Month: May 2024

“It Strikes Me That Folks Takes Their Peril into Lórien, and Finds It There Because They Brought It.” Sam Gamgee Thinks About The Fall of Boromir.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp.888-890

Faramir’s reflections upon the decline of the West bring him to a melancholy mood. Frodo has fallen silent and so Sam enters the conversation asking Faramir why he has not spoken more about Sam’s great love, Elves.

Anke Eissmann depicts the quiet conversation between Faramir and the hobbits.

“No, indeed, Master Samwise,” said Faramir, “for I am not learned in Elven-lore. But there you touch upon another point in which we have changed, declining from Númenor to Middle-earth.”

And so Faramir speaks of the ancient alliance between Elves and Men, the Edain of Beleriand, of whom Beren was one of the great heroes and about whom Tolkien’s early readers were largely ignorant before the publication of The Silmarillion that took place after Tolkien’s death. And he speaks of the gradual sundering of Elves and Men in Middle-earth during the Third Age.

“In Middle-earth Men and Elves became estranged in the days of darkness, by the arts of the Enemy, and by the slow changes of time in which each kind walked down their sundered roads.”

And so through the mouth of Faramir Tolkien draws out his belief that a key feature in the decline of which he speaks is melancholy, not as an occasional mood such as the one into which Faramir has fallen in the quiet of the cave behind Henneth Annûn as night falls about him, but as a settled state of mind. He speaks of a growing fascination with death among the great of his land so that tombs become more splendid than palaces. Later Legolas and Gimli will note the silence of the streets of Minas Tirith and an absence of children as further signs of this state of mind,

Faramir speaks of this and adds that his people have drawn into themselves, into a self-obsessed introspection and have forgotten their roots as the descendants of Elendil, the Elf-friend, whose very resistance to Ar-Pharazôn the last king of Númenor was centred upon the very friendship that gave him his name.

“Men now fear and misdoubt the Elves, and yet know little of them.”

Even Faramir fears to go to Lothlórien, deeming such a journey perilous.

Then Sam makes one of those speeches that those who love him know and delight in and yet Sam himself does not think that he is capable of giving. He speaks of Galadriel both accurately and with words of heartbreaking beauty.

“Beautiful she is, sir! Lovely! Sometimes like a great tree in flower, sometimes like a white daffadowndilly, small and slender like. Hard as diamonds, soft as moonlight. Warm as sunlight, cold as frost in the stars. Proud and far-off as a snow-mountain, and as merry as any lass I ever saw with daisies in her hair in springtime.”

And Anke Eissmann shows Galadriel as she gives the starglass to Frodo in Lothlórien.

Tolkien skillfully and frequently gives some of his most beautiful writing to his simpler characters and in so doing shows his readers that they too have the capacity to encounter and enjoy the sublime. All Sam’s images in his speech are drawn from his experience as a gardener and from some of the new things that he has seen upon his journey. He is one who has practiced William Blake’s counsel to find “heaven in a wildflower” and who, as a consequence, knows heaven when he sees it, as he does in Galadriel.

But because of his encounter with Galadriel he knows that heaven is not like a holiday resort and when Faramir describes Galadriel as perilous Sam shows himself to be one of profound spiritual insight.

“It strikes me that folks takes their peril with them into Lórien, and finds it there because they’ve brought it”

Sean Bean portrayed the way in which Boromir “brought his peril with him ” into Lothlórien quite wonderfully in Peter Jackson’s film.

This is the way in which heaven is not like a holiday resort, a place in which everything should be as the customer wishes because they have paid for it to be so, and if it is not as the customer wishes, angry complaints are made. What complaints would be made about Lothlórien and what difference would it make if you did complain? Readers will remember that Boromir did complain, warning his companions against their hosts. Sam remembers this and it is Boromir that he has in mind when he speaks of bringing peril with them into Lothlórien.

Sam has the capacity to find heaven in a wildflower and in Galadriel too because he has practiced the discipline of finding over a number of years. Sam’s discipline of delight means that he finds beauty wherever he goes and not peril. He is not perfect. His unwillingness to extend mercy to Gollum is a great shortcoming in his moral character but his willingness, even desire, to find, and not merely to remain within existing prejudices, desires and fears, as Boromir did, makes him one of the great characters of The Lord of the Rings.

“We Are a Failing People, a Springless Autumn.” Faramir Tells Frodo and Sam of The History of Gondor and of His Loss of Hope.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 884-887

One of the main themes of The Lord of the Rings is the decline of the West. Later on in the story Denethor, the Steward of Gondor, will declare to Gandalf that the West has failed and that there is no hope against the dark and Sauron its lord.

Faramir seems to have as little hope as does his father and says as much to Frodo as they converse together after dinner.

“What hope have we?” said Faramir. “It is long since we had any hope. The sword of Elendil, if it returns indeed, may rekindle it, but I do not think that it will do more than put off the evil day, unless other help unlooked-for also comes, from Elves or Men. For the Enemy increases and we decrease. We are a failing people, a springless autumn.”

If one of the main themes of Tolkien’s great work is the decline of the West so too is the matter of Hope. Faramir speaks of help from Elves or Men but describes it as “unlooked-for”. He cannot imagine from where such hope might come even though he speaks warmly of the ancient alliance with the people of Rohan, their distant kin from of old. It is, of course, a delicious irony that the hope of the West is even now sitting before him in the form of a hobbit and his faithful servant. Elrond both recognised and welcomed this irony and Denethor will later dismiss it as a fool’s hope and Denethor will be right. It is my conviction that it was one of the greatest moments of the twentieth century and a moment whose influence is, if anything, greater in our own century, when Tolkien found himself writing words on a blank piece of paper while doing the tedious task of marking examinations, “in a hole in the ground there lived a hobbit”.

An evocative illustration by Daniel Reeve. (With thanks to Marcel Bülles for alerting me to my original incorrect attribution.)

Hobbits arrived both unlooked-for in Tolkien’s mind and even unwelcome. They interrupted his life’s work, the creation of a legendarium to which he had devoted himself for many years. They made him some money, a very useful and necessary thing for a man with a large family, but he always felt that they kept him from The Silmarillion, the great work whose existence we owe to his son, Christopher.

But, as he was to say in his foreword to the second edition of The Lord of the Rings, “the tale grew in the telling”, so that the figure who sat before Faramir in Henneth Annûn was very different and much greater than anything that Tolkien had initially conceived. In many ways Bilbo was a figure akin to the tricksters much beloved of old English folktales like Jack the Giant Killer a figure who won the prize by quick wits and good luck. Such figures would appear in the great mythologies of Europe such as the Grail Legend merely to offer some comic relief. This is how Denethor sees Pippin later on. Faramir recognises something different in Frodo but even he does not recognise just how different Frodo is.

If there is hope to be found in Faramir’s world then perhaps it might be found in “the sword of Elendil” that Aragorn wields, but Faramir is right in saying that the best that Aragorn can do is to put off the evil day. The victory won at the Pelennor Fields is just such a thing. The army that Aragorn leads that follows this victory is “scarce as many as the vanguard of [Gondor’s] army in the days of its power”, such as the army that overthrew the Witch-king of Angmar in Eriador. Aragorn knows that his assault upon Mordor is utterly impossible. There is only one hope, the fool’s hope that Frodo can take the Ring to Mount Doom and destroy it there.

It is here that I would argue that only an imagination formed by long practice of Christian faith is capable of creating the figures of Frodo Baggins and Samwise Gamgee. I am prepared to be persuaded that other religious traditions are capable of this but even then would argue that if they are then they will be very closely akin to Christianity at this point. Even many who call themselves Christian do not look for hope in the unlooked-for places. Like Faramir we cannot imagine what they might be so we do not look beyond the tried and tested or beyond a slightly better version of what we already know.

But I think that I might be judging Faramir too harshly. When he finally discovers Frodo’s mission through Sam’s unintentional assistance he recognises it for what it is. He knows that all the truth that he has ever learned, in Númenor that was, Elvenhome that is and above and beyond all “that which is beyond Elvenhome, and will ever be” has led him to the moment when he can see that Frodo’s mission is the hope of the West and that, at the same time, it is a fool’s hope as well.

“We Look towards Númenor That Was, and Beyond to Elvenhome That Is, and To That Which is Beyond Elvenhome and Will Ever Be”. Faramir Prepares to Eat in The Divine Presence.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 882-884

While on the journey to Henneth Annûn, Faramir had spoken to Frodo and Sam about his love for the memory, the ancientry, the beauty and the present wisdom of the city of the Men of Númenor, Minas Tirith, and his desire, therefore, to defend that city against Sauron, the Lord of Darkness. Faramir lives in a big world and before he sits to eat with his guests and his men he leads them all in a simple ceremony in which all stand and face west “in a moment of silence”.

This is the only ceremony that takes place throughout the entirety of The Lord of the Rings until the crowning of the High King of Gondor and of Arnor. There might be an argument to be made that the peoples of Middle-earth are ritually malnourished, an argument that could be made about the West in our own time, but Tolkien had good reason not to give his secondary creation a ritual structure. His creation was a mythical history of our own world but in a world before the incarnation of Christ, the True Myth as he famously explained to C.S Lewis, the moment in which myth and history became one in first century Palestine.

Faramir remembers “Elvenhome that is” as depicted by Alan Lee.

His anxiety was that any attempt to create a ritual life for his sub-creation would at best be inadequate and at worst idolatrous. There is only one place of worship built in the whole of Tolkien’s legendarium and that was built by Ar-Pharazôn, the last king of Númenor, for the worship of Morgoth because Ar-Pharazôn had been seduced by Sauron who had convinced him that Morgoth was the ultimate power of the universe. So the only place of worship was idolatrous and rejected by Elendil, the Elf-friend, and his followers, of whom Faramir was a descendant.

So when Faramir leads his men in a moment of ritual before they sit to eat it is done in silence so that there can be no danger of idolatry, the worship of that which is false. But this does not mean that there is no content to the ceremony and when Faramir explains it to Frodo he shows him the world in which he lives.

“We look towards Númenor that was, and beyond to Elvenhome that is, and to that which is beyond Elvenhome and will ever be.”

Númenor is the memory and the ancientry of which Faramir spoke upon the way. While the Númenor of Ar-Pharazôn was destroyed by a great wave by Eru Ilúvatar at the end of the Second Age Elendil escaped with his followers to Middle-earth and created there the kingdoms of Gondor and Arnor. Elendil honoured the ancient friendship that the Númenorians had enjoyed with the Elves, a friendship that meant that he fought alongside Gil-galad in the last great alliance between Elves and Men that overthrew Sauron taking the Ring from his hand. Faramir recognises this as he speaks of Elvenhome that is, Valinor that lies beyond the wreck of Númenor.

And he also recognises “that which is beyond Elvenhome and will ever be”. He recognises God, Eru Ilúvatar, the source of all being and life. Later when he takes Éowyn into his arms for the very first time he tells her of the wave that destroyed Númenor. In doing this he shows that he understands that Eru had intervened once directly in the affairs of Arda and also feels that something similar has just happened at the moment in which the Ring has gone to the Fire.

Frodo feels “strangely rustic and untutored” when Faramir explains all this to him. He recognises that Faramir lives in a bigger world than he does. Faramir probably lives in a bigger world than any of his men but because they honour him as their leader so too they honour his inner life and that which he believes. He is the greatest holder of the memory, the ancientry, the beauty and the present wisdom of his people. One man holds all of this, a fragile link with it all, but the world in which Faramir lives is not held by him. He is held by it as are his men and his people whether they do so consciously or not. Soon Faramir’s world will be assaulted by the darkness and tested to its very limits. It will stand, not because of its own might, but because of that which stands beneath, around and within it, and will hold it even and especially in its darkest moments.

“At Least by Good Chance We Come at The Right Hour to Reward You For Your Patience.” Frodo and Sam Come to Henneth Annûn, the Window of the Sunset.

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The Two Towers by J.R.R Tolkien (Harper Collins 1991, 2007) pp. 878-881

The journey to the place of refuge in which Frodo and Sam will stay that night is not an easy one, especially for Frodo and Sam for they will have to make the journey blindfold. But even Gollum, who we glimpsed briefly through Sam’s eyes at the beginning of this passage seems to be thrown off the trail.

But at the last, after a journey that Tolkien describes by means of the language of sound, the hobbits arrive at their place of rest and find it to be a place of beauty. For Frodo and Sam this will be their last place of refuge upon their long journey before they enter Mordor and there will be no refuge there. The first was at Woody End when they were guests of Gildor Inglorien and his company and there have been many along the way. The house of Tom Bombadil, the Prancing Pony at Bree, the Last Homely House at Rivendell, the secret land of Lothlórien, and now this. Of all the places in which they have rested this provides the least comfort but it is a safe place and it has its reward for those who rest there.

See Alan Lee’s beautiful depiction of the Elves refuge in Woody End.

“They stood on a wet floor of polished stone, the doorstep, as it were, of a rough hewn gate of rock opening dark behind them. But in front a thin veil of water was hung, so near that Frodo could have put an outstretched arm into it. It faced westward. The level shafts of the setting sun behind beat upon it, and the red light was broken into many flickering beams of ever changing colour. It was as if they stood at the window of some elven-tower, curtained with threaded jewels of silver and gold, and ruby, sapphire and amethyst, all kindled with an unconsuming fire.”

If elves had come to this place they would have fashioned a place of wonder just as they did at Woody End in the Shire. They would have learned what the place had to teach them through patient attention and then worked with it to reveal that wonder. As Gimli showed us at the glittering caves of Aglarond that dwarves would pay attention to the gifts of the earth in order to reveal them. And hobbits would discover that which would make it homely just as they had done in the Shire.

But these gifts are gifts of peace and now there is no time to practice them. The men of Gondor have made it a place of temporary shelter just as soldiers did in the trenches of the Western Front in the 1914-18 war in which Tolkien played his part. Whether Faramir returned to Henneth Annûn after the war we are not told but I like to imagine that he did and that some of Legolas’s promised elves from the woodland realm offered their services to create a kingly hall here.

But Frodo and Sam are able to find beauty wherever they go. Perhaps, as Frodo suggests when his eyes are blindfolded, it is a gift that he shares with all hobbits. He spoke at that moment of how, when the Fellowship had entered Lothlórien Gimli had sought to resist the Elves insistence that their eyes should have been blindfolded but that “the hobbits endured it”.

The willingness of hobbits to endure is one of the great gifts that they bring to the story. Of course they are capable of heroic deeds when called upon to undertake them but they do not look for such things. Merry and Pippin are carried across Rohan bound by orcs and Sam follows where Frodo goes without seeking any comfort for himself. And Frodo endures the Ring that he never sought, never desired,but which simply came to him. Later Frodo will be carried into Mordor by orcs and at the end he will be carried up Mount Doom by Sam.

“And do you seek great things for yourself, seek them not,” was a favourite text from the bible of Dietrich Bonhoeffer, the great theologian and resister of the Nazi tyranny, and one that he pondered often while in prison. And the text continues, “but I will give your life as a prize of war” (Jeremiah 45.5). Bonhoeffer learnt that life was to lived as something given, not shaped by ourselves, just as prisoners of war are allowed to live. Frodo understands life in this way and one of the rewards of his patience is an ability to find beauty at many unexpected times and places.