But what comes to him is something far far beyond his memory. Sam sings a song of praise to Elbereth in a language that he does not know. He heard such songs as he dozed in the hall of fire in Rivendell but he had never learnt them. Now they come to him in a Pentecostal moment and in his direst need.

I say Pentecostal not because I think that Sam has suddenly joined a particular religious movement but because, just as the apostles were given the ability to speak in languages that they had never learned on the first Day of Pentecost, so Sam is divinely gifted language that he does not know in his moment of direst need.

When the Elves cried “to thee I cry, here beneath the shadow of death” in the halls of Elrond it was a reflection upon a general spiritual condition and no less meaningful because of that, but when Sam cried out these words he literally stood in the shadow of his own imminent death, and what came to him was the angelic power that the Elves praised and underneath which they lived.

“As if his indomitable spirit had set its potency in motion, the glass blazed suddenly like a white torch in his hand. It flamed like a star that leaping from the firmament sears the dark air with intolerable light.”

And it is this light that defeats Shelob. She has been wounded by Sting, Frodo’s elven blade that Sam is holding, and one of her eyes has been put out, but it is the light that she cannot bear. “No such terror out of heaven had ever burned in Shelob’s face before.”She retreats into her hole and does not return.

Nothing less than light from heaven could have defeated her and this is one of the few moments within The Lord of the Rings in which Tolkien departs from his usual reserve about expressing the Catholic faith that was so dear to him and even here he does so within the confines of the secondary world that he had sub-created. It is angelic power that comes to Sam, the power of Elbereth, the member of the Valar whom the Elves loved the best, the kindler of the stars under which they first awoke in ancient time, and not the power of Mary, “the Queen of Heaven, the Ocean Star”, that was so important to Tolkien.

It is divine power, however mediated, that comes to Sam in this darkest of moments and which defeats Shelob. Tolkien never states this explicitly but in the beauty of Sam’s hymn to Elbereth he opens the door just a little to an even greater beauty for those who want to enter by that door